Author: Michael Witthaus

The Music Roundup 24/10/17

Local music news & events

• Real Carrie: Hear from the source of Sex and the City as Candace Bushnell brings her one-woman show to town. The multimedia production blends clips from the television series with details of Bushnell’s life to tell a complete story on an apartment-like stage adorned with Manolo Blahnik shoes. Thursday, Oct. 17, 7:30 p.m., Capitol Center for the Arts, 44 S. Main St., Concord, $40 and up at ccanh.com.

• Comic redemption: Based on the idea that the day after the Almighty rested He created humor, Robert Dubac performs Stand-Up Jesus, a one-man show that skewers false prophets, religious and political. Fans of Dubac’s Book of Moron will enjoy the intelligent satire on display, “intelligently designed to redeem sinners of all faiths … so let he who is without sin cast the first heckle.” Friday, Oct. 18, 7:30 p.m., Rex Theatre, 23 Amherst St., Manchester, $39 at palacetheatre.org.

• Hurdy gurdy: Enjoy raucous Quebecois folk music as Le Vent Du Nord appears in the Lakes Region. The beloved band performs in French, but one doesn’t need to be fluent in the language to enjoy their mix of Celtic reels, lovely ballads and sweet close harmonies, marked by incredible musicianship, including Nicholas Boulerice’s otherworldly hurdy gurdy. Saturday, Oct. 19, 7 p.m., Brewster Academy, 80 Academy Drive, Wolfeboro, $37.50 at wolfeborofriendsofmusic.org.

• Foundational folk: Early in his career, Tom Rush was the first to record songs by Joni Mitchell and Jackson Browne. His own “No Regrets” became a standard, covered by Emmylou Harris and Midge Ure, among others. He’s been touring for more than 50 years and remains one of the funniest and most engaging performers around. His latest LP, Gardens Old, Flowers New, is among his best. Sunday, Oct. 20, 7 p.m., Tupelo Music Hall, 10 A St., Derry, $50 at tupelomusichall.com.

• Guitar power: English-born guitarist and singer-songwriter John Smith has a lot of well-known fans. John Renbourn called him “the future of folk music” a while back, and he’s guested with everyone from Jackson Browne to David Gray and Joan Baez. His new album The Living Kind is acoustic with a rock spirit, a song cycle modeled after Joni Mitchell’s Hejira. Wednesday, Oct. 23, 7 p.m., The Word Barn, 66 Newfields Road, Exeter, $16 and up at portsmouthnhtickets.com.

Arctic alarm

Gibson’s Bookstore hosts climate crisis discussion

When Jon Waterman was growing up in the suburbs of 1970s Boston, he’d skip school and head for the White Mountains to hike and explore the world “above tree line.” It was a seminal experience that shaped his life. Eventually he worked for the Appalachian Mountain Club as a blanket packer and hut boy and finally became a caretaker for the organization.

“That was my first introduction to the Arctic,” he said of life in the Granite State’s high elevations during a recent phone interview. “Because that is an Arctic environment, not in terms of latitude but in terms of elevation. They have the same sorts of flora and fauna [that] I’ve seen in the far-off Alaska and Canadian Arctic.”

Along with studying authors like Edward Abbey and Rachel Carson, this led him to become a writer and photographer. He’s published several books; his latest is Into the Thaw: Witnessing Wonder Amid the Artic Climate Crisis. He’ll discuss it with fellow writer Richard Adams Carey on Oct. 21 at Gibson’s Bookstore in Concord.

The new book is due for official release in mid-November, but copies will be available for purchase at the event.

For Waterman, writing helped convey the feeling of being in the wild, and more. “It was not only the love of these places that drew me, but also an intense need to protect it, share its fragility,” he said. “I was very lucky … because I knew I was passionate about something at a young age, and I’ve stuck with it all my life.”

Into the Thaw chronicles a series of trips in the Far North taken over four decades, beginning with a seven-day journey in 1983 down the Noatak River. He went with Dave Buchanan, a ranger he’d known in New Hampshire. The book also has a brief and useful natural history of the region. Critically, he lists the alarming changes there over time and why they matter.

Some of the things accelerating the climate crisis are melting polar ice caps and thawing permafrost that’s causing ruptures called thermokarsts, along with the so-called “Greening of the Arctic.” Melting ice flowing into the Atlantic helps explain longer hurricane seasons, more severe wildfires and other natural catastrophes.

Thus, changes in the Arctic ripple across the rest of the planet, Waterman continued.

“They’re the world’s air conditioners,” he said. “I think it’s a nuance that’s hard for a lot of people to grasp because it has to do with ocean currents and air currents, but these polar vortexes we’ve been getting increasingly, these subzero air masses that are moving as far south as Georgia, they’re all about the air conditioner being broken.”

