Rebirth

Six years later, Bungalow returns with live music

By Michael Witthaus
mwitthaus@hippopress.com

Manchester’s independent music scene lost an important resource when Bungalow Bar & Grill closed in 2019. The Valley Street venue was an anchor for the heavier end of the spectrum, welcoming a lot of bands with the word “core” in their genre description. On the final weekend there, metal stalwarts Regime and Kaonashi co-headlined.

Many of the shows at Bungalow were booked by NH Booking, a company begun in 2004 by Richie Downs. He continued doing shows at Jewel Music Venue following the closing, but felt the loss, nonetheless. Six years later, he’s bringing back Bungalow, beginning with a six-band show on Oct. 25.

“It’s really, really important that the Bungalow exists,” he said recently, citing a primary reason. “Right now, pretty much nobody is putting on all-ages shows … and I think you’re missing out on one of the most important parts of the local music community by not having that.”

Downs found refuge in attending shows while he was a teenager and trying to cope with a family tragedy.

“Music in a live environment honestly saved my life,” he said. “Being up front, screaming every word of all these lyrics that mean so much to me and being a part of that energy, it was the closest thing you can get to being a spiritual experience.”

A show in Worcester that included future national stars Coheed & Cambria and Taking Back Sunday was a turning point for the young fan.

“It was just the best feeling in the world coming away from that show,” he said. “I was like, ‘I need to make this happen as much as I possibly can for the rest of my life.’”

It was around this time that Downs began doing shows in a Sandown church basement that informally became known as The Crossing, inspired by that night.

“I got into booking,” he explained, “trying to create opportunities for other bands to create those moments and those experiences with fans themselves.”

The bill at the “grand re-opening” Bungalow show is topped by a pair of bands celebrating new releases.

“Whenever a band has a special show like an album release, we typically collaborate with that band to choose the rest of the lineup,” Downs said.

Iron Gate is a Manchester death metal group that formed in 2022 when singer Jeff Higgins placed an online ad: “Who plays an instrument and wants to play heavy, ignorant music?” he asked, according to a 2023 story by Ryan O’Connor at NoEcho.net. The quartet cites bands like Traitors, Bodysnatcher and The Acacia Strain as influences, the story said. Their new EP is called Crushing Weight of Existence.

Hailing from Bristol, Connecticut, Burying Point is a deathcore band that boasts on its Facebook page to exist “with one purpose … violence.” Released last month, their latest EP is called In the Absence of…. The six-track effort leads off with “Deicide,” a three-minute assault of staccato machine gun drums and bullhorn vocals, and gets more intense from there.

The undercard for this decidedly un-subtle evening begins with Rose Lane, followed by Pure Bliss, Edict and Frog Mallet. The next show at Bungalow will offer a change of musical mood with Millington, a six-piece Albany, N.Y., band that calls its ska/punk sound brass emo. That show happens Nov. 9 and is a co-production with Rhode Island-based Rambudikon.

Downs hopes there will be more collaborations at the venue.

“I’m going to put out a blanket statement right now,” he said. “If you are a promoter that is putting on shows and you’re respected by the community, you’re not taking advantage of bands [or] fans, doing it just to make a buck, you’re respected by the community that you are putting shows on in, I want you to be a part of what’s happening at Bungalow.”

Iron Gate, Burying Point, Frog Mallet, Edict, Pure Bliss & Rose Lane

When
: Saturday, Oct. 25, 5 p.m.
Where: Bungalow, 333 Valley St., Manchester
Tickets: $15 in advance at dice.fm, $20 at the door

Featured photo: Courtesy photo.

The Music Roundup 25/10/23

By Michael Witthaus
mwitthaus@hippopress.com

Folk room: A female-forward evening has sets from Maia Sharp and Catie Curtis in a venerable Sunapee region venue. Sharp is a singer-songwriter whose tunes have been recorded by everyone from Bonnie Raitt to Trisha Yearwood and The Chicks. Curtis is a veteran artist and songwriter who was at the forefront of the mid-’90s new folk movement. Thursday, Oct. 23, 7:30 p.m., Flying Goose Brew Pub & Grille, 40 Andover Road, New London, $30 at flyinggoose.com.

