When the time comes for career growth, most musicians from small towns move to an industry hub like Nashville or L.A., but Andrea von Kampen, who plays March 14 at The Word Barn, hardly considered it. And while she had a label deal for a while, she’s more than content to now be back in the ranks of the independents.
Born and raised in Nebraska, von Kampen makes music that is lyrically sharp, sonically ethereal, and informed by place. The latter, she believes, isn’t intentional.
“I only feel the difference when I’m with people from the major cities,” she said in a recent phone interview. “In my day-to-day, I don’t feel like it’s influencing me at all.”
The internet is one reason she stays in the heartland.
“I started to make music in the era of Spotify, so it all felt very globalized,” she said. “I was making a pretty good livelihood before I even talked to a label, and I was able to connect with artists from all over the world digitally. So it never even really occurred to me that I’d have to move.”
Family is another, perhaps more important factor.
“My brother’s a composer; he’s a huge influence on the process of our records, and he’s got a great recording setup,” she said. “So … I can make records here, I can put them out, they can be listened to by people all over the world, and I can make an income.”
Her voice has been called “soulful and worn in,” with a hymn-like quality that can be traced to her German Lutheran roots. At times, it sounds effortless. “Singing is like breathing,” she said in a 2024 interview. “I think about my voice like a wind instrument. I’m breathing through it and creating sound and I don’t want anything to obstruct the pure sound coming out.”
Hearing Paul Simon’s album Hearts and Bones at 9 years old left an indelible impression on von Kampen; she often plays the title track in concert. Later, her influences included Ella Fitzgerald, Etta James and other jazz singers: “In high school, I really got into Laura Marling and now it’s a whole bunch of different people in my genre.”
Current artists she enjoys include singer Rita Payés. “I absolutely love bossa nova kind of quiet Spanish guitar settings,” she said, and she also approves of the NFL’s Super Bowl halftime entertainment. “I’m obsessed with what Bad Bunny is doing … I think my inspiration now is very wide and broad.”
The three-song EP Before I Buy a Gun is von Kampen’s latest release, an agonized response to the last election. The title song closing out the record has a sense of hope, though. “I will find a better way,” she sings. “Before I buy a gun, I’ll get to know my neighbor; it’s a fragile thread that holds us all fraying at the seams.”
A gathering feeling of powerlessness compelled her to begin writing songs in the cold Nebraska winter.
“I sort of did the only thing I could do, which was make music,” she explained. “That can feel sort of silly at times, but it’s easy to think you’re not making a difference unless you’re really doing something.”
Sister Moon, her last full-length album, was released in March 2024. Inspired by Richard Powers’ novel The Overstory, it’s a meditation on the environment. “It’s all about trees, deforestation and humans’ impact on the earth,” she said, “and this big time crunch we have to get this figured out in some sort of way or it’s going to be too late.”
At her Word Barn concert, von Kampen will perform with her trio, which includes Jessican Hanson, a violinist influenced by Andrew Bird and Kishi Bashi. “She’s been touring with me forever,” she said. Jonah Bennet, an upright bass player who’s appeared on several of her recordings, rounds out the group.
Following that, she’ll fly to the U.K. for her first headlining tour there, then return to write songs inspired by This Blessed Earth, Ted Genoways’ book about living on a family farm.
“I’d like to do a concept album into a stage production, but I know that’s a very long process,” she said. “That’ll be the next big project that I dive into, I think.”
Andrea von Kampen When: Saturday, March 14, 7 p.m. Where: The Word Barn, 66 Newfields Road, Exeter Tickets: $25 at thewordbarn.com
Featured photo: Andrea von Kampen. Courtesy photo.
A look at more Oscar nominees before the big night
Happy Oscar day to all who celebrate!
The 98th Academy Awards will air Sunday, March 15, at 7 p.m. on ABC. There are some true gems on the list of nominees — I’ll be rooting for Sinners in the 15 categories where it’s nominated and for all of the nominees in the best lead actress category — let’s go, five-way tie! But to wrap up the Oscar season, I took a look at the nominees for International Feature Film, which this year include two movies — The Secret Agent and Sentimental Value — that have a strong presence in other categories as well.
Sirāt, the entry from Spain, is the one movie of the five not yet available (as of March 8) for home viewing. The four I did watch, while varying in tone and style, all had a thread running through them about a country in crisis — what it’s like for the people living in it and how the trauma can echo through the decades.
