Author: Jennifer Graham

Return of the Artisan, by Grant McCracken (Simon Element, 207 pages)

Behold the Pop-Tart, the humble toaster pastry introduced in 1964. It’s pretty much the same product as it was when Lyndon Johnson was president, which is to say it was the epitome of unnatural food. Designed to fit a toaster, the Pop-Tart was, Grant McCracken writes, “the ultimate triumph of artifice.”

“You couldn’t tell where it had been farmed, who had farmed it, or what, indeed, was in it. Somehow Pop-Tarts existed sui generis.”

Pop-Tarts, of course, still exist, but the world into which they were first introduced is far different now. In the 1960s, Americans were still enamored with factories and assembly lines and the convenience foods that rolled off them. There were objectors, of course; they were called hippies. As McCracken explains in Return of the Artisan, the ideals of the counterculture granola-eating warriors would ultimately prevail. America, the author believes, is over its ill-advised love affair with the industrial production of goods, and we are finding our way back to a better way of producing and consuming. It’s still capitalism, but we’ve found a better way to do it.

The change has occurred in 10 waves that began with the opening of Alice Waters’ trendy Chez Panisse restaurant in Berkeley, California, in 1971, continuing with the tide of “foodie” cookbooks and the trend toward “slow” eating and natural foods, which naturally gave way to mixology and craft beer, and ultimately the rise of “fast casual” fare (think Panera and Chipotle) and, of course, Whole Foods. Incredibly, more than half of Americans identify as a “foodie,” someone who takes an inordinate interest in what they eat and how it is prepared. The trend is so significant that even the giants of mass production are trying to present themselves as artisanal; hence, the advent of Wendy’s “natural” fries and the blocks of “handmade” soap you can buy at chain supermarkets.

But this is not just about food. There are more craft fairs than malls these days, and many of the malls that exist are struggling to survive. Even if they don’t have the time and skill to make gifts themselves, most people prefer to give handmade gifts that have (and hold) value more than anything found in a big-box store. “Artisans make gifting easy,” McCracken writes. “Their creations are perfectly gift-proportioned: authentic, human scale, handmade, they are exactly the right size and shape, plus particular and personal in just the way a gift should be. They are Goldilocks valuable: not too precious, not too mere.”

The change to a society where artisans are valued more than industry comes with subtle shifts that are potentially radical. For example, McCracken says that in this new arrangement, the consumer isn’t king, as Charles Coolidge Parlin famously said. Neither are the Mad Men. The artisans, the ones who know what they’re doing, reign. Also, artisans aren’t in it for big profit, although they, too, need to pay their bills, and McCracken argues that the artisanal economy opens up opportunity for many 9-to-5 workers who have retired or lost their jobs, providing both income and community.

“Capitalism lives to optimize. … The artisan is inclined to make the product she thinks is most compelling, for a small audience, not with the cheapest method, but the most crafted one,” McCracken writes.

McCracken, who lives in Connecticut, is a cultural anthropologist with a Ph.D., and as co-founder of something called the Artisanal Economies Project he has skin in this game. He is not just observing changes in the American economy but advocating for them, elegantly and convincingly. This is a lovely collection of essays, reminiscent of the thoughtful reflections of Bill McKibben, Howard Mansfield and Alan Lightman.

His most powerful one comes at the end of the book, when he recounts how he came to discover a simple canvas wallet that had been made by his uncle’s mother 65 years earlier. “The wallet was what we might call, after Proust, a ‘Madeleine’ object: an object charged with meaning and power,” he writes.

That wallet “opened a cut on the surface of reality. Something dangerous came spilling into life. … Somehow it managed to be both personal and completely traditional. You could see that it conformed to a traditional pattern to which generations had contributed. But it was also the work of an individual in the throes of a terrible emotion driving the stitches in one direction and then another. There was craft here and there was something craft couldn’t contain.”

There are pleasures to be found in Walmart and McDonald’s, to be sure, but they are thin ones and they make us fat. The return of the artisan, as McCracken sees it, won’t solve all our problems and is a slow work that is still in progress; it took 60 years, for example, for people to start questioning the wisdom of Pop-Tarts and mass-produced boxes of cereal. But there is value in the process, and in simply paying attention to the choices we make, McCracken maintains.

“The artisanal community is a respite precisely in that it allows us to take refuge from the blooming, buzzing world out there. It speaks to us precisely because it is not distracted and complicated by a hundred points of view.”

It remains to be seen whether the premises put forth here are true, but it’s a testament to McCracken’s persuasiveness that we want them to be true at the end. See you at the next craft fair. A

Book Notes

In the publishing world, the most prestigious books are the hardcover ones, and that prejudice trickles down to the masses. It’s mostly hardcover books that get reviewed; some publications won’t even consider paperback books. (For the record, we do on occasion.) While many paperbacks are subsequent editions of hardcovers, plenty aren’t, which means a lot of books aren’t getting reviewers’ attention. According to Publisher’s Weekly, there were twice the number of paperbacks (both trade and mass market) as hardcovers last year.

All that is to say, it’s worth poking around “new releases in paperback” to find gems that were not previously published. One appears to be Animal Joy, A Book of Laughter and Resuscitation (Graywolf, 320 pages) by Nuar Alsadir. Alsadir is an Arab-American poet in New York City, and her first nonfiction book is a lyrical and free-form exploration of the importance of laughter and humor to the human animal.

Two other new paperback titles worth your attention as we approach the end of summer reads:

¡Hola, Papi! How to Come Out in a Walmart Parking Lot and Other Life Lessons (Simon & Schuster, 224 pages) is a collection of humorous essays by advice columnist and Substack writer John Paul Brammer.

The author has been called “the Cheryl Strayed for young queer people everywhere,” but I’ve read Strayed and Brammer appears to be much funnier.

Equally fun is the novel Love in the Time of Serial of Killers (Berkley, 352 pages) by Alicia Thompson, which is about a Ph.D. candidate obsessed with true crime who goes to Florida to clean out her childhood home after her father’s death and starts suspecting that the next-door neighbor is, in fact, a serial killer.

