The Music Roundup 26/01/08

Take a chance: Few tribute acts reach the level of success of Mania! Performing the music of ABBA, their show is a full-scale replication of a concert by the Swedish legends, with lasers, flourish and hits like “Waterloo,” “Dancing Queen” and “Mamma Mia.” Thursday, Jan. 8, at 7:30 p.m., Chubb Theatre at CCA, 44 S. Main St., Concord, $35.50 and up at ccanh.com.

Cowboy session: Fans of Noah Kahan and Zach Bryan will enjoy the Nate Ramos Band, appearing at a music-friendly craft brewery where they recorded a live EP last year. Ramos is a fresh voice in the regional roots scene, winning for Best Americana Act at last year’s New England Music Awards and getting a Country Music Act of the Year nomination at the Boston Music Awards. Friday, Jan. 9, at 7:30 p.m., Lost Cowboy Brewing, 546 Amherst St., Nashua, nateramosmusic.com.

Vocal legend: Named after Linda Ronstadt’s breakthrough second solo album, Silk Purse does a solid job of covering the singer’s career, from her first band The Stone Poneys’ “Different Drum” to late ’70s hits such as “Blue Bayou,” and beyond. Saturday, Jan. 10, 7 p.m., Epping Playhouse, 38 Ladds Lane, Epping, $25 at tix.com.

Mister moonlight: Though comedian Jimmy Cash had a career year in 2025, selling out the Wilbur Theatre in Boston and a double bill with Jimmy Dunn at Casino Ballroom, he’s still a janitor in the Worcester School District, just like his dad and grandfather. With jokes about cafeteria lunch ladies, teachers and cagey students, Cash built a 20-year career as one of the region’s best. Saturday, Jan. 10, at 7:30 p.m., Rex Theatre, 80 Hanover St., Manchester, $40 at palacetheatre.org.

Guitar man

Johnny A. brings Beck-Ola back to Tupelo

By Michael Witthaus
mwitthaus@hippopress.com

Growing up, Johnny A. had two favorite bands, The Beatles and The Yardbirds. In late 2024, he combined a love for both by reimagining John Lennon’s plaintive ballad “You’ve Got To Hide Your Love Away” as a Jeff Beck instrumental. His is a soaring, ethereal version, with fluid fret-bending in place of Lennon’s voice.

He released it digitally, donating proceeds to the Boston Food Bank. In a recent phone interview the guitarist mentioned that one paid download meant two meals for those in need. He added that while studio work once was critical, beginning with his chart-topper “Oh Yeah” in 1999, he records mostly for his own pleasure these days.

“The music business is in the dumpster and you don’t make any money from it anymore,” he said. “I’m always writing, I’m always experimenting, but I don’t know if I necessarily have the interest in putting out recorded music in any kind of bulk form anymore. Because it’s just not financially feasible.”

Touring keeps him going, as a solo performer with looping pedals providing a backup band, or with the Johnny A. Trio — when he can. A New Year’s run on the West Coast offered that opportunity, as the other two musicians now live in the area, but the logistics sounded, well, arduous.

After flying to San Francisco on Jan. 3, he had four days of shows, with two Bay Area concerts bookending the mini-tour.

“It’s kind of a rough schedule,” he said. “Every day is a fly day … and I’m taking a red-eye home.” Fortunately he’ll have a day to catch his breath before heading to Tupelo Music Hall.

The Jan. 9 show in Derry is one of his favorites to perform, a Jeff Beck retrospective running from the Yardbirds to his jazz fusion years and beyond with a band named after Beck’s second solo album, Beck-Ola. The project is a near and dear one, not least because Johnny A. spent a few years playing Beck’s parts in a revived version of the Yardbirds.

It’s fair to say to Beck is his favorite guitarist, and definitely a role model.

“I’ve had the ability, the opportunity to see him probably a dozen times live,” he said. “He’s always excited me because he’s very unpredictable. He wears his emotions on his sleeve when he plays, he’s a take-no-prisoners, no-apologies type of player.”

Is that daunting for him as a guitarist?

“The fun part is the challenging part,” he said. “Beck is a guy that really can’t be reproduced, he’s really uncopiable. Aside from being fantastically talented, his playing was instinctual, and he’s the only player that I’ve ever experienced where his playing is really an extension of his personality.”

