Michael Witthaus

The Music Roundup 24/10/03

Local music news & events

• Clean comic: Along with eschewing profanity, Brian Regan assiduously avoids politics in his act. He does, however, have one woke joke. Growing up, his parents often made Regan and his siblings vote on playtime activities. With four boys and two girls in the family, it was inherently undemocratic. “I didn’t like that, so I voted for dolls,” the enlightened comedian quipped. Thursday, Oct. 3, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $55 and up at tupelomusichall.com.

• Special nights: A unique string quartet version of Five For Fighting (nom de guerre of John Ondrasik) performs two area shows. The artist behind the song “Superman (It’s Not Easy)” says the configuration, which includes many Broadway musicians, lets him go behind the music, tell stories and dive deep into his catalog. Thursday, Oct. 3, 7:30 p.m., Nashua Center for the Arts, 201 Main St., Nashua, $49 and up at etix.com (also Oct. 4 at 7:30 p.m., Colonial Theatre, Laconia).

• Funky music: Still grooving over three decades on, Moon Boot Lover, led by guitarist-singer Peter Prince, return to a favorite area haunt for an evening of their signature Rock-ET Soul. It’s a blend of Otis Redding and Al Green’s vocal grit and honey, Jimi Hendrix’s pyrotechnics and the classic rock swagger of Led Zeppelin and Grand Funk, all served up in a soulful package. Friday, Oct. 4, 9 p.m., Penuche’s Ale House, 16 Bicentennial Square, Concord, peterprincemusic.com.

• Granite sounds: New Hampshire native Cosy Sheridan performs with her trio. Sheridan came up in the early ’90s folk boom, winning Kerrville Folk Festival’s New Song Award and the Telluride Bluegrass Festival Troubadour Contest. Kate Redgate rounds out this 603 Music show. Saturday, Oct. 5, 7:30 p.m., Rex Theatre, 23 Amherst St., Manchester, $29 at palacetheatre.org.

• Brewery bash: It’s the time of year when beers get darker, as Weare cover band Speed Trap plays an Oktoberfest party to mark the release of one seasonal offering. For those still holding onto warm weather, there will be IPAs and lagers for quaffing while listening to the lively quintet, whose set highlights include a Clapton-esque “I Shot the Sheriff” and other classic rock hits. Sunday, Oct. 6, at 3 p.m., Henniker Brewing, 129 Centerville Road, Henniker, hennikerbrewing.com.

Spellbinding

Mosaic Art Collective celebrates October

An upcoming exhibit at a downtown Manchester art gallery will be equal parts harvest moon and hocus pocus, if the early submissions are an indication. Mosaic Art Collective holds monthly themed shows. In September, “Full Circle: The Speed of Light” offered works like the eclipse-inspired “Four Minutes of Totality, Twelve Hours of Light” and “Evil Eyes,” a kinetic piece made of metal and stained glass.

Mosaic founder Liz Pieroni hopes this month’s “Spellbound” will evoke the magical and mystical.

“There are a lot of artists that specifically only make creepy, Halloween-y kind of work,” she said. “There’s definitely some very witchy portraiture, a lot of skulls … and a creepy moon landscape pastel by Susan Markham.”

Also contributing is Jackie Hansen, known for absurdist takes on the natural world like “McChicken,” an acrylic on canvas painting of a barnyard bird peeking out from a McDonald’s fries container. “She does almost traditional New Hampshire art, but it always has a little bit of a twist,” Pieroni said. “This one is a chicken riding a broom with a witch hat on.”

Artist submissions will be available for viewing beginning Oct. 7, with a reception set for the afternoon of Oct. 12. In the spirit of the season, a tarot card reader will be on hand to tell fortunes at the event. These Second Saturday gatherings happen every month and in the recent past have included live music and comedy.

As always, the different works on display at “Spellbound” can be purchased and picked up at the end of the month. Mosaic encourages ownership, with prices befitting an aspiring art collector. Helpfully, each piece has its own QR code that links to a web page for interested buyers.