On a much more serious note, anyone who wants to show support for Salman Rushdie, hospitalized in critical condition after he was attacked during a presentation earlier this month, could purchase his Language of Truth, a collection of the author’s essays between 2003 and 2020, which was released in paperback in July (Random House Trade, 368 pages).

A past winner of the Booker Prize, Rushdie is the author of 14 novels, including The Satanic Verses, the 1988 novel believed to be blasphemous by many Muslims. Ironically, the subject on which Rushdie was speaking at the time of the attack was about how the U.S. is a “safe haven for exiled writers,” The New York Times reported, quoting the CEO of PEN America, who said, “we can think of no comparable incident of a public attack on a literary writer on American soil.”

In the wake of the attack, The Satanic Verses re-emerged on Amazon’s top 10 list of fiction; it’s No. 1 as of this writing. A paperback edition (576 pages) is available from Random House.

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Book Events

Author events

• SPENCER QUINN presents Bark to the Future: A Chet & Bernie Mystery on Sunday, Aug. 28, at noon at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600).

• ADAM SCHIFF presents Midnight in Washington at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Tuesday, Aug. 30, at 2:30.

• MINDY MESSMER presents Female Disruptors: Stories of Mighty Female Scientists at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Wednesday, Aug. 14, at 5:30 p.m. Free; register at www.bookerymht.com/our-events.

• PHIL PRIMACK presents Put It Down On Paper: The Words and Life of Mary Folsom Blair at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Sept. 8, at noon.

Poetry

• OPEN MIC POETRY hosted by the Poetry Society of NH at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com), starting with a reading by poet Sam DeFlitch, on Wednesday, July 20, from 4:30 to 6 p.m. Newcomers encouraged. Free.

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Writers groups

• MERRIMACK VALLEY WRITERS’ GROUP All published and unpublished local writers who are interested in sharing their work with other writers and giving and receiving constructive feedback are invited to join. The group meets regularly Email [email protected].

Book Clubs

• BOOKERY Monthly. Third Thursday, 6 p.m. 844 Elm St., Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

Dirtbag, Massachusetts by Isaac Fitzgerald (Bloomsbury, 242 pages)

When people outside of New England think about Massachusetts, they think about Boston — the history, the sports, the Brahmins.

Isaac Fitzgerald, however, hails from the seamier side of the Commonwealth. His childhood memories include a stint at a homeless shelter in Boston and a generally miserable encampment in a Worcester County town called Athol, which is sometimes irreverently referred to as an expletive that stands in for a body part.

You can’t use that in a book title, however, so Fitzgerald’s memoir is called Dirtbag, Massachusetts.

Subtitled “a confessional,” the book is exactly that, and it’s not just Fitzgerald’s sins that are confessed here, but those of his parents and friends.

“My parents were married when they had me, just to different people,” Fitzgerald begins. It’s a catchy line though somewhat diminished by Fitzgerald’s admission that he’s been saying this to people for much of his adult life; it was a set-up in search of a book-length punchline.

Fitzgerald, who once was the books editor for Buzzfeed and wrote a children’s book called How to Be a Pirate, has the kind of life trajectory that is defiant of its origins. His parents, who were divinity school students when they met and had an affair, were the sort of people who looked good on paper but were a Dumpster fire in reality. And Fitzgerald has no qualms about airing the family’s dirty laundry. While married to other people, for example, his parents would say they were off on “spiritual retreats” while in fact they were meeting for joyous trysts in the White Mountains. (He was conceived on Mount Carrigain.) His mother later told him that she considered getting an abortion and mused, “Maybe it would have been for the best.”

“Telling a child at a very young age, whom you’re raising in the Catholic Church, that he was a miracle conception is a choice,” he writes. “Messy parenting, maybe, but it makes for another good story.”

Dirtbag, Massachusetts is full of good stories, most of which skirt ethical lines, such as Fitzgerald’s father taking him to Red Sox games and usually getting seats “so close you could smell the grass” by telling ushers that it was his son’s first game. (“I must have had a hundred first games.”) There is a roguish charm to the family’s story, not only in the illicit conception, the “happy accident,” but in how hard it seems that Fitzgerald’s parents were trying.

As a young child, the father, who struggled with alcoholism, read him The Hobbit and “The Rime of the Ancient Mariner.” The father would let his son accompany him on a bike while he ran along the Charles River. For a time, it was a vibrant little family, one that was intellectually alive. But there was also an ever-present grubby poverty and worsening relationship problems that caused his mother to cry herself to sleep at night and to overshare with her young son. Fitzgerald writes that his parents’ problems — “her sadness, his anger”— became his as well.

Meanwhile, Fitzgerald himself was growing up rough around the edges. When he went to confession at age 12, “I told the priest about breaking into houses to raid liquor cabinets, lifting bottles from package stores and cigarettes from grocery stores, trading bottles and cigarettes for weed and mushrooms.” The priest himself could not cast the first stone; the story turns dark when young Isaac confesses a sexual encounter and the priest shows an unusual lurid interest in the details. That segues into a discussion of the sex abuse scandal in the Archdiocese of Boston — for a while, Fitzgerald’s mom worked at the cathedral while Bernard Law (archbishop of Boston from 1984 to 2002) was in charge and she would take him to work. As such, he has stories to tell, one truly concerning, although when his mother much later got around to asking him if he had ever been molested, he could say “no” honestly. But he likely came close.

Fitzgerald is no longer a practicing Catholic; he doesn’t even believe in God but says “I still pray anytime I’m in trouble, or feeling lost, or alone, which is to say I still do it almost daily.” He also has an attachment to St. Jude, the patron saint of lost causes, and has a tattoo with an image of the saint, among others. It’s a great metaphor for how any religious upbringing sinks into our pores and stays there, whether we want it there or not.

From there, Fitzgerald takes his substantial comic gifts to describe his stint as a fat kid (although the length of time that he was overweight appears greatly overstated), the joy he found in a high-school “fight club” inspired by the Edward Norton-Brad Pitt movie, and his experience at boarding school, after getting himself admitted on a full scholarship because he was so desperate to leave his dilapidated mill town. When he arrived, he didn’t even have sheets for his bed, or a jacket and tie to wear to the school’s first-night formal dinner. In a poignant moment that seems to sum up the deprivations of his childhood, Fitzgerald explains that he borrowed an overlarge jacket and tie from his Cape Cod roommate and stood there awkwardly, unsure of how to knot the tie. The roommate, who wasn’t a stereotypical prep-school jerk, took notice, and smoothly offered to help. It’s the kind of moment that sticks with you, and one that shows that Fitzgerald has humanity — and appreciates it in others.