Real deal: With a catalog of active rock hits stretching back to their 2008 eponymous debut, Saving Abel hits town for a downtown show. The group’s best songs up the ante, looking for a formula lead singer Jared Weeks calls “a little deeper, a little tougher and a little more rock.” Their new single “Stars” reflects that, a metal-edged rocker with bone-crushing riffs and a memorable chorus. Friday, Oct. 24, 9 p.m., Rock n Roll Meatballs/ Angel City Music Hall, 179 Elm St., Manchester, $38 at ticketweb.com.

Laugh lines: A twin bill of comedy has Tim McKeever and Pat Napoli adding hilarity to a Nashua craft brewer’s menu. McKeever’s set includes bits like one about a cocktail called an Irish Car Bomb, which is “a shot of Jameson and some Bailey’s; you drink it and then drive into someone’s living room.” Napoli’s “sharp observational humor” has made him a New England favorite. Friday, Oct. 24, 8:30 p.m., Liquid Therapy, 14 Court St., Nashua, $23 at headlinersnh.com, 21+.

Roller ghouls: Costumes, party music and roller skating blend as Pop Punk-O-Ween offers a head start to Halloween fun. DJ Shamblez spins classics like Talking Heads’ “Psycho Killer” and the Ramones’ “Pet Sematary,” with perhaps an appearance of Simple Plan’s version of the Scooby Doo theme, a costume contest, giveaways and lots of four-wheeled fun. Saturday, Oct. 25, 9 p.m., Remix Skate and Event Center, 725 Huse Road, Manchester, $20 at skateremix.com. 18+.

Dead twist: The Bus Came By And I Got On by Kristina Marinova is one the year’s more interesting albums, a solo piano collection of songs from the Grateful Dead’s mid-’60s, early ’70s repertoire. She offers mesmerizing transformations of songs like “Uncle John’s Band” and “China Cat Sunflower/I Know You Rider,” played with delicate dexterity. Sunday, Oct. 26, 7:30 p.m., Jimmy’s Jazz & Blues Club, 135 Congress St., Portsmouth, $20 and up at ticketmaster.com.

Brave stage

First-timers gather for Not Afraid to Fail Fest

By Michael Witthaus
mwitthaus@hippopress.com

Stepping out of one’s comfort zone to try something new is daunting, often frightening. However, at the upcoming Not Afraid to Fail Fest, it’s the whole point. Hosted by Manchester-based Queerlective, it’s billed as “a celebration of queer expression, risk-taking, and community care,” and a reflection of the nonprofit’s core values.

Among the first-time performers on stage Oct. 24 at BNH Stage in Concord are Ann Kinne, a farmer, woodworker and slam poet who will sing and play guitar, and Alysa Hemcher, who works by day as an operations director for a regional nonprofit and plans to cross standup comedy from her bucket list.

A pair of spoken word artists will try to up their game. Avery Bondra left the stage a decade ago, but they’re back to share some poems “that capture the essence of love and vulnerability,” according to a press release. Cory MacEachern has done open mics before but plans a much more personal performance that addresses the death of her brother last winter.

Both Cecilia Kiely and Star are taking the stage for the first-ever time. Star, who works in special education, will perform the Ethel Cain song “Janie” and accompany herself on guitar. Kiely is an aspiring writer who hasn’t revealed what she will share for her debut, but promises “a unique blend of humor and heart.”

The comedy-packed night continues with Michelle Rebidue, who mixes standup and animated storytelling for an act called Life In a NutChelle. Kelso & Aoife are a married couple with a skit that begins with an attempted handshake and devolves into a chaotic stew of awkwardness. Jay Galloway’s standup set will focus on being a New Hampshire newcomer.

The bold cast is rounded out by two members of the Queerlective working board. Jason DeYoung coordinates large events for the organization. A member of the New Hampshire Gay Men’s Chorus, he will step into the spotlight to sing “Who’d I Be,” one of his favorites from Shrek The Musical.

