Author: Michael Witthaus

The Music Roundup 26/03/19

• Songstress: After dueting with Shawn Colvin in the mid-1980s NYC folk boom, Lucy Kaplansky pivoted to earning a doctorate in clinical psychology and starting a private practice, but continued to sing. She added harmonies to Colvin’s debut album Steady On, backed Nanci Griffith on a couple of songs, and finally released her first solo LP, Flesh and Bone,in 1996. Thursday, March 26, 7:30 p.m., Flying Goose Brew Pub, 40 Andover Road, New London, $30, 526-6899.

• Convincing: The journey to channeling Johnny Cash began when Shawn Barker walked into auditions for the rock ’n’ roll origin musical Million Dollar Quartet with a rockabilly haircut and his eyes on the Elvis Presley role. The director had different ideas, though, and his decision pointed Barker to a new path and a multi-decade career starring in his tribute act, The Man In Black. Friday, March 27, 7:30 p.m., Nashua Center for the Arts, 201 Main St., Nashua, $25 and up, etix.com.

• Rocktivists: Now that Rage Against the Machine is off the road, bands like Evil Empire continue to carry the torch. The Connecticut act re-creates the group’s politically charged rap-metal sound, including Tom Morello’s hypnotic guitar and Zach de la Rocha’s frantic vocalizing. They’re joined by Lounge Fly, a tribute to Stone Temple Pilots, another band that sadly also won’t be touring again. Saturday, March 28, at 8 p.m., Tupelo Music Hall, 10 A St., Derry, $44, tupelohall.com.

Caring campers

SleepOut event helps unhoused youth

In 2015, Manchester social services organization Waypoint, then known as Child & Family Services, organized the first SleepOut event. On a snowy, subfreezing night, nearly 50 community members slept in Stanton Park to raise money and awareness of unhoused youth in the city. The effort netted over $132,000 in donations and became an annual tradition.

However, the U.S. Supreme Court effectively ended the camper gathering with its 2024 Grants Pass vs. Johnson ruling that allowed municipalities to criminalize sleeping in public. As critics noted, though, homelessness can’t be arrested away, so the problem continues, as does SleepOut. Participants now sleep outside on private lawns, porches and cars.

SleepOut 2026 begins Friday, March 27, with a sale of youth artwork made during a program hosted by Positive Street Art.

“All year long, they learn about art, they create it and teach other people,” Mandy Lancaster, Waypoint’s Homeless Youth Program director, said recently. “One hundred percent of the proceeds go directly to the young people.”

Lancaster believes the art installation is a healing force for its participants.

“It also allows them access to community and a sense of belonging,” she said. This is “probably more important than [what’s] written on the goal plan. Change doesn’t happen in a vacuum; it happens through connection and safe relationships, and this is part of that.

The works, she added, are impressive.

“I’m not an artist, but I’m continuously blown away by what these young people are producing. They have worked with a bunch of different mediums, like photography, mixed media, painting on canvas and illustration. It’s really incredible.”

Lancaster said the weekly program goes beyond an arts and crafts class; critical thinking is a key component.

“What is art and how do people perceive it, just these big, wonderful, bold questions that they’re asking themselves and grappling with. They’ve taken field trips to museums. They’re so contemplative and introspective. It’s really special.”

The gallery viewing will be followed by a solidarity gathering in Bronstein Park, across from the Waypoint Youth Drop-in Center. There will be speakers talking about both being unhoused and overcoming it. “Staff might share stories on their behalf,” Megan Sampson of Waypoint wrote in an email. “It can be a difficult thing for youth [to discuss].”

During the SleepOut program in the park, there will be some soup and bread, and the artist gallery will stay open until 8 p.m. “Following that, participants will return to sleep out at their homes or other gatherings,” Sampson said. Sleepers are spread across the state, so the speaking portion of the event will also be livestreamed for those who can’t attend. Lancaster urged the community at large to attend SleepOut 2026.

“I want to fill the park,” she said. “At the end of the day it is a fundraiser, but not everyone has the financial means to do that. You can sponsor a sleeper or sign up and be a sleeper. You can bear witness to what is shared there, speak to young people, buy their art — there are many different ways to [show] support.”

These are challenging times for Waypoint and other social services organizations. “Unprecedented decisions have been made that have directly threatened funding streams and/or the ability to provide supportive services to young people experiencing homelessness,” she said. “It’s like swimming upstream with a fast-moving current.”