There are chapters in the book that don’t work as well. If you’ve never heard of, and don’t care for, the band “The Hold Steady,” you are unlikely to care about them after reading Fitzgerald’s fanboy tribute. (That said, if you love the band, run and get a copy and jump immediately to page 78.) Fitzgerald’s love letter to his favorite bar is best if you, too, have a bar that works double duty as a home. And he abandons all pretenses of chronology after adulthood; jumping back, for example, to an incident at prep school (that I frankly wish were not now in my brain) after relating some stories of international travel.

But none of that prepares us for the discussion of Fitzgerald’s six months of “modeling” for a porn website, which is information I really didn’t want or need. (The book jacket only mentions bartending in San Francisco and smuggling medical supplies into Burma.) TMI. Truly.

After that, however, he slips into sentimental mode for a musing on family that gives hope that even the most messed up families on the planet — or least in Dirtbag, Massachusetts — can end on a sweet note. It’s not the book we want or expect, but maybe it’s a book some of us need. B

Book Notes

When the lazy, hazy, crazy days of summer draw near to a close, it’s usually time for a new, highly anticipated, deeply reported book on the New England Patriots to appear, one that will finally be the “definitive story” of the NFL dynasty. Even in the absence of Tom Brady, we had one last year: It’s Better to Be Fearedby Seth Wickersham (Liveright, 528 pages).

This year: crickets. Other than a few self-published guides to fantasy football, there’s not a lot out there. Aside from an upcoming biography of Dallas Cowboys coach Jimmy Johnson (Swagger, due out in November), the only marquee title welcoming the return of the football season is Rise of the Black Quarterback, What it Means for America by ESPN writer Jason Reid (Andscape, 288 pages). The book begins with the story of the first African American to become an NFL head coach, Fritz Pollard, and works its way up to legends-in-progress like Patrick Mahomes, Colin Kaepernick, Lamar Jackson and Kyler Murray.

There’s also a new book on Jim Thorpe, the multisport athlete who was the first Native American to win a gold medal for Team USA in the Olympics. Path Lit By Lightning (Simon & Schuster, 672 pages) is not for anyone with only a casual history in Thorpe and his achievements, but resides in that “definitive history” genre.

It’s by Pulitzer Prize winner David Maraniss, who chronicles Thorpe’s excellence in football, baseball, basketball and the decathlon while also examining the more sobering realities of his life, such as his struggles with alcoholism. Thorpe is still considered by many to be the world’s greatest athlete, and there’s even a town in Pennsylvania named after him. Publisher’s Weekly calls this an essential work that “restores a legendary figure to his rightful place in history.”

Next, it’s part sports, part business and probably part self-help, but college football fanatics will want to check out The Leadership Secrets of Nick Saban (Matt Holt, 256 pages) by John Talty. The book promises an inside look at how Saban, longtime coach of Alabama’s Crimson Tide, became “the greatest ever.” (Lou Holtz might like a word.) Presumably this builds upon Saban’s own inspirational book, How Good Do You Want to Be?, published in 2007, the year he took over at Alabama.

Finally, for those who insist NASCAR is a sport, Kyle Petty is out with Swerve or Die: Life at My Speed in the First Family of NASCAR Racing (St. Martin’s Press, 288 pages). Now retired and a commentator for NBC Sports, Petty is the son of the late NASCAR legend Richard Petty. It’s a gutsy title, given that his driver son, Adam, was killed in a practice run at New Hampshire Motor Speedway in Loudon 22 years ago.

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Book Events

Author events

• TOM MOORE Andy’s Summer Playhouse (582 Isaac Frye Highway in Wilton; 654-2613, andyssummerplayhouse.org) and Toadstool Bookshop will present an event with Tom Moore, one of the authors of the bookGrease, Tell Me More, Tell Me More: Stories from the Broadway Phenomenon That Started It All on Friday, Aug. 19, at 5 p.m. at Andy’s Summer Playhouse. See andyssummerplayhouse.org/grease to RSVP to the event.

• CAROL BUSBY presents Sailing Against the Tide at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Saturday, Aug. 20, at 2 p.m. Free event; register at www.bookerymht.com/our-events.

• SPENCER QUINN presents Bark to the Future: A Chet & Bernie Mysteryat Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Aug. 18, at 6:30 p.m. and on Sunday, Aug. 28, at noon at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600). The Bookery event is BYOD: bring your own dog.

• PHIL PRIMACK presents Put It Down On Paper: The Words and Life of Mary Folsom Blair in a Literary Lunchtime event at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Sept. 8, at noon.

Poetry

• OPEN MIC POETRY hosted by the Poetry Society of NH at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com), starting with a reading by poet Sam DeFlitch, on Wednesday, July 20, from 4:30 to 6 p.m. Newcomers encouraged. Free.

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Writers groups

• MERRIMACK VALLEY WRITERS’ GROUP All published and unpublished local writers who are interested in sharing their work with other writers and giving and receiving constructive feedback are invited to join. The group meets regularly Email [email protected].

Book Clubs

• BOOKERY Monthly. Third Thursday, 6 p.m. 844 Elm St., Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

The Summer Friend, by Charles McGrath (Knopf, 227 pages)

For people of a certain socioeconomic class, “summer” has long been more of a verb than a noun. To summer at the Cape or in Newport, or even spend a month at some Dirty Dancing type resort, was a privilege far removed from going somewhere with the kids for a week or two.

In his memoir The Summer Friend, Charles McGrath acknowledges the class divide in our experience of summer, writing, “In this country, the idea of vacations … didn’t come along until the nineteenth century, and it was initially embraced by people who didn’t work all that hard to begin with. … Working people didn’t get time off, and farmers, in particular, were busiest during the hot summer months.”

So thank the rich if you enjoy summer because the season as we know it began with the wealthy embarking for their “camps” in the Adirondacks and “cottages” in Newport to escape the heat of the South and cities. Of course, summer activities were quite different then, because in the 1800s swimming and sunning weren’t popular activities: “What people mostly did was stroll around and wait for the next meal, sort of like people in rest homes,” McGrath drolly observes.