Executive Director Randall Nielsen doesn’t have a performing slot, but is making his debut in another way. “Somebody asked about me having my own thing, and I’ve never emceed an event,” he said in an interview that included DeYoung recently, adding, “and Queerlective has never put on an event like this before.”

The spark for the effort came from strategic planning sessions last January. They discussed ways to reflect the boldness that was required to form an organization in 2022. “Not being afraid to fail was very key to us, starting from scratch and not knowing anything about nonprofits,” DeYoung said.

Nielsen spoke of his interest in using art as a tool for community building.

“I just had too many ideas, so I thought, ‘let’s just let people bring their own ideas as well.’ If you’ve ever wanted to try something, or need a reason to learn a new skill, that’s kind of what we were thinking of as well when we were putting this together.”

A call for participants went out, and all who applied will perform in the show.

“That’s a goal for this project, along with encouraging the community to be more adventurous,” Nielsen said. “We see a lot of hesitation and anxiety from people just to even go out and attend an event, let alone to put together something on their own.”

In late September, everyone attended a workshop led by a local clown to work on stage presence and getting comfortable in performing a show that Nielsen described in a Facebook post as “part open mic, part talent show, part joyful mess and one hundred percent about showing up with courage, creativity and the community behind you.”

To that end, guidelines will be spelled out when the show commences to foster an environment of encouragement and support for performers who are taking a big risk.

“That’s one of the big things,” Nielsen said. “No matter what happens, we’re clapping, we’re cheering, we’re supporting these people. If they mess up, it’s OK. We’re all going to mess up at one point or another. That’s life.”

Not Afraid to Fail Fest

When: Friday, Oct. 24, 7 p.m.
Where: BNH Stage, 16 S. Main St., Concord
Tickets: $18 at ccanh.com

Fresh laughs

Juston McKinney films new special

One thing fans of comedian Juston McKinney can count on is never seeing the same show twice. Another is the promise of a respite from divisive humor. The closest he comes to dipping his toe in political waters was in a recent online video, when McKinney claimed he’d turned down an opportunity to perform in Saudi Arabia.

“It wasn’t for that festival, it was a café,” he said with a smile. “But I’m not gonna do it … so keep your thousand dollars.” Apparently, however, not everyone’s funny meter was turned on. A few fan comments hit pretty wide of the mark.

“People were actually like, ‘Good for you, way to stand up,’” McKinney said in a recent phone interview. “I go, ‘Did you not know that was a joke?’ I guess I should have said two hundred bucks. I think that’s how you know the economy is bad. People were thinking, ‘A thousand dollars? Man, this guy’s making it.’”

McKinney is preparing to film his sixth comedy special, using footage from a pair of upcoming shows in Manchester. His most recent special, On the Bright Side, filmed in 2022 at Concord’s Capitol Center, has amassed over 1.2 million views on YouTube — an achievement that surprised the comic. “I didn’t think I’d get to a million,” he admitted.

The new special is untitled, and no-repeat McKinney is bummed he can’t re-use 2012’s On Midlife Support. “That would have been a good name for this one; I’m actually more in midlife now,” he said. “But I’ve got like half a dozen names that I’m thinking of.”

Family life continues to fuel McKinney’s act. His eldest son is college-bound next fall, and he just added his other son, a high school sophomore, to their auto insurance policy. The lifelong New England Patriots fan also has words for new NCAA coach Bill Belichick, and maybe a story about his youngest son coming out as a Kansas City Chiefs fan.

It’s been a thing since middle school, and much to McKinney’s dismay, only got worse.

“A few years ago, he goes, ‘Dad, can I go to Arrowhead Stadium? I want to see the Chiefs play in Kansas City’ and I go, ‘Maybe in 10th grade,’” he said. “That turned into, ‘You promised!’ So … now I’m taking him to the Detroit Lions-Kansas City Sunday night game.”

