Author: Jennifer Graham

You Can’t Be Serious, by Kal Penn (Gallery, 367 pages)

You may know Kal Penn as a resident on the TV series House M.D. Or the stoner from the Harold & Kumar movie franchise. Or the Hollywood actor who took a break from all that to work in the Obama White House.

Or, like me, you know nothing about Kal Penn at all. In that case, you may have zero interest in the actor’s memoir You Can’t Be Serious, and I’m here to change your mind about that. As Hollywood memoirs go, this one is surprisingly engrossing, in part because of Penn’s intelligence and his willingness to be vulnerable and open up about discrimination he encountered as the son of Indian immigrants.

Penn, whose real name is Kaplen Modi, does his best writing in the first chapter, in which he describes assorted indignities of growing up in New Jersey, where he wore clothes from Sears (that descriptive says so much) and was called a racial slur by a “devil child [who] resembled a splintered toothpick — skinny with tiny arms.”

Early on, Penn realized that his brain worked better than those of some of his classmates, and that it preferred imagination to analytics. By middle school he had aligned with other misfits in the drama club, and he had a breakout performance as the Tin Man in the school’s performance of “The Wiz.”

By high school, however, his parents, who saw theater as impractical, intervened, insisting that he decline when offered a role in the ensemble of Godspell. It says a lot about his character, all good, that he writes, “I was more heartbroken than angry.” Penn had great respect for his family, even though, early on, they were not thrilled about his career path. (In one of his recurring jokes, his family members say, “We don’t do that. We’re Indian.”) He lovingly recounts the history of his father, who arrived in the U.S. with $8 and little else but ambition, and his grandfathers, who told him moving stories about marching with Gandhi.

In writing about his early life, Penn reveals the challenges and even violence confronting immigrants from India. Unfortunately, even when he moved to California to study acting at UCLA, and then began to audition for work, the discriminatory insults continued. He was only considered for parts that were cartoonish portrayals of Asian American, always with a thick, cheesy accent. And while Penn could do a wide range of accents, he had none naturally, leading to many instances when people expressed surprise that he was so “articulate.”

At one point he considered quitting acting altogether, but he came to accept, “I’m brown, period, and this is a white boys’ game. If the best characters that writers, producers, directors and casting teams can come up with are tired, unfunny stereotypes that we’ve seen a million times, it’s a reliable sign that the individuals I’m dealing with are seriously short on talent themselves. This reflects badly on them, not me.’

When he got work, he began to push back, suggesting script changes to writers and trying to dodge directors’ requests to make an accent more pronounced. All the while, he was being told how good an actor he was, and Penn explains how some of his early, unsatisfying work led to bigger opportunities later. In addition to House and Harold & Kumar, some of his other notable credits are the film The Namesake and the recent CBS series Clarice.

In the middle of all this, however, Penn diverts into a sort of shadow career as a White House aide to Barack Obama. This wasn’t a shocking development; in high school, he’d taken a test that was supposed to help him narrow down a career, and the results said, “Inconclusive. This student’s interests are too varied for us to provide tangible recommendations.” His guidance counselor said she’d never had a student get that result.

But Penn had seen Obama speak when he was still a senator and had been impressed enough to volunteer. And he was such an effective volunteer that Obama himself asked him to take a paid job with the campaign, and then to work in the White House. (All of which explains why Penn’s character on House was written out of the show.)

At this point, the memoir stumbles slightly, revealing its central weakness: This is a book that doesn’t know exactly what it’s about. Memoirs, of course, are recollections, but often they have a theme, a sort of overarching wisdom under which the anecdotes collect. Penn’s memories don’t stand still long enough for that; they dart about like squirrels. They are funny squirrels, so there’s that. As skillful as Penn is as an actor, he’s also a first-rate comedian, and the one-liners come fast and furious. That said, after a spate of extraordinarily thoughtful writing in the first few chapters, the book does tend to devolve into a more typical recounting of stories. By the time he wraps things up by introducing his now-fiance, a Southern man with a penchant for NASCAR, the book is feeling a bit long, like you know 100 pages more than you needed to know about this particular actor.

Whatever its blemishes, being overly partisan is not one of them. Yes, more than a third of the book contains anecdotes about his work with President Obama, and obviously he’s a fan and a Democrat (he even spoke at the party’s 2012 convention), but there’s little here that would be offensive to Republicans. At heart, You Can’t Be Serious is a quintessential story along the lines of local-boy-makes-good, with the local boy being of Indian descent, smart and funny. There may be better memoirs about Hollywood or politics, or even growing up Indian in New Jersey, but it’s safe to say this is the best one about all three. B

Book Notes

Every year I look forward to a new Christmas book, one that can join my collection of perennial holiday reads. Most years I am disappointed.