Not so McGrath, a former editor for The New Yorker and The New York Times, whose remembrance of summer is much more action-packed and includes a friend, also named Chip, who hailed from New Hampshire.

That friendship, cut short by metastasized prostate cancer, is ostensibly the subject of this slim, often elegant memoir. However, the seasonal friendship, though it spanned decades, didn’t provide enough material to fill a book, and a more accurate title would have been “My Summer House,” filled as the book is with McGrath’s reflections on his own summers, both as a child and as a parent. (He’s the father of New Yorker writer Ben McGrath, who also published a memoir about a doomed friendship this year; it’s called Riverman.)

McGrath’s summer friend was Chip Gillespie, a New Hampshire native whose father taught (and was briefly the headmaster) at Phillips Exeter Academy. The men met — at a square dance — because McGrath and his wife had decided they wanted to spend their summers as they did in childhood, decamping to a primitive cottage for an extended period of time instead of flying the family to a Disney resort or some exotic locale.

As it turned out, both the McGraths and the Gillespies had young children of the same gender and age, and as so often happens, the need for children’s playmates helped to facilitate the parents’ friendship, as did the natural gregagriousness of Chip and his wife, Gay. (McGrath would say at Gillespie’s funeral that, “of his many abilities, Chip’s greatest talent was for friendship.”)

The Gillespies had the McGraths over for dinner the following night, and there was soon after a playdate for their daughters from which Chip Gillespie arrived on the water in a sailboat to pick his daughter up by towing her across the channel to their house. “Who knew you could do that with a sailboat, and how could you not want to be friends with the guy who thought of it?” McGrath writes.

It’s not that McGrath wasn’t accomplished in his own right, but Gillespie, an architect five years older, seemed to have the more interesting life, and McGrath came to be something of a fanboy. Gillespie was the instigator behind the pair’s more daring adventures, such as jumping off bridges at night and skinny-dipping with their wives, and it was Gillespie who taught his city friend how to trap lobsters, and to illegally obtain fireworks from Phantom Fireworks in Seabrook.

Unlike the McGraths, the Gillespies lived in the unidentified beach town in Massachusetts, year-round; they “made summering into something like an occupation,” McGrath writes. There was a built-in imbalance to their friendship since McGrath was there on vacation while Gillespie was still working; the Gillespie family vacationed in Canada.

But the two took to hanging out together when Gillespie wasn’t working, and while it appears they didn’t talk much, they participated in the storied rites of affluent male-bonding: playing golf, sailing, checking scores on ESPN, and performing random chores like sanding their boats and hauling trash to the dump. There was an easy camaraderie between the men, and they picked up the friendship easily when the McGraths came to town. Then Gillespie got sick.

Diagnosed with prostate cancer, he fought it off for a few years, but the cancer spread catastrophically, to the point of destroying his hip and eventually claiming his life. It appears that Gillespie worked to hide the extent of his illness from his friend, or maybe they just weren’t that close after all. For a significant friendship, the men seemed to not talk much, at least not about significant stuff, and this is passed off as being common among men. “Call it cowardice if you want, but my sense was that he didn’t want to talk about death or friendship either. I thought it was enough that we were just there in the same room,” McGrath wrote.

At the end, though, McGrath expresses his profound regret at what was not said; when he finally gets around to expressing how he feels about Gillespie and their friendship, it’s in a letter delivered in the final months of Gillespie’s life, and McGrath admits that it was too little, too late. “This book is what I should have given him,” he confesses.

Few people lose friends or family without pangs of guilt and regret, so in this, The Summer Friend is a cautionary tale. It is also a fine summer musing, though mostly for people of a certain age and class. Your cousin from Boston may not care much for it, but your grandfather from Newport definitely will. B

Book Notes

People in the U.K. forgave Americans for stealing the sitcom The Office, the actor Benedict Cumberbatch and even the Duke and Duchess of Sussex. But they still haven’t gotten over how we took over the Man Booker Prize.

The most prestigious literary award in the U.K., the Booker Prize honors the best fiction written or translated into English and it was only opened to American authors in 2014. It didn’t take long for Americans to win: Paul Beatty won in 2016 for The Sellout and George Saunders in 2017 for Lincoln in the Bardo, leading critics to grouse that Americans had “colonized” the award and should be excluded again. That hasn’t happened, and this year’s longlist will likely renew the complaining: six of the 13 novels on the list are from the U.S.

And one, Nightcrawling (Knopf, 271 pages), has the distinction of the youngest author ever to be nominated for the prize. Leila Mottley is now 20 and started writing the novel when she was 16. (Last month, we gave it an “A.”)

If you’re playing at home (highly advised), here are the other American books to read, or at least skim, before the 2022 winner is announced on Oct. 17:

Oh William! by Elizabeth Strout (Random House, 256 pages) is about “a grief-stricken woman who helps her ex-husband investigate his family past,” according to NPR.

Booth by Karen Joy Fowler is a fictionalized story about the family of the man who killed Abraham Lincoln (G.P. Putnam’s Sons, 480 pages).

Trust (Riverhead, 416 pages) by Hernan Diaz is about New York tycoons during the 1920s and ’30s. A New York Times review called it “ intricate, cunning and constantly surprising.

After Sappho (Liveright, 288 pages) by Selby Wynn Schwartz is a publisher’s dream, an award nominee before it’s even been released. Scheduled for January, it’s been described as “speculative biography” tying together the lives of diverse artists such as Virginia Woolf and Romaine Brooks and imagining them as queer trailblazers.

The Trees by Percival Everett (Graywolf, 288 pages) is a thriller/mystery about racism and lynching set in rural Mississippi. Given the subject matter, it’s a nod to the author’s skill that some of the reviews mention that it’s often witty.

Finally, shoutout to the Irish author Claire Keegan, whose Small Things Like These is the shortest book nominated in Man Booker history, coming in at 116 pages.

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Book Events

Author events

• KATHLEEN BAILEY and SHEILA BAILEY present their book New Hampshire War Monuments: The Stories Behind the Stones at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Aug. 11, at 6:30 p.m.