The Voice of Hind Rajab (rent or purchase), the entry from Tunisia, is based on a true story of operators at the Palestine Red Crescent Society’s 911-like center and their attempts to save 5-year-old Hind Rajab in early 2024. Operators take a call about a car trapped on a street in Gaza, being hit by shells and gunfire. Eventually, Hind is the only survivor in the car and ends up on the phone with the operators, crying for someone to come get her. The movie takes place within the phone center, while the operators attempt to comfort Hind and work on finding a way to get an ambulance to her. Getting an ambulance into the war zone requires a slow-moving this-official-calls-that-official process to find a route where the Israeli military is not. The office head (Amer Hlehel) is desperate not to lose any more ambulance drivers and medics while the two operators (Saja Kilani, Motaz Malhees) talking to Hind are desperate to get the scared young girl help now. It’s a harrowing story that mixes the actors and their voices with the voices of the real operators and uses Hind’s real voice throughout, according to media reports. In the way that it is very tightly focused on one child a group of professionals are trying to save, the movie reminded me a bit of the TV show The Pitt, with dedicated people offering competence and compassion in the face of tragedy.
It Was Only An Accident (Hulu, rent or purchase), a French entry that is, according to Wikipedia, a “co-production between Iran, France and Luxembourg,” has a dark comedy veneer with a bleak psychological-drama interior. Vahid (Vahid Mobasseri) is absolutely, completely positive that the man (Ebrahim Azizi) who happens to visit the auto repair shop where he works is the man who once tortured him when Vahid was held prisoner by the Islamic Republic of Iran. Absolutely, completely, probably positive, after he kidnaps the man, ties him up and puts him in the back of his van. He considers burying the man alive, but maybe he’s only like 90 percent certain he has the right guy? Looking for confirmation, Vahid contacts another prisoner who was tortured by the man, another person who is also only mostly certain the blindfolded man in Vahid’s van is her former tormentor. Eventually, photographer Shiva (Mariam Afshari); Goli (Hadis Pakbaten), the wedding-dress-wearing bride-to-be Shiva was photographing, and Hamid (Mohammad Ali Elyasmehr), the most certain that Vahid’s hostage is the torturer, are driving around in Vahid’s van, attempting to stay undetected by officialdom and trying to figure out what to do with this blindfolded, sometimes unconscious, possibly very dangerous man. There are a few darkly funny moments but the movie’s core is the trauma these people carry around from what they experienced, a trauma that is never far from the surface.
There are similarities in tone between It Was Only An Accident and The Secret Agent (Hulu, rent or purchase), a movie that also deals with people trying to live a normal life in a country that is broken. In this case, that country is Brazil in the late 1970s, when, as the movie tells us, lots of “mischief” happened, from the dead body left for days in a parking lot because no police can be bothered to come get it to the government persecution that requires people to go into hiding. Armando (Wagner Moura) is hiding in plain sight as Marcelo, living in an apartment full of people using different names in an attempt to stay alive, as he tries to figure out what happened to his long-gone mother and find a way to get himself and his young son out of the country. Armando’s problems seem to stem from the politically-connected head of the country’s power company defunding Armando’s university work and Armando’s objections to that action. When rich dudes and their idiot sons hold government-backed, extra-legal power, their personal prejudices and power-seeking whims can destroy lives — is how Armando’s problems can be boiled down. The movie does an excellent job with the world building with lots of engrossing moments and details about the people trying to maneuver through this fraught society.
Sentimental Value (rent or purchase) from Norway received nine Oscar nominations, including International Feature Film and, along with The Secret Agent, a spot on the Best Picture list. This movie has an episodic feel, like you’re binging a family dramady TV series. After the death of their mother, sisters Nora (Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas) must deal with the reappearance of their father, Gustav (Stellan Skarsgård), a famous filmmaker who has been largely absent from the family since the parents’ divorce decades earlier. The family house still belongs to Gustav, the latest in a long line of his family to inhabit it, who is now considering using it to film his new movie, a semi-biographical story about his mother. He’d like stage actress Nora to star in his movie but their relationship is so spikey she won’t even read the script. Agnes, married mother of a young son, is sort of the family peacemaker, but you can tell she’s dragging around baggage too — some of it, as she learns when she investigates Gustav’s mother’s imprisonment for anti-Nazi resistance during World War II, possibly inherited. The sudden appearance of American actress Rachel Kemp (Elle Fanning) as a possible Nora replacement in the movie does not help with family dynamics. All four of these core performers are nominated and they all turn in nuanced performances that let us see character arcs and growth.