However, small victories buoy her spirits. “Twenty years ago when I was getting into homeless services, I really wanted to change the world; my perception has just changed so much,” she said. “I really want to co-create meaningful relationships one person at a time. That’s allowed me to stay in the work … micro joy, micro moments, just connecting.”

SleepOut 2026 Youth Art Gallery
When: Friday, March 27, at 5 p.m.
Where: Waypoint Youth Drop-in Center, 298 Hanover St., Manchester
More: Full SleepOut program begins at 6 p.m. in Bronstein Park (across the street)

Featured photo: SleepOut mural. Courtesy photo.

Rhythm kings

James Fernando Trio swings into Concord

Piano player James Fernando believes improvisational jazz is a conversation between musicians that begins before the first note is played. Parameters are established, relationships understood. It’s similar to two friends meeting for coffee — there’s no agenda, but they both know their talk will be more genial than a chat about the financial markets.

“I think improvisation is misunderstood, largely by people who aren’t really in the jazz world,” Fernando said in a recent phone interview. “They think there’s nothing to it because they’re just making it up as they go along, and that’s true, to an extent … but you know who you’re talking to.”

Chord changes, an established tempo and a song’s key are among the elements that provide a jumping-off point, he continued.

“The melody that we played before we begin the improvisation is the same, and all of these contextual elements make it so you’re not just starting from absolutely nothing,” he said. “There’s a lot of information surrounding it, and that makes your decision-making a little bit easier.”

Even so, one of Fernando’s most memorable shows was performed with musicians that he barely knew.

For years the pianist had wanted to start a dedicated jazz trio. Many of his favorite pianists had led their own trios, and the piano-bass-drums format is an enduring configuration in jazz. Though he’d performed with trios many times, he’d never built one of his own.

The chance came in late 2023, with an invitation to play at the Kennedy Center.

“I was asked on very short notice,” he said. “I think some Irish band had their head person get Covid or something like that … obviously, very unfortunate for them, but it was a nice opportunity for us.”

Though long based in Washington, D.C., Fernando had relocated to Philadelphia when he got the call. So he decided to kickstart the project with musicians from his new hometown.

“I called some strangers, really,” he said. “I even met the drummer on stage at the Kennedy Center that same evening.”

The show was a solid success.

“We got a nice recording and video of us at the Kennedy Center, which was very useful in booking more shows,” he said. “I was able to leverage those videos into more performances, and it went so well that I kept working with the same guys … and the rest is history.”

Earlier this year, the trio released Philly 3. Their first album together consists of eight Fernando compositions and a cover of Erroll Garner, one of his key influences.

“I composed with this band in mind, playing to their strengths,” he said, “We performed and rehearsed and kind of developed the music through live performances.”

The disc reflects Fernando’s desire to make music that’s both sophisticated and swinging, playful yet meticulous. He’s aiming for a sound that, as he told an interviewer a while back, “couldn’t have been written by just anyone with a jazz degree, and certainly not by an algorithm.”

On March 21, the James Fernando Trio will perform a fundraiser for Concord Community Music School. It’s his second visit — he did a set at the Bach’s Lunch series last April. The school, he said, “is a well-rounded beacon for music [that’s] very clearly open to people coming and expressing themselves and learning the ways that they’re most passionate about.”

In addition to performing, Fernando has taught classes for several years at D.C.-based Levine Music. He’s a frequent guest instructor, recently hosting a workshop at an Arizona high school, and he’s at UNC Pembroke for a similar event ahead of his stop in New Hampshire.

“So I’ve gotten the chance to see a lot of different programs and see the energy around the schools and whatnot,” he said. “And Concord Community Music School seems absolutely lovely.”

CCMS Jazz Night Fundraiser w/ James Fernando Trio
When: Saturday, March 21, 5:30 p.m.
Where: Concord Community Music School Recital Hall, 23 Wall St., Concord
Tickets: $80 and up includes reception, call 228-1196

Featured photo: Courtesy photo.

The Music Roundup 26/03/19

• Pipe power: Though often mixed up with another band, the Red Hot Chilli Pipers is oceans away from the SoCal alt rockers — these guys lead with bagpipes. Winning top honors on the U.K. TV talent show When Will I Be Famous in 2007 launched the nine-piece group, who blend trad songs like “Flowers of Scotland” with bag rock covers of Journey, Coldplay and Snow Patrol. Thursday, March 19, 7:30 p.m., Nashua Center for the Arts, 201 Main St., Nashua, $35 and up, etix.com.