• R.A. SALVATORE presents Glacier’s Edge at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Friday, Aug. 12, at 6:30 p.m.

• E.B. BARTLES will sign and discuss (with Sy Montgomery) her book Good Grief: On Loving Pets Here and Hereafter at the Toadstool Bookshop in Peterborough (12 Depot Square; 924-3543, toadbooks.com) on Saturday, Aug. 13, at 11 a.m.

• CASEY SHERMAN presents Helltown at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Sunday, Aug. 14, at 1:30 p.m. Free event; register at www.bookerymht.com/our-events.

• VIRGINA CHAMLEE presents Big Thrift Energy: The Art and Thrill of Finding Vintage Treasuresat Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Monday, Aug. 15, at 6:30 p.m.

• TOM MOORE Andy’s Summer Playhouse (582 Isaac Frye Highway in Wilton; 654-2613, andyssummerplayhouse.org) and Toadstool Bookshop will present an event with Tom Moore, one of the authors of the book Grease, Tell Me More, Tell Me More: Stories from the Broadway Phenomenon That Started It All on Friday, Aug. 19, at 5 p.m. at Andy’s Summer Playhouse. See andyssummerplayhouse.org/grease to RSVP to the event.

Poetry

• OPEN MIC POETRY hosted by the Poetry Society of NH at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com), starting with a reading by poet Sam DeFlitch, on Wednesday, July 20, from 4:30 to 6 p.m. Newcomers encouraged. Free.

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Writers groups

• MERRIMACK VALLEY WRITERS’ GROUP All published and unpublished local writers who are interested in sharing their work with other writers and giving and receiving constructive feedback are invited to join. The group meets regularly Email [email protected].

Book Clubs

• BOOKERY Monthly. Third Thursday, 6 p.m. 844 Elm St., Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

An Immense World, by Ed Yong (Random House, 359 pages)

In the 17th century, the French philosopher and priest Nicolas Malebranche wrote: “animals eat without pleasure, cry without pain, grow without knowing it: they desire nothing, fear nothing, know nothing.”

That hasn’t aged well.

While the sentiment may have been useful for vivisectionists throughout the ages, what’s not self-evidently wrong in the statement has been proven false by research over the past few decades. As for “knowing nothing,” that nonsense is grandly refuted in Pulitzer Prize-winning science writer Ed Yong’s second book, An Immense World.

Animals may not know how to build bridges or perform cardiac surgery, but they possess extraordinary abilities that humans lack, some of which we now well understand (like echolocation), others that we still can’t. Yong walks us through the ongoing research into animals’ capabilities while trying to make sense of their “umwelt” — their “perceptual world.”

“Umwelt” is a German word coined by a biologist in 1909 to describe what it’s like for a spider to be a spider, for a bird to be a bird. It’s impossible to fully understand animals’ perception of their world, but a genre of scientists called sensory biologists are trying. And their research is fascinating, once you push past wondering why tax dollars are going to pay for their experiments. Thankfully, much of this research is going on in other countries.

For example, there is the scientist who studied insects called treehoppers in a Panama forest and listened to the communication of a family by clipping microphones onto a plant and listening with headphones. Without the headphones, he could hear nothing. But headphones allowed him to eavesdrop in the treehopper world, where the insects were making sounds similar to cows mooing. “The sound was deep, resonant, and unlike anything you’d expect from an insect. As the babies settled down and returned to their mother, their cacophony of vibrational moos turned into a synchronized chorus.”

In anecdotes like this, An Immense World seems a sequel to Yong’s first book, 2016’s I Contain Multitudes, in which he explored the microbes that populate the human body. The takeaway from both is that for all our abilities, for all the wonders of the human eye and ear, we are oblivious to much of what is going on around us (and inside us). When we take the time to learn and pay attention, there is as much reason for awe as there is when we contemplate the night sky.

Yong tantalizingly suggests that learning about animals’ seemingly miraculous senses can help us to make better use of our own. Like the oft-quoted aphorism that humans only make use of a fraction of our brain power, it appears that much of our sensory power goes unused.

Yong visits a California man, blinded by cancer in infancy, who naturally learned to echolocate like a bat. He navigates by making a clicking sound and following the echoes. This doesn’t just allow him to walk and bike down streets, but also to do things sighted people can’t do. For example, when Yong accompanies the man on a walk, he asks if someone had parked on their lawn at a house they passed. The car was half on concrete, half on grass. The man was able to perceive this without seeing, just from decades of practicing echolocation. He is blind, but inhabits a rich sensory world that sighted people don’t access; that is his umwelt.

Similarly, animals inhabit worlds that may not be as expansive as ours in some ways, but they are attuned to scents, sensations, chemicals and magnetic and electrical fields we don’t perceive.

As Yong travels the world interviewing scientists who work with animals ranging from manatees to electric fish to rattlesnakes, he explains their extraordinary abilities in largely accessible language (although there are passages in which an advanced degree would help).

He devotes a chapter to the subject that is most controversial in the general population: how animals experience pain. Pain, as Yong describes it, is “the unwanted sense,” and it is a difficult subject for modern scientists to explore, since most of them reject the ancient belief that animals are fundamentally oblivious to it. There is still wide disagreement about to what degree animals experience pain, and whether this is reason enough to stop eating lobster.

What most people call pain is actually two different experiences, Yong explains. The first is nociception, which is our response to painful stimuli, such as touching a hot stove or an electrified fence. Our sense of touch apprehends danger and we pull back instinctively. The pain that follows is a different thing. Some scientists have argued that all animals’ reactions to painful stimuli is nociception, that they can’t suffer as we do. Not everything that is alive has consciousness, which is believed to require a nervous system. And some creatures exhibit behavior in which they do seem oblivious to what we would think of as excruciating pain: say, the male praying mantis that mates with a female that is devouring him.

But research has shown that a wide range of animals subjected to pain will choose painkillers that are offered to them. This is true of even zebrafish. And animals who respond to injury by licking and grooming will stop when given painkillers. But Yong offers no clear answers, like the scientist who tells him, “I’m often asked if crabs and lobsters feel pain, and after 15 years of research, the answer is maybe.”