New Hampshire Jewish Film Festival The 18th annual New Hampshire Jewish Film Festival kicks off Sunday, March 15, with an opening reception at the Singer Center for the Arts (77 Amherst St. in Manchester) at 5 p.m. followed by the festival’s the first in-person screening, Elie Wiesel: Soul on Fire at the Rex Theatre in Manchester, at 7 p.m., according to a press release. In-person and virtual screenings continue through Sunday, March 29, and the festival will feature 13 feature films and four short films, the release said. Screenings will take place in Manchester, Concord, Portsmouth, Hanover and Keene, according to the nhjewishfilmfestival.com, where individual tickets and ticket packages are available for purchase. Local in-person screenings include The Road Between Us on Thursday, March 19, at 7 p.m. at Chunky’s in Manchester; Ethan Bloom on Tuesday, March 24, at 7 p.m. at O’Neil Cinemas in Londonderry; The Stronghold on Thursday, March 26, at 7 p.m. at Red River Theatres in Concord; Hidden: The Kati Preston Story with special guest Kati Preston for a post-film discussion on Sunday, March 29, at 1 p.m. at Red River Theatres; 13: The Musical on Sunday, March 29, at 1:30 p.m. at Red River Theatres, and The Ring on Sunday, March 29, at 3:30 p.m. followed by a festival wrap party at 5:30 p.m. at Red River Theatres. See the festival website for the full schedule and for tickets and trailers.
This Saturday, March 14, is one of the happiest days of the year for math enthusiasts. Written numerically, the date is 3/14, and of course 3.14 is the number pi (π) rounded to the nearest hundredth. “Pi Day,” also thought of as “Pie Day,” is a day of celebration for geometry fans, pun enthusiasts and of course pie lovers.
Canterbury Shaker Village (288 Shaker Road, Canterbury, 783-9511, shakers.org) will embrace Pi Day this year. From 1:30 to 3 p.m. on March 14 the museum will host a Pi Day event with an informal lecture on the history of pie and its connection to Canterbury’s Shaker community — they were considered brilliant cooks and bakers. The event will allow guests to eat pie, and let pie enthusiasts mingle and share their collected passion.
“It actually is a very nice pie symposium,” said Garrett Bethmann, Manager of Communications and Engagement for the Shaker Village. “It’s just easy breezy as, you know, just like the smell [of a fresh-baked pie] coming out of your window. We just want people to have as sweet a time as pie is.”
“We’ll be playing a little bit with that mathematical concept as well as showing how pie [the pastry] fits into that. We’ll look at how pie has been used in American culture over the years, and how Shakers thought about pie and how they incorporated them into their daily life. I saw recently we got some floor plans that had an integrated pie safe situated in it for one of our buildings. It was certainly on their mind. And so we’d like to showcase how that looks and how people can learn about it.”
The baking community will also be celebrating Pi Day.
“Oh, we’ve gota Pi Day menu!” said Brittani Randal, co-owner of The Sunflower Bakery and Cafe (50 Broad St., Nashua, 505-0794, thesunflowerbakerycafe.com). “Last year, the number of pies we could make was just based [on] what we could bake from our house, and now that we have our [brick and mortar bakery] those numbers don’t even count anymore. Last year we had eight to 10 [types of pie], but that didn’t include our black bottom pie, which has been our most popular pie so far, and I don’t think we were offering the strawberry dream pie either, so there will probably be at least 10 [varieties of pie].” She said one of Sunflower’s corporate clients has already ordered 250 individual-sized pies for Pi Day.
Denise Nickerson, owner of The Bakeshop on Kelley Street (171 Kelley St., Manchester, 624-3500, thebakeshoponkelleystreet.com) plans to go all out for Pi Day this year.