Of heightened concern to Waterman are the indigenous populations directly affected by climate change. “It’s the more than 60,000 people that live in the Alaskan Arctic that are going to be paying the most,” he said. “That’s true around the world, of course, not just the Inuit and the Inupiat, but people in the Philippines and low-lying islands. They’re suffering devastating floods in Pakistan and Afghanistan. Then there’s issues of food and agriculture.”

“It’s the indigenous people of the world that are really suffering the most,” Waterman said, adding, “What better way to bring it all home than a book that tells the plight of the Arctic people and what it means to them?”

In the final chapter of Into the Thaw, Waterman offers steps to make a difference. “The best way to be upbeat about it and hopeful, which I am, is to figure out ways that you can take action,” he said. “Thinking about where our food comes from, eating locally, rethinking things that cause emissions … not just to ease their conscience but to try to minimize impacts.”

He’s looking forward to discussing this with Carey, who’s written about indigenous life in Alaska and various threats to the world’s fishing industry. “Rick and I have never met, but we’re enjoying very fluid correspondence,” Waterman said. “I’m just honored to be able to be in a conversation with someone like him that actually has a grasp of these issues and what this culture is that I’m writing about.”

Into the Thaw: Witnessing Wonder Amid the Arctic Climate Crisis, with Jon Waterman
When: Monday, Oct. 21, 6:30 p.m.
Where: Gibson’s Bookstore, 45 Main St., Concord
More: gibsonsbookstore.com

Featured image: Thermokarst (caused by thawing permafrost) – from Into the Thaw Photo Credit: Chris Korbulic.

Go with Todd

Rundgren performs in Nashua

A few years ago, redemption came to fans of Todd Rundgren when he was inducted into the Rock and Roll Hall of Fame. However, it didn’t culminate years of Rundgren calling “Hello, It’s Me” to the Rock Hall — far from it. He didn’t seek the accolade, and bowed out of the induction ceremony due to a show on the same night, four hours away in Cincinnati.

To call him an iconoclast is an understatement. Rundgren has charted his own course from early in his career. He became a producer when most people barely knew what that was, because he realized the guy his label hired to supervise the first album of his band The Nazz was a bean counter who either didn’t care about their album’s sound or couldn’t bring it off.

One of his first assignments was The Band’s Stage Fright album. He went on to produce Grand Funk, Hall & Oates, XTC and many others. Music became a side hustle for Rundgren as a result, as his main source of income was so lucrative. His take from Meatloaf’s 1978 LP Bat Out of Hell bought him a house in Hawaii.

That said, he’s made a lot of records over the years, and some of them have produced hits like “Bang On the Drum” and “Can We Still Be Friends?” The difference is he does them to please himself, not the critics or label executives.

“I’ve essentially cultivated an audience that helps me survive in the music business,” Rundgren said from his home in Kaua’i. “I’ve never had the expectations that I should be recognized, I do it for my own purposes. I’m grateful to have an audience for it, but I never had the expectation that it’s going to be hugely successful.”

Younger listeners bored with mainstream pop have lately found albums like 1972’s A Wizard, A True Star, and Nearly Human, a 1989 record that was his last with a charting single. For Rundgren, seeing these new fans at shows is equally gratifying and bewildering. “They’re coming at it more from the place I came to it from, which is I’m making a historical document,” he said. “It’ll be there long after I’m gone.”

Rundgren is less sanguine about contemporary music. “The most successful so-called musical artists today are pole dancers,” he observed. “They don’t intend to remain in music, they all want to eventually have acting careers … now you get famous for being famous. In that sense there is a lot of what’s called music that really doesn’t qualify, at least to me.”

He recently re-launched a service begun in the 1990s as PatroNet to help independent artists.

The newly named Global Nation’s goal “is to give creative people a maximum amount of freedom,” he said. “First of all, to create what they want, and have it appear exactly as they’ve created it … we’ve standardized the display to be essentially a virtual HDTV. So it looks the same no matter what you play it on — and you can play it on HDTV.”

Critically, the service helps creators keep most of the money.

“Instead of you getting the short end of the stick after Apple Store takes theirs and the publisher takes theirs and you wind up with 30 percent of the cost of the subscription, we want that to be closer to 80 percent,” he said, adding the Global Nation is presently in soft launch mode. “We are on the air; we’re just not aggressively pushing it.”

At Rundgren’s upcoming Me/We Tour stop in Nashua on Oct. 16, he’ll draw from a deep catalog, while saving his biggest hits like “I Saw the Light,” “Hello It’s Me” and “The Last Ride” for the encore. Fans of deep cuts like “I Think You Know” and “Woman’s World” will be happy with the setlist.

“It’s a fixed set list so people can have the confidence that if there’s a song they want to hear that I played before, they will hear it,” he said. “If they need to know beforehand, they can probably look up the set list and find out.”

