The Music Roundup 25/12/25

Vintage sound: A Lakes Region winery offers regular local music, including Garrett Smith, a singer, piano player and guitarist playing a range of pop and rock covers, including a convincing version of Hozier’s “Take Me to Church” and the Disturbed redo of Paul Simon’s “Sound of Silence.” Enjoy the tunes while sampling an interesting wine, like their maple-infused chardonnay. Friday, Dec. 26, at 4 p.m., Front Four Cellars, 13 Railroad Ave., Wolfeboro, frontfourcellars.com.

Two stages: One encouraging story this year was Bungalow Bar & Grill’s return, where a Holiday Hardcore Festival is happening. Nine bands are announced for the all-day event, with 20 or more promised. They include Ratblood, with bullhorn vocals and storming intensity, and relatively new Claremont band Arms Like Teeth, with their mosh pit ready banger, “Counterparts.” Saturday, Dec. 27, noon, Bungalow Bar & Grill, 333 Valley St., Manchester, $18 at dice.fm.

Hometown girl: New Hampshire native Natalie Coryea is now based in Nashville, completing a music business degree at Belmont University, but she’s back for the holidays and playing some area shows. Her latest song, “Meet Me At The Beach,” grooves like a good Van Morrison track, while “Male Manipulator,” released earlier this year, is a rowdy rocker that fans of Paramore will like. Saturday, Dec. 27, 7 p.m., Hare of the Dawg, 3 E. Broadway, Derry, nataliecoryea.com.

Fear factor: Well known for his time with the hidden camera series Impractical Jokers, Sal Vulcano goes in a different direction with his standup. Terrified, his most recent special, focused on childhood and adult fears, including his irrational reaction to Gloria Estefan’s song “The Rhythm Is Gonna Get You.” Vulcano’s current Everything’s Fine tour stops in Concord. Saturday, Dec. 28, 5 p.m., Capitol Center for the Arts, 44 S. Main St., Concord, $49.75 and up at ccanh.com.

Heavy preview: A sampling of bands from next year’s Backwoods Metal Fest appear at a music-friendly brewery. The afternoon show includes four acts from the two-day event, happening in the spring: Hobo Wizard, a brother duo that play what they call “New Hampshire Bum Doom,” the punk-leaning Street Trash, straight up rockers Crooked Cash and Dude Hell Yeah. Saturday, Dec. 28, 2 p.m., Henniker Brewing Co., 129 Centervale Road, Henniker, hennikerbrewing.com.

Soldiering on

A tough year is remembered for great art

The New Hampshire arts world wasn’t greeted by upheaval as 2025 dawned, but it came soon enough. After DOGE took a sledgehammer to the federal budget, canceling grants already budgeted, the New Hampshire House voted away the state’s Council on the Arts in the spring, though one employee managed to remain.

All this chaos didn’t keep New Hampshire’s arts community from producing moving works, from theater to visual art and classical music. On the latter front, however, the search for a successor to outgoing Symphony NH Music Director Roger Kalia was interrupted, as funding issues roiled the organization. Five finalists announced at the end of March and were due to perform for the public during the 2025-2026 season. However, two of the performances have been postponed to the 2026-2027 season. Along with that, Executive Director Deanna Hoying took a personal pay cut, and some staff were moved to reduced hours, according to a patron letter on Dec. 18.

“We are scaling back certain production elements [and] launching a bold plan to strengthen our internal capacity and build sustainable revenue for the future,” the letter continued.

“I hate the word pivot, but we have to pivot again,” Hoying said in a Dec. 23 phone chat. “It’s not like COVID, but we need to meet where our revenue is. Our Christmas Pops concert had lower ticket sales. Charitable gaming is down, giving is down, so we have to re-scale ourselves to see what our community needs. What gets our audience excited? The patrons that have stuck with us are extraordinarily important, I need to say that, but we don’t have the margins some larger organizations have.”

In Portsmouth, the multidisciplinary 3S Artspace marked its 10th year with a special installation, Christina Watka’s “Noticing Light.” Watka leveraged the big gallery space’s wall of windows and plentiful light. “I decided to place this large installation exactly where the band of light curves around the room and then shoots through the entire thing,” she said.

Theatre Kapow’s season-long “community conversation” continued with a production of Every Brilliant Thing in Concord and Meredith. Director Emma Cahoon said of the challenging, interactive play that “throughout, the audience is relied on quite heavily to make the story actually happen.”