Yong is more definitive when it comes to what our response should be to new knowledge about how animals’ lives are governed by senses of which we are largely unaware. For example, we now know that the migratory patterns of birds and butterflies are affected by artificial light, that sea turtle hatchlings (which have a 1 in 10,000 shot of enduring to maturity) die because they are drawn to house lights and bonfires when these eclipse the moonlight, which would normally guide them to sea.

The fluttering of moths around a lightbulb can be fatal to them; many die of exhaustion. The “Tribute of Light” that New York City installs each year to commemorate 9/11 can be seen for 60 miles and disrupts the migration of thousands of songbirds, so much so that when too many confused birds start circulating the light, it’s shut off for 20 minutes to allow them to, as your GPS would say, recalculate.

Animals evolve and adapt and many will eventually adjust to modernity if they don’t go extinct. The pandemic showed us, however, that nature can quickly bounce back once humans change their behavior. The first step in doing so is knowledge.

An Immense World is a lackluster title; not so the book. Others have dabbled in this topic, such as primatologist Frans de Waal in 2016’s Are We Smart Enough to Know How Smart Animals Are? Yong, who seems incapable of covering a topic superficially, does it better than most. A

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Book Events

Author events

• LAURIE STONE presents Streaming Now: Postcards from the Thing That Is Happening at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Aug. 4, at 6:30 p.m.

• MARIANNE WILLIAMSON presents The Politics of Love at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Wednesday, Aug. 10, at 7 p.m. Free event; register at www.bookerymht.com/our-events.

• KATHLEEN BAILEY and SHEILA BAILEY present their book New Hampshire War Monuments: The Stories Behind the Stones at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Aug. 11, at 6:30 p.m.

• R.A. SALVATORE presents Glacier’s Edge at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Friday, Aug. 12, at 6:30 p.m.

• CASEY SHERMAN presents Helltown at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Sunday, Aug. 14, at 1:30 p.m. Free event; register at www.bookerymht.com/our-events.

Poetry

• OPEN MIC POETRY hosted by the Poetry Society of NH at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com), starting with a reading by poet Sam DeFlitch, on Wednesday, July 20, from 4:30 to 6 p.m. Newcomers encouraged. Free.

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Writers groups

• MERRIMACK VALLEY WRITERS’ GROUP All published and unpublished local writers who are interested in sharing their work with other writers and giving and receiving constructive feedback are invited to join. The group meets regularly Email [email protected].

Book Clubs

• BOOKERY Monthly. Third Thursday, 6 p.m. 844 Elm St., Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

Nightcrawling, by Leila Mottley (Knopf, 271 pages)

Promising young writers don’t always live up to their potential; they can collapse under the combined weight of heavy expectations and featherweight talent. In the interest of kindness, let’s not name names.

Not so Leila Mottley, the young novelist that Oprah Winfrey has been gushing about. Mottley started writing Nightcrawling at 17; she’s now 20. Her novel is all Winfrey promised it would be, and then some.

It’s based on actual events in Oakland, California: the sexual abuse of a young Black woman by police officers who trapped her into serving an ever expanding number of officers sexually. Mottley, who lives in Oakland, read about the case and the ensuing cover-up and couldn’t stop thinking about the young woman and the experience of growing up “vulnerable, unprotected and unseen.”

From her imagination came Kiara, a 17-year-old in similar circumstances. Kiara and her older brother, Marcus, live in a run-down apartment complex where the pool is contaminated with feces. “Houses give away all their secrets at the door. Dee’s is full of scratches. Mine doesn’t even have a working lock no more,” Kiara muses in the first-person narrative which is both lyrical and devastating.

Their father is dead; their mother long gone and currently living in a halfway house. Their only other family member is an uncle who is something of a rap star in L.A. and has no contact with them.

Kiara carries the weight of their meager existence, since her brother spends his days recording rap music in hopes of hitting it big like his uncle. When the apartment complex is sold and they receive notice that the rent has been doubled, she is desperate, not only for herself and her brother, but also for Trevor, the young boy in an adjacent apartment whom she has been caring for in the absence of his mother.

She tries to find work, but without a work history, she is repeatedly turned away. Even the third-rate bars to which she applies won’t hire her until she turns 18.

One night, she has a sexual encounter that is more of a business transaction than romance, and the shock of receiving several hundred dollars for sex leads Kiara into selling her body more frequently. One night, she’s picked up by a couple of police officers who, in exchange for not arresting her, take advantage of her services. They soon begin calling her regularly and sharing her with other officers, to the point of her being the “entertainment” at police parties.

Although Kiara does not know the officers by name, she knows them by their badge numbers, and they indulge in her services so much that she knows their preferences and habits; she is paid both in money and also in a shabby form of protection. For example, once, when she is at a party, she gets a call from an officer who tells her that there are undercover officers in the house and there’s about to be a bust. An officer picks her up, preventing her arrest, but his “protection” involves taking her to his home for the night and sexual activities for which she is not paid.

One day, police come to her home and take Kiara to the station for questioning. The administration has learned of Kiara’s existence and abuse through a suicide note left by a member of the force. Kiara denies any involvement with officers and is released, but from there, must confront more dilemmas that a teenager should never have to face.

She has choices, but they’re all terrible. She feels she can trust no one; the institution that is supposed to protect her is corrupt. Her brother — who loves her so much that he had her fingerprint tattooed on his neck, who pierced her ears with a sewing needle as a gift for her 16th birthday — is in jail. And Kiara is unable to pay the rent and buy food without the money she receives from sexual encounters with the police.

While Kiara’s experiences and life, even before she descended into sex work, are foreign to much of America, they will be painfully familiar to many.

Mottley clearly knows something about the humiliation of poverty: of having nothing but cereal and ramen in a roach-infested pantry; of having to share a washing machine with someone else at the laundromat; of making your own birthday cake from a mix using syrup because you don’t have any oil; of never having slept in a real bed, or been invited to anyone’s house because your daily existence is limited to staying alive.

In one moving scene, Kiara remembers going grocery shopping with her mother, before she disappeared. While her mother is trying to figure out how much credit was left on their EBT card, how much they could spend, young Kiara wistfully fills a carriage with frozen pizza and “fancy” cereal — things that, to her mind, were luxuries only rich people can afford.

