Palace brings Carole King story to stage
For anyone who ever wondered where songs come from, the Palace Theatre’s splendid production of Beautiful: The Carole King Musical provides a perfect primer. It’s to director Carl Rajotte’s credit that the music, performed by a talented ensemble cast, is accompanied by photos of original artists like the Drifters, Shirelles and Righteous Brothers, as well as the principal artists played by feature actors.
Rachel Gubow shines in the title role, her first at the Palace, both as a singer and actress. She reveals how King, along with songwriting partner Gerry Goffin, helped shape the soundtrack of a generation. Austin Mirsoltani, also making his Palace debut, does an admirable job as Goffin, as he illustrates the inspiration for songs like “Up on the Roof” and “Will You Love Me Tomorrow?” along with the challenges of working in a highly competitive creative environment.
That milieu is fleshed out by Donnie Kirschner, who ran Aldon Music in 1960s Times Square, played by Ken Quiricone, along with fellow songwriters Barry Mann and Cynthia Weil. In the latter roles, Evan Ross Brody and Lauren Echausse are hilarious, earning more than a few laugh-out-loud moments on opening night.
Brody is reprising a role he recently played in a Florida production of Beautiful. In an interview following the initial performance, Director Rajotte called the pair’s contribution essential. “Evan sent us his reel, and I just thought he was hysterical,” he said. “This show needs that, Cynthia and Barry, to lighten it up.”
He continued that Gubow seemed destined to portray the artist who, as a composer, helped shape the mid-20th-century’s Great American Songbook and later joined contemporaries like James Taylor and Joni Mitchell for a singer-songwriter movement that included her 1971 solo album Tapestry.
When the show opened on Broadway, Gubow was just out of school and auditioned for the lead role, urged by her agent. “That was her first Broadway callback, and even though she knew at the time it was a dream, ever since then she’s been studying Carole King,” Rajotte said. Later, Gubow was an understudy in a Beverly, Mass., production, serving one time as lead. “She came in knowing the show really well, which is great, because Carole’s on stage all the time.”
There’s much more to King’s story than music. Beautiful spans a turbulent decade, and Mirsoltani is convincing as a man who feels constrained by suburbia, even as he’s writing the words to songs like “Pleasant Valley Sunday” for the Monkees sitcom. Goffin and King’s marital breakdown brought a visceral response from the opening night crowd; their acting is that convincing.
As written by Douglas McGrath, the musical’s book is a historical mashup. For example, Act 1 ends in a Vermont ski lodge in 1964, and the second begins with King working on an arrangement of “Chains” — which was actually a hit for the Cookies two years earlier. Also, and perhaps less critical, King’s transition from Goffin’s partner to solo performer omits a messy path that included both a failed trio called The City, and a pre-Tapestry solo record.
Such artistic license is allowable in the service of vividly depicting a moment that likely won’t come again, as a gaggle of creatives barely out of their teens followed their instincts into immortality. Nuanced performances from the core five cast members show the movement from musicians performing other people’s songs to writing their own, the cultural upheaval of the hippie movement, and creating in a place where, to use a Cynthia Weil line, there was “always magic in the air.”
There are many reasons to see this more than excellent production before it closes on May 12. All of them are good ones, but director Rajotte’s rationale is perhaps the best.
“I know everyone is coming to hear Carole King’s music,” he said, “but what I really want is that they hear her life story … where the music came from is just so important.”
Beautiful: The Carole King Musical
When: Fridays, 7:30 p.m., Saturdays, 2 & 7:30 p.m., Sundays, 2 p.m. through May 12
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $28 and up at palacetheatre.org
Featured Photo: Austin Mirsoltani and Rachel Gubow in Beautiful: The Carole King Musical.