Cahoon also directed Romeo & Juliet for Saint Anselm College’s Shakespeare on the Green series, a collaboration with Manchester dance troupe Ballet Misha, led by Amy Fortier, that’s become a summer highlight. The pairing, Cahoon said, provided “a third, middle ground” to unify Shakespeare’s dance and drama.

Other solid productions in 2025 included Clint Eastwood’s movie The Bridges of Madison County redone as a musical in April by Manchester Community Theatre Players, October’s immersive whodunit Southern Fried Murder, part of Majestic Theatre’s 35th season, and Bedford Off Broadway’s regional premiere of the delightful comedy Icehouse in November.

In early December the semifinalists for the New Hampshire Theatre Awards were announced; the awards ceremony takes place Jan. 31 at Concord’s Capitol Center for the Arts. Actorsingers, Powerhouse Theatre Collaborative, The Village Players, Nashua Theatre Guild and Milford Area Players all received multiple nominations.

The Currier Museum of Art exhibited five large figures from Ann Agee’s “Madonna of the Girl Child” series in March. The works were a feminist attempt to reclaim the Madonna figure, Agee said, as a symbol of not just motherhood but equality, showing that women and girls deserve the same hopes, dreams and opportunities as their male counterparts.

In the cinema world, the Jewish Film Festival in March offered a rich and varied slate of 15 movies at locations across the state. They included Debra Messing’s documentary October H8te, the Tribeca Audience Award winning comedy Bad Shabbos, and Janis Ian: Breaking Silence, about the singer/songwriter who penned “Society’s Child” and “At Seventeen.”

Granite Orpheus, a movie that took a decade to complete after most of it was shot in 2015, showcased Concord against the backdrop of the classic Greek myth amidst that year’s Market Days celebration. Inspired by the ’60s film Black Orpheus, it featured many local musicians, and offered a look back at a city then in transition. Granite Orpheus will be screened at BNH Stage in Concord on Saturday, Jan. 24 at 7 p.m.

The gallery scene remained lively throughout the year. Glimpse Gallery in Concord hosted regular events featuring local artists. In Nashua, ArtHub returned in a new downtown location, after the pandemic torpedoed its original plans to open. The city also hosted its annual sculpture symposium, with artists working for three weeks as the public watched.

Manchester’s Mosaic Art Collective hosted the Halloween-centric” Exquisite Corpse.” It explored the idea that “art happens at the point of juxtaposition” and included a wide range of fun activities to go with what Gallery owner Liz Pieroni termed the many works of “creepy, weird art.”

It all added up to an arts community that remained resilient in a challenging year.

Upcoming arts happenings in 2026

Theater
Actorsingers Company’s production of the Stephen Sondheim/Andrew Furth musical comedy Company runs Jan. 9-11 at Nashua’s Center for the Arts.
Theatre Kapow’s What The Constitution Means to Me, written by a teenager who won a national debate competition on the topic, runs for two weekends beginning Feb. 6 at Winnipesaukee Playhouse in Meredith and Concord’s BNH Stage.

Visual Art
“Third Space,” at 3S Artspace through Jan. 25, transforms their Main Gallery “into a sanctuary of creativity, connection, and comfort during the holiday and winter season,” and includes works by papercutting polymath Dylan Metrano.
“Embellish Me: Works from the Collection of Norma Canelas Roth & William Roth” is at the Currier through March 15.

Classical Music
Symphony NH Music Director finalists perform with Adam Kerry Boyles’ Bernstein’s Legacy March 7 and Tianhui Ng’s New Hampshire Passions April 18. The Symphony is also planning a chamber concert led by its musicians on March 28 at Keefe Auditorium.

Featured photo: Granite Orpheus. Courtesy photo.

Music first

Riley’s Place rocks Milford

Riley’s Place opened in early 2022 as a comfort food restaurant that featured live music. As its fourth anniversary neared, co-owner Kimberley King began to realize that entertainment has become the main course. There’s something happening on stage every day it’s open, along with multiple shows on many weekend days.

Located on the first floor of a house built in 1757 by early Milford settler John Shepard, Riley’s Place has naturally good acoustics, but when Doug Danskin walked in for the first time, shortly after opening day, there was a home stereo behind the musicians. The veteran sound man saw a chance to help.

The timing couldn’t have been better, as Danskin had recently packed up a studio’s worth of equipment when the building he’d been working in changed hands. Might Riley’s Place be interested in using it? “Yes,” King replied enthusiastically. He’s been behind the mixing board ever since, as its popularity among musicians has grown.

Enough performers praised Riley’s superlative sound that it gave King an epiphany.

