The Music Roundup 20/07/16

Dance night: While pulsing music can’t be experienced on a packed dance floor, Velvet Rope offers a socially distanced night of rhythm sensations. Presented by talent collective Pangea, the evening promises deep house and tech with four DJs (a resident and three guests), and ample space to dance. It’s the first in what they hope will be a regular series of events; the next is set for July 24. Friday, July 17, 9 p.m., Jewel Music Venue, 61 Canal St., Manchester, facebook.com/Pangea-110546673851223.

Fiddle time: One of the busier musicians during quarantine, Jordan Tirrell-Wysocki frequently brought his wife and kids to online shows, which provided many charming moments. The fiddler extraordinaire and his trio play an outdoor show that’s part of a Concert on the Lawn Series. Tirrell-Wysocki excels at Celtic-Irish music, but his talents range across the spectrum, and he sings, too. Saturday, July 18, 6:30 p.m., First Baptist Church, 201 North Road, Brentwood, facebook.com/firstbaptistbrentwoodnh.

Folk affair: While the venue remains idle, Bank of NH Stage is hosting shows, including Kimayo, a singer, songwriter and activist. The al fresco performance happens in a Concord park. Kimayo released her debut album Phoenix last year and is readying a follow-up LP. Fellow folkie Guy Capacelatro praised her talents, saying her set was “a wallop of sound that was delightfully delicious.”​ Saturday, July 18, 6 p.m., Fletcher-Murphy Park, 28 Fayette St., Concord. Tickets $10 at ccanh.com.

Let’s rock: Popular local cover group The River Band plays a free show, one of many in a midweek concert series that wraps up the Wednesday before Labor Day with Eric Grant. Upcoming events include 60’s Invasion (July 29), B Street Bombers (Aug. 5), Oxford & Clark (Aug. 12), Studio Two playing Beatles songs (Aug. 19) and Billy Joel tribute act Cold Spring Harbor (Aug. 26). Wednesday, July 22, 7 p.m., Milford Recreation Department, 1 Union Square, Milford, milfordrec.com.

Music that matters

Alternate Routes performs at Tupelo Drive-In

Crisis is often a catalyst for great art. That’s been true twice for Alternate Routes — a few years back the band, fronted by the songwriting duo of Tim Warren and Eric Donnelly, addressed the epidemic of gun violence with “Somewhere in America.” Featuring lyrics by Donnelly, it crystallized the issue by melding the personal and political, without judgment.

Now, as the country endures a pandemic, the pair have delivered a song that fit the moment perfectly. “If I Ever” is a meditation about standing at the brink and vowing to come back with purpose — loving more, worrying less, and facing life’s demons. “I’m gonna be better,” Warren sings in a high lonesome voice. “Because I’m gonna be grateful … if I ever get out of this.”

“If I Ever” wasn’t exactly new. Warren said in a recent phone interview that “bits and pieces of it have been around” for a while. He sent an old demo to producer Chris Ruggiero to buff up, then had Donnelly lay down subtle but essential guitar to build on the rough home recording.

“That’s when it definitely was an Alternate Routes song,” Warren said. “After that, we didn’t do much to it. We just were like, ‘OK, this is cool, here we go’ — then we just put it out.”

It’s the video made to accompany “If I Ever” that lifts the song to a higher plane. Shot at dawn in New York City in its early days as Covid-19’s epicenter, it’s both beautiful and harrowing. The frame fills with socially distanced joggers, a delightful 8-year-old girl named Daisy, encountered during filming, dancing fluidly, and shots of vast empty streets. It ends with frontline workers sharing encouraging words hand-lettered on signs: “If I can feel hope so can you” and “I’ve learned the power of communicating with my eyes.”

Creating the video was a very moving experience for Warren.

“It was such a desolate scene there in Brooklyn,” he said. “Moments on the bridge where there was nobody but us, the police officers sitting there, and a few other people jogging by, I’ll never forget it.”

It came together quickly and was released in early May.

“That’s why I wanted to do it,” Warren said. “We finished the song in the pandemic, and we put it out during the pandemic, and that’s really what it sounds and feels like to me.”

