Lager laughs

Three Sheets host stops in Henniker

For over a decade, Zane Lamprey traveled the world and drank for a living.

His pub crawl series Three Sheets ran for four seasons starting in 2006. In 2010, Drinking Made Easy launched on Mark Cuban’s HDNet, followed by the crowd-funded Chug. Lamprey’s most recent series, Four Sheets, aired its final episode in early 2020.

Since then Lamprey has done a lot of standup comedy, primarily at places like Henniker Brewery, where his Another Round tour stops on March 22. He began playing the craft beer circuit out of necessity; clubs and theatres were slow to open after the pandemic, and he needed work. He’s now done more than 500 brewery gigs, with 10 in New England on the current run.

“I have a lot of great relationships at breweries because of the shows I’ve done, and I reached out to them,” Lamprey said by phone recently. “They loved the idea of having me come in and bring attention to their brewery, fill it with people, do a night of comedy, and so it was a very synergistic kind of thing.”

Unlike many who use stand-up to launch a television career, Lamprey took an inverse route, and after he finishes writing a memoir in progress he’ll begin a book about becoming a comedian at age 49. He says it’s all a natural progression: “I’ve always been someone, in all the shows that I’ve done, who needs to understand comedic timing and how to tell a joke.”

Through his years of imbibing across the planet, Lamprey has gathered more than enough material for multiple comedy specials. His latest, The Medium Club, premiered in January. “I’ve made a lot of poor decisions that have led to some great stories,” he said.

He’s also drunk many strange concoctions in his years, like rum aged in a bottle with a drowned snake. He once knocked back 23 shots, each containing a preserved scorpion. Later he realized that “your body is not designed to digest exoskeletons.” The shoot-and-chew experience led to an excruciating, barrel-full-of-monkeys situation.

But Lamprey has never declined a proffered glass, because entertainment.

“I always said that my job in any of the shows I’ve done was creating a water cooler moment,” he said. “Doing those shots are what people talk about. For that reason, I’m happy to do it … to take one for the team.”

Non-liquid challenges can be different, and Lamprey recalled one time he did draw the line.

“The only thing that I said no to is balut.” The popular Philippines snack is a two-thirds gestated duck egg hard boiled and served with salt and vinegar. “Basically a baby duck sitting on the yolk or the amniotic sack…. I was like, absolutely not. I tried drinking enough beers to bring myself to do it, and I couldn’t get to that place. It was too vile.”

Lamprey prefers to remember beautiful moments, like the time he rented out the Eiffel Tower for a Champagne party that wrapped as the sun was rising, or filming in Croatia a decade after their civil war. “It was very eye-opening,” he recalled. “These people weren’t war-torn and bitter because of what they went through, they were … embracing life and moving on — without forgetting about the past.”

While there, he ran into a restaurant owner singing with his friends in the street, and went in for a drink.

“We weren’t even going to shoot there … and it was one of the best experiences of my life,” Lamprey said. “But you could name any episode, and I would tell you about a moment in it that I was so grateful to be doing what I was doing.”

When Lamprey is asked why he left television, his response is that it left him.

“People every night are just like, ‘Please go back and do one of those shows again.’ I would love to.” Networks that ran his shows, like Spike, Fine Living and HDNet, are long gone, supplanted by YouTube and TikTok.

“I’ve had the privilege of being able to go and do some of the coolest things ever and be followed by a camera crew,” he said. “But the landscape of television has changed. Places where Three Sheets would have fit perfectly … no longer exist. They drop the vowels in their name, and all they do is paranormal shows.”

That said, Lamprey’s not about to stop telling jokes to crowds.

“I would actually choose the stand-up over those shows,” he said. “Which is probably why now discussions to do another TV show have resurfaced; but it would have to be perfect for me to do it.”

Zane Lamprey

When: Saturday, March 22, 8 p.m.
Where: Henniker Brewing Co., 129 Centervale Road, Henniker
Tickets: $25 and up at eventbrite.com

Featured photo. Courtesy photo.

