Author: Jennifer Graham

Happiness Falls, by Angie Kim (Hogarth, 387 pages)

What if a father went missing, and the only person with information about what happened was a disabled teenager who was unable to talk?

That’s the disturbing premise at the heart of Happiness Falls, the second novel by the author of 2019’s Miracle Creek, Angie Kim.

The novel is narrated by Mia, a 20-year-old college student, home for the pandemic and prone to rattling on at length about anything that comes to mind.

She has two brothers, the younger of whom is autistic and has also been diagnosed with something called mosaic Angelman syndrome, a genetic disorder “which means he can’t talk, has motor difficulties, and — this is what fascinates many people who’ve never heard of AS — has an unusually happy demeanor with frequent smiles and laughter.”

Eugene is 14 and is primarily cared for by his father, a stay-at-home dad who daily takes him for long walks in a park near their home in the suburbs of Virginia. One day in June 2020, however, Eugene arrives home alone — running, dirty, disheveled and agitated, with traces of what appear to be blood under his fingertips.

Mia, who like the rest of her family is extremely protective of Eugene, later washes Eugene’s clothes and directs him to shower, one of many reactions that she later comes to question. But the Korean-American family is slow to realize that something bad might have happened to the father — they assume that there’s some rational explanation for why the father is slow to return and don’t even call the police for hours.

Once they do, a series of events unfolds that causes Mia, her other brother and her mother to question everything they believed about their life to that point, in particular what both Eugene and their father might be capable of, what secrets they might be concealing.

When, during an interview with police detectives, Eugene becomes upset and lunges at his mother, the teen comes under suspicion. Could he have violent tendencies the family has covered up, and could he have accidentally or even intentionally harmed his father?

And the discovery of texts the father sent to an unfamiliar woman — who is also now missing — calls into question his fidelity to his wife and family.

Meanwhile, other snippets of evidence keep turning up — perplexing snippets of video shot by passers-by the day of the disappearance, security footage showing the father’s credit card being used, and a backpack found in a river that contained a water-logged notebook in which the father had been recording notes on what he called the “Happiness Quotient.”

A less skilled writer could have taken the bare bones of this story and turned out a Hollywood thriller. But Kim makes it next-level by incorporating research on happiness and how changes in its baseline (literally, happiness levels falling and rebounding) affect our sense of well-being. And the novel is deeply researched on the subject of people who are unable to speak, because of severe autism or other disorders.

Kim explains in her author’s note that she experienced the frustration of being unable to communicate when her family moved to the U.S. when she was 11 and only knew a few “essential English phrases” she’d memorized. “Our society — not just the U.S., but human society in general — equates verbal skills, especially oral fluency, with intelligence. Even though there was a good reason I couldn’t speak English, I felt stupid, judged and ashamed,” she wrote.

Eugene, trapped in a seemingly impenetrable bubble, appears to have this sort of frustration, apparently processing some sort of trauma in the only way he knows how, by incessantly jumping on a trampoline and making anguished animal-like sounds, or zoning out by watching anime on his tablet. What he has going for him is love — a family that is unwilling to give up on him, no matter what has happened. But the novel also questions whether our expressions can go too far, to the point where they become damaging.

Happiness Falls is both an engrossing mystery and a family drama with multiple layers of complexity. A minor irritant is the series of footnotes that populate the book — not substantiation of facts, as footnotes are in a research paper, but asides derived from Mia’s hyper-analytical stream of consciousness. Addressing the reader, Mia says at the beginning of the narrative that readers can skip over the footnotes to get to the end, and eventually I did just that, as their presence was such an annoyance in the novel. It’s not that I objected to what Mia was saying in the footnotes, but their presentation interrupted the flow.