“In some ways it makes it more accessible,” Pieroni said. “People don’t necessarily want to figure out who to approach and how to purchase something, but everyone has a phone on them…. If you’re introverted in any way, this makes it a little bit easier to stomach.”

On any given day, Mosaic is abuzz with activity. Seesaw Art Gallery has its own space in the back corner of the second floor space, and artists work in individual studios. One, Hannah Cole Dahar, makes whimsical works like custom portraits of local women in saintly poses. It’s truly a collective, exactly what Pieroni had in mind when she started it.

Since graduating in 2005, she missed the art school vibe. Opening Mosaic “was about finding my own art community,” she said. “We all have our own separate spaces, but when we come into the gallery, it kind of automatically creates this swirl of conversation, which is comforting … it’s not just a big white room with art on the wall, it has a nucleus feel.”

So far, it’s been a good year.

“We saw a little bit of a slowdown in June, but I think it was just that people were kind of busy and out enjoying the weather,” Pieroni said. “We ended up taking the summer off and just recharging our batteries. September so far has been really great. We’ve seen a good amount of sales and a lot of new artists that haven’t shown with us before, which is really exciting. In general, I’d say things are on the up and up.”

There’s hope that growth is on the horizon, she continued. “We’re building out our program still. We’ve had a few little setbacks as businesses do. I think right now we’re just trying to get all our ducks in a row and find some funding … then build out a couple of bigger programs that hopefully we’ll see early next year.”

These efforts include recruiting volunteers. “The program we’re hoping to put together is volunteering that is kind of educational at the same time,” Pieroni said. “You could learn how to hang a show and host events, stuff like that, then walk away with an understanding of how things function so that you can go and do something similar.”

Spellbound
When: Begins Monday, Oct. 7, with opening reception Saturday, Oct. 12, at 4 p.m.
Where: Mosaic Art Collective, 66 Hanover St., Suite 201 (second floor), Manchester
More: mosaicartcollective.com

Featured image: Mosaic Art Collective. Courtesy photo.

Troubadour

Peter Bradley Adams makes first New Hampshire appearance

In 1999, Robbie Robertson recognized the talents of Peter Bradley Adams and brought his band Eastmountainsouth into the studio to make a critically acclaimed album. Adams went solo a few years later and has produced a steady stream of stellar music since. In the pre-internet era he would headline summer sheds, but this is now and Adams is content to have a dedicated audience that fills up places like the Music Hall Lounge in Portsmouth, where he appears Oct. 2. It’s his first time performing in New Hampshire.

Adams has a storyteller’s knack for pulling listeners into his songs. The title track of his last full-length album A Face Like Mine is a hardscrabble portrait of generational regret, a Steinbeck novella sung like a James Taylor song. Miles Away, a four-song EP released in spring 2024, couples apocalyptic allegory on the title traack with the optimism of “When She Comes” — the latter has a lovely harmony from Ruth Moody of the Wailin’ Jennys and a haunting Mayuri Vasan outro.

One of the most appealing things about Adams is his voice, soothing and understated while also utterly engaging. Which is why it’s strange that he resisted using it for a long time, until the legendary leader of The Band nudged him. Born into a musical family, discovering his dad’s Beatles records at age 5 helped seal his fate as a musician. But at the time he met Robertson, Adams considered himself a composer, not a singer-songwriter.

“I was hiding a bit in the beginning behind Kat, the other half of the duo, and he was like, ‘Man, I really want you to sing more,’” Adams said recently from his home in Nashville. “I would get off the phone and be like, ‘f-ing Robbie Robertson just told you to do this, how can you not?’ I’m really grateful that he got what I was, could kind of hear what I was trying to reach…. We weren’t close friends or anything, but I do feel very connected to him because of that.”

Adams often goes it alone in the studio, building songs track by track, but lately he’s missing the spark of playing with other musicians.

“I realized that it was just killing me, that process, trying to construct something that felt like people in the room together,” he said. “Sometimes it works and a lot of times it doesn’t.”