The last book to qualify for a lasting place on the holiday bookshelf was the late Stuart McLean’s Christmas at the Vinyl Cafe (Viking, 272 pages), which came out in 2017. In fact, there just don’t seem to be that many Christmas-themed books other than cookbooks. This year I could only find a collection of remembrances by Fox News personalities — All American Christmas (Broadside, 272 pages) — and a historical novel that I missed in 2017, Samantha Silva’s Mr. Dickens and His Carol (Flatiron, 288 pages).

But then I realized I’d been looking in the wrong genre.

There are plenty of Christmas books available to readers if they’re interested in romance novels, with the occasional dog book thrown into the mix. They’re not my cup of holiday tea, but apparently are quite popular, given their prevalence (and also the popularity of Hallmark Christmas movies).

A sampling: Sleigh Bells Ring (HQN, 336 pages) by RaeAnne Thayne, billed as a “sparkling and heartwarming holiday romance,” released in both hardback and paperback on Halloween, and Christmas in the Scottish Highlands (Bookouture, 294 pages) by Donna Ashcroft, which looks to be a fairly predictable romance novel embellished with holly, mulled wine and mince pies.

Other new holiday romances this year include The Holiday Swap (Viking, 352 pages) by Maggie Knox, in which two young women who are identical twins trade places at Christmas, and Dear Santa (Ballantine, 272 pages) by Debbie Macomber, in which a recently jilted young woman returns home for Christmas and writes a letter to Santa that changes her life. (In a bit of brilliant marketing, the illustration on this one shows a Santa-hat-wearing golden retriever holding a letter in its mouth.)

There’s also A Season for Second Chances (G.P. Putnam’s Sons, 448 pages) by Jenny Bayliss, the author of last year’sThe Twelve Dates of Christmas (also Putnam, 368 pages), and Santa’s Sweetheart (Kensington Publishing, 233 pages) by Janet Dailey. I could go on, but you get the picture, and my keyboard is getting gritty with all the sugar.

But I did promise dogs, so check out Best in Snow (Minotaur, 320 pages) by David Rosenfelt if only to get a rush of serotonin from the cover, and It’s a Wonderful Woof (Forge, 272 pages) by Spencer Quinn.

Book Events

Author events

• BRENE BROWN Author presents Atlas of the Heart. Virtual event hosted by Gibson’s Bookstore in Concord. Thurs., Dec. 2, 8 p.m. Via Zoom. Tickets cost $30. Ticket sales end Dec. 2, at noon. Visit gibsonsbookstore.com or call 224-0562.

• ERNESTO BURDEN Author presents Slate. The Bookery (844 Elm St., Manchester). Thurs., Dec. 2, 5:30 p.m. Visit bookerymht.com or call 836-6600.

• JACK DALTON Kid conservationist presents his book, Kawan the Orangutan: Lost in the Rainforest. Toadstool Bookshop, 375 Amherst St., Nashua. Sat., Dec. 4, noon. Visit toadbooks.com.

• DAMIEN KANE RIDGEN Author presents Bell’s Codex and My Magnum Opus. Toadstool Bookshop, 375 Amherst St., Nashua. Sun., Dec. 5, noon. Visit toadbooks.com.

• MICHAEL J. FOX Author presents No Time Like the Future. Virtual event hosted by Gibson’s Bookstore in Concord. Tues., Dec. 7, 7 p.m. Via Zoom. Registration required. Tickets cost $17.99, and include a copy of the book. Visit gibsonsbookstore.com or call 224-0562.

Once Upon a Wardrobe, by Patti Callahan (Harper Muse, 320 pages)

His good friend J.R.R. Tolkien might be more popular in Hollywood, but Clive Staples Lewis — you know him as “C.S.” — continues to sell books nearly 60 years after his death.

The Oxford scholar and Christian apologist not only wrote books but inspired them. The Lewis-related catalog includes more than a dozen biographies, memoirs by people who knew him (among them A Severe Mercy by Sheldon Vanauken) and collections of Lewis quotes.

And now Southern writer Patti Callahan is capitalizing on Lewis’s enduring popularity by writing novels in the Lewisverse. They’re not quite historical novels, not quite fan fiction, but a blending of two disparate genres.

Callahan’s first was Becoming Mrs. Lewis, the 2018 account of the relationship between Lewis and his wife, New Yorker Joy Davidman. Written in first person, the book is Callahan’s imagining of how the relationship transpired, but apparently quite factual. Davidman’s son called it “extraordinarily accurate” and said the novel was more truthful than many nonfiction accounts about his mother.

