Homegrown indie film Granite Orpheus premieres
By Michael Witthaus
mwitthaus@hippopress.com
Watching Granite Orpheus is akin to stepping on board a time machine, but that wasn’t the plan when a group of upstart filmmakers and actors set to work over Concord’s long Market Days weekend in 2015. The movie, which has its official premiere Sept. 26, retells the star-crossed lovers’ tragedy amidst the milieu of the Capital City.
Ongoing construction along Main Street juxtaposed with the annual three-day street fair and music festival gave Rick Broussard the idea for the project. He and John Hession run Resurrection Films, a company focused on energizing New Hampshire’s film community. The two began building a script and recruiting actors.
“Downtown was in this kind of weird upheaval; half the street was in construction, the other half was basically complete,” Broussard recalled. “It seemed like a transitional moment, and it reminded me of a movie I’d seen in my college days — when I was pretending to go to college — called Black Orpheus. It’s this classic Greek myth set in Rio during Carnival.”
With Bryan Halperin and Gina Carballo cast as Orpheus and Eurydice, and a motorcycle-riding Yarrow Farnsworth as Hades, they filmed what Halperin called “a love letter to Concord,” with shots of Bicentennial Square, the Train Yard, Pitchfork Records and other landmarks.
In a scene that opens Granite Orpheus, the beloved but now defunct Pat & the Hats play in Penuche’s basement.
“One of those little local miracle bands,” Broussard said. “You just knew that they could do anything and go anywhere, but the limitations of fame and time and space don’t let everybody great become great; but they were a great band.” Their involvement was the spark for bringing Brian Coombes of Rocking Horse Studio on as the film’s Music Director.
The team wanted to use the downtown bar for a scene reminiscent of the Yardbirds’ appearance in the ’60s art film Blow Up. “It’s a very underworld kind of feeling,” he said. “Our Orpheus has to ascend the stairs out into Bicentennial Square, a beautiful plaza full of stonework, sculptures and such, and a fountain. And there’s a band playing out there.”
David Shore’s Trunk O’ Funk, one of a few annual event bands routinely at Market Days, was performing its set during the scene.
“We tried to get as many [festival performers] into the movie as we could because … this was Concord’s portal into Hades. Every place has a different one.”
An initial three-day filming schedule grew.
“We originally said we’ll just cut it off and work with what we got,” Broussard said. “But what we got was all these great additional talents like Bryan and everything that he brought to bear. Friends of John Hession’s who were talented musicians, had a motorcycle gang, and also had great attitudes … it was too big.”
The effort continued for another week.
“Nobody said no, so we just kept working on it,” Broussard said. A year later, they set about cleaning up the footage, hoping to feature it at the next Market Days. Around that time, life got in the way. He and Hession both “went through at least four personal familial crises, and a global pandemic.”
A decade later, they finally got back to work on Granite Orpheus. Early last May, a final scene was filmed at Red River Theatres. Halperin arrived with two pieces of good news: “I had saved the unique black shirt they’d given me years ago, and luckily, I haven’t changed too much in 10 years.”
The crew was further buoyed by the response to a casting call for extras.
“We got about 40 people from our little mailing list,” Broussard said. “Some of them were very talented, and wind up getting featured to a degree [in the Red River scene]. It was a connection of what we had done, and what we needed to get to pretty much the end of the movie.”
For Broussard, the delay was a blip.
“Ten years later was not really that long, particularly when you’re talking in classical Greek terms,” he said. The upcoming premiere will include a post-film discussion with the crew and actors. There will be more screenings of Granite Orpheus, including at Pembroke City Limits, date to be determined, and the Currier Museum of Art in Manchester.
He likens the project to Rocky, and not because he believes it’s Oscar-bound.
“It’s going to win by not getting knocked down, it’s not going to knock out everybody else,” he said, adding, “I am perfectly happy to show it to any audience and take their feedback and feel content that we did a great job.”
This faith guides Broussard and Hession’s film company, giving it a higher purpose.
“We need to seek art as desperately as Orpheus sought Eurydice, despite being doomed to crushing disappointments and failures almost every time,” Broussard said. “It’s for those brief glories, and I guess for the permanent illusion that we can all be artists in our lives and in our afterlives, that we carry on. Because it’s one of those myths that won’t die.”
Granite Orpheus
When: Friday, Sept. 26, 7 p.m.
Where: Colonial Theatre, 609 Main St., Laconia
Tickets: $20 at etix.com