• Hometown girl: In his Hippo review of Looking For The Light, the latest LP from Amanda McCarthy, Eric W. Saeger praised “ear-grabbing” songs like “Vodka” and its “peak KT Tunstall”-evoking chorus. The New Hampshire native is now based in Nashville, but she comes back often. She’s a guest on Matt Connarton’s Unleashed show March 21 at 9 a.m. on WMNH 95.3 FM. Friday, March 20, 6:30 p.m., San Francisco Kitchen, 133 Main St., Nashua, amancamccarthy.com.

• Song spinner: Released last year, Something About a Horse from Ian Galipeau is a solid collection of songs, including the countrified “A Father’s Love” and “Say Goodbye,” its melancholy counterpart. “Call It Home” is another standout, a rollicking, funny tune about first-time home ownership. Galipeau plays an afternoon set of his originals at a popular craft brewery. Saturday, March 21, 4 p.m., Great North Aleworks, 1050 Holt Ave., No. 14, Manchester, iangalipeaumusic.com.

Who can duet

A night of show tunes is a friendly competition

The Lakes Region-based Powerhouse Theatre Collaborative has won Best Community Musical honors for three years in a row at the New Hampshire Theatre Alliance Awards, most recently for The Hunchback of Notre Dame. Their upcoming Just Duet fundraiser is a chance to learn why, as a group of mostly Powerhouse company members belt out Broadway songs.

It’s the fourth year for what is a friendly competition, though its title is a misnomer.

“Last year you were allowed to bring in a ringer for one of your songs and make a trio, and this year you can supersize,” Powerhouse producer and co-founder Bryan Halperin said in a recent phone interview. “Two teams can work together on a song, to create a quartet.”

So, not just duets, but it’s a lot of fun. During the evening, a range of songs will be performed. There are Disney musicals like Beauty & the Beast, Frozen and The Lion King, along with Beetlejuice, The Book of Mormon, Hamilton, Into the Woods, and the new-ish Suffs. For Mel Brooks fans, there’s The Producers and Young Frankenstein.

Not all singers are Powerhouse veterans.

“Some of the teams,” Halperin said, “pulled in a friend who hasn’t done something with us yet. For the most part it’s our regulars, but it’s open to anyone who wants to apply, and we do have some new people this year.”

For the first three years, the husband-and-wife team of Joel and Laura Iwaskiewicz took first prize, but that won’t happen this go-round. That’s because the couple are hosting the competition. They will also perform, singing and dancing their way through “There Once Was a Man,” from The Pajama Game.

The two won last year for their rendition of Singin’ in the Rain’s “Moses Supposes.” Their performance was carried by dazzling dance breaks, Joel recalled in a Zoom interview.

“There’s always been some element of choreography we’ve challenged ourselves with,” he said. “That’s kept it really fun, but I think it also maybe gives us a little bit of an edge.”

Joel and Laura met as performers. “It feels as cliché as a musical theater romance can get,” he said. “I was a guy, she was a doll; things just took off from there.” Asked if the invitation to host this year’s Just Duet might be a strategy to prevent them from getting another win, he chuckled.

“I mean, we don’t run the show, but we can confidently say there will be a new champion.”

Proceeds from the benefit show will be split between Powerhouse programs and the Colonial Theatre Investment Fund, which provides general support for upkeep, improvements and repairs at the venue. “This is one way Powerhouse gives back to the Colonial,” Halperin said. “It’s our home base, and we try to take really good care of it.”

An overall winner will be chosen by scores on a 10-point scale from guest judges Eric Hoffman (Laconia City Council), Heather Bishop (Lakes 101.5 Radio), Katherine Switala Elmhurst (Belknap Mill) and Jared Guilmett (Colonial Theatre Advisory Board), along with audience voting (there’s also an Audience Choice award).

Voting can also be done by donation, either with cash at the event or though the Powerhouse wesite. “If people want to support the cause or their favorite duo but can’t make it, they can still contribute online,” Halperin said, “and buy votes for the team of their choosing.”

The Powerhouse season continues May 1 with the New Hampshire premiere of The Magician’s Elephant. Also upcoming is the 2026 Play Festival (May 30-31), with 14 original works from a winter playwright workshop, and a June 27 concert version of 1776 to mark the semiquincentennial, with music provided by the Lake Street Symphony Orchestra.