Callahan’s latest, Once Upon a Wardrobe, again takes first person, this time the voice of a 17-year-old college student, Megs Devonshire, who befriends Lewis and his older brother, Warnie, in order to answer a question for her little brother.

Megs’ brother, George, is 8 and not expected to live until 9 because of a heart condition. He spends most of his time in bed and has become enthralled with a recently published children’s book, Lewis’s The Lion, the Witch and the Wardrobe. A deep thinker for his age, George is obsessed with learning where the idea for Narnia arose, if the place is real. Since Megs takes classes near Magdalen College, where Lewis teaches, he begs her to find out.

Megs agrees; she adores her brother and wants to provide whatever happiness she can in his limited life. “I loved Dad with a fierce love, but I loved George more,” she says. “Maybe when we know we will lose someone, we love fiercer and wilder. Of course there will always be loss, but with George the end lingered in every room, in every breath, in every holiday.”

Although she often sees Lewis walking around the Oxford campus, she’s too shy to approach him directly and instead follows him home one night and takes to hanging out in the shrubbery, trying to summon the nerve to knock on the door. It’s there that the kindly Warnie discovers her one day, and, this being before stalking was a thing, he invites her inside for tea.

From there, a relationship evolves between the Lewis brothers and Megs, who is a math whiz studying physics and was initially dismissive of The Lion, the Witch and the Wardrobe, until she read it with her brother and became equally entranced by the story. C.S. Lewis, who went by Jack, is reluctant to answer Megs’ question outright, and instead offers her a series of stories about his life, told over a number of visits, which she goes home and relays to her brother.

In this way, Once Upon a Wardrobe is yet another Lewis biography, told in a fresh way, and like The Lion, the Witch and the Wardrobe, it’s told in deceptively simple language. The narrator, after all, is a 17-year-old girl, although she delves into mature themes, such as illness and death. She’s a bit heavy-handed with the book’s theme, which is that life, and our experience of it, is the sum of the stories we tell ourselves, or that others tell us.

Even 8-year-old George grasps that, telling his sister, “I know you think the whole world is held together by some math formula. But I’ve thought about this a lot, and I think the world is held together by stories, not all those equations you stare at.”

The book at times feels somewhat formulaic (all protagonists must be earnest outsiders who don’t quite fit in; children are dispensers of wisdom) but Callahan has a deft touch and is beautifully descriptive. She goes to the source — Lewis’s memoirs and letters — to try to craft an answer to George’s question. When it comes, it might not be what you think. In fact, Lewis’s first imagining of a faun carrying an umbrella more resembles Stephenie Myers’ dream of a human and a vampire in a field than a theologian trying to create an allegory that represents Christianity. And Narnia, the name, didn’t come from a dream, but from a map: It’s derived from the name of a town in Italy.

Ultimately, this is a book for the diehard Narnia fan; people with little interest in those stories would have zero interest in this novel. But the prolific Callahan has 15 other novels worth checking out, including one published earlier this year. Surviving Savannah is historical fiction about an 1838 shipwreck that was called “The Titanic of the South.” B

Book Notes

The best-selling Hollywood memoir this month looks to be Will, a memoir by actor Will Smith, co-written with Mark Manson (Penguin, 432 pages), and this probably would have been true even before Oprah Winfrey deemed it the best memoir she’s ever read.

The Manson-Smith collaboration is an interesting one. Usually celebrity authors get writing help from relative unknowns. Manson is an author who may not be a household name but has serious publishing cred by virtue of his own books, 2016’s The Subtle Art of Not Giving a F*** (Harper, 224 pages) and its followup Everything is F***ed, a Book about Hope (Harper, 288 pages).

We can safely assume there will be expletives in Will, but from the opening, it looks like a powerful, poignant read with no gratuitous cursing. An excerpt: “What you have come to understand as ‘Will Smith,’ the alien-annihilating MC, the bigger-than-life movie star, is largely a construction — a carefully crafted and honed character — designed to protect myself. To hide myself from the world. To hide the coward.”

Also in the entertainment category comes two “oral histories” of popular shows: The Office and The Sopranos. Setting aside how it can be an oral history on a printed page, these books promise to tell the most ardent fans stuff they don’t already know.

Welcome to Dunder Mifflin: The Ultimate Oral History of The Office (Custom House, 464 pages) is written by Brian Baumgartner, who played Kevin on the show, with Ben Silverman and Greg Daniels, the producer and original showrunner, respectively.