An upcoming duo show at Tupelo Drive-In is their first since before lockdown, and may be their final performance of the year.

“I’m glad we’re going to be able to get to do one,” Warren said. “I don’t want to sound pessimistic, but I’m not sure how many of them we’ll be getting to do before we ring out 2020; I just don’t know.”

Other projects will suffice for the well-traveled band. Warren is hungry to make a new album after releasing a series of singles — “It seemed like a good fit for the way people were putting music out over the last couple of years, but for me that pendulum is swinging the other way.”

Both are focused on family. Donnelly and his wife welcomed their first child, a daughter, in March, while Warren and his wife are expecting their third in September.

Such activity makes another project nearing completion even more exciting: their call to community, Nothing More will be published as a children’s book, with drawings by Mae Besom. She’s best known for illustrating Kobi Yamada’s What You Do Matters trilogy.

“This woman is really brilliant, and I can’t wait,” Warren said.

With its anthemic chorus “we are how we treat each other and nothing more,” the song became a phenomenon. It played during the 2014 Olympics closing ceremonies, and the band has performed it at hundreds of schools, while receiving requests to use it at hundreds more.

Warren and Donnelly hope to take it even further.

“We’re going to try to put together a choral music package … together with ‘Somewhere in America’ and a few other songs that can create a dialogue in schools amongst kids learning music, about some of the social stuff that’s spinning around the world right now,” Warren said. “That feels like important work, you know?”

Alternate Routes
When:
Thursday, July 23, 6 p.m.
Where: Tupelo Drive-In, 10 A St., Derry
Tickets: $20 per person (restaurant), $75 per vehicle at tupelohall.com

The Music Roundup 20/07/09

Good times: One of the region’s musical treasures, Charlie Chronopoulos is a triple threat. He writes lyrically complex and compelling songs, renders them in a soothing honey and woodsmoke voice, and plays guitar like a beast. Good to have him back on the circuit, with shows booked throughout July. Check out his original “Chief and a Warrior,” recorded at Manchester’s Studio 2, for a taste of his brilliance. Thursday, July 9, 6 p.m., Village Trestle, 25 Main St., Goffstown. See facebook.com/charlie.chronopoulos.

Wooden music: Like Jethro Tull, no member of The Clavis Brudon Band answers to that name, which is an amalgamation of the first three letters of the quartet’s surnames. They play a tasty brand of folk rock, this time at a new-ish venue; the restaurant’s been around for a while, but the rustic deck in back was just completed (one of the few bright spots of the pandemic is more outdoor performance spaces). Friday, July 10, 5 p.m., Tooky Mills Pub, 9 Depot St., Hillsborough. See facebook.com/The-Clavis-Brudon-Band.

Happy man: Another among the plethora of entries into the live music scene is Paul Lussier, a singer, guitarist, actor and veteran of the regional scene. Lussier promises songs about peace, love and understanding to remedy current contentiousness, with a set that includes classic rock covers, and he may sprinkle in a few originals from his rock musical in progress, You Are My Song. Saturday, July 11, 4:30 p.m., The Hill Bar & Grille, 50 Chalet Way, Manchester. See paul-lussier.wixsite.com.

Local hero: The Concord music community got sad news recently that True Brew Barista is closing, as the owners are retiring. Thanks for the many years of memories. The scene continues apace led by dedicated folks like Lucas Gallo, a musician and show promoter, who plays at a brewery that’s also keeping the flame burning. Enjoy an all original set along with stellar craft beer. Thursday, July 16, 7 p.m., Lithermans Limited Brewery, 26B Hall St., Concord. See facebook.com/lucasgallomusic.

Live and local

Soulful Concord band plays in Bow

FieldHouse Sports, a Bow facility better known for year-round indoor soccer, is the latest entry into the live music scene. Fiddler Jordan Tirrell-Wysocki led off the drive-in lot series on July 3, performing with his trio. A week later Trade, a rhythmic, horn-seasoned combo featuring some of New Hampshire’s finest players, will host the parking lot party.

Trade began with singing drummer George Laliotis and guitarist Scott Solsky, and a batch of Solsky’s songs that departed from his then band The Hats.

