Author: Michael Witthaus

Rising band Feverslip plays Manchester

If having headliner acts checking out their sets is a harbinger of greater things, Feverslip is a band on the rise. At last year’s Great American Ribfest, Great White’s then-lead singer Andrew Freeman not only watched them perform; he also hopped on stage and helped them finish a song.

A few months later, ex-Saving Abel front man Scotty Austin was so impressed seeing them open for him at Wally’s Pub in Hampton Beach that he connected them with his producer, Malcolm Springer. Soon after that night, Feverslip was in Nashville, working with Springer.

The first fruits of the project arrived in April, when they released the rollicking single “Aces.” Another track from the album in progress will drop in early July. The new song is representative of the band’s no-nonsense rock ’n’ roll, which evokes Aerosmith, AC/DC and classic acts like the Yardbirds and Rolling Stones.

It’s music that’s punchy, powerful, and especially good when played live.

They went to Music City looking to translate that energy to the studio. “Where we’re most at home is just playing on stage, and that’s something that was cool about the recording process,” lead singer Sam Vlasich said in a recent phone interview. “I really hope that people can take away that vibe from the new material.”

Feverslip is a regional supergroup that includes Maine guitarists Liv Lorusso and Jordon Brilliant, who met at a Portland open mic and have performed for several years as a duo, Liv ‘n Brilliant. The two found Vlasich after his band Red Sky Mary split. Vlasich knew drummer Harrison Foti and bass player Brad Hartwick from sharing the bill with their previous band Victim of Circumstance.

The quintet began the new project with heavy preparation, a novel move for them.

“We did three weeks or so of the pre-recording process,” Vlasich said. “It was cool because I’ve never really had an experience where we got to just focus on writing songs and getting them tight, so when we go into the studio we can make them sound good with some live takes.”

Working with Springer was “just amazing,” Vlasich continued. “He totally got what the band was about, and what we want to do. He allowed us to dig our feet in and say, ‘OK, we’re just going to do it; we wanna be a badass rock band.’”

Songwriting is a collaborative process involving all band members.

“We’ll try everything, no matter where it takes us,” Vlasich said. “The best songs always seem to come about when somebody has some sort of riff, whether it’s Jordan or Liv or Brad, some sort of lick idea. Then we just kind of go, ‘OK, that sounds good.’ … Once we have a verse and chorus down, then I’m kind of able to scream on top of it until I find a melody that suits it.”

As a vocalist, Vlasich is inspired by Bon Scott, Brian Johnson and Robert Plant. “That’s just the stuff I was raised on,” he said. “As a kid singing in my hairbrush, peeking out the window making sure nobody rolled up to catch me making noise upstairs in my room alone, that’s kind of the stuff I was singing.”

The rest of the group has similar roots, he said.

“Liv loves Aerosmith and Jordan is Guns N’ Roses, and Brad loves The Who and Iron Maiden. Who I also love — the older ’80s metal stuff is great. We share similar influences but in different regards; they mesh well together.”

A June 30 appearance at Shaskeen Pub will be Feverslip’s third at the Manchester venue, though Vlasich noted that he did a lot of shows with his former band there. They have several bookings in the area over the summer months, including a return to Ribfest on July 23, and Manchester’s Strange Brew Tavern on July 28. They’ll play Portsmouth’s Press Room in early August.

Vlasich has his sights on wider horizons.

“I would love to get on the road [and] hit a lot more places than Red Sky Mary, playing these songs. Because I think they’re just good rock songs, and they need an audience to sing along to the choruses. And if AC/DC or Aerosmith needs an opening band, that would also make my life…. Getting to watch your favorite band play every night after opening up for them, that’s the dream right there.”

Feverslip
When: Friday, June 30, 9 p.m.
Where: Shaskeen Pub, 909 Elm St., Manchester
More: feverslip.com

Featured photo: Feverslip. Courtesy photo.

Brian Regan finds the funny

Along with eschewing profanity, Brian Regan assiduously avoids politics in his act. He does, however, have a one woke joke. Growing up, his parents would make Regan and his siblings vote on playtime activities. The family had four boys and two girls, so it was an inherently undemocratic exercise.

“I didn’t like that, so I voted for dolls,” Regan quipped.

He hasn’t checked on whether this bit set the social media world atwitter. “I’m just gonna keep trying to do what I think is funny,” Regan said in a recent phone interview. “If it bumps somebody, I apologize. Well, I take that back. Maybe I don’t apologize.”

His latest Netflix special On the Rocks finds Regan’s broad appeal on display. He addresses being diagnosed with OCD (“How come when you want things in order, they call it a disorder?”), the absurdity of bagpipes, and his newly gray hair, leading off with the latter. “Let’s get [it] out of the way, ’cause if I don’t you won’t listen to a word I say for an hour.”

Regan went prematurely gray in his thirties, so he started coloring his hair. “I’m like, hey, I’m trying to get booked as a twentysomething, I can’t have gray hair,” he said. He stopped during lockdown and didn’t start again. “When the world opened up a crack and people were like, hey, we’ll do a show with eight audience members, I said, ‘Alright, I’ll perform,’ but I decided … I’m just gonna go out, and this is what I look like now. It’s kind of freeing.”

On the Rocks was filmed at the Tuacahn Amphitheater in Utah, but Regan was quick to point out that the open-air venue was chosen before the pandemic. “It was just a fluke, I wanted to do an outdoor show,” he explained. “I might have been one of the only people to be able to do a special with an audience during Covid, but it worked out OK.”