Also, I questioned whether this needed to be yet another pandemic book. But those are minor quibbles, and Happiness Falls delivers, maybe not happiness, but a novel you can get lost in this fall. A

Mrs. Plansky’s Revenge, by Spencer Quinn (Forge Books, 291 pages)

Spencer Quinn is the pen name for Peter Abrahams, the Cape Cod resident who is the genius behind the “Chet & Bernie” books. They’re a collection of whimsical mysteries narrated by a dog who solves crimes with his human companion. I have zero evidence to support this, but believe that the books were sold solely because of their titles, which include “Tender is the Bite” and “The Sound and the Furry.” If you like this sort of thing, I suppose the books are great. If you don’t, they are painful.

And so I confess I came to the start of Quinn’s latest series with some trepidation, despite Stephen King having declared on the cover that he “absolutely adored the book.” The novel is called Mrs. Plansky’s Revenge, and it’s about a Florida widow who gets cyber-scammed by some unethical Romanians. It’s quirky, but surprisingly poignant and fun.

The titular Mrs. Plansky is 71 and although her first name is Loretta it is an affectation of the book that she is called Mrs. Plansky throughout. She had been married to Norm, with whom she had a long and satisfying marriage, producing two children. The couple had lived in Rhode Island, but the success of their business — the Plansky Toaster Knife, a knife that toasts bread while you slice it — enabled a comfortable retirement in Florida where they did the obligatory retirement thing when you live near a coast: “getting a metal detector and taking it for long beach walks.”

All this to say, Mrs. Plansky missed her husband greatly when he died of cancer, but he left her enough money that she doesn’t have to worry, and she keeps busy with the many needs of her grown children and grandchildren, and also with her tennis foursome.

Unfortunately for Mrs. Plansky, while she is living her best widowed life, a villainous man somewhere in Romania is paying an instructor to teach English to his dead brother’s son. It’s a bit of a struggle. The frustrated teacher tries to explain to the boy why no American ever says the grammatically correct phrase “It is I” — “You must learn the right wrong grammar. That’s the secret of sounding American.”

How does one learn the right wrong grammar? “There are ways. For one you could go to YouTube and type in ‘Country Music.’”

The teen, Dinu, is learning English for a nefarious purpose that is obvious from the start. At his uncle’s direction, he will be connected with hapless senior citizens in America in a scheme to drain their bank accounts. Mrs. Plansky is his first victim when she authorizes a payment to a person she thought was her grandson using a platform hilariously called “Safemo.”

While the banks and law enforcement were suitably solicitous about Mrs. Plansky’s plight, they ultimately said there was nothing they could do because the Romanian authorities tended to look the other way on such crimes, seeing as they brought U.S. dollars into their economy. At first Mrs. Plansky resolves to just figure out how to live out her days on Social Security and any job she can get; she owns her car and condo outright (and has a new hip), meaning she is already in better shape than many other people her age. She sits down to do an accounting of her assets, liabilities and income and have a drink like people on the Titanic “after the collision but before the realization,” and finds the math grim.

In addition to her own living expenses, she has promised loans to her children and is responsible for her 98-year-old father, who needs to move into a more expensive wing of his assisted living facility. Also, she is feeling as though she failed her beloved Norm in being taken in by the scam and losing their savings. She is finally overtaken with “real, hot fury” over her circumstance, sells her deceased mother’s emerald ring and books a plane ticket to Bucharest, determined to solve the case (and get her money back) herself. Hijinks ensue as she moves from “doing, not being done to.”

Since the publisher has already revealed that this is the first book in a new series, it’s obvious that Mrs. Plansky will survive her adventure with her pluck intact. There are enough clues throughout the novel that the astute reader will have a vague idea of how the story will end before Mrs. Plansky even deplanes. If you’re looking for a heart-stopping thriller with a surprise ending, look elsewhere.

That said, Mrs. Plansky’s Revenge is light-hearted fun packed with sly asides (like a “presidential suite” in a Romanian hotel that had a picture of Richard Nixon above it) that elevate it above a beach read — or a story of a dog detective. It’s a deceptively smart little novel, inspired by a similar scam call to the author’s father.

And Chet and Bernie fans can rejoice; that series is not over. Up on the Woof Top, a “holiday adventure,” comes out next month. B+

The Breakaway, by Jennifer Weiner (Atria, 387 pages)

Not many novels get reviewed by Bicycling magazine, especially not ones by Jennifer Weiner. But the author of books such as Good in Bed and The Guy Not Taken has written what she calls “a love letter to cycling, and to traveling,” and the magazine took note.