“We’re a music venue that has great comfort food, not a comfort food place with music,” she said as local blues rockers Blūz Chile got ready to perform on a recent Friday night, adding that she’s decided to rebrand it as such.

In 2026 she’ll make a leap of faith similar to the one that made her decide to enter the restaurant business. Riley’s Place will begin to host ticketed events in the coming year. The lineup is mostly booked through next fall and includes tributes to David Bowie, Steve Miller, Fleetwood Mac, The Allman Brothers and The Rolling Stones.

The menu too will look like a classic rock playlist, with a country touch. Their maple bourbon burger will be newly named after Chris Stapleton, with a writeup that reads like a record review. Led Zeppelin’s Bourbon Thunder steak tips “that hit like a guitar solo” will be introduced. Yes, both Stapleton and Zep are among next year’s tribute acts.

The American BLT, “full of heartland, bacon crunch,” will honor Tom Petty, and their signature prime rib sandwich with horseradish sauce “stinging like a Jersey wind” will be dubbed The Boss, a tasty salute to Bruce Springsteen, served with a side of onion rings. It’s all part of a full-circle moment for King.

“Music gets you through life; it’s just always been that way with me.” she said. “When I opened here, I wanted it to be a place where musicians love to come and play, where everyday blue-collar people would come for comfort food and just feel safe, happy and secure.”

In front of a wall hanging designed by King showing her favorite instrument, a saxophone, the music continues. There are two open mic nights, on Wednesdays and Thursdays; a drum kit was added not too long ago. Live bands appear on Fridays and Saturdays. Sundays, afternoon blues happen, hosted by a rotating lineup of four musicians.

There are also special events, like a Christmas show hosted by Jordan Quinn at 5 p.m. on Dec. 20, ahead of an evening set from the Straight A’s. An In The Round song swap with Eric LaMarche, Carol Townsend, Lily Soleil and Jimbo Labelle is set for the day after Christmas, and on New Year’s Eve, it’s a rare show from area favorites Aces & Eights.

King named Riley’s Place after her granddaughter, now 4 years old.

“She takes over when she comes in,” King said. “She loves to dance when the music’s playing.” She calls the outdoor patio Oakley’s Place, for her other granddaughter, who’s 2.

Asked to name a high point for the business she co-founded with her ex-husband — “weird, I know, but it’s working,” it says on their web page — she can’t pick a moment. Rather, it’s a before-and-after picture in her mind of the place she once managed in her younger days, when it was a tavern called the Colonel Shepard House.

“I remember what it looked like when it was so empty, and I think of everything we’ve done in just three and a half years. I think that’s my high point. Not everybody lives their dream. I can tell my daughter that if I die tomorrow, at least I can say that I lived my dream.”

Featured photo: Courtesy photo.

The Music Roundup 25/12/18

Holiday bash: Concord’s cellar full of noise celebrates early as Lucas Gallo & the Guise return for a jam-filled party that’s becoming an annual tradition. The group includes Gallo, his JamAntics mates Eric Reingold and Freeland Hubbard, and Curtis Marden. They draw from Gallo’s solo material, stuff from his old band and more, and surprise guests often stop by. Thursday, Dec. 18, at 9 p.m., Penuche’s Ale House, 16 Bicentennial Square, Concord, facebook.com/lucasgallomusic.

Holy bow: A musician born to play her instrument, Eileen Ivers recalls using a pink toy guitar as an air fiddle at age 3. She’s been called the Jimi Hendrix of the violin, winning multiple All-Ireland fiddle championships, and she has toured with Riverdance. That said, Ivers is an American, born in New York City. Her “Joyful Christmas” show mixes Wren Day faves and roots music. Friday, Dec. 19, at 7:30 p.m., Colonial Theatre, 609 Main St., Laconia, $54 and up at etix.com.

Charlie time: Many suburban American kids, including pianist Eric Mintel, got their first taste of jazz from A Charlie Brown Christmas and its Vince Guaraldi soundtrack. Mintel didn’t know it was jazz, but he knew he liked it. The special spawned a lifetime love of it that’s seen him play the White House twice. Mintel is back to perform the holiday favorite with his quartet. Friday, Dec. 19, at 7:30 p.m., Rex Theatre, 23 Amherst St., Manchester, $34 and up at palacetheatre.org.