He loves Tupelo, a place he’s played for two decades, and its owner Scott Hayward.

“I’ve always said if there were 50 promoters around the country like that guy, musicians would be a lot better off. You get treated like an artist. You don’t have to run around and worry about if you’re going to get paid. It’s just a good experience.”

For Beck-Ola, he’s backed by an all-star band that includes Marty Richards on drums, bassist Dean Cassell, Steve Hunt on keyboards and singer Mike Gill. It’s an infrequent project, and Johnny’s not sure when it will be back to the area after the Derry show. He urges the curious to give it a look.

“I’d just welcome anybody that’s a fan of his music to come out; I think they’ll be pleasantly surprised,” he said. “We take you on a ride from the earliest stuff all the way through his whole career…. I call it a celebration of the music of Jeff Beck, because we’re trying to capture the spirits of different eras.”

Beck-Ola
When
: Friday, Jan. 9, at 8 p.m.
Where: Tupelo Music Hall, 10 A St., Derry
Tickets: $50 at tupelohall.com

Featured photo: Johnny A. Courtesy photo.

Clued in

Popular game and movie merge with drag at BNH Stage event

By Michael Witthaus
mwitthaus@hippopress.com

Get a Clue, an upcoming event at BNH Stage based on the popular board game and movie, is equal parts cabaret, costume party and murder mystery. It’s the latest from Free Range Revue, a monthly series that began during Concord Pride Month in 2023 and features drag, burlesque and other performances.

The interactive experience is the work of Journee and Etienne LaFond, one of many the two life and creative partners have collaborated on since coming to New Hampshire eight years ago. Among their other endeavors are the horror anthology podcast “Witchever Path,” acting, and live-action role playing.

“People have the opportunity to come in character and costume, solve a mystery, and most importantly, interact with each other in this little world that we’re all creating together,” Journee said of Get a Clue during a joint interview with Etienne. “What we love to do is try and immerse people as much as possible.”

Etienne agreed. “We’re very steeped in creativity,” they said. “One of the things that we do really well as partners is one of us will say, ‘What if this existed?’ and the other respond, ‘Well, this is how we can make that exist.’ That’s exactly what happened with Get a Clue.”

An ensemble of eight “Draglesque” entertainers will be both on stage and on the main floor, made up as the “Clue Manse” murder scene. They’ll mingle with audience members, providing pieces of the puzzle to help solve the mystery before the final curtain. Raffles and other activities will also take place.

Journee will perform, using their stage name Sybil Disobedience. The moniker was recently chosen, though Journee has done drag performing for more than a decade. “I wanted a name that was inclusive of the values that I hold dear in terms of challenging the status quo,” they said, “but also one fostering my sense of what is right, and what is justice.”

The event is 18+. “Drag and burlesque can be sensitive; people are putting their art out there,” Journee explained. “We really want to make sure we have an audience that can be prepped for that.”

That said, the aim is for upbeat and uplifting. That’s a big reason why Journee became Chief Officer of Concord Pride and began planning events to serve the effort. “It’s so important for the queer community to have a moment that is not only recognizing our presence but is celebratory of our presence,” they explained.

Journee and Etienne are grateful for the Capitol Center’s willingness to host their events.

“I think that we’ve been really lucky to be welcomed into such a beautiful venue with a great team behind it,” Journee said. “It feels like they take really seriously their mission of including as many different aspects of the overall New Hampshire community as possible, so we’re really excited to be a part of it.”

When they began staging events, Journee told a Concord journalist that the aim was “to find and foster a community for queer people and people of color,” with extra motivation coming because “I knew I could spend my energy trying to get Concord a little bit further along those lines.”

Three years later, they continued, “I definitely feel like there’s still work to be done, which is why we’re still doing this in a lot of ways, but I definitely think that we’ve moved the needle in that at the very least people know that in Concord there is a home for queer people.”

The steadily building support is also heartening. “I’m really proud to say that one of the things that we constantly hear at the Free Range Revue is, ‘I look forward to this because I know there’s community. It feels safe and welcoming. I feel like I belong.’ … I really can’t ask for more than that.”

Free Range Revue – Get a Clue
When
: Friday, Jan. 9, at 7:30 p.m.
Where: BNH Stage, 16 S. Main St., Concord
Tickets: $31 at ccanh.com / 18+

Featured photo: Photo courtesy of Free Range Revue.