The Breakaway, Weiner’s 20th book, is about a 33-year-old woman who is asked by a friend to lead a group of cyclists on a two-week trip from New York City to Philadelphia. Abby Stern, who pieces together a living walking dogs and picking up other unfulfilling gig work, has nothing better to do and needs the money — and also the chance to get away, because her boyfriend has just asked her to move in with him.

Although everything seems perfect on paper, Abby is hesitant and can’t figure out why. Mark is a podiatrist who adores her. He’s a fitness buff who runs 6 miles each day, so good-looking that when they’re out together others look at them quizzically, as if they can’t figure out why these two are together.
Ironically, they met as teenagers at a weight-loss camp, but later lost touch. Mark went on to have weight-loss surgery and develop a lifestyle so rigid that he never eats dessert; when he wants something sweet, he brushes his teeth or uses cinnamon-flavored dental floss. Abby, meanwhile, has come to be comfortable in her plus-sized skin, and she enjoys eating, despite having a mother who has tried to make her thin since childhood.Abby’s relationship with her mother is fraught, mostly because Eileen is, in Abby’s terms, “a professional dieter,” so scared of gaining weight that she picks the croutons off her salads as if they were slugs. Although Eileen insists she shipped Abby off to weight-loss camps each summer because she wanted “what was best” for her daughter, Abby just wanted unconditional love, which she didn’t get from her mother.

So when Eileen shows up unexpectedly for the bike trip, insisting that she just wants to spend some quality time with her adult daughter, Abby is suspicious and more than a little stressed.
But a bigger problem is a man who joined the group — someone Abby had a one-night stand with two years earlier.

This is not a surprise to the reader since, when Abby went to the man’s house, she had observed a high-end bicycle hanging on the wall. Some might call this foreshadowing. I call it an announcement that readers aren’t going to have to think too hard in the pages that follow.

It was pretty much a given that the one-night stand, Sebastian, would later show up to complicate Abby’s perfectly arranged life, given his juxtaposition with Mr. Boring But Nice.

But Weiner is a pro and her characters are surprisingly nuanced — not only the leads but also the supporting cast. The others who have signed up to ride the Empire State Trail — which is real and is the longest multi-use trail in the U.S. — include an evangelical Christian mom and her moody teen, two older couples who do a bike trip together every year and call themselves “The Spoke’n Four,” and a couple with two teenage boys.

There is a side plot involving Sebastian, who, during the trip, has gone viral on TikTok because of a video made by a vengeful former hook-up. This complicates the (utterly predictable) feelings that Abby and Sebastian have for each other even more than the presence of her Spandex-wearing mother does. And there is also a side plot involving a teenager in the group and a pregnancy that disappointingly devolves at times into a thinly veiled screed against the overturning of Roe v. Wade.

It’s not unusual for Weiner to delve into the political in her novels, which are staunchly feminist and often feature characters who have been shamed for their weight. She writes authentically about this because she’s been there. As she told one interviewer, “I wanted to write about the women I was seeing in the world who were fat and strong and beautiful and powerful and had great jobs and loving relationships because those were the books I needed when I was 14 and 15 and 16 years old.”

She also writes authentically about cycling, a love of hers that she rekindled during the pandemic. The book is dedicated to “all the riders and leaders of the Bicycle Club of Philadelphia,” where she lives.

Weiner is the sort of writer people call “relatable,” as are her characters. Her novels are not highbrow, but then neither are most of us, and she is undeniably a master of her genre. Unfortunately, the subtle political asides (such as a character deriding a “dead-white-men” tour of historical sites) sometimes seem like a way to add gravitas to what is, in essence, a beach read. The story would be fine without what can come across as preaching.
The takeaway from The Breakaway, however, is pretty simple: bicycling is good, people are complex, and we can make our own happy endings. Also, life is short: eat dessert. B

Wifedom, by Anna Funder (Knopf, 464 pages)

Never meet your heroes, goes the old adage. A corollary should be “Never read the letters written by their wives about them.”