“I was at the point where I wanted to start a project and write the kind of music that has always spoken to me,” Solsky said in a recent phone interview. “The one thing I always came back to is that soul Motown thing … and no one sings that like George does.”

Early on, Trade played as a trio with keyboard player Matt Hogan, later adding horns.

“Over the years there were people coming in and out,” Solsky said, “But it’s always been George and I.”

In mid-2018, Trade released a CD, Puzzle. The album’s nine tracks were cowrites.

“I’ll come up with the idea, and George writes a lot of the lyrics being a singer, it’s more in his wheelhouse but the band does the arrangements,” Solsky said. “We’ve worked really well together as a group; everyone has ideas, and everyone contributes.”

The current lineup is Laliotis, Solsky, bassist Chris Noyes, a horn section of tenor sax player Zack Jones and Jamie Boccia on trumpet, and newest member Chris Sink on keys. The band recently released a new single on their SoundCloud page. “Real Deal” was an outtake from Puzzle.

“We were on the fence about whether or not we were going to do that one, then we were like, nah,’ Solsky said. “We kind of regretted not recording it, so it’s like we’ll just do it now.”

Working in isolation during quarantine was a daunting exercise.

“It was interesting; everyone having their own part, one person recording and sending it to the next and so on down the line,” Solsky said. “There was a learning curve for all of us, and I feel especially me, because I’m not super digitally inclined. To be able to get ourselves set up so that we can each individually record was the biggest challenge.”

Another track, called “Attachments,” is in progress, with hopes to complete it in the coming weeks. Solsky is also at work on a solo record at The Noise Floor in Dover. The backing band for half of the instrumental effort was Trade, and most of its songs are now part of their stage repertoire. Solsky calls his music “Jazztronica,” noting that “it came about because for my solo stuff I do the looping thing … it kind of has a flow to it.”

Both Solsky and bandmate Sink contributed tracks to Pass the Hat, a benefit LP organized by Chris Chase at Noise Floor. Fifty musicians offered songs, raising over $10,000, which was donated to 25 of the record’s contributors. Solsky played several Facebook Live shows during lockdown and was encouraged by fans’ willingness to drop money into his virtual tip jar.

He and the rest of Trade are anxious to be back in front of an audience, however.

“It’s exciting,” Solsky said. “As much as I’ve appreciated the support while livestreaming, whether it’s by myself or with the band, I always find that there’s a certain energy that you never really can reclaim when you’re just playing in front of the camera. That feeling of having a live crowd in front of you makes the energy of the music very different.”

Trade
When:
Friday, July 10, 7 p.m.
Where: FieldHouse Sports, 12 Tallwood Drive, Bow
Tickets: $25 in advance, $30 at the gate per vehicle (up to 2 people), $10 each additional person at fieldhousesports.com

The Music Roundup 20/06/25

Al fresco: With songs like “This Ol’ Farmhouse” in their catalog, Beechwood is an ideal choice to provide acoustic music at a local farmers market. The local group features some very nimble fingerpicking guitar, instrumental interplay and tight harmonies as they mix fine originals with covers of artists like James Taylor, Anders Osborne and Steve Earle. Thursday, June 25, 4 p.m., Henniker Community Market, 57 Main St., Henniker. Bring a blanket and chair.

In and out: Now that restrictions on capacity limits are being eased, more venues are returning. Backyard Swagger plays country rock covers led by powerhouse lead singer Diane Ferullo at a downtown nightspot that reopened on June 17. The Massachusetts quintet covers everyone from Carrie Underwood and Miranda Lambert to Zac Brown Band and Luke Bryan. Friday, June 26, 7 p.m., Bonfire Country Bar, 950 Elm St., Manchester. More at bonfire.country/manchester.

Perfect pair: Enjoy honey wine with equally smooth vocals as Anderson-Gram Duo perform meadery music. The married couple originally hailed from Hampton but have lived and performed in Northern California for many years, where they’ve appeared at prestigious events like the Kate Wolf Memorial Festival in Laytonville and the San Francisco Folk Festival. Saturday, June 27, 6 p.m., Moonlight Meadery, 23 Londonderry Road, Londonderry. More at andersongram.com.