Bass power: The regional EDM scene welcomes Denver-based dubstep trio Hostage Situation for a multi-act evening of floor-shaking sonic fury called Hachi Holiday. Fellow Denverite Noetika, who blends funk and hip-hop into his sound, is also on the bill, rounded out by New England DJs Wubson, who offers a punk edge, Mary AK, and the genre-shifting Hachi cofounder Kr3wl. Saturday, Dec. 20, 8 p.m., Jewel Music Venue, 61 Canal St., Manchester, $28 and up at posh.vip.

Caroling trio: Winners of CW’s Christmas Caroler Challenge a few years back, The Sugarplums are a holiday favorite throughout the country. The classic modern trio offers solid choreography, humorous banter and scintillating harmonies on favorites like “White Christmas” done in the doo-wop style of The Drifters, and “Jingle Bells” given a Puppini Sisters and Michael Bublé treatment. Sunday, Dec. 21, at 12:30 p.m., LaBelle Winery, 14 Route 111, Derry, $35 at labellewinery.com.

Southern Irish

Nashville’s Celts bring Christmas show to New Hampshire

Unlike many purveyors of his genre, Ric Blair, who leads The Celts, wasn’t born in Ireland, though he has family roots there and in Scotland. Rather, the music found him, while he was studying jazz and classical at Conservatory of Music at the University of Cincinnati, and it took hold.

A friend persuaded Blair to take a day off from the rigors of studying and check out a traditional Irish band playing a show downtown.

“We walked in the door, and people were literally dancing on the tables,” he recalled by phone recently. “And immediately every cell in my body was like, ‘This is what I’m supposed to do.’”

Celtic music would weave its way into the Christian music albums Blair released starting in the mid-1990s. Around 20 years ago he launched an early iteration of Christmas With The Celts in churches around the country. The shows were a unique blend of ancient carols, traditional holiday songs, and modern tunes given an Irish twist.

In 2011 PBS broadcast a Celts performance filmed at Nashville’s Ryman Auditorium, and their holiday show became a national phenomenon. Since then the group’s name has changed a few times. First it was the Ric Blair Band, then The Celts, then the Nashville Celts. A few years ago they finally switched back to The Celts.

“We don’t know who we are; we like to keep the customers on their toes,” Blair said with a laugh. “Upon the advice of our booking agency, we made it official. They were like, ‘People are easily confused — is it country or is it Irish music with the Nashville Celts?’ We said, ‘Well, it’s a little bit of both. Just tell them the Celts.’”

These days the show offers a bit of everything, like traditional Irish dancers, some of whom are recruited locally. An area youth choir is usually at every tour stop, and there are plenty of jokes. “The quick Irish wit is a big thing in Irish culture,” Blair said, along with “the ability to laugh and not be so overly sensitive that we can’t laugh at ourselves.”

The music, of course, remains front and center, and it’s the most eclectic element of a Celts performance. For the holiday show there are songs not normally associated with the traditional Irish canon, like John Lennon and Yoko Ono’s “Happy Christmas (War Is Over)” done with a reel.

“I’ve always been a Beatles fan, like millions and billions around the world, and it just seemed to me to be a good song to kind of unify everybody,” he said. “The people that were around when The Beatles first started, and the children that don’t know who they are.”

Every year, Blair and his band strive to add new touches and fresh numbers to a show that for many fans is now a holiday tradition. He hinted at a new addition that doesn’t come from anyone’s Christmas carol book but seemed to him to be ripe for the Irish touch and a seasonal role. It’s a well-known hit from an English rocker popularized in a late 1980s movie and an accompanying music video.

“There was just a moment that hit me, where I was like, ‘Oh, my gosh, this is a perfect Christmas song,’” Blair said. “Just because of the lyrics, as far as getting to the message of Christ’s birth. It’s so fun to perform.”

Some of the best moments come when The Celts perform carols that are hundreds of years old. Even those are done in a decidedly untraditional manner.

“We have a song called ‘Wexford Carol’ that goes back to the 1600s, or 1500, even earlier than that. We’ve composed almost an EDM version of that.”

The band coming to New Hampshire for two shows, the first Dec. 19 at Derry’s Stockbridge Theatre and the second Dec. 23 at the Colonial in Laconia, consists of Blair, bassist Jimmy Sullivan, David Rollins on drums, and two fiddlers, each doing double duty. Grace Broadhead also sings, and Kira Doppel is a dancer.

Finally, multi-instrumentalist Patrick D’Arcy was a founding member of Flogging Molly and is a longtime collaborator of Blair’s, who called him “one of the best pipers in the world.” D’Arcy was lurking during the interview, and Blair deferred to the native Dubliner when asked why Irish music is so popular with American audiences.