Unfortunately, for fans of George Orwell, nee Eric Blair, in 2005 a series of letters was discovered, written by his first wife, Eileen O’Shaughnessey, to her best friend. Compared to the hundred of thousands of words written by Orwell, and about him, the letters represented just drops in the proverbial bucket. But those drops made waves. And now they are the basis for a partly imagined book about the couple that lionizes Eileen at the expense of her husband. Read at your own risk.

Funder is an Australian writer who immersed herself in Orwell during a time when she was dissatisfied with the demands of her life as a wife and a mother while trying to fulfill her own professional ambitions. After reading his books and a half-dozen biographies, she moved on to Eileen’s letters, curious as to why Eileen was largely invisible in what had been written about Orwell. This is not a particularly original question when it comes to the wives of famous men; books have been written in recent years, for example, that introduce the little-known wives of Albert Einstein and Ernest Hemingway, among others.
But Funder brings a certain fury to her endeavor, because of her own domestic unhappiness and the concurrent river of discontent that flowed toward the patriarchy throughout the #MeToo years. She weaves her own unhappiness with that of Eileen, who died tragically on an operating table at age 39, though any real kinship between the two seems greatly exaggerated.

The Orwell that Eileen’s letters introduce us to is a petulant, entitled, unfaithful misogynist. The Eileen that Funder introduces us to is a brilliant, selfless martyr. His needs supersede hers at all times; even when they adopt a son at his request, he is not present when it’s time to pick up the infant. He’s an absentee husband and would have been an absentee father if they’d both lived long enough. As it is, she died at 39, Orwell at 46.

The story of her death is heartbreaking and evokes the problems of many in the working class today. The couple made too little money to cover their bills but too much to qualify for charity care. When she was diagnosed with cancer and needed a hysterectomy, she chose the cheapest doctor and hospital she could find, because, she wrote, “what worries me is that I really don’t think I’m worth the money for better care.” She died of heart failure on the operating table. Her husband was in Paris, where he had been socializing with Ernest Hemingway. He later responded to someone’s condolences by saying, “Yes, she was a good old stick.”

There’s a line in the late Keith Green’s song “So You Wanna Go Back to Egypt,” in which the ancient Israelites in the desert are complaining about their lot, saying “Moses seems rather idle / He just sits around and writes the Bible.”
That comes to mind while Funder recounts the work Orwell did with Eileen providing support. In the first six months of their marriage, Funder notes, he finished his “Shooting an Elephant” essay, wrote The Road to Wigan Pier, reviewed 32 books and composed two lengthy articles. In the last days of his life, Orwell would describe the incessant need to produce, writing “all my writing life there has literally not been one day in which I did not feel that I was idling … and that my total output was miserably small.”

Maybe someone that obsessive about work should hire a secretary instead of taking a wife, I don’t know. The pair were both miserable in their own ways, it seems, and both cursed with ill health. Funder’s overarching complaint is the “conditions of production” for high-achieving men. “So many of these men benefited from a social arrangement defying both the moral and the physical laws of the universe in which the unpaid, invisible work of a woman creates the time and neat, warmed and cushion-plumped space for their work,” Funder writes. In other words, like many contemporary women, she’d like a wife, too, or at least someone who would provide the traditional services of one. She later says, “Access to time, as to any other valuable good, is gendered.”

True as this still may be in some families, there has been progress on this front in the author’s life, and even in previous generations there have been women who have managed visible, professional success while married to high-achieving men and raising children.

This is not to say that Orwell wasn’t a first-class jerk who didn’t deserve the saint of a woman he married. But Wifedom, while not entirely fiction, is speculative, and Funder is clear that she came to the story with an agenda. Her achievement may not be so much truth as it is disillusion. B-

Slow AF Run Club, by Martinus Evans (Avery, 239 pages)

Desir must not get to the library much, because there’s actually no shortage of books in this genre, from 2007’s elegant Strides by Benjamin Cheever (John Cheever’s son) to A Beautiful Work in Progress by Mirna Valeria, published in 2017.