Hop onboard: Hosted by ManchVegas Brew Bus, Chad Verbeck kicks off the OG Sundays live music series with an acoustic set. Since local music treasure Alli Beaudry runs the beer touring company, and Verbeck is a longtime member of her band, chances are some collaboration could happen — with appropriate social distancing. Sunday, June 28, noon, Candia Road Brewing Co., 840 Candia Road, Manchester. Reservations are required — candiaroadbrewingco.com.

L.A. Woman: Every summer, MB Padfield returns from her current abode in Southern California to play music for her old hometown. A midweek Manchester set is a residency — she’ll be on the deck there every Wednesday up to Labor Day. In August Padfield, who sings, and plays both a mean guitar and a bedazzled ukulele, will be the featured performer at KC’s Rib Shack’s Tuesday open mic. Wednesday, July 1, 6:30 p.m., Murphy’s Taproom, 494 Elm St., Manchester, 644-3535.

Finding a way

Adam Ezra Group returns to performing

On what turned out to be the worst Friday the 13th in musical history, Adam Ezra was scheduled to open for Southside Johnny & the Asbury Jukes in Clearwater, Florida. A pandemic had other plans, however, and the show was canceled — along with the rest of Ezra’s 2020 Get Folked solo house concert tour.

It put Ezra in a funk, and not the fun kind. Never one to stay dejected, though, he hopped onto Facebook Live to air his frustration and sing a few songs.

“It made me feel a little bit better,” he recalled by phone recently. “So I said at the end, ‘How about we do this again tomorrow?’”

Thus began The Gathering, a daily livestream that’s attracted over two million viewers, while picking up major sponsors like lifestyle company Timberland. The webcasts ran unfailingly, even when Ezra contracted Covid-19 himself, and as he and his fiancée drove a packed van from Chelsea, Mass., to their desert cabin in Joshua Tree, California.

Singing and playing on the internet was fun, but Ezra is an inveterate road dog, performing close to 200 gigs most years. So he’s stoked to be coming back to New England to play a few drive-in shows, beginning July 1 in New Bedford, Mass., and peaking on Fourth of July weekend at one of his favorite haunts, now transformed.

“I’m a big fan of Tupelo Music Hall,” Ezra said of the Derry venue, one of the first in the country to convert its parking lot into an outdoor concert facility. “It’s a really special place that obviously understands the power of community.”

Though there were a few virtual Gathering jams, this will mark the first time Ezra, fiddler Corinna Smith, drummer Alex Martin and bass player Poche Ponce have been on stage together since playing last New Year’s Eve at Tupelo, a show that was also released as a live album.

“They are my friends and my partners in crime,” Ezra said. “I missed the hell out of them, and I’m really excited to get to play music with them again. … It’s like breathing, or sharing a milkshake.”

He knows the band will need a little time to find its old form, but Ezra isn’t worried. In fact, it’s one of the things he’s looking forward to most.

“One of the things I love about our following, our fans, is that it doesn’t matter. We’re all going to be figuring it out together,” he said. “I think the mess-ups are going to be better than the parts we nail that night.”

Work on a new studio album was ended by the lockdown, but Adam Ezra Group did release “Find a Way.” The a capella song is just right for the present zeitgeist, with an exhortation to “hold onto each other” and weather crisis. The song isn’t new — Ezra released it on a solo album a while back — but the way it was redone is unprecedented.

“I thought, how can what we’re doing musically help impact the message of the song as powerfully as possible, and four voices depending on each other to create chords and make the music happen felt like the perfect metaphor,” he said, noting that AEG had never worked that way before. “We do not feel comfortable when we don’t have our instruments in front of us, right? That’s just who we are.”

After living in near isolation since early May, Ezra is happy to be returning to music. He’s also amazed at what transpired, including a bout with the virus that wasn’t life-threatening but was very uncomfortable, and time allowed for reflection that he never expected given his lifestyle.

“Can you think of anything that would force us all to analyze life more deeply than having to shut down the engine and stay put for three months no matter where you are? This is part of my life forever … just like touring. The marriage of the two is going to be the sweet spot for me.”

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