Todd Rundgren Me/We
When: Wednesday, Oct. 16, 7:30 p.m.
Where: Nashua Center for the Arts, 201 Main St., Nashua
Tickets: $59 and up at etix.com

Featured photo: Todd Rundgren. Photo by Rex Rundgren.

The Music Roundup 24/10/10

Local music news & events

• Throwback girl: On her 1987 debut “Foolish Beat,” 16-year-old Debbie Gibson became the youngest artist to perform, produce and write a No. 1 single, a feat that likely will remain unmatched in today’s committee-run pop world. She marks the 35th anniversary of her chart-topping Electric Youth album by stripping it down for an acoustic tour stopping in Nashua. Thursday, Oct. 10, 7:30 p.m., Nashua Center for the Arts, 201 Main St., Nashua, $39 and up at etix.com.

• Nouveau chapeau: Few New England songwriters have the clever wordplay command of Jake McKelvie. Take two lines from “Eat Around the Pudding,” where he rhymes homeowner, combover and organ donor while still delivering a jaunty tune that’s either a breakup song or musical self-therapy. McKelvie performs at a favorite area venue to celebrate his latest record, A New Kind of Hat. Friday, Oct. 11, 7 p.m., Union Coffee House, 42 South St., Milford. Visit jakemckelvie.com.

• Hard rocking: With a new album just released, Texas Hippie Coalition — THC to their fans — are back on the road, with an upcoming Lakes Region date. Playing a hybrid of Southern rock they call “red dirt metal,” the quintet’s latest, Gunsmoke, owes a debt of gratitude to John Wayne, the band’s lead singer Big Dad Ritch said. Its lead single “Bones Jones” is a scorcher. Saturday, Oct. 12, 7 p.m., The Big House, 322 Lakeside Ave., Laconia, $25 at eventbrite.com.

• Dynamic duo: A pair of formidable folksingers share the stage. Patty Larkin and Lucy Kaplansky have recently been part of the On A Winter’s Night reunion tour with John Gorka and Cliff Eberhardt. For Larkin, it was a miracle comeback; in summer 2022 she tripped and fell during a family vacation and suffered a near-paralyzing spinal cord injury that forced her to re-learn the guitar. Saturday, Oct. 12, 7:30 p.m., BNH Stage, 16 S. Main St., Concord, $35.75 at ccanh.com.

• String power: With a mix of funk, rock and blues, Ana Popovic has a few famous fans. Bruce Springsteen called her “one helluva guitar player,” and she was the only female guitarist on the all-star Experience Hendrix tour that ran from 2014 to 2018. Popovic also has magnetic stage presence, and she can belt out a song as well. She appears with members of her Fantastafunk big band Sunday, Oct. 13, 7 p.m., Tupelo Music Hall, 10 A St., Derry, $39 at tupelomusichall.com.

Witch hysteria

Powerhouse performs The Crucible

For a play that is set in the late 17th century and debuted on Broadway in 1953, The Crucible remains timely.

Bryan Halperin, director of an upcoming production opening Oct. 11 at Laconia’s Colonial Theatre, explained The Crucible‘s enduring quality in a recent phone interview.

“It’s a meaty drama about the seedier elements of human nature, a gripping, exciting, dramatic play about power, greed and lust,” he said. “It’s got elements of all the deadly sins.”

Because it deals with the Salem Witch Trials, Arthur Miller’s Tony-winning work is frequently staged in October, but The Crucible is far from a Halloween show. Rather, it’s about power, and how even a small taste can affect those who do not have it.

Throughout, Miller blends the historical record and dramatic license, beginning with the basic fact of four women accused of witchcraft after they’re caught dancing in the woods. In prisoner’s dilemma fashion, they turn against each other.

Tituba, a slave, claims to be a victim of a curse cast by two members of the group. She’s egged on by the men investigating, and the ringleader, Abigail Williams, goes along with her story, hoping to cover up that the event was born from her lover’s jealousy.

Approval from the town fathers changes the dynamic “They’re afraid of going to hell for sinning, they’re literally almost scared to death,” Halperin said. “Suddenly it gets turned around to, ‘All we’ve got to do is say what they want us to say, and we won’t get in any trouble; we’ll be praised for it.’ That’s a very powerful drug.”

Miller drew on a 20th-century “witch hunt” when he wrote The Crucible: the Senate hearings held to root out communism led by Sen. Joseph McCarthy in the 1950s. Some versions of the play are explicit about this element and include a narration comparing the Puritan era to post-WWII America.

Halperin sees the parallels. “Watching how society can quickly break down in a fit of hysteria when people learn to use the system for their own gain, at the expense of their friends and neighbors,” he observed, is “gripping for 1692, and it’s equally gripping for 2024 — as it was in 1954.”