“We’re going to have every single kind of pie you can think of,” Nickerson said. “We’re going to have probably 25-plus [types of pie], depending on what people order. People come up with some interesting ideas and we’re planning to have as many different pies as we can. Our most popular, of course, is apple or chocolate cream. We’ll definitely have those. Lime is really popular and we’ll go from there.” The Bakeshop has a reputation for outstanding doughnuts. “We’re making some kind of a pie doughnut,” Nickerson said, “but that’s still under development; my team is working on it.”
For 24 hours, from midnight to midnight, on Pi Day all locations of the Red Arrow Diner (112 Loudon Road, Concord, 415-0444; 137 Rockingham Road, Londonderry, 552-3091; 61 Lowell St., Manchester, 626-1118; 149 DW Highway, Nashua, 204-5088, redarrowdiner.com) will offer all slices of pie for $3.14, according to a statement from its corporate office.
Alison Ladman, owner of Crust and Crumb Baking Co. (126 N. Main St., Concord, 219-0763, thecrustandcrumb.com), said her plans for Pi Day are simple: “All we’re doing is baking a whole lot of pies. We want to make sure we don’t run out, and we recommend that any customers who have their heart set on a particular type of pie should pre-order online to make sure we still have some for them.”
Featured photo: Pies from The Sunflower Bakery and Cafe. Courtesy photo.
The Old House & Barn Expo at Saint Anselm College on March 14 and March 15 might at first glance seem like any trade show. There are more than 50 exhibitors, selling everything from wall stencils and paint to rugs and cabinets. Services for homeowners to help bring historic buildings into the modern age while preserving their history are also on offer.
Upon closer inspection, though, it’s much, much more. There are hands-on activities such as plaster repair, and one-on-one sessions with house doctors. An 18- by 18-foot timber frame structure will be built during the event, with ongoing hourly talks about its repair, assembly and disassembly.
There are lectures, 25 in all, held in the nearby Dana Center, that include topics both practical and inspirational, like “Mural Talk: When Walls Take Us Back in Time,” given by Lisa Curry of Canvasworks Design. More pragmatic is Justin Paynter of ReVision Energy talking about integrating solar power and heat pumps into old homes.
The biennial show is the creation of the New Hampshire Preservation Alliance, a 41-year-old nonprofit that is focused on the rescue and revival of important landmarks, and supporting old home and barn enthusiasts in similar efforts. The show, they believe, is the largest of its kind in New England. It was launched 20 years ago; this is the eleventh expo.
“The Preservation Alliance loves this opportunity to get people together,” the organization’s president, Jennifer Goodman, who also helped launch the expo, said by phone recently. “We’re excited that there are a lot of new topics, exhibitors and presenters, in addition to longtime favorites.”
Other hour-long sessions focus on building a modern kitchen into an old house, understanding character-defining features of a dwelling before starting work, and sustainability in historic preservation. A session called “House Histories” is a guide to researching the evolution of an old structure.
There are two panel discussions on the final day, “Celebrating Semiquincentennial Farms: Stewardship and Legacy,” led by former New Hampshire Agriculture, Markets & Food Commissioner Steve Taylor, and “Details Make the Difference,” with a panel that includes a representative from the League of NH Craftsmen.
Speaking of details, there’s a session on architectural millwork led by specialist Brett Hull. “It helps you date a house … so people understand the history,” Goodman said. “What the evolution over time looked like, the different eras and architectural styles, how it was made and used.”
The expo is a multi-generational event.
“It attracts young people looking for their first house as well as older people who might want to find solutions for aging in place,” she said. They’ll find answers to questions about energy efficiency, how to lower operating costs, even paint color and garden design.
There will be experts available to help people figure out how to program new uses into old spaces, build an addition to an older property, or how to use new technology to help with old house care — though old tech isn’t left out. An “Artistry in Iron” session focuses on the history and reuse of antique stoves.
The expo happens every other year and alternates with the Alliance’s statewide historic preservation conference, Goodman said. “That’s more geared toward community leaders who are saving old farms and reviving their local meeting house or trying to find a new use for an old church.”
Goodman has been with the organization for more than two decades. When asked what drew her to it, she replied, “I love the people and places involved in the preservation movement, so it’s been exciting and fulfilling to get to work with people and work on projects that are really special to the character and economy of the state.”
The work is vital, she continued: “I really believe in historic preservation as a tool to save and revive beautiful homes, beautiful barns, beautiful places and communities around the state. I really believe in how the tool is a really important factor in resource conservation and keeping communities vital economically.”
