Author: Michael Witthaus

Hootie & the Blowfish, Collective Soul hit Gilford

Back in the ’90s, when there was still a record business, both Collective Soul and Hootie & the Blowfish were among a gaggle of Southern acts signed to major labels. The two bands spent time on the road playing shows together and forging friendships. Thus, the current Summer Camp With Trucks Tour, arriving June 13 at BankNH Pavilion, will be a happy reunion.

“We’re good friends,” Collective Soul front man Ed Roland said by phone recently. “To be able to go out and do a whole summer tour is really exciting for us. There’s no ego in any of the bands; everybody gets along. It’s like a fraternity getting back together.”

Along with the Gilford show is a date at Fenway Park, with Barenaked Ladies on the bill. Playing the Red Sox shrine is a first for Roland, who once lived in Boston while attending Berklee.

“I’ve seen some good baseball games there,” he said, adding that when he noticed the date on the band’s schedule, “I was blown away, actually. I told my mom I’m flying her up so she can be proud of me for something.”

It was a tongue-in-cheek joke; more than three decades past their breakthrough hit “Shine,” Collective Soul’s success is undeniable, and they’re still making records; their latest is Here to Eternity, an expansive 20-song effort. It opens with a solid one-two punch. “Mother’s Love,” which echoes “Where The River Flows” from their eponymous 1995 album, and “Bluer Than So Blue” are both driven by the band’s signature guitar-forward sound.

The rest continues apace; it’s fair to say there isn’t a weak track on Here to Eternity. The band hadn’t planned on making a double album; the project began with a dozen songs. Recording in Elvis Presley’s former Palm Springs home inspired him to stretch it out, however.

A standout among the tracks Roland wrote there is “Matter of Fact,” a direct homage to the King — and Queen. He was alone for a bit in the desert house.

“They staged it for us with cool, hip, mid-century, modern furniture, and we just set up shop,” he said. “I slept in Elvis’s bedroom; it was my house.”

Among the furnishings was a record player and a stack of about 50 albums that Roland grew up on, including Queen’s The Game. Thus, “Matter of Fact” has a “Crazy Little Thing Called Love” intro that echoes “Don’t Be Cruel” — but that’s not where the riff was born.

It’s the first riff Roland ever wrote.

“I used it to get into Berklee College of Music. It’s a little jazzy, and I was like, that’s cool. Now let’s put a little rockabilly-type vibe to it and see if it works.”

“Sister and Mary” has an “Ob-la-di, Ob-la-da” vibe that was also inspired by Roland’s record sessions. “I like listening to my heroes and studying on vinyl,” he said, adding that The Beatles, Elton John, Jeff Lynne, The Cars and Tom Petty are “my professors … I’m like, see what he did right there?”

One of the collection’s best is a live version of a song Roland wrote just before lockdown.

“Bob Dylan, Where Are You Now?” is a lament for a bygone time that he’d like to see again. Dylan was “one of my favorite professors…. He made you aware of what was going on without being preachy [and] that’s kind of what I was trying to do … set a tone of what was going on, from the pandemic to everything. It was an ode to him.”

Hitting the road again is always good for the energetic singer, songwriter and guitarist of a band with an ability to upstage headliners.

“To be honest with you, this one’s going to be really special,” he said of the upcoming run. “Just to enjoy each other’s company and then get up there and do what we all love to do. Edwin and the Hootie boys, they still love what they do, it’s inspiring. So, we gotta get up there and do our job, that’s for sure.”

Hootie & the Blowfish, Collective Soul and Edwin McCain
When: Thursday, June 13, 7 p.m.
Where: BankNH Pavilion, 72 Meadowbrook Lane, Gilford
Tickets: $56 and up at banknhpavilion.com

Featured photo: Collective Soul. Courtesy photo.

Bike Run party with James Montgomery Band

By Michael Witthaus
[email protected]

The yearly Laconia Motorcycle Week is returning, which means drivers should check their rear-view mirrors twice for the next 10 days while heading to the Lakes Region. It also signals the return of the Peter Makris Memorial Run, on June 8. Now in its 18th year, the charity ride attracts hundreds of motorcyclists and benefits area first responders

Motorcycles assemble at Naswa resort and are escorted to New Hampshire Motor Speedway for a few laps, followed by a ride around the lake that ends back at Naswa. Now part of this tradition is James Montgomery, who began playing the bike run’s afterparty in the mid-2010s. The blues harmonica stalwart is back again with his band for an afternoon set.

He’ll also help kick things off.

“I play ‘Amazing Grace’ at the beginning of the bike run,” Montgomery said by phone recently. “Last year we must have done at least 500 bikes, something like that. It’s a pretty big run, and raises money, and then we have a party afterward — and, you know, nobody gets hurt.”

Montgomery has been a fixture on the New England blues circuit since coming here in the early 1970s. He attended BU with plans to be a teacher, but instead fell into a music scene that included the J. Geils Band, Bonnie Raitt and Duke & the Drivers. He was signed to the Allman Brothers’ label Capricorn Records, where he worked with studio legend Tom Dowd on his second album.

Montgomery discovered the blues in his hometown of Detroit, seeing legends like Muddy Waters, Junior Wells and John Lee Hooker perform and learning his harmonica and singing style from James Cotton and Paul Butterfield. His reverence for the genre’s progenitors spawned a career in film. He’s participated in documentaries on Butterfield and fabled Boston radio station WBCN.

He also co-produced Bonny Blue, a documentary about Cotton, who he had a father/son relationship with prior to his death in 2017. The film’s centerpiece is a five-camera shoot done at Boston’s House of Blues while Cotton was still alive, with Huey Lewis and the late Jay Geils also in the harp legend’s band.

Montgomery beams while discussing the film, which debuted last year on the festival circuit and will see a general release later this summer.

“We were one of five finalists for the Library of Congress Ken Burns Prize,” he said. “It’s one of the highest awards you can get.”

His current movie project is non-musical, and close to home for Montgomery. America, You Kill Me is a documentary about his late brother Jeffrey, a pioneering gay rights activist in Detroit. His advocacy began when his partner was shot outside a Detroit gay bar in 1984, and he learned that local police were not aggressively investigating it or other LGBT-related murders. It’s played in a few movie houses, and Montgomery is working on a national release.

Musically, his most recent album was a duet effort: 2020’s Cadillac Walk, recorded with guitarist and singer Jay Willie. The title comes from a Mink DeVille song that’s one of several covers on the disc, like the Rolling Stones’ “Satisfaction” and “Give Me One Reason” by Tracy Chapman.

Each one is given its own spin on the original.

“Jay Willie’s like me — don’t just cover something; he really wants to make an additional statement,” Montgomery said, adding, “I had a ball making that record…. They gave me a bottle of wine and 20 bucks, and I went, ‘OK, I’ll do it for that.’ The wine cost more than what they paid me, but anyway, we had a great time.”

His signature kung fu kick is still operational, though the 71-year-old harmonica player jokes that a hip replacement may change that someday.

“The generation that grew up playing in rock ’n’ roll bands in the late ’60s and ’70s always thought we were going to be young forever … none of us have this mentality that we’re old,” he said. “I say I’m on the ‘too stupid to stop’ tour, because if you don’t stop, you don’t even notice how long you’ve been playing.”

James Montgomery Band
When: Saturday, June 8, 1 p.m. (following Peter Makris Bike Run)
Where: Naswa Resort, 1086 Weirs Beach, Laconia
Info: naswa.com

Featured photo: James Montgomery. Courtesy photo.