The Music Roundup 25/03/20

Wine and comedy: An eclectic wine bar celebrates its third year with Mona Forgione, who leans into motherhood for laughs. She got into standup late in life, initially to talk about a pair of surgeries gone wrong, and has a colorful history that includes a stint in the roller derby. Klia Ververidis opens, ahead of her slot at New York’s Laughing Buddha Comedy Festival. Thursday, March 20, 8 p.m., Vine 32 Wine + Graze Bar, 25 S. River Road, Bedford, $25 at eventbrite.com.

Java jam session: A monthly coffeehouse gathering features a headliner set from The Treetellers, an acoustic string trio led by Scott Heron of married bluegrass duo Green Heron, on banjo, mandolin and vocals, with guitarist Joey Clark, who also sings and plays harmonica, and upright bassist Larry Houghton. The show kicks off with an open mic; signups at 6 p.m. Friday, March 21, 8 p.m., Highland Lake Grange Hall, Route 11 and Chase Hill Road, East Andover, andovercoffeehouse.org.

Before The Beatles: Early on, the Fab Four were a five-piece, with drummer Pete Best and Stu Sutcliffe on bass. Though Ringo Starr replaced him, Best continues the raw sound The Beatles had during their days at Liverpool’s Cavern Club and in the raucous Hamburg, Germany, bar scene. An area show from Best and his band includes music and memories from the days prior to world fame. Saturday, March 22, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $50 and up at tupelohall.com.

Junk rock jubilee: Thirty years after a trio of Goffstown High kids played drums in a talent show, Recycled Percussion continues its unique junk rock sound, and a local show celebrates the anniversary of the group, which went from a humble start to playing shows across the globe, including a years-long Las Vegas residency following their big run on America’s Got Talent. Saturday, March 22, 3 and 7 p.m., Dana Center, Saint Anselm College, Manchester, $50 and up at anselm.edu.

Poetry and music: Soon after graduating from Berklee College of Music in 2010, Liz Longley was regularly selling out area venues months in advance, powered by sensitively crafted songs like “Unraveling” and the metaphor-rich “Camaro.” . Sunday, March 23, 7 p.m., Word Barn, 66 Newfields Road, Exeter, $19 at portsmouthnhtickets.com.

At the movies

NH Jewish Film Festival opens

This year’s New Hampshire Jewish Film Festival, opening March 23 at the Rex Theatre in Manchester, offers a rich and varied slate of 15 movies. It’s also very much a statewide endeavor, with seven cities hosting screenings. In addition, more than half of the offerings will be available online.

The documentary Janis Ian: Breaking Silence will be both screened and streamed, followed by a Zoom discussion with director Varda Bar-Kar. Ian was a teenager in the mid-1960s when she released the controversial “Society’s Child,” and charted a decade later with “At Seventeen.” Along the way she worked with everyone from Jimi Hendrix to Dolly Parton.

One of the most eagerly anticipated films is Bad Shabbos, a comedy about a newly engaged couple’s Jewish and Catholic parents meeting for the first time over a dinner gone terribly wrong. With a cast including Kyra Sedgwick, David Paymer and Cliff “Method Man” Smith, it won the Audience Award at last year’s Tribeca Film Festival.

“That’s definitely the one that people are going to leave talking about,” steering committee member Zachary Cemenker said in a joint interview with festival chair Pat Kalik, who added, “that’s why we’re closing the festival with that one; it’s our final film.”

Max Dagan, from Nashua director Terre Weisman, will be shown on Thursday, April 3, at Concord’s Red River Theatres, and Weisman will participate in a discussion after. The film is about a prison inmate who is dying of a brain tumor, his son’s efforts to free him with a compassionate release, and the past that’s revealed in the process.

“I explore themes of tragedy and loss, and how one’s natural talents and strengths can empower an individual toward healing and redemption,” Weisman wrote on the nofilmschool website when Max Dugan was screened as the prestigious Closing Night Film at last year’s Dances With Films festival.

Two films released just this year are also among the most hard-hitting.

October H8te, from executive producer Debra Messing, is a documentary about anti-Semitism in the wake of the October 7, 2023, Hamas attacks in Israel. Soda explores a relationship between a Jewish man and a woman suspected of being a capo for the Germans during the Holocaust, and its effect on a small village with war still a fresh memory.