The Crucible is Powerhouse Theatre Collaborative’s first stage play after a year and a half of doing musicals. Leading the cast are Kenny Aber as John Proctor, Laura Iwaskiewicz as his wife Elizabeth, and Amanda Wagner as Abigail, an orphan and former servant who was sent away after she had an affair with John.

Wagner is a St. Louis-born actress who moved to New Hampshire after 10 years working in Los Angeles. She said in a recent phone interview that portraying Abigail has been a goal of hers since reading The Crucible in 10th grade.“She’s a very complex person,” she said. “She’s a villain, but also a victim of her circumstances.”

She offered a take on the question answered earlier by Halperin. “This play feels so timely because groupthink and saying the truth in the face of what the majority is saying even if it’s going to get you killed is a terrifying thing,” she said. “It is strange to me that that’s a lesson that some people don’t want their teenagers taught.”

As a relative newcomer to the region, Wagner enjoys the atmosphere at Powerhouse and she is particularly grateful for its founders, Halperin and his wife, Johanna.

“Everyone is so supportive of one another,” she said. “Some of the actors have to go into some dark places, but Bryan does a good job of keeping things light. I always leave rehearsal with a smile on my face and feeling exhilarated, albeit tired. I want to give props to the company for doing some incredibly professional-level work.”

The Crucible
When: Friday, Oct. 11, and Saturday, Oct. 12, 7:30 p.m. and Sunday, Oct. 13, 2 p.m.
Where: Colonial Theatre, 609 Main St., Laconia
Tickets: $18 to $22 at etix.com

Featured image: Abigail Williams (Amanda Wagner) begs John Proctor (Kenny Aber) to give her a kind word. Courtesy photo.

Native son

Juston McKinney returns to the Palace

It’s a long-accepted truth that any New England comedian who hopes to make it needs to move, either to New York or Los Angeles. Juston McKinney went west as a young comic. However, when he and his future wife began house-shopping in 2006, the Portsmouth native got pulled back to his home.

“It was the real estate market’s peak, and a two-bedroom in L.A. cost $500,000, so we started looking east,” he recalled by phone recently. “We went to Barstow, California, and then a little further to Nevada…. We ended up in Newmarket, New Hampshire.”

The forced decision turned out to be fortuitous. Nearly two decades later McKinney is among a handful of regional comedians who rarely need to leave town, though he did recently appear in Florida and Minnesota. The comic has two shows coming up at the Palace Theatre on Oct. 5. McKinney likes coming back to the venue in Manchester; he’s filmed two specials there. He describes it as an opera house with an intimate club vibe. “Everyone’s right on top of you and it doesn’t go too high,” he said. “Just the acoustics and the layout … there’s no room I can think of that I like more, let’s put it that way.”

The key to McKinney’s success is twofold: he’s relatable, and he never performs the same show twice. The comic draws from his life for laughs, talking about the relative absurdities of being a father of two boys who are now teenagers, and the ongoing bewilderment of married life.

As the kids have grown, his jokes have evolved. These days he’s a soccer dad who complains about having to drive close to Canada to play a high school team who’s lifted the New England Patriots name and logo. “This far north, trademark law doesn’t apply,” he said on Instagram, adding later, “If Robert Kraft gets an anonymous email … it didn’t come from me.”

Before he started in comedy, McKinney was a deputy sheriff in rural Maine. He had a rough childhood; his mother died when he was young, and his father reacted by retreating into alcoholism. Gratefully, dad’s been sober for many years now, and his past is a source of humor for the comic. “I once got hit by a drunk driver,” he said. “I mean, my dad reached over from the driver’s seat and smacked me.”

Last May, McKinney appeared at TEDx Portsmouth, where he talked about his personal life. “I stepped out of my comfort zone and talked a little bit about my story and my background,” he said. One of his memories was about a show he did in Portsmouth at a restaurant on Islington Street that turned into a humbling night.

“It went pretty good,” he recalled. “Then my dad goes up. He’s got a long gray beard and a red shirt on, and he tries to grab the microphone from the headliner on stage. Two bouncers have to come and pull him off. The headliner just goes, ‘It looks like Santa went on a binge this year.’ It got a huge laugh, bigger than the one I got on stage.”

McKinney took a serious tone at the end of the interview to talk about the problem of sketchy websites selling marked up tickets to his shows. “It’s one of the things that it’s so annoying right now for performers,” he said, adding, “Always go to the venue site, so you pay face value. I’m not worth $100 a ticket… $32.50 and you’ll get your money’s worth. The next time you go see me, it’s gonna feel like you got a deal.”

Juston McKinney
When: Saturday, Oct. 5, at 5 and 8 p.m.
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $32.50 at palacetheatre.org

Featured photo: Juston McKinney. Courtesy photo.

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