He’s drawn to working with others. One example is the gorgeous “Rachel’s Song,” co-written and recorded with musician and director Haroula Rose for her film Once Upon a River. In that spirit, Adams reconnected with his longtime friend and collaborator Lex Price when he began to think about making a new album earlier this year.

“I’ve worked with him really longer than anyone…. He’s one of the reasons why I moved to Nashville,” he said. “We talked about it, and he said, ‘Let’s get an incredible band and go in the studio. And it’s not like it all has to happen live, but get as much as we can live so that all the elements are going down at the same time. I know this is how you’re supposed to make a record on some level. But it was just good for me to actually do it again.”

They went into Nashville’s Blackbird Studio, with Price on bass, Todd Lombardo playing acoustic guitar, electric guitarist Jed Hughes and Jerry Rowe on drums. “These are all the best guys in town, that straddle doing really interesting, creative, independent stuff,” Adams said, adding, “I’ve got almost a full record.”

As icing on the cake, Adams is heading out to his old hometown of Los Angeles to record Greg Leisz on steel guitar for one of the tracks. Leisz is a legend who’s worked with everyone from Joe Cocker to Sheryl Crow as well as Willie Nelson and Bob Dylan. He’s also produced records by Jackson Browne, Greg Copeland and others. “For me he’s like a prophet,” Adams said. “I mean, he is just my favorite musician in the world … there’s just no one like him.”

World Music for Peace – The Meter Maids, Amorphous Band w/ Senie Hunt & EJ Ouellette, and Big Blue World
When: Friday, Sept. 20, 7:30 p.m.
Where: Rockingham Ballroom, 22 Ash Swamp Road, Newmarket
Tickets: $20 at coastalsoundsnh.com (21+)

Senie Hunt Trio appears Thursday, Sept. 19, at 9 p.m. at Penuche’s Ale House in Concord, and Senie Hunt plays solo at the Concord Multicultural Festival in Keach Park on Sunday, Sept. 22, at 3 p.m.

Featured photo: Senie Hunt.Courtesy photo.Photo by Christine Torrey (Birch & Fern Photography)

The Music Roundup 24/09/26

Local music news & events

• Native sons: With their doom-y anthem “Life Underground,” brother duo Hobo Wizard ushered in summer last July. Built on a thick rhythm spread under guitar riffs that equally evoke Sabbath and surf bands, it’s a smash, paying tribute to the local basement music scene. Get your taste at a show that also includes Trading Tombstones and Connecticut band VRSA. Thursday, Sept. 26, Feathered Friend Brewing, 231 S. Main St, Concord. See facebook.com/VRSAband.

• Healing music: A few years ago, Mary Gauthier published her first book, Saved by a Song. It served as both a guide for the aspiring songwriter and a personal chronicle of how the craft kept her alive after she got sober. Gauthier walks the walk as an artist; 2017’s Rifles & Rosary Beads was drawn from Songwriting With Soldiers, a project she launched to help veterans cope as civilians. Friday, Sept. 27, 7:30 p.m., Rex Theatre, 23 Amherst St., Manchester, $29 at palacetheatre.org.

• Big soul: Called “the greatest blues singer of her generation” by the Washington Post, Shemekia Copeland performs in support of her latest album, Blame It On Eve. The new release features a who’s who of the roots music scene, including backing vocals from Alejandro Escovedo, dobro master Jerry Douglas and DaShawn Hickman on sacred steel guitar. Friday, Sept. 27, 8 p.m., Rochester Opera House, 31 Wakefield St., Rochester, $38 and $42 at rochesteroperahouse.com.

• Drifting back: Since winning American Idol and charting with the song “Home” a dozen years ago, Phillip Phillips has risen steadily in the pop music world. He considers his most recent release, Drift Back, “a love album,” while adding the qualifier, “it’s not all happy.” Saturday, Sept. 28, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $45 and up at tupelomusichall.com.