“I don’t think you can feel more trapped than in the center of food you’re not allowed to eat, waiting to go home, and not knowing if anyone will remember your existence,” Kiara says.

While Nightcrawling takes us into a deeply depressing underworld of shame, despair and corruption, it is still a pleasure to read. Mottley’s voice is true and compelling, and she endows Kiara with unsettling wisdom that gives us hope that she will survive and move (both literally and figuratively) to a better place, with Marcus and Trevor in tow. A

Book Notes

It’s hard to believe it’s been nearly a year since the disappearance of Gabby Petito, the young woman traveling across the country in a van with her boyfriend, Brian Laundrie, who the FBI has said claimed responsibility for killing her, according to a January story in the New York Times and other media reports. That case mobilized a nation of armchair investigators. We can all track down murderers now from the comfort of our living room, or at least come up with tips that might prove helpful.

And there are plenty of unsolved cases out there, as Trailed by Kathryn Miles reminds us. Trailed (Algonquin, 320 pages) is the account of two women, Laura “Lollie” Winans and Julie Williams, who were found dead in Shenandoah National Park in Virginia, and Miles’ personal investigation into their deaths. The case remains unsolved, but Miles, a science writer who lives in Portland, has evidently done a masterful job of telling this story; there are lots of “couldn’t put this book down” in reader reviews. The author explores not only the flaws that plagued the investigation, including charges that the National Park Service tries to bury cases like this so people feel safe on its property, but also the unique dangers that confront women and members of the LGBTQ community when in the wilderness.

The “true crime” genre isn’t for everyone, but for those who enjoy it, there are plenty of offerings this summer. Another is When the Moon Turns to Blood(Twelve, 320 pages), journalist Leah Sottile’s account of the Idaho murders allegedly committed by Lori Vallow, a former beauty queen, and her husband Chad Daybell, a doomsday novelist. The couple are accused of killing two children and Daybell’s ex-wife. (The trial is scheduled for January 2023.) The subtitle promises “a story of murder, wild faith and end times.”

Less sensational but equally dark is We Carry Their Bones (William Morrow, 256 pages) by Erin Kimmerle. The author is a forensic anthropologist who examines the crimes committed at the Dozier School in Florida, which operated from 1900 to 2011 despite reports of cruelty, abuse and unexplained deaths of young boys, many of whom were Black. School records show that about 30 boys were buried in a field on the property; Kimmerle found that there were actually twice the number of graves.

And finally, those who enjoy true crime will appreciate Unmasked: My Life Solving America’s Cold Cases (Celadon, 288 pages) by Paul Holes. Hole is the forensic detective whose obsession with the case of the Golden State Killer led to a former police officer’s arrest for 13 murders and 50 rapes in California between 1974 and 1986.

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Book Events

Author events

• DIANE HALLENBECK presents Rejecting Fear: Learning to Be Led By Loveat the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Thursday, July 28, from 5:30 to 6:30 p.m. Free event; register at www.bookerymht.com/our-events.

• MARY ELLEN HUMPHREY presents My Mountain Friend: Wandering and Pondering Mt. Majorat Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, July 28, at 6:30 p.m.

• LAURIE STONE presents Streaming Now: Postcards from the Thing That Is Happeningat Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Aug. 4, at 6:30 p.m.

• KATHLEEN BAILEY and SHEILA BAILEY present their book New Hampshire War Monuments: The Stories Behind the Stones at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Aug. 11, at 6:30 p.m.

• R.A. SALVATORE presents Glacier’s Edge at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Friday, Aug. 12, at 6:30 p.m.

• CASEY SHERMAN presents Helltown at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Sunday, Aug. 14, at 1:30 p.m. Free event; register at www.bookerymht.com/our-events.

• VIRGINA CHAMLEE presents Big Thrift Energy: The Art and Thrill of Finding Vintage Treasuresat Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Monday, Aug. 15, at 6:30 p.m.

• SPENCER QUINN presents Bark to the Future: A Chet & Bernie Mysteryat Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Aug. 18, at 6:30 p.m. and on Sunday, Aug. 28, at noon at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600). The Bookery event is BYOD: bring your own dog.

• PHIL PRIMACK presents Put It Down On Paper: The Words and Life of Mary Folsom Blair in a Literary Lunchtime event at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Sept. 8, at noon.

Poetry

• OPEN MIC POETRY hosted by the Poetry Society of NH at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com), starting with a reading by poet Sam DeFlitch, on Wednesday, July 20, from 4:30 to 6 p.m. Newcomers encouraged. Free.

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Writers groups

• MERRIMACK VALLEY WRITERS’ GROUP All published and unpublished local writers who are interested in sharing their work with other writers and giving and receiving constructive feedback are invited to join. The group meets regularly Email [email protected].

Book Clubs

• BOOKERY Monthly. Third Thursday, 6 p.m. 844 Elm St., Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

I love a well-written rom com that’s not super cheesy and entirely predictable, and I often still enjoy the ones that are. I’ve read Emily Henry’s two other novels, Beach Read and People We Meet on Vacation, and I really enjoyed them (that falls somewhere between just plain “enjoyed” and “loved”). I admit I was hoping Book Lovers — a book about love and people who love books?! — would reach “loved” status, but ultimately the main characters were a little too bland to get me there.

Still, I really enjoyed Book Lovers, which centers on Nora, a New York City literary agent who is described as cold and entirely focused on her job. She thinks of her life as a book; as the main character, she sees herself as the villainess, never the hero. She meets Charlie, a book editor, to pitch her author’s latest book. He says no. They’re not especially kind to each other. The end.

But! Two years later, that book she’d pitched has become a bestseller with a different editor, and Nora heads to the town the book is set in, Sunshine Falls, because her sister Libby is pregnant with her third child and said she wanted to get away, specifically to that small town, before the baby is born. Nora agrees to go with her sister because she feels like the two used to be closer, and she wants to rebuild that bond. She even agrees to follow Libby’s checklist of small-town things to do, like sleep under the stars and save a small business.

Guess who lives in Sunshine Falls, guys? Charlie! It’s his hometown, and he’s back to help his parents, who have health issues, run their bookstore. Turns out he’s not so bad! Even with him there, though, the story is more about Nora and Libby and family and the things we do for them no matter what. It’s … nice.