Old House & Barn Expo When: Saturday, March 14, 9:30 a.m. to 5:30 p.m. and Sunday, March 15, 9:30 a.m. to 4:30 p.m. Where: Sullivan Ice Arena, 100 Saint Anselm Drive, Saint Anselm College, Manchester Tickets: Weekend pass $20 ($12 for students, seniors and veterans); day pass $12 ($7 for students, seniors and veterans)
Featured photo: NH House & Barn Expo. Credit Steve Booth.
A look at the scene built on the music of Ireland and beyond
One in five of all New Hampshire residents have Irish heritage, more than in any other state. Fittingly, there’s a robust Celtic music scene here. Irish Sessiuns — circles of players calling tunes, quaffing pints and finding a melodic flow — gather together regularly at pubs in Concord, Manchester, Greenland and elsewhere.
As St. Patrick’s Day nears, Irish songs are everywhere. Irish music has the highest profile of the Celtic Nations — Ireland, Scotland, Wales, Isle of Man, and Cornwall, in the southwest corner of England, as well as Brittany in northwest France and Galicia in northwest Spain.
The Granite State is home to many great Celtic musicians, and March 17 is their busiest day of the year. But the music is for every season. Regina Delaney, creator and leader of the New England Irish Harp Orchestra, pointed out that her ensemble gets especially busy on the last day of October.
“All the origins of everything that we do at Halloween are from Pagan Celtic rituals,” Delaney said recently from her home in Rochester. “We have so many great ghost songs and stories and things like that. So we do a bunch of Halloween shows.”
New Hampshire will prove its Irish bona fides with long St. Patrick’s Day queues soon enough, but it’s worth thinking of ways to keep the spirit going after.
Some leading purveyors shared their thoughts on Celtic music in New Hampshire. As befits a genre with a catalog of songs dating back hundreds of years, all the musicians made sure to mention the many performers who’d come before them and helped to light their paths.
One name that came up frequently was David Surette, who taught at Concord Community Music School for 30 years, spearheading the development of the folk program there. Surette succumbed to cancer in 2021. He was a gifted arranger of Celtic tunes, as demonstrated on albums like Back Roads and Trip to Kemper.
When Audrey Budington was 9 and taking violin lessons, Surette changed her musical path from classical to Celtic.
“I heard some different music that I’d never heard before coming from two studios down,” she said by Zoom recently. “I didn’t know at the time, but it was Celtic. I kind of peeked in and it was David Surette.”
Surette wasn’t a fiddler, but that didn’t deter her. “I was so enamored of the music that my mom contacted him and was like, ‘Hey, I know you don’t teach fiddle, but could you please at least give her an understanding of that style of music? She’s really into it.’ He started working with me. I learned a bunch of tunes.”
Budington teaches violin and fiddle at CCMS, as does folk department chair Liz Faiella. Liz performs in a duo with her brother Dan, also a teacher and guitarist specializing in Celtic music. “When I was in my early teens I studied a lot of that music with David Surette at the music school,” Dan said in a Zoom meeting with Liz.
Dan pointed out other Celtic greats who lived here.
“Tommy Makem was in New Hampshire for a bunch of years, and Winifred Horan from Solas [at Portsmouth’s Music Hall on March 12],” he said. “There are a lot of really cool people who wanted a lower-key environment, and they wound up in New Hampshire.”
Another musician mentioned by many was Paddy Keenan, who spent several years here before moving back to Ireland.
“He’s probably the most well-known Irish piper in the world; he lived in Loudon,” Jim Prendergast, a guitarist and Celtic music producer who hosts Irish Matinee on Sundays at Stone Church, said recently.
Uilleann piper Anthony Santoro, who leads the weekly sessiun at Salt hill Pub in Lebanon, remembers Keenan performing at the home of Charlie Clarke and his wife, Mary Lou Philbin-Clarke, who sold Irish music books, CDs, videos and cassettes at their Loudon store, Ossian USA.
“They were called the Loft Concerts,” Santoro said by phone. “Whoever was touring through the area would stay with them, and anybody in New Hampshire, or anywhere willing to travel that distance, could come and see whoever was there. There were great players, and Paddy was one of them.”