But Evans does bring something new to the table, which is a willingness to use the F-word frequently (very popular in publishing these days), and also, he has run eight marathons (including Boston) as a 300-plus-pound athlete, a truly admirable feat. His book promises to be “the ultimate guide for anyone who wants to run,” and by “running” he doesn’t set the bar too high.

Apparently Merriam-Webster defines running as “to go faster than a walk.” So, “As long as your legs are moving faster than when you are walking, then you are running,” Evans says. He believes that the biggest thing keeping people from running is not the physical work of exercise but the mental roadblocks. So he spends the first part of the book offering a sort of runner therapy, with mantras such as “Not everything you think is true, and not everything you feel is real” and “The body you have today is the body that you have today.” He’s also a fan of affirmations, such as “You can do hard things” and “I love hills!!!”

Admittedly, it’s cheesy sometimes. But Evans does offer some more serious self-coaching advice. For example: Delusional self-belief, he says, is what inventors have until they invent something that no one believed possible. At one point, no one thought a four-minute mile possible, or a marathon under two hours. And when Evans weighed 360 pounds and was told by a condescending doctor “lose weight or die,” he had delusional self-belief when he announced he would run a marathon and bought running shoes later that day.

As Evans makes clear, the physical challenges of running a marathon at his size are subordinate to the psychological ones. In one story, he talks about being harassed by a van driver who is on the course to pick up people who can’t keep running. It was his first marathon, in Detroit. Although Evans repeatedly says he is fine to continue, the driver keeps coming back to him, urging him to get in the van and quit, saying things like, “Hey, big man, you’re starting to slow down. Hop in, I’ll take you to the finish line” and “I’m just doing my job, I can’t help it that you’re fat and slow.”

The driver continued badgering him until Evans was less than a mile from the finish line, which rightly infuriated him. What’s worse is that it almost worked — at one point, Evans hobbled to the van and almost got in before realizing that he could push past the pain and keep going. He did finish, and wrote of the moment, “I felt like I could literally do anything. I’ll never forget that moment, and everything that had come before it, not for as long as I live.”

With stories like this, it’s understandable that Evans feels the need to curse, a lot. And he is a reliable narrator when it comes to the difficulties of running while fat (his choice of word) and he gives decent advice on practical things such as how to deal with chafing, what to wear, what to carry on a long run, how to stretch, and so forth. He also has a rather heartbreaking chapter on “Running While Black,” in which he wrote, “The murder of twenty-five-year-old runner Ahmaud Arbery in 2020 damn near broke me. I almost hung up my running shoes for good because of it.”

But much more of his experience has been positive. In fact, scared as he was to run his first 5K in Cromwell, Connecticut — “a fat Black man wearing a bright orange shirt and shoes … getting ready to run a race in a sea of fit white people” — it turned out great, and he wants everyone to do it.

“Running,” Evans writes, “is a struggle of the mind.” That’s true for thin runners as well as overweight ones. But large runners do face an obstacle that thin runners don’t — judgment — judgment of ourselves, and the judgment of people who see us out on the road. In the face of this struggle, mindset is everything, he says. “Because let’s face it, people be judgin’. Haters are going to hate. There’s always going to be someone telling you to get on the bus.”

That’s a great line, and there are plenty in this book, but it is folksy to a fault, unfortunately. The expletive works in the title and in the running club he founded, but the constant repetition in the book becomes tiresome, as do some of the self-help exercises. (“Write down a habit that you would like to create a ritual for.”)

But I’ve been running for 30 years and am somewhat cantankerous, so maybe that’s great advice for others. Evans is an inspirational runner who has built a strong online community; he has 94,000 followers on Instagram, where he goes by “300poundsandrunning.” He’s a terrific role model for anyone, regardless of age or weight. B-

Tom Lake, by Ann Patchett (Harper, 309 pages)

The celebrated novelist Ann Patchett says that Thornton Wilder’s Our Town has been a “comfort, guide and inspiration” throughout her life, and that in her new novel, Tom Lake, she’s trying to draw attention to the play and to all of Wilder’s work.