The game happened days before McKinney’s planned taping of his special, so he masked up to be safe, and played the experience for laughs, ordering a sign reading ‘things we do for our kids — even if they’re traitors.’ When it was delivered, though, the word “traders” had replaced “traitors,” obscuring its meaning.

Problems with the order, it turned out. “I did talk to text and didn’t realize the typo was there,” McKinney said. However, he did wear his Pats hat and fulfilled a promise to “snap a picture of me sitting in that sea of red.” Both father and son flew back happy. The Chiefs won, and the Patriots beat New Orleans the same day.

Perhaps the hardest-working man in New England showbiz, McKinney will start work on his annual Year In Review the morning after he films the new special. He promises an all-new batch of material for the run of shows, which includes six in Portsmouth, three in Nashua, along with stops in Laconia and Lebanon in the new year.

“All those shows are going to be coming up eight weeks after the special,” he said. “Yeah, this year was a mistake … I should have done it in the spring, and now I’m like, what did I do?”

To keep things fresh and craft new jokes, McKinney spends a lot of time in small venues, including The Winner’s Circle in Salisbury, Mass., and other open mic nights in the area.

“I need places to practice,” he said. He’s also on the road every now and again, most recently doing shows in Atlantic City, New York City and Stamford.

He’s so dedicated to exercising his comedy muscle that he recently did a celebration of life for a longtime fan. Held at a private home next to a pond in Sanford, Maine, the gathering was intimate, with about 40 people attending. “It was the first time I’ve ever done that,” he recalled. “Her daughter reached out…. She told me all about her mom.”

It was a fun time, so much that the folks there asked if he planned to do any similar events in the future.

“‘Yeah, you guys got my number,’” McKinney replied. “‘Call me when the next one goes.’” Though his set was well-received, he declined to use every comic’s favorite way to describe a successful gig.

“I didn’t kill,” he said. “I showed up afterwards.”

Juston McKinney – Comedy Special Taping
When: Saturday, Oct. 18, 5 & 8 p.m.
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $42.50 at palacetheatre.org

Featured photo: Juston McKinney and his son. Courtesy photo.

The Music Roundup 25/10/16

Guitar man: Led by a Grammy-winning Country Music Hall of Famer, Marty Stuart & His Fabulous Superlatives return for an area show. The singer/guitarist joined Lester Flatts’ bluegrass band at age 13 and is an in-demand session player. His latest, Space Junk, is a double album of instrumentals released this year on Record Store Day, inspired by the Ventures and Tijuana Brass. Thursday, Oct. 16, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $58 and up at tupelohall.com.

Fusion band: Named after a friend’s boating mishap, Annie In The Water offers a contagious hybrid of rock, funk and rhythm infused with a feel-good reggae groove. It’s the kind of sound that kept Michael Franti bouncing around the globe for decades, done with capability and verve. Last summer’s EP Migration has the soulful tune “Tangled Up” and a trio of lovely, jazzy songs about birds. Friday, Oct. 17, 8 p.m., Shaskeen Pub, 909 Elm St., Manchester, annieinthewater.com.

Game time: A little bit comic con and a whole lot of bass heaviness, Video Game Rave is an evening of dance music with backdrops befitting the theme. DJs Synova and Groove Cube team up to blend pop hits and theme music from games like Mario Kart and Sonic the Hedgehog, with everything accompanied by projection video of classic games. Yes, cosplay is encouraged, so come as Luigi. Saturday, Oct. 18, 8 p.m., BNH Stage, 16 S. Main St., Concord, $24 and up at ccanh.com.

Junk festival: A day of music, food trucks, vendors and other activities, Kindfest 2025 is capped by a closing set from Recycled Percussion. The outdoor show includes four bands leading into the America’s Got Talent stars: Sunapee singer-songwriter Chris Powers, rockers Five Button Fly, Runnin’ Down a Dream doing Tom Petty’s music, and the Eric Grant Band playing country. Saturday, Oct. 18, noon, Field of Dreams Park, 48 Geremonty Drive, Salem, $30 at eventbrite.com.