The other, also published this month, is Woke Up This Morning, the Definitive Oral History of The Sopranos (William Morrow, 528 pages). It’s by Michael Imperioli, who played Christopher in the HBO series, and Steve Schirripa, who played Bobby Baccalieri.

For the record, if it doesn’t explain the series’ infamous ending, they need to stop calling the book “definitive.”

Book Events

Author events

• BRENE BROWN Author presents Atlas of the Heart. Virtual event hosted by Gibson’s Bookstore in Concord. Thurs., Dec. 2, 8 p.m. Via Zoom. Tickets cost $30. Ticket sales end Dec. 2, at noon. Visit gibsonsbookstore.com or call 224-0562.

• ERNESTO BURDEN Author presents Slate. The Bookery (844 Elm St., Manchester). Thurs., Dec. 2, 5:30 p.m. Visit bookerymht.com or call 836-6600.

• JACK DALTON Kid conservationist presents his book, Kawan the Orangutan: Lost in the Rainforest. Toadstool Bookshop, 375 Amherst St., Nashua. Sat., Dec. 4, noon. Visit toadbooks.com.

• DAMIEN KANE RIDGEN Author presents Bell’s Codex and My Magnum Opus. Toadstool Bookshop, 375 Amherst St., Nashua. Sun., Dec. 5, noon. Visit toadbooks.com.

• MICHAEL J. FOX Author presents No Time Like the Future. Virtual event hosted by Gibson’s Bookstore in Concord. Tues., Dec. 7, 7 p.m. Via Zoom. Registration required. Tickets cost $17.99, and include a copy of the book. Visit gibsonsbookstore.com or call 224-0562.

• JEN SINCERO Author presents Badass Habits. Virtual event hosted by The Music Hall in Portsmouth as part of its “Innovation and Leadership” series. Tues., Dec. 7, 7:30 p.m. Includes author presentation, coaching session and audience Q&A. Tickets cost $22. Visit themusichall.org or call 436-2400.

• KATHRYN HULICKAuthor presents Welcome to the Future. Sat., Dec. 11, 2 p.m. Toadstool Bookshop, 12 Depot Square, Peterborough. Visit toadbooks.com.

Poetry

• NH POET LAUREATE ALEXANDRIA PEARY Poet presents a new collection of poetry, Battle of Silicon Valley at Dawn. Virtual event hosted by Gibson’s Bookstore in Concord. Tues., Dec. 14, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com or call 224-0562.

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Pastoral Song, by James Rebanks (Custom House, 294 pages)

Occasionally a book does so well across the Atlantic that publishers in the U.S. pick it up, hoping that American readers will warm to the author as well despite the peculiarities of some English words. This worked out splendidly for J.K. Rowling.

There are similar hopes for Pastoral Song, which the U.K.’s Sunday Times pronounced “nature book of the year” when it was first published as English Pastoral. Subtitled “A Farmer’s Journey,” the book is a meditation on the plight of small farmers who struggle to keep family farms going even as the despised “factory farm” gobbles a larger share of our food dollars each year.

James Rebanks, the author, is a thinking-man’s farmer, although he makes it clear that no true farmer has time to sit and think. He inherited his land from his father but got his love of farming from his grandfather, who was the bigger influence in his life. Of his father he writes, “I would try to help him and would inevitably do something wrong and be shouted at.”

The grandfather was gentler in his approach, not only to his grandson but to farming.

“He would simply gaze at his cows or sheep for what seemed like ages, leaning over a gate. As a result he knew them all as individuals. He could spot when they behaved differently because something was wrong, when they were coming into season or were about to give birth. He thought only fools rushed around,” Rebanks wrote.

This is all well and good for the practice of farming, but unfortunately for the reader, Rebanks brings his grandfather’s style to this book. In sum, it is Rebanks leaning over a gate, for what seems like ages, musing leisurely about the challenges of farming. It’s watching the grass grow, with very little happening in long stretches, but for the occasional offing of varmints. (And I wish I had not learned how Rebanks’ father rid his fields of rabbits, but it’s too late for that now.)

To be fair, Rebanks memorably conveys the harshness of a lifestyle that has been romanticized. “My parents were half-broke. I could see it in the second-hand tractors, rusting barn roofs, and old machinery that was always breaking down and never got replaced. But I could taste it too, in the endless boiled stew and mince that was served up.”

The family earned a tenuous living that would be foreign to workers with biweekly direct deposit. Their pay varied with the weather, and with rising interest rates and diving market prices, and the occasional murder of crows that could swoop in and destroy a field of barley. And farming requires an extraordinary amount of emotional toughness, what with all the horrible ways in which farm animals can die, even outside of slaughter. (When’s the last time you watched a rat try to drag away a chicken?)