With Shrek: The Musical (Aug. 7-9), Big Bad (Sept. 12-13) — the wolf giving his side of Little Red Riding Hood — and a pair of Peter Pan origin stories in October, it’s a busy year.

“We’re just trying to pack our schedule with stuff that keeps people engaged, both performers and the audience,” Halperin said. “We’re excited about what we’re working on.”

Just Duet: Broadway Style
When: Saturday, March 21, 7 p.m.
Where: Colonial Theatre, 609 Main St., Laconia
Tickets: $25 at etix.com

Featured photo: Joel and Laura Iwaskiewicz. Courtesy photo.

From the heartland

Nebraska singer-songwriter performs area show

When the time comes for career growth, most musicians from small towns move to an industry hub like Nashville or L.A., but Andrea von Kampen, who plays March 14 at The Word Barn, hardly considered it. And while she had a label deal for a while, she’s more than content to now be back in the ranks of the independents.

Born and raised in Nebraska, von Kampen makes music that is lyrically sharp, sonically ethereal, and informed by place. The latter, she believes, isn’t intentional.

“I only feel the difference when I’m with people from the major cities,” she said in a recent phone interview. “In my day-to-day, I don’t feel like it’s influencing me at all.”

The internet is one reason she stays in the heartland.

“I started to make music in the era of Spotify, so it all felt very globalized,” she said. “I was making a pretty good livelihood before I even talked to a label, and I was able to connect with artists from all over the world digitally. So it never even really occurred to me that I’d have to move.”

Family is another, perhaps more important factor.

“My brother’s a composer; he’s a huge influence on the process of our records, and he’s got a great recording setup,” she said. “So … I can make records here, I can put them out, they can be listened to by people all over the world, and I can make an income.”

Her voice has been called “soulful and worn in,” with a hymn-like quality that can be traced to her German Lutheran roots. At times, it sounds effortless. “Singing is like breathing,” she said in a 2024 interview. “I think about my voice like a wind instrument. I’m breathing through it and creating sound and I don’t want anything to obstruct the pure sound coming out.”

Hearing Paul Simon’s album Hearts and Bones at 9 years old left an indelible impression on von Kampen; she often plays the title track in concert. Later, her influences included Ella Fitzgerald, Etta James and other jazz singers: “In high school, I really got into Laura Marling and now it’s a whole bunch of different people in my genre.”

Current artists she enjoys include singer Rita Payés. “I absolutely love bossa nova kind of quiet Spanish guitar settings,” she said, and she also approves of the NFL’s Super Bowl halftime entertainment. “I’m obsessed with what Bad Bunny is doing … I think my inspiration now is very wide and broad.”

The three-song EP Before I Buy a Gun is von Kampen’s latest release, an agonized response to the last election. The title song closing out the record has a sense of hope, though. “I will find a better way,” she sings. “Before I buy a gun, I’ll get to know my neighbor; it’s a fragile thread that holds us all fraying at the seams.”

A gathering feeling of powerlessness compelled her to begin writing songs in the cold Nebraska winter.

“I sort of did the only thing I could do, which was make music,” she explained. “That can feel sort of silly at times, but it’s easy to think you’re not making a difference unless you’re really doing something.”

Sister Moon, her last full-length album, was released in March 2024. Inspired by Richard Powers’ novel The Overstory, it’s a meditation on the environment. “It’s all about trees, deforestation and humans’ impact on the earth,” she said, “and this big time crunch we have to get this figured out in some sort of way or it’s going to be too late.”

At her Word Barn concert, von Kampen will perform with her trio, which includes Jessican Hanson, a violinist influenced by Andrew Bird and Kishi Bashi. “She’s been touring with me forever,” she said. Jonah Bennet, an upright bass player who’s appeared on several of her recordings, rounds out the group.

Following that, she’ll fly to the U.K. for her first headlining tour there, then return to write songs inspired by This Blessed Earth, Ted Genoways’ book about living on a family farm.

“I’d like to do a concept album into a stage production, but I know that’s a very long process,” she said. “That’ll be the next big project that I dive into, I think.”

Andrea von Kampen
When: Saturday, March 14, 7 p.m.
Where: The Word Barn, 66 Newfields Road, Exeter
Tickets: $25 at thewordbarn.com

Featured photo: Andrea von Kampen. Courtesy photo.

Stay in the loop!

Get FREE weekly briefs on local food, music,

arts, and more across southern New Hampshire!