• Afternoon songs: One writer enthused that Andrea Paquin’s voice “goes down like red wine over good conversation.” She once had an epiphany listening to Crosby, Stills, Nash & Young’s “Helpless” and spent days learning it note for note. Her folky music has been compared to Joni Mitchell and Indigo Girls. The singer-songwriter performs an outdoor show at a bucolic winery. Sunday, Sept. 29, 1:30 p.m., Averill House Vineyard, 21 Averill Road, Brookline, $5 at eventbrite.com.

A joyful place

Concord Chamber art exhibit

The Greater Concord Chamber of Commerce’s downtown Visitors Center is an oasis for art lovers. New Hampshire Furniture Masters and the New Hampshire Art Association both display works there. Currently, sculpture and otherworldly tables and chairs built by Jon Brooks are streetside, while 11 paintings from Yildiz Grodowski adorn the back wall.

Grodowski was born in Istanbul, Turkey, and studied there before moving to New England; she’s lived in the Boston area for most of her life. Speaking by phone recently, she described herself as “a semi-abstract artist, because there are always recognizable elements in my paintings.”

These include scraps of text: handwritten or from newspapers, magazines or sources, like the Viking cruise ship brochure found in the lively “One Step at a Time.” The latter work is part of a series called “Into The Woods,” which occupies the first half of her exhibit, “Where Will I Take You.” Its four pieces — there are more, she said — are evocative, playful and joyous.

The first, “Ménage a Quatre,” has a bird with bits of sky in its wings rising toward three Dali-esque windows capped by a staircase to the stars. Below this raucous activity is a street scene that looks cribbed from a mid-20th-century European fashion magazine. The next two, “Her Hands Were Watching Me” and “One Step at a Time,” are colorful and animated.

The final painting of the group, “Take Me to Where the Wild Things Grow,” is subdued. It’s also beautifully textured, another characteristic of her work. It’s an important reason why looking at photos of her art online can’t do them justice.

Her overall selection of works for the exhibit, which ends in early November, was done in hopes of holding onto summer as it fades away.

“I like warm weather, I don’t like winter, I don’t like cold,” she said. “That’s the reason I wanted to bring some color, something happy, something joyful, something optimistic.”

That said, Grodowski stressed that her art isn’t born from crunching around in the autumn leaves, even if it arrives in a bucolic place eventually.

“I love nature. I respect it so much, but it’s not my inspiration for some reason,” she said, explaining that the series’ title is “about discovery of a space, of a person, of oneself.”

For Grodowski, the creative process is as kinetic as her works suggest. The first stage, which she calls “the play,” always includes music played at full blast, and a lot of movement. “I don’t even think about creating movement,” she said. “It’s so intuitive, it comes from within, you know? I’m a dancer, so I guess my brush dances on the substrate as I’m painting.”

She often layers on an already prepared surface.

“I start with either collage or my own writings on the substrate,” she said. “Collage pieces can be almost anything. A lot of them have also numbers and writings … or I write myself. If I’m listening to a song, maybe I’m just writing the lyrics, or whatever happened the day before, or what I’m feeling.”

The middle stage is the longest, one she calls The Ugly. “Which is the struggle,” she wrote for artsyshark.com, leading to “refinement — the home stretch. With the exception of the last stage, during which I need absolute quiet, I blast the music, singing and dancing … and of course, painting.”

At that point, after the pasting, the painting and occasionally the sanding of surfaces, Grodowski can bond with the piece and sign her name to it.

“Connection is everything; that’s the foundation of my art, really,” she said. “Connection means … there’s nothing more I can add; it’s all I could give to that piece. Although many artists and many masters say, and it’s true, that no art piece, no painting, is finished … there comes a moment that you know — this is it.”

Hopefully, the viewer will be similarly lifted.

“I want to create something so they can find their own place and connection,” she said, noting that the exhibit title is a question, not an answer. “Rather than giving it to them, saying ‘Here it is, take it,’ I want to ask them what they see.”