Piano Man’s many sides

Billy Joel tribute act returns to Tupelo

In a crowded milieu, there are some tribute acts that stand out — for their authenticity, an innovative approach, or a clear love of the music they’re recreating. Gloucester-based Captain Jack & the Strangers, who cover Billy Joel’s songbook, manage to tick all three boxes. Since forming in 2022 they’ve become a favorite on the New England circuit.

The group began after Jack Favazza and a group of musician friends traveled to see Joel perform. A piano player in his early twenties, Favazza was already a fan, as was his bass-playing friend Mike Parsons. The rest, all members of well-known North Shore bands, were curious but not as committed.

By the show’s end all were in agreement. Favazza and Parsons, along with percussionist, sax and keyboard player Mike Lindberg, drummer Steve Russo and guitarists Mark Pelosi and Jim Frontiero, were ready to start a Joel-centric band. They started crafting a setlist that included both well-known hits and tasty deep cuts.

They began with a swagger Joel might appreciate. Though veterans of the nightclub circuit, all wanted the act to work in big venues.

“Not that we don’t like the music in the bar scene, but we wanted to get on a stage, we wanted to sell tickets,” Favazza recalled in a recent phone interview. “We wanted to take it a little more seriously.”

A good instinct, it turned out. An early show at North Shore Music Theatre in Beverly, Mass., happened because Favazza knew someone at the venue who was willing to take a chance on a new band. They sold the place out in seven weeks. “So after that, she said, ‘We’ll be having you back next year.’”

Another high point came this year when they played Toad’s Place, a legendary New Haven, Connecticut, club where stars like Bob Dylan and Steve Earle have performed.

“It was kind of a short-notice thing and that’s OK,” Favazza said. “They gave us a chance [and] they loved the show.”

They’re building a fan base in New Hampshire, having appeared at Nashua’s Center for the Arts, and multiple times at Tupelo Music Hall.

“A lot of the other venues say, ‘Yeah, we’d like you to come back next year or in six months.’ That’s when you pick up the momentum and your confidence goes up,” Favazza said.

Though the song selection ranges across Joel’s career, the band maintains the exuberant energy of his mid-’70s to late ’80s prime. During the show, Favazza bounds across the stage for the in-your-face hit “It’s Still Rock and Roll To Me” and lays a tablecloth on his piano to perform his favorite, “Scenes From An Italian Restaurant.”

Even seasoned fans can be surprised by the mix of material, Favazza continued.

“After every show, someone comes up to us and goes, ‘I didn’t know that Billy Joel wrote all those songs. When we dive into the B-sides, they’re like, ‘I remember that song, it was in this movie.’ These songs are tied everywhere in our culture.”

Favazza plays solo gigs in Boston and around the North Shore. His sets include Elton John and Barry Manilow along with Joel’s material. He’s been doing it since a college friend helped him secure a gig in a Gloucester restaurant. After playing a couple of songs, he was invited to appear weekly.

“Billy Joel is the only tribute act I do,” he said. “I figured, who’s the No. 1 piano man? OK, I found him.”

He’s drawn to Joel’s music because he discerns a thread in it that dates back to rock’s beginnings. Many musicians were inspired in 1964 when The Beatles appeared on national television for three consecutive Sunday nights, like Joel. “You can hear The Beatles in his songs — that’s what I think makes it timeless, whether it’s lyrics or feelings or the music itself.”

Though Favazza enjoys honoring the music of one artist in his act, he has original songs, and their time may come.

“I haven’t published anything for the public, but maybe someday,” he said. For the time being, he continued, “I play these songs because I want to.”

Captain Jack & the Strangers
When: Saturday, Jan. 3, at 8 p.m.
Where: Tupelo Music Hall, 10 A St., Derry
Tickets: $40 at tupelohall.com

Featured photo: Captain Jack & the Strangers. Courtesy photo.

The Music Roundup 26/01/01

Banging in: After ringing in 2026, Recycled Percussion continues its traditional New Year’s run with 11 shows over the next two weekends. The junk rockers rose to fame on America’s Got Talent, finishing second but winning enough hearts to land a Las Vegas Strip residency that ran for years. Shows start Thursday, Jan. 1, at 1 and 6 p.m., Palace Theatre, 80 Hanover St., Manchester, $44 and up at palacetheatre.org.