With films about Beatles manager Brian Epstein (Midas Man), a former U.S. Senator (Centered: Joe Lieberman), and even an animated feature from the 1990s (Prince of Egypt, chosen to coincide with Passover), there’s a little bit of everything for everyone, with offerings coming from all across the world.

There’s an effort to draw from both U.S.-based and foreign distributors. “That way there’s a variety of films that aren’t all subtitled,” Cemenker said. Beyond that, “we try to balance where they’re from, and the content in them, so that they’re not all World War II or Holocaust-driven [and] they’re not all about Israel or the Middle East. We have a variety of criteria.”

One film that checks more than a few boxes is Running on Sand. It’s a comedy of mistaken identity that also deals with the hot-button issue of immigration. In it, a man about to be deported from Israel runs from officials at an airport, only to be mistaken for a star soccer player arriving to play for the local team.

The Joe Lieberman documentary will be shown on the festival’s final day of theater screenings, followed by a pre-recorded conversation with director Jonathan Gruber. It’s part of a dual program including Darren Garnick’s short film Righting A Wrong: The Bialystok Cemetery Restoration Project.

Garnick was a longtime festival volunteer who passed away last autumn. “We are showing that film in his memory and in his honor,” Kalik said. “We wanted to do it on the last day.”

The festival is a program of the Jewish Federation of New Hampshire and is also sponsored, in part, by the New Hampshire State Council on the Arts.

17th Annual New Hampshire Jewish Film Festival
When: Sunday, March 23, through Sunday, April 6 (Streaming Bonus Week April 6-11)
Where: Locations in Manchester, Concord, Merrimack, Hooksett, Portsmouth, Hanover and Keene
More: Full schedule and tickets at nhjewishfilmfestival.com
Opening reception Sunday, March 23, at noon, Spotlight Room at the Palace, 96 Hanover St., Manchester ($16) prior to the 2 p.m. screening of Shari & Lamb Chop at the Rex Theatre, 23 Amherst St., Manchester ($12).

Featured photo: Bad Shabbos

Nordgrass

From Finland, it’s Frigg

By Michael Witthaus

[email protected]

With a blend of Celtic, American bluegrass, and a Nordic fiddle tradition designated by the UN as an “intangible cultural heritage of humanity,” Frigg is truly a world music band. As St. Patrick’s Day approaches, a show in Manchester will dip into their Irish roots while showcasing the lively Nordgrass style that’s made their reputation.

Fans of Nickel Creek will enjoy Frigg’s lively all-instrumental sound. The band was founded in 2000 by sibling fiddlers Alina Kivivuori and Esko Jarvela and mandolin player Petri Prauda. The current lineup includes Juho Kivivuori on double bass, guitarist Topi Korhonen and fiddler Tero Hyväluoma, who played his first Frigg gig in 2005.

In a recent phone interview, Prauda, who along with mandolin also plays cittern and bagpipe, discussed the band’s swing through New England and their music.

“The sound of Frigg comes from a fusion of different musical cultures,” Prauda said, “but especially the Kaustinen fiddle tradition.”

That’s the style selected by UNESCO for its singularity, named after the village in Finland that both Kivivuori and Jarvala hail from; Hyväluoma grew up nearby. It originated in the 17th century and has been passed down for generations, music characterized by a rhythmic sound that’s driven by syncopated bowing.

Their latest album, Dreamscapes, released in February, finds Frigg delicately moving in a new direction. On “Västkusten Twist,” the mood is bouncy, atmospheric, rising symphonically, while “Valsette” has a contemporary flow influenced by the American bluegrass bands they’ve long admired. “Troll’s Twilight” offers chamber music elements.

Some of the change is due to a reconfiguration of the original four fiddle band, due to the departure of Tommi Asplund.

“It was a hard decision for him, and of course, hard for us to let go of him,” Prauda explained, “but we decided we try to continue with three fiddles now only…. There’s some arranging work to be done, but we have been touring every now and then a few times with just three fiddles previously.”

The work on the new record began a couple of years ago with informal composition camps.