‘Where Will I Take You’ – Yildiz Grodowski
When: Through Nov. 10, artist reception Saturday, Nov. 2, 6 p.m.
Where: Chamber of Commerce Visitor Center, 49 S. Main St., Concord
More: nhartassociation.org

Featured image: Works by Yildiz Grodowski. Courtesy photo.

Last chance

Three area shows before Senie Hunt returns to Nashville

By Michael Witthaus
[email protected]

Since moving from Concord to Nashville a few years ago, Senie Hunt has found a lot of opportunities to grow as an artist. What was hard in New England, like driving two hours to pitch his percussive guitar skills to a new venue, is a lot more manageable in Music City.

“In Nashville, you walk down the street and find a place, and if they don’t get back to you, it’s just another walk down the road to go back and try it again,” he said by phone recently. “Trying to stay consistently active, but also trying to find gigs that I want to be doing more, is … easier.”

It’s also a hub to other Southern cities; Hunt has played in New Orleans and in Tennessee cities like Gatlinburg, Knoxville, Murfreesboro and Pigeon Forge, home to Dollywood. He still makes time to return home to play, and when he does it’s often to do a special show. That’s the case with a few upcoming gigs, his last in New England until next spring.

The biggest is a triple bill on Sept. 20 at Rockingham Ballroom in Newmarket. Hunt will perform backed by Amorphous Band, a venerable Seacoast group, with fiddler EJ Ouellette joining in. He has a full band, the electric Senie Hunt Project; it played last June at Concord’s Bank of NH Stage. But this will be the first time he’ll be backed by a band while playing his acoustic guitar and djembe.

“I’m really excited about that,” he said. “Normally if I do an acoustic song with my band, I have them step off and they come back for the electric set.”

However, those looking for a taste of Hunt’s blues rock material can see a trio version of his Project on Thursday, Sept. 19, at Penuche’s Ale House in Concord. Finally, Hunt will play an afternoon solo set at the Concord Multicultural Festival on Sept. 22 in Keach Park.

It’s a regular annual event for Hunt, who built his current schedule around it. When the festival debuted a few years ago, Hunt came away impressed. This year’s lineup includes Nepalese dancers Barranquilla Flavor, Suri Wang performing traditional Chinese music, Irish step dancers, Ruby Shabazz’s old-school soul and R&B, Bollywood from Varnika, and hip-hop and Afropop from Martin Toe, as well as Israeli dancing and Japanese Taiko drumming.

“It really opened my eyes up to how much diversity is in Concord that’s just kind of tucked away,” Hunt said. “Just to know that there’s so much diversity and culture around in their home neighborhood, bringing out the music and food and dancing all in a public space really gives anybody the opportunity to come up and really see for themselves how vibrant the community can be.”

Hunt will wrap up with shows in Rhode Island and Newburyport, Mass., before heading back to his new home. While here, he’s also adding guitar and vocals to “Harmony,” a song by his longtime friend Hank Osborne, at Rocking Horse Studio in Pittsfield.

“I’ve worked with Hank since pretty much Day 1 when I moved to Concord,” Hunt said. “When I heard Hank’s music, there were so many similarities between his and my style of playing. I’m a little rougher on my guitar than him, but he’s one of the few musicians in the town that plays a similar style.”

Then it’s back to Nashville, where Hunt’s original music is getting much-deserved attention.

“I get to play my own style, my own thing,” he said. “That’s something I didn’t know I would find while I was down here, because you go downtown and it’s all covers. But there are certain places that are a lot more open, not the country or rock scene, and they want to hear your own original stuff. I’ve been pretty well off with being able to find enough places that are interested in that … it’s keeping me active, that’s a big upside. I’m able to play the music I want to play.”

Featured photo: Senie Hunt.Courtesy photo.Photo by Christine Torrey (Birch & Fern Photography)

Author: Michael Witthaus

The Music Roundup 24/10/03

Spellbinding

Troubadour

The Music Roundup 24/09/26

A joyful place

Last chance

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