Santoro is now a partner in Ossian USA with Ruarri Serpa, who took over and runs the now web-based store from his home in Kennebunkport, Maine, but has Granite State roots. “I’ve been playing Irish Traditional Music since I was a kid in rural New Hampshire,” Serpa writes on Ossian’s website.
The thread continues with Roger Burridge, who was a fixture at Salt hill and led a sessiun at Manchester’s Shaskeen Pub before he passed away during Covid. Burridge was beloved throughout the state. “One of the finest fiddle players anywhere, not just New England,” Salt hill owner Josh Tuohy said in 2023.
David Surette. Courtesy photo.
Liz Faiella was studying at Dartmouth, with no plans for a music career, when she joined Burridge, Santoro and players like Roger Kahle and Randy Miller at Salt hill. “I just learned so much through that experience,” she recalled. “The sessiun scene is very often where you’re going to learn the most as an Irish musician.”
Any short list of New Hampshire’s top Celtic players includes Jordan Tirrell-Wysocki. The fiddler was making his mark here before he was a teenager. Liz Faiella calls him an inspiration. “There was this wonderful fiddle contest at Eagle Square in Concord, and Jordan was the big kid who was always winning,” she recalled.
“I began when I was 8, and by the time I was 10 or 11 I was calling myself an Irish or Celtic fiddler,” Tirrell-Wysocki, who’s also a CCMS faculty member, said in a recent Zoom call. “Of all the New England-style dance music that I was learning, it was the Celtic tunes in particular that I was most interested in.”
Jordan T-W, as he’s known, has played in jam bands and lent his fiddle sound to a range of studio recordings, including the blistering “Devil Went Down to Boston” with Adam Ezra Band a few years back. On St. Patrick’s Day his trio performs at Salt hill Pub in Newport in the morning and does an evening showcase at BNH Stage.
His view of the Celtic music world reaches across the pond to include Nova Scotia and fiddlers like Buddy & Natalie MacMaster and Ashley MacIsaac. “Those are technically the traditions,” he said. “It was heavily influenced by Scottish settlers, so that’s why there’s a lot of shared tunes and shared style.”
Mike Green leads Rebel Collective, a rock-leaning Celtic band in the vein of Dropkick Murphys or the Pogues that includes Audrey Budington on fiddle. His definition of the music is more spiritual.
“To me, it’s the songs and the stories of our people,” Green said, along with their struggles.
“The history books are written by the victors, but the songs, music and the arts are written by the suppressed and oppressed,” he continued. “Often when people were singing these songs to tell their truth and freedoms, the musicians, the harpers, and the bards were killed as an effective way to shut it down.”
An oral tradition kept these songs from vanishing.
“They weren’t written down,” he said. “We keep them alive and bring them to new audiences and new listeners. We get to play our role in the continuum of these stories of our people. For me, it has that deep connection to it, and that’s why I just love doing it.”
For Rebel Collective — Green, cofounder Brian Waldron, Ross Ketchum, Connor Veazey, Wayne Summerford and Budington — March 17 lasts all month. Their Rebel Call Stumble includes St. Patrick’s Day appearances at all three Salt hill Pubs, a stop at Manchester’s Shaskeen and a showcase at BNH Stage on March 20.
As they’ve done many times before, the band will play in the first pint at Salt hill Lebanon, and they’ll close out Shaskeen Pub’s annual bash. That gig grew out of a show by Derek Warfield and the Young Wolfe Tones in 2015 at the storied Manchester bar, which was co-founded by a member of the Chieftains.
Green cites Warfield as his biggest influence. When he learned of the show he cold-called Shaskeen owner Josh Ames to offer his band’s services.
“If you need an opener for Derek Warfield, it would be an honor of my life, we’ll do it for free,” he told him. “We took a chance, and we started playing there at least once a year.”
On the other hand, JD & the Stonemasons, a band that will share the stage with Rebel Collective in Concord on March 20, was born by taking a risk. The Newport trio went to check out their local pub, and brought their instruments, just in case — on a Friday night.
“We kind of knew what that meant,” the band’s flute, whistle, banjo and guitar player David Counts said in an interview that included JD Nadeau, who plays fiddle, mandolin and bass. “What are the odds they’re going to actually let a bunch of random people start playing on a Friday night? But to give them credit, they said yes.”