“We were thinking, what can we do that we haven’t tried yet, so we tried this time a bit more experimental approach,” Prauda said, adding with a laugh that he felt, after a recent relisten, “it just sounded like Frigg to me. So maybe these experiments are quite subtle.”

The band’s name comes from the Nordic goddess of love and wisdom. “Which I think are really great values today … look at the news; it seems like we need more love and wisdom in the world,” Prauda observed. “But the name got picked out just simply. We were looking in a dictionary and it was one of the first names that somehow stuck out there for us.”

Initially they were unaware of how people in the U.S. use the word, but there’s a song on 2017’s Frost on Fiddles called “Friggin’ Polska,” and Prauda acknowledges “there are many things in the world connected to Frigg … yoga, hippie things or cafes, but we didn’t think of that at the time at all. We just thought it’s a cool name.”

Frigg has many Polska dance songs in its repertoire. The lively style had its heyday in the 18th and 19th centuries and is usually played in three-quarter time, “but there are many different kinds,” Prauda explained. “Slower and faster, and the rhythmic phrasing can be very different…. It became a very popular dance in Sweden, and Finland, especially.”

Though it’s true no one sings in Frigg, Prauda notes, “We have put a lot of effort in thinking and planning and practicing how the energy in the music flows in which direction, so that when you make purely instrumental music, it still has some kind of feeling, a storyline, mental landscapes, images. I think that is quite characteristic to Frigg’s music.”

Frigg

When: Friday, March 14, 7:30 p.m.
Where: Dana Center (Saint Anselm College), 100 Saint Anselm Drive, Manchester
Tickets: $45 at anselm.edu

Frigg. Photo by Marek Sabogal.

The Music Roundup 25/03/13

By Michael Witthaus

[email protected]

Stories and dance: Michael Londra brings his PBS series Ireland With Michael to the stage. The show blends music, dance and stories, as the Emmy-nominated Voice of Riverdance shares his affinity with them, backed by a traditional Irish band and dancers. Thursday, March 13, 7 p.m., Stockbridge Theatre, 5 Pinkerton St., Derry, $35 and up at stockbridgetheatre.com.

What’s up sweetcakes? Enjoy jazz inspired by a popular anime series at Cowboy Bebop Live. Japanese composer Yoko Kanno’s music helped drive the edgy Japanese series, from her earworm theme song “Ask DNA” to the jumping jazz number that opened the 2001 movie, “TANK!” An all-star 14-piece ensemble performs in support of the big-screen multimedia presentation Friday, March 14, 8 p.m., Nashua Center for the Arts, 201 Main St., Nashua, $39 at etix.com

Long green weekend: Four days of St. Patrick’s fun commences with Shamrock & Roll-themed music bingo from DJ Paul Corwin on Friday night, with Celtic band Loch Mór and the Pogues-inspired Rebel Collective the next day. Sunday, it’s music from the Reel McCoys and a set from McGonagle School of Irish Dance. Dan Fallon performs on the big day. Friday, March 14, through Monday, March 17, Biergarten, 221 DW Highway, Merrimack; schedule at budweisertours.com.

Canyon lady’s prime: Drawing primarily from her 1970s heyday, The Linda Ronstadt Experience is a stirring tribute. American Idol Season 15 contestant Tristan McIntosh is convincing on ballads like “Long Long Time” and “Blue Bayou,” the Roy Orbison song she made her own, and shines on the early hit “Different Drum.” She’s a believable doppelgänger for Ronstadt as well. Saturday, March 15, 7:30 p.m., Rex Theatre, 23 Amherst St., Manchester, $39 at palacetheatre.org.

Cross-Canadian Celtic: Hailing from Ontario, The Glengarry Bhoys occupy a unique musical intersection, blending Highland Scots, Irish and French Canadian idioms for a thrilling and energetic performance. Given the Celtic flavor of the band’s sound, they’re an especially popular item around St. Patrick’s Day, where they perform plenty of traditional songs along with their original material. Sunday, March 16, 7 p.m., Tupelo Music Hall, 10 A St., Derry, $39 at tupelohall.com.