Here’s one of my issues with the book. Nora is constantly described as cold-hearted and ruthless. Her author’s newest book is kind of about her, in fiction form; the main character is known as a “shark.” Nora sees herself in the character immediately and hates that people see her that way.

The thing is, there are very few times in the book — Book Lovers, not the book in the book – that Nora actually seems cold-hearted. She’s never really mean. She desperately wants to please her sister. She spent much of her young adult life making sure Libby was taken care of after their mom died, which meant sacrificing the relationship she was in at the time, and, for a long time, the possibility of other relationships. She’s cautious, but understandably. So that contradiction throughout the book was a little frustrating for me, and I had a hard time connecting with her character.

I also vacillated between loving the dialogue and being annoyed by it. It definitely flows well and is fun to read most of the time, but occasionally it feels a little over the top, a bit too scripted — like, no one in real life can banter back and forth that wittily for that long.

Take this small part of a scene where Nora and Charlie are at a bar, begrudgingly sharing bits of their lives before challenging each other to a game of pool.

‘Why do you care why I’m here?’ I [Nora] ask.

‘Morbid curiosity. Why do you care about my bad day?’

‘Always helpful to know your opponent’s weaknesses.’

He holds the cue out. ‘You first.’

I take the stick, flop it onto the edge of the table, and look over my shoulder. ‘Isn’t now the part where you’re supposed to put your arms around me and show me how to do it?’

His mouth curves. ‘That depends. Are you carrying any weapons?’

‘The sharpest thing on me is my teeth.’

Really?

But then I loved the very next, non-dialogue line: “I settle over the cue, holding it like I’ve not only never played pool before but have quite possibly only just discovered my own hands.” The book, for me, was a roller coaster of “Ugh, Emily Henry, you’re trying too hard,” and “Aah, Emily Henry, your writing is brilliant!”

The plot is somewhat unique, and the genius of it is that the predictability is meant to be predictable because it’s a romance novel that’s about book lovers who are experts in the typical tropes and characterizations of romance novels. Henry describes them in those terms, and creates a plot that’s purposefully “this is where the story is supposed to go,” and it does. There are a couple of twists, which I didn’t find all that stunning or exciting, but there is some originality that helped level up my feelings for the story.

All in all, Book Lovers is definitely worth the read. It was a little more same-same than I had hoped, but it’s still a fun book that most rom-com lovers will really enjoy. B+ — Meghan Siegler

Book Notes

Animals, including humans, not only eat less in periods of hot weather, but also do less. Researchers have found a connection between high temperatures and lower productivity. If this tendency toward summer sloth also applies to your reading, it’s a good time to take a break from the 400-page multi-generation historical novels and indulge in bite-sized fare. Here are some story and essay collections easily digested in the embrace of a hammock.

Night of the Living Rez (Tin House, 296 pages) is a collection of 12 stories set in the Penobscot Indian Nation in Maine. The author, Morgan Talty, is a citizen who grew up there. This is his first book, but his writing has been published in collections of the best American short stories in 2020 and 2021.

The Angel of Rome: And Other Stories (Harper, 288 pages) is from Jess Walter, whose six novels include Beautiful Ruins and The Financial Lives of the Poets. His stories have been called “wonderfully inventive” and the publisher says they’re about “those moments when everything changes — for the better, for the worse, for the outrageous.”

Embrace Fearlessly the Burning World (Random House, 352 pages) is a collection of essays by Barry Lopez published posthumously. Lopez was a widely acclaimed nature writer (Arctic Dreams and Of Wolves and Men) who died of cancer in 2020; his work has been compared to that of Henry David Thoreau.

Ghost Lover (Avid Reader Press, 240 pages) is by Lisa Taddeo, a two-time Pushcart Prize winner who lives in Connecticut. The Guardian says Taddeo is known for writing about “female desire.” The Kirkus Review says the stories “take us into the world of people cooler and more attractive than we are.”

Finally, O. Henry Prize winner Frederic Tuten is out with The Bar at Twilight (Bellevue Literary Press, 288 pages). From the Los Angeles Times Review: “In ‘The Snow on Tompkins Square Park,’ a man has entered a horse bar, and the bartender, a blue horse, tells him flatly, ‘We serve horses here, and people who look horsey. You aren’t and you don’t.’” Sign me up. — Jennifer Graham

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Book Events

Author events

• PAULA MUNIER and SARAH STEWART TAYLOR present their respective mystery novels The Wedding Plotand The Drowning Sea at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, July 21, at 6:30 p.m.

• LINDA REILLY presents her cozy mystery No Parm No Foul at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Tuesday, July 26, at 6:30 p.m.

• DIANE HALLENBECK presents Rejecting Fear: Learning to Be Led By Love at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Thursday, July 28, from 5:30 to 6:30 p.m. Free event; register at www.bookerymht.com/our-events.

• MARY ELLEN HUMPHREY presents My Mountain Friend: Wandering and Pondering Mt. Majorat Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, July 28, at 6:30 p.m.

• KATHLEEN BAILEY and SHEILA BAILEY present their book New Hampshire War Monuments: The Stories Behind the Stones at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Aug. 11, at 6:30 p.m.

• R.A. SALVATORE presents Glacier’s Edge at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Friday, Aug. 12, at 6:30 p.m.

• CASEY SHERMAN presents Helltown at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Sunday, Aug. 14, at 1:30 p.m. Free event; register at www.bookerymht.com/our-events.

• VIRGINA CHAMLEE presents Big Thrift Energy: The Art and Thrill of Finding Vintage Treasures at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Monday, Aug. 15, at 6:30 p.m.

Poetry

• OPEN MIC POETRY hosted by the Poetry Society of NH at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com), starting with a reading by poet Sam DeFlitch, on Wednesday, July 20, from 4:30 to 6 p.m. Newcomers encouraged. Free.

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Writers groups

• MERRIMACK VALLEY WRITERS’ GROUP All published and unpublished local writers who are interested in sharing their work with other writers and giving and receiving constructive feedback are invited to join. The group meets regularly Email [email protected].

Book Clubs

• BOOKERY Monthly. Third Thursday, 6 p.m. 844 Elm St., Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.