Pub owner Joe Tuohy was impressed enough to bring them back for an encore, and the group, which includes James Potvin on bodhran, harmonica player David Gainer and Hendrik Mahling on bouzouki and mandolin, is now a St. Patrick’s regular at Salt hill, playing all three pubs on the big day.
They’re careful to keep the three-bar circuit from becoming, in Nadeau’s words, the Salt hill Death March. “We’ve been relatively good about behaving ourselves with a drink; that’s the dragon in the cave,” he said. “You’ve definitely got to pace yourself, particularly if you’re going to play a late gig too.”
When it comes to sessiuns, almost everyone has a favorite. For Nadeau and Counts, it’s Waterhorse Tavern in Franklin.
Waterhorse Pub Irish Sessiun. Courtesy photo.
“It’s a great way to learn new songs, and it’s a challenge, too,” Nadeau said. “You meet someone that’s really good and you’re like, ‘Oh, man, I want to play. I’ve got to pick up my guitar.’”
The Faiella siblings and Budington are part of an unofficial house band at Epsom microbrewery Blasty Bough, a tiny pub with a living room vibe. There’s also Pete Van Berkum on button concertina, bodhran player Chris Murphy, Charles Siletti on Irish flute and bouzouki player Anders Larson, who was taught by Dan Faiella.
Larson was playing folk music with his dad and brother when he enrolled at CCMS.
“From there, a few of my teachers introduced me to Irish music,” he said in a phone call the day after the Blasty Bough sessiun. Along with bouzouki, he plays concertina and guitar. “My newest addition is bass; that’s all another music world.”
Weekly Shaskeen sessiuns at age 12 were seminal for him.
“Chris Stevens, an accordion player up in Maine, would drive down,” he said. “One or two times, his buddy Owen Marshall would come down as well. Those two, along with Alden Robinson, were a band called The Press Gang. They are by far my biggest influence.”
Delaney travels to Somerville for sessiuns at the Burren and McCarthy’s, but also occasionally hits the Barley Pub in Concord’s Tuesday get-together, one of the longest-running in the state. “That was the second sessiun that I spent a lot of time at,” she said. “My first band that I was with, we all met there.”
Green hosts Sea Shanty Singalongs twice a month at Canterbury AleWorks and at the Forum Pub in Concord in the afternoon on the final Saturday of every month. Although Green allows the genre isn’t strictly Celtic, it’s an excuse to gather, and many of the selections come from the Irish canon.
“I actually added a song that’s sung in Irish, about the pirate queen, Grace O’Malley,” Green said, noting that he’s mainly focused on sharing these centuries-old songs. “The oldest one we do is from the 1600s … some crazy old sailor happened to live long enough to have it documented and pass it on down.”
Interestingly, a guitar is in many ways a secondary instrument in Celtic music. A good guitarist must know when to pick a lane and merge into the music at a sessiun.
“It’s a completely different approach to playing guitar than any other kind of music,” Jim Prendergast said. “That’s a really big deal.”
Even for a guy like Prendergast who spent years as a go-to guitarist in Nashville studios because he was such a flexible player, adjustment was hard. He had to completely re-learn his instrument for the special tunings and modal structures of Irish music, which is not made for a guitar strumming along.
“It doesn’t need any kind of chordal accompaniment from a piano or a guitar; you’re there to shine different kinds of light on the melody … almost like a theatrical role,” he said. However, “It’s really fun to have the kind of freedom it allows…. You can choose to play a lot, a few, or no chords.”
Almost all the musicians sharing their thoughts have Irish blood, from a little to a lot. Larson is the exception; he’s primarily German and Norwegian. However, all agree that Celtic lineage isn’t required to play the music from the Seven Nations (or six, or eight, or maybe even nine, the number is often disputed).
Jordan Tirrell-Wysocki believes it’s less about heritage and more about personality and attitude.
“Make yourself aware of why this music exists, what historical circumstances helped create it, and where all the powerful emotions … are coming from,” he said. “You become a much more authentic [and] effective performer of the music if you’re taking the time to connect to [its] historical time and place.”
Green sees an advantage in his bloodline.
“It can help draw you in, and you can learn a little bit more about your history and your ancestry and feel a deeper connection,” he said. “But anybody with a background of people that have been oppressed, or had to deal with that, can automatically tap into this kind of feeling.”
Celtic music is universal, Dan Faiella noted, and can be found in all sorts of unlikely locales.