Grunge memories: Billed as the ultimate Alice In Chains experience, Jar of Flies is a tribute to the Seattle ’90s standard-bearers and their troubled lead singer Layne Staley. The band appeared last fall at Flannel Fest in Eastern Washington with Sublime, Nirvana, Stone Temple Pilots and other tributes, going over well there. They’re a music-friendly bar-restaurant’s first ticketed show. Friday, Jan. 2, at 8 p.m., Riley’s Place, 29 Mont Vernon St., Milford, $10 at the door, rileysplacellc.com.

Raving up: A craft cocktail bar and restaurant that opened last summer hosts Robin Gaming, a scrappy pop punk band with a rough-hewn sound that gives off a solid Replacements and Lemonheads vibe. Since 2019 the quartet has churned out several energetic EPs and albums; the latest is Caught On Tape, its title possibly a reference to the many full-length shows they’ve posted on YouTube (worth a look). Friday, Jan. 2, at 7 p.m., 90 Low, 90 Low Ave., Concord., idiotcan.com.

Double down: With a sound much bigger than its two band members, Muddy Ruckus offers everything from zoot suit swing to conjured New Orleans second line with traces of Delta blues, rustic folk and punk-infused gypsy jazz. Saturday, Jan. 3, at 7 p.m., Auspicious Brew, 1 Washington St., Dover, $8 ($10 at the door), auspiciousbrew.com.

Creative place

3S Artspace concludes its 10th year

When it opened to the public in 2015, 3S Artspace got its name in reference to three spaces: art, music and food. That later evolved into three senses, Executive Director Beth Falconer recalled recently, “but then everyone was like, ‘It’s more than three senses’ — and we don’t want to be limited to three spaces.”

Later, the rule of three would reflect the years before, during and after the pandemic. To mark the Portsmouth gallery’s 10th anniversary, they’re harkening back to an exhibit that happened near the end of its first phase. “Third Space” is three curated environments with multifaceted artwork, music and a dose of the spirit that drives 3S Artspace.

Works by regional artists including Jess Dickey, Terry Golson, Aurora Robson and Adrienne Elise Tarver fill “The Garden,” a tropical answer to wintry outside temperatures. It’s curated by 3S board member Emily Leach, who was inspired by trips with her then-small children to Wentworth Greenhouses in Rollinsford.

“We’d breathe the warm air, explore the lush plants, and wonder at the living art sculptures they create,” Leach recalled on 3S’s website. “I designed this room to bring me back to that time and give families a way to experience that same feeling through beautiful and innovative works of art.”

Curated by documentarian, photographer, ski designer and board member Harrison Buck, the “Après Ski Lounge” has works by Buck in collaboration with tattoo artist Heather Quinn, Parlor Skis and Dana Schultz. Tracing Buck’s creative path, it’s called “a love letter to the natural world and a conduit for human connection, design experimentation, and storytelling.”

Art and the Seacoast’s buoyant music community join together in “The Listening Room.” It features posters that papercutting artist Dylan Metrano created for the Diaspora Radio concert series at Portsmouth’s Press Room, and vinyl records playing songs from the iconic albums that inspired them.

Metrano is also a musician and a chocolatier; he runs La Nef Chocolate in Mohegan, Maine, with his wife, a fellow artist. He approached Diaspora Radio creator Stu Dias after their first show, a performance of Music From Big Pink by The Band in September 2021, and offered to do a woodcutting poster for the next concert.

“It was Marvin Gaye’s What’s Going On,” Metrano said in mid-December. “They’d used the actual album cover for their poster, and I thought I could do something a little more creative … I didn’t know that it would go on for years and years. I just wanted to do it.”

His distinctive interpretations became synonymous with the event and have been the subject of a few exhibitions, like one at Ceres Bakery that ran last October and November. It included two of his favorites, The Whites Stripes’ Elephant and his first one of Marvin Gaye. Both are among those on display at the 3S exhibit, which runs through Jan. 25.

“Third Space”
When: Thursday to Saturday, 11 a.m. to 6 p.m., and Sunday, noon to 5 p.m., through Jan. 25
Where: 3S Artspace, 319 Vaughan St., Portsmouth
More: 3sarts.org
Also Friday, Jan. 2, 5-8 p.m. during Portsmouth Art ’Round Town

Featured photo: Diaspora Radio Poster by Dylan Metrano.

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