“Because it’s so brilliant,” D’Arcy exclaimed, and continued. “They love it, and it’s not anything to do with their culture or family history. It’s way more an international thing now [even if] it will always be from Ireland. And it represents a return to simpler things as well. I think people like that at Christmas.”

Christmas With The Celts
When: Friday, Dec. 19, at 7 p.m.
Where: Stockbridge Theatre, 5 Pinkerton St., Derry
Tickets: $33 and up at pinkertonacademy.org
Also appearing Tuesday, Dec. 23, at 7:30 p.m., Colonial Theatre, 609 Main St., Laconia, $43 and up at etix.com

Featured photo: Celts Christmas. Courtesy photo.

Make a music fan’s holiday

Some fun gift buying ideas for this year

Sometimes the best present for the music fan is one that lets them choose, so this year’s holiday guide starts with gift cards. Pitchfork Records (2 S. Main St., Concord) has everything from CDs and LPs and gear to play them, along with fun things like a vinyl album frame — call 224-6700 or stop by the store to purchase.

Most of the region’s concert venues offer gift cards for their shows. For example, Tupelo Music Hall gift cards in increments of $25 are available by calling their box office (437-5100). Many live music-friendly clubs offer this option, like Shaskeen Pub in Manchester, Newmarket’s Stone Church, or Riley’s Place in Milford.

Among online stores offering vinyl, CDs and rarities, Rough Trade Records began as an independent label in 1976 and offers a huge selection, along with e-gift cards (roughtrade.com). Magnolia Record Store curates a selection that includes many exclusive releases (magnoliarecord.store).

For followers of the regional scene, some truly fine records were released by area musicians in 2025. Rocking Horse Music Club’s The Last Pink Glow is a musical interpretation of an unfinished Jack Kerouac novella that includes a guest performance by Tony Banks of Genesis (rockinghorsemusicclub.com).

Fans of Bruce Springsteen will love Ward Hayden & The Outliers’ two albums of countrified Boss covers, Little By Little and Piece By Piece. Both are out on pink splatter vinyl at wardhaydenandtheoutliers.com, along with the alt-country stalwart’s latest original LP, South Shore.

Underground Garage favorite Brad Marino grew up on colored vinyl and picture discs, and frequently delivers fun stuff like an orange vinyl version of his new single “Voodoo” on bandcamp.com. Similarly, down and dirty blues rockers Lee & Dr. G just released their latest LP, Girl For Me, on red wax (leedrg.co).

Books are always a great choice. One of this year’s best is Cameron Crowe’s memoir The Uncool, which tells the true stories behind the biopic Almost Famous, and more. The basic facts of his life — a teenager writing for Rolling Stone, interviewing stars like David Bowie and Gregg Allman — are fantastic enough.

Speaking of movies, one of 2025’s best is Deliver Me From Nowhere, starring The Bear’s Jeremy Allen White. Its success has caused many to revisit the book it’s based on, written by Concord native Warren Zanes, so there’s a gift suggestion with both local and national implications.

For coffee table books, Paul McCartney’s Wings: The Story of A Band on the Run is an oral history of the group he formed post-Beatles. For Deadheads, 60 Years of The Grateful Dead Experience, is a 160-page softcover packed with photos and memories of the proto jam band.

wooden block with circle inserted
SOvenomUND Ferrofluid Visualizer.

Music lovers crave gear, and one cool gadget is the SOvenomUND Sound Activated Ferrofluid Visual Display ($179 at miravique.com). It’s a sleek wooden block that sits on a desk that has a round acrylic insert with an inky blob inside. It pulses to music, or whatever it hears. Unlike Alexa, though, this device won’t try to sell you anything.

Headphones are always popular, and Status Audio continues to innovate and separate itself from the pack. At the low end are the in-ear Between Pros at $79, with the new, overperforming Pro X model a cool $299 at status.co. Bose (bose.com) makes a great open audio (over the ear, but no cups) model for $199.

Finally, for the giftee who’s been extra-special this year, there’s Klipsch’s The Three Plus Premium Bluetooth Speaker, with audiophile sound, a phone to unit range of up to 40 feet, and RCA inputs for plugging in things like a turntable or a CD player. It retails for $419, but most places currently have it on sale.

Last, but certainly not least for struggling local bands who make next to nothing from streaming, is the merch table, both physical and virtual. For the latter, hit bandcamp.com for a bevy of swag from regional musicians. There are great T-shirts from Soggy Po’ Boys, Ian Galipeau and Megan From Work, just for starters.

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