“Italy, Japan, some places in Germany … Russia has some Irish music fans and people play there. I’ve heard from people who tour in those areas that they’ll go to a session and there’s all these people who’ve maybe never been to Ireland and have spent a lot of time studying the music, and the sessions are amazing.”
Finally, Liz Faiella encouraged even newcomers to consider attending a sessiun.
“Even if you’ve learned three tunes, you can join in and play along,” she said. “People who’ve been playing for years will enjoy the same songs that they learned right at the outset. It’s a great way to do something creative and also connect with other people through that.”
Attend an Irish sessiun
Salt hill Pub 2 W. Park St., Lebanon, 448-4532 Tuesdays at 6 p.m.
Waterhorse Irish Pub 361 Central St., Franklin, 671-7118 Fridays at 7 p.m.
Shaskeen Pub 909 Elm St., Manchester, 625-0246 Saturdays at 3 p.m.
The Barley House 132 N. Main St., Concord, 228-6363 Tuesdays at 6 p.m.
O’Neil Cinemas in Epping will close after the Sunday, March 15, screenings, according to a statement from the company at epping.oneilcinemas.com. “Changing industry conditions, rising operating costs, and the significant investment required to modernize the theater made it impossible for us to continue operating the Epping location at the level of experience our guests deserve,” the statement said in part. Passes and gift cards to O’Neil Cinemas can continue to be redeemed at the Epping cinema through March 15. and at the O’Neil Cinemas in Londonderry and Littleton, Mass., the statement said. Through March 15, screening tickets for the Epping O’Neil Cinemas will cost $5 (3D and DBox surcharges apply), according to a post on the Epping location’s Facebook post.
Text scam
The New Hampshire Department of Safety’s Division of Motor Vehicles has learned of a new text message scam “in which recipients are asked to submit immediate payment to resolve an unpaid traffic fine. The text messages are fake and should be deleted immediately,” according to a March 7 DMV press release. The texts claim to be “‘automatic alert’ informing recipients they have ‘unresolved traffic violations.’ The scam further threatens prompt enforcement actions … if immediate payment is not made. The scam also provides a link for payment, which includes ‘dmv-nh’ in the URL, an effort to appear to be an official State of New Hampshire website,” the release said. The NH DMV does not send text messages regarding payments and the only texts that will come from the DMV are appointment reminders, the release said. Call 603-227-4000 to talk to the DMV Customer Service line with questions about DMV communication, the press release said.
Give blood, get A1C test
The Red Cross will provide free A1C testing for successful blood, platelet and plasma donations in March, according to a Feb. 25 press release from American Red Cross Northern New England Region. Donors through March 31 can also receive a $15 Amazon gift card, the release said. “New Red Cross data reveals 1 in 5 blood donors have elevated A1C levels — a sign that prediabetes and diabetes are prevalent among adults in generally good health. … Among donors with elevated A1C levels, 80% had readings indicating prediabetes — a condition that can often be reversed through lifestyle changes such as a balanced diet and regular exercise,” the release said. “The A1C test does not require fasting and provides an average blood sugar level over the past three months,” the release said.See RedCrossBlood.org/March for upcoming blood drives and to make a donation appointment.
New Hampshire-based cartoonist, musician and educator Marek Bennett will present his new book, The Civil War Diary of Freeman Colby, Vol. 4: Summer 1864!, the fourth graphic novel of his series about real-life New Hampshire schoolteacher turned Union Army soldier Freeman Colby, at Gibson’s Bookstore, 45 S. Main St. in Concord, on Thursday, March 12, at 6:30 p.m., according to gibsonsbookstore.com. See marekbennett.com for more on Bennett’s work.
603 Brewery, 42 Main St. in Londonderry, will hold its Fire on Main event Saturday, March 14, from 3 to 9 p.m. featuring food trucks, a DJ, bonfires and more, according to 603brewery.com. See Hippo’s story about the event (originally slated for February before it was postponed due to weather) in the Feb. 5 issue of the Hippo at hippopress.com.
Four-time NBA Champion, nine-time All Star, Robert Parish, who played with the Boston Celtics from 1980 to 1994, will be at Balin Books, 375 Amherst St. in Nashua, on Thursday, March 19, from 7 to 9 p.m. with his new book The Chief, according to balinbooks.com.