Serving up a tale

Gastrobrewery hosts dinner and storytelling

“Sean’s Red Scarf” is a playful story about a greedy man who lets a leprechaun fool him into opening an accessory shop. Simon Brooks has been spinning such tales for more than 30 years, and it may be among those he’ll tell after a dinner at a Nashua gastrobrewery hosting the latest in its Legends & Lore storytelling series.

Or maybe, Brooks said recently, it’ll be a darker yarn.

“A lot of people think that folk and fairy tales are mostly for kids, but when you actually listen to a lot of them they’re really deep.” he said. For example, “The Lonely Boat Man” is about using imagination as a defense against life’s hardships, with an ending that lands differently depending on the listener.

In it, a fisherman named Hagen runs from a socially awkward moment; all the guests at a public dinner have been asked to perform for their share, and his entertainment skills are nonexistent. Outside, he finds a beautiful woman in need of a boat ride to her home. He obliges, and falls in love along the way to the mysterious island where she lives.

In Brooks’ capable hands, the Scottish folk tale, also called “The Fairy Bride,” is magical, its denouement both beautiful and devastating. Hagen’s escape is redemptive and life-affirming, even after things change and he’s once again alone, with the memory of brief happiness the only salve for a solitary existence. However, he now has a story to tell.

Just the basic bones are provided here, so as not to spoil it for anyone who’d like to hear the whole tale on Brooks’ website (diamondscree.com).

Brooks has appeared frequently at the Nashua venue, and the upcoming St. Patrick’s Day event will be his third one there.

“It’s one that both Rambling House and I get very excited about,” he said. “I have Irish ancestry, and so I tell mostly Irish stories. There might be a Scottish or Welsh story thrown in because it’s Celtic.”

The evening will include a farm-to-table meal with an Emerald Isle feel — “the chef is absolutely incredible, it’s some of the best-tasting food I’ve ever had,” Brooks said — followed by dessert and, perhaps, a mug of their Oscar F.O.W. Wilde Nitro Stout. After the tables are cleared, tale-spinning begins.

Rambling House has designated Brooks as the evening’s Seanchaí (pronounced, shan-a-key), described as “a storyteller tasked with keeping alive the Irish myths, folklore and legends that inspire a people. In ancient Ireland, the seanchaí was held in high esteem and would regularly attract large crowds to hear the long-form poems and tales they had to tell.”

Opened in 2012, the Factory Street restaurant is named after the Coosane Rambling House, a rural family home in County Kerry, Ireland, that served as a gathering place for locals to gather and share conversation, song, dance and storytelling. It was a favorite spot of Maurice Gleeson, scion of the family that runs Rambling House and nearby TaleSpinner Brewery.

Born in England, Brooks is well-versed in many storytelling traditions and is vigilant about properly honoring all of them. As he’s keenly aware that his interpretation of a story may not hew exactly to its original telling, he’s careful to understand the cultural norms informing each one.

“I try to [tell a story] as authentically as I possibly can so that I’m not homogenizing it,” Brooks said. To that end, he spent years transforming the anglicized version of a Japanese folk story he’d found in a children’s book into something that felt genuine, even availing a fellow storyteller from Japan to translate websites he couldn’t read.

“She gave me insight into how to tell the story and not Europeanize it, but actually keep it in the way a Japanese storyteller might tell it,” he said. “Having done all this digging and delving, I was able to then tell that story properly, from a place of authenticity, rather than just taking a Japanese story and making it mine.”

Brooks has also written a book aimed at young readers that encourages both children and adults to “take these stories and make them your own … make them relevant to your life experiences and the life that you live. Because that makes it more personal. It makes it way more fun for both the teller and the listener.”

Legends & Lore Storytelling Series: Tales from the Seanchaí
When: Sunday, March 16, 6 p.m. (dinner seatings begin at 4:15 p.m.)
Where: Rambling House Food & Gathering, 57 Factory St., Suite A, Nashua
Tickets: $20/person at ramblingtale.com. Ticket price includes entry to performance and does not include dinner, drinks, or gratuity.
Adult content, not for children.

Featured photo: Simon Brooks. Courtesy photo.

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