“The logic chain is simple: we have to farm to eat, and we have to kill (or displace life, which amounts to the same thing) to farm. Being human is a rough business,” Rebanks writes. But, he says, there is a difference “between the toughness all farming required and the industrial ‘total war’ on nature that had been unleashed in my lifetime.”

The past 40 years, Rebanks says, has upended thousands of years of farming practices that came before it, and when his father died, leaving him the land, he was faced with the same dilemma confronting his father and grandfather — how to earn enough from the land “to pay our bills, service our debts, and make some money for us to live on” — in circumstances vastly different from theirs.

Then, after all this musing in his motherland, Rebanks up and comes to America to visit friends. And traveling through Iowa and Kentucky, eying the Confederate flags and Trump signs, he figures out who to blame: those grungy Americans!

This may have played well in the U.K., but it was a startling turn of events in an otherwise mournful elegy for the farmer, to have him pick up a bat and start swinging it wildly in the Iowa cornfields. He said Kentucky felt like a “landscape littered with ghosts and relics” and called Iowa “dark, flat and bleak.”

“Everything old was rotting. Barns leaned away from the wind, roofs half torn off.” The cause of this dystopian Midwest: “America had chosen industrial farming and abandoned its small family farms,” as if there was a lever we pulled in our last election. In fact, we vote for factory farms every time we visit a supermarket, he says. “The people in those shops seemed not to know, or care much, about how unsustainable their food production is. The share of the average American citizen’s income spent on food has declined from about 22% in 1950 to about 6.4% today … The money that people think they are spending on food from farms almost all goes to those who process the food, and to the wholesalers and retailers.”

Fair enough. But read the room. An English farmer coming over here to lecture Americans about their grocery shopping, diss our fruited plains? It feels a little rude.

And Rebanks concedes that “the overwhelming majority” of farms are not factory farms. “About 80 percent of people on earth are still fed by these small farmers,” he writes. That said, the work of a small farm is a “tough old game and doesn’t fit with any economic principle of minimizing work and maximizing productivity.” So what to do? Besides supporting your local farmers, “thinking longer term and with more humility,” Rebanks suggests planting trees. He plans to plant a tree every day for the rest of his life.

It’s clear to see why English Pastoral was a hit in the U.K., with its call for more sustainably produced food there “in order to avoid importing more from sterile, ruined landscapes like those of the American Midwest, or from land being cleared of pristine ecosystems in places like Indonesia and the Amazon.”

It’s less clear why this occasionally plodding, occasionally melodic memoir would do well here. As our grandmothers would say, don’t bite the hands that feed you. C

Book Events

Author events

• HILARY CROWLEY Author presents The Power of Energy Medicine. Virtual event hosted by Gibson’s Bookstore in Concord. Thurs., Nov. 18, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com or call 224-0562.

• WENDY GORTON Author presents 50 Hikes with Kids: New England. Virtual event hosted by Toadstool Bookshops of Peterborough, Nashua and Keene. Sun., Nov. 21, 4 p.m. Via Zoom. Visit toadbooks.com.

• TANJA HESTER Author presents Wallet Activism: How to Use Every Dollar You Spend, Earn, and Save as a Force for Change. Virtual event hosted by Gibson’s Bookstore in Concord. Mon., Nov. 22, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com or call 224-0562.

• BRENE BROWN Author presents Atlas of the Heart. Virtual event hosted by Gibson’s Bookstore in Concord. Thurs., Dec. 2, 8 p.m. Via Zoom. Tickets cost $30. Ticket sales end Dec. 2, at noon. Visit gibsonsbookstore.com or call 224-0562.

• JACK DALTON Kid conservationist presents his book, Kawan the Orangutan: Lost in the Rainforest. Toadstool Bookshop, 375 Amherst St., Nashua. Sat., Dec. 4, noon. Visit toadbooks.com.

• DAMIEN KANE RIDGEN Author presents Bell’s Codex and My Magnum Opus. Toadstool Bookshop, 375 Amherst St., Nashua. Sun., Dec. 5, noon. Visit toadbooks.com.

• JEN SINCERO Author presents Badass Habits. Virtual event hosted by The Music Hall in Portsmouth as part of its “Innovation and Leadership” series. Tues., Dec. 7, 7:30 p.m. Includes author presentation, coaching session and audience Q&A. Tickets cost $22. Visit themusichall.org or call 436-2400.

• KATHRYN HULICKAuthor presents Welcome to the Future. Sat., Dec. 11, 2 p.m. Toadstool Bookshop, 12 Depot Square, Peterborough. Visit toadbooks.com.

Poetry

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.