Drum power: With a kinetic mix of jazz, rock and fusion, Cindy Blackman Santana brings her band to Portsmouth. Santana’s drumming is heard on the version of “In The Air Tonight” that opens Monday Night Football every week. Her set includes solo songs, Miles Davis and Wayne Shorter covers, and some from Coherence, a new LP due next year. Sunday, Oct. 19, 7:30 p.m., Jimmy’s Jazz & Blues Club, 135 Congress St., Portsmouth, $20 and up at ticketmaster.com.

Singing Bard

Children’s Theatre Project’s Something Rotten spoofs Shakespeare

When the cast of Something Rotten! Jr. steps on stage at Concord Auditorium on Oct. 17, it will mark the beginning of the 30th season at Community Players of Concord’s Children’s Theatre Project. Karen Braz co-founded it in 1996 and has led the effort for most of its existence. Once a theater kid herself, she saw the need a few years after joining the company.

“Back then, there were not the plethora of programs that there are now,” Braz said in a recent phone interview. She wanted to launch something similar to a program her mother helped run in North Conway when she was young. “Peacock Players and Andy’s Playhouse were around, but nobody had youth theater. So we started ours.”

Looking back on her time at CTP, Braz hopes she’s given the many generations of participants a love for theater, both on stage and behind the scenes.

“There were a lot of kids that got to do a lot of things,” she said, like lighting and costumes. “Hopefully, they are now people who treasure the performing arts, and support them.”

Braz believes theater is about more than just providing entertainment to audiences.

“It is a microcosm of what life is going to be,” she said. “You put in the work … it’s not just theater, it’s everything.” The discipline needed to pull off a show, she continued, reflects the determination needed to achieve anything meaningful in life.

Braz has wanted to do the upcoming production, a musical comedy set in Shakespeare’s era about two down-on-their-luck playwrights who live in the shadow of the rock star Bard. The Bottom Brothers, Nick and Nigel, are told by a soothsayer that the next big thing in theater will be the musical. Though baffled — musicals don’t yet exist — they get to work.

She saw the musical comedy 10 years ago in New York City, when she attended a three-day Music Theater International workshop while celebrating her 60th birthday.

“They gave us tickets to four Broadway shows, and one was Something Rotten,” she recalled. “It had just come out, and I thought it was the most hilarious thing I’d ever seen.”

When the rights to perform it became available last spring, Braz pounced and began planning for the fall production.

“It might not have been the best-known choice for a 30th anniversary, but I loved the characters, the era, the jokes,” she said. “The way it references so many other musicals is just brilliant.”

The show’s meta-theatrical humor, clever references and reimagining of Shakespeare as Mick Jagger with a quill pen resonated with Braz.

“I love the way they contextualize it in the modern era,” she said. “It’s easily the most sophisticated junior production we’ve done.”

To that end, in recent years, CTP has moved to casting more older teens in its centerpiece productions, with a wider age range for its summer and winter vacation theater camps. This allows them to portray more complex relationships, such as the Bottom Brothers and their romantic subplots, with authenticity and nuance.

“To do justice to the [collective] visions for the shows … even on a junior level, I shy away from 10-, 11- and 12-year-olds,” Braz said. Raising the age limit, she continued, means experienced actors who “bring a level of maturity to the characters, and to the story, that wouldn’t ordinarily be at all possible with much younger kids.”

Last year the Concord Community Players created an annual award in Braz’s name, making her the first recipient. Such a tribute might signal the beginning of an end for the theater den mother and self-described “cat herder” of young actors. But 30 years on, she has no plans to exit the stage.

“I just want to keep on going, I don’t want to just shut it all down,” she said. “Eventually I guess I’ll have to, or I’ll pass the torch to somebody else if there’s anybody that wants to do it. But every milestone — the 10th, the 15th, the 20th — it’s always like, wow, this has been going for a while. This is a lot of shows.”

Something Rotten! Jr.
When: Friday, Oct. 17, at 7 p.m. and Saturday, Oct. 18, at 2 p.m.
Where: Concord City Auditorium, 2 Prince St., Concord
Tickets: $15 at communityplayersofconcord.org

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