In doing so she’s drawing attention to New Hampshire, since the Pulitzer Prize-winning play is set in a fictional town in the Granite State. And for someone who grew up in the South, Patchett has a surprisingly good grasp of New England, where parts of this novel take place.

At one point the narrator is asked to swim as part of a movie audition. “Right away I wondered how cold the water was because that’s the first thing a person from New Hampshire thinks about when someone starts talking about swimming,” she says. New Hampshire is omnipresent in Tom Lake, which toggles between the decades-old memories of the narrator, Lara Kenison, and her life in the early days of Covid-19, as she shelters with her husband and adult daughters on the family’s farm in northern Michigan.

As a teenager, Lara — then Laura — was cast as Emily in a community theater production of Our Town; she aced her audition because every other aspiring Emily was trying too hard, because being in a production of Our Town is apparently like the Holy Grail for thespians in this state.

“Citizens of New Hampshire could not get enough of Our Town,” Lara says. “We felt about the play the way other Americans felt about the Constitution or the ‘Star-Spangled Banner.’ It spoke to us, made us feel special and seen.”

The audition was eye-opening for Lara, who watched as adults desperate for a role bumbled their way through auditions. (“Many of the Georges … read their lines as if they were trying out for Peter Pan. The older they were, the more they leapt in a scene that did not call for leaping.”)

By the time her name was called, Laura, who had never been a “theater girl,” had decided to drop the “u” in her name for a spelling she thought more worldly.

Lara’s acting career was brief but dazzling and included another stint as Emily at a summer stock production of Our Town at the titular Tom Lake in Michigan, where she was paired with a soon-to-be-famous actor named Peter Duke. The two had a brief love affair, after which they went down markedly different paths — just how different their paths were is not revealed until the story’s end.

Even after he was no longer physically present in Lara’s life, Duke played a starring role in Lara’s family life. Her husband knew just enough about the story to tell their daughters that their mother once dated the famous man they’d just seen in a movie, which set off an emotional explosion in the house. From there Duke grew larger in the girls’ imaginations, to the point where one of them became convinced, at age 14, that Duke was her father. “Thanks to his ubiquitous presence in the world, the man I’d spent a summer with took up residence in our home, and still I thought of him remarkably little,” Lara reflects.

All that changes in the spring of 2020, when the adult daughters — Emily, Maisie and Nell — come home for Covid and their mother finally relents and starts telling the story of her acting career, tantalizing details revealed in short installments.

The daughters learn how that first unplanned audition came about and how, a couple of years later, Lara played Emily again at a University of New Hampshire production. (“In any given year more girls who had once played Emily attended the University of New Hampshire than any other university in the country…,” Patchett writes.)

Through the stories, the girls follow their mother to L.A. for a screen test at the behest of a director who’d been at the UNH performance. They hear about her two seasons of “unremarkable” television and her Red Lobster commercial. And ultimately they arrive at Tom Lake, where young Lara fell for a man who would one day have Tom Cruise-level fame while she slipped into domestic obscurity.

“You should have been famous. I think that’s what kills me,” Nell says to her mother at one point, to which Lara, reclining in grass and sunlight with her smart, accomplished daughters, says, “Look at this! Look at the three of you. You think my life would have been better spent making commercials for lobster rolls?”

But the stories that Lara reluctantly tells her family, while true, are incomplete.

“Secrets are at times a necessary tool for peace,” she says at one point. While her girls may not hear the whole story, the readers will.

Patchett dwells in that rarefied world of publishing in which everything she writes sells, and sells well, whether fiction or essay. (It’s also the level at which Meryl Streep voices the audio book.) Though Patchett has been married twice, she famously made the decision not to have children in order to concentrate on writing, believing that she wouldn’t have enough energy to put into both. A lot of energy went into Tom Lake; it is a warm and deeply thoughtful novel that exhibits Patchett’s copious talents in the highbrow genre called literary fiction. B+