The special was the final one of a Netflix deal that included 2017’s Nunchucks and Flamethrowers and the two-part series Standup and Away! a year later. He’s talking with “various platforms” about a follow-up. “I’m anticipating being able to do something soon,” he said, adding, “I never know how to talk about what I do because the topics themselves always sound incredibly boring.”
To illustrate, he recalled an article from a few years back. “It said, ‘Brian … talks about food, traveling and shopping.’ I wondered if couples or families were sitting around reading the paper going, ‘Oh, my God, we have to go check this guy out — he’s exploring our favorite topics for humor!’”

Regan worked against type in Loudermilk, a Peter Farrelly-created series that ran for three seasons. “That opportunity was tremendous, because audiences know me for a certain kind of comedy … and Loudermilk is far from clean,” he said. “It’s on the rough side of the tracks … gritty and dirty, but I still loved doing it because it was real. There’s a lot of love in it.”

The comedy drama starring Ron Livingston as a recovering alcoholic faced a few challenges. The network it ran on ceased operations just as Season 3 was about to air; the show was later rescued by Amazon Prime. That said, more episodes could happen. “It’s not a definite that it’s over,” Regan said. “Peter Farrelly has said that he hasn’t given up on it; I mean, the last season was shot before the world shut down.”

For now, Regan is glad to be working again in relative normalcy.

“I don’t want to say it’s completely gone; there might still be people out there who have health concerns and don’t want to get out,” he said. “But for the most part it feels like crowds are back and it’s a lot of fun performing in front of places that are full.”

He’s also looking forward to his upcoming show at Manchester’s Palace Theatre.

“I love the whole New England area,” he said. “I mean, every part of the country is different, but New Hampshire is wonderful, it has its own personality, and I love performing for the people there.”

Brian Regan
When: Thursday, June 22, 7:30 p.m.
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $39 to $59 at palacetheatre.org

Featured photo: Brian Regan. Courtesy photo.

Northlands Fest includes Twiddle farewell

This year the Northlands Music & Arts Festival’s two main stages offer established acts like The String Cheese Incident, Mike Gordon of Phish, Twiddle and Pigeons Playing Ping Pong, along with a few interesting side projects.

One is Goose spinoff Oreolo; another is Super Sonic Shorties, an all-female supergroup with Nikki Glaspie and Kanika Moore (who perform separately with Nth Power and Doom Flamingo respectively), Katty Rodriguez and Marcie Chapa of Beyoncé, Jennifer Hartswick (Trey Anastasio), Ella Feingold (Silk Sonic) and Amy Bellamy (G. Love).

A campground stage kicking off Thursday night is sold out, but area fans can see two of the acts next month, as Funky Dawgz appear July 1 at Jimmy’s Jazz in Portsmouth, and Bella’s Bartok play Exeter’s Word Barn the same day.

One big piece of news surrounding the festival is Twiddle’s plans for a touring hiatus at the end of the year. The Vermont jam stalwarts will do two Friday night sets. On Saturday their singer and guitarist Mihali plays solo, with surprise guests.

Mihali spoke with The Hippo in a recent phone interview (edited for length).

What does it mean to you that 2023 will be the end of touring?

It’s just a break mainly for reflection, for me to do some other stuff musically. It doesn’t really feel too much different … maybe some people look at it as like a closing of the first chapter, but I’m looking forward to the future, and the future of Twiddle when we decide to come back as well.

How does your solo music differ from what you’ve done with Twiddle, and where do you see that going?

The instrumentation and the type of players are different. I’m a lot more focused on the song rather than the jam with this next project, which is something I’ve been passionate about over the last few years.

The Distance Makes the Heart Tour is named after a track from Twiddle’s last album. Does its name reflect the song’s emotions?

There wasn’t too much of a direct correlation … I think I just liked the fact that we had the song out and we’re going to be taking a little distance. I think for me it was a little bit of a metaphor. I think I speak for a lot of people in our organization that a bit of a break is necessary right now. All we’ve been doing is Twiddle for 20 years, and I think it’s only natural to want a break, and, you know, distance makes the heart grow fonder.

When you started Twiddle, did you have ambition or were you surprised by how it took off and became so big?

When you’re in it you don’t really realize that’s what’s happening. To me, it just felt like growth, and it just felt like it would always just continue to grow. It wasn’t like now we’re hitting our stride or we’re blowing up. It felt like a natural progression … honestly, I didn’t pay too much attention to how fast we were moving. It’s just all we knew…. So it just kind of just felt normal for us, I guess.

And then one day you and moe. were selling out Red Rocks.

Red Rocks was a huge goal I had set early on for myself as a performer. So getting there was really a blessing. It’s always a blessing to play that stage. I don’t think that’s anything I’ll ever take for granted.

What are some of the other things that stand out for you?

Looking back over 18 years as a band, I mean, there’s been so much, it’s hard to tell. All the Lockn’s were great and every amazing opportunity we’ve had has been a memory we will all hold forever. It’s hard to nail down a few because there’s been so many beautiful musical moments. It’s been quite a journey. I look forward to what the future brings too. We’ve got a lot more to offer people; it’s certainly not the end.

How did this decision happen? Were you all just sitting around saying, wow, I’m tired, it’s time to take a break?

It’s just the natural way of things. I think that it’s only natural to have change in your life. Change is good for growth, and reflection. I personally just felt that that was necessary.

One of my favorite moments on Every Last Leaf was the jam with John Popper. What was that experience like being in the studio?

John’s great. He’s a buddy of ours. We’ve done a few shows with him over the years. I’ve sat in with Blues Traveler and opened for them a couple of times as well. John’s an incredible musician and such a great presence to be around always, but that was all recorded during the pandemic, so everything was done remotely. We weren’t actually in the studio with him when he cut his parts.

Is there anything that didn’t happen, any bucket list items that are still in the bucket?

No, just new music and more shows, hopefully some growth, it’s all you can ever ask for. We’re really blessed with such a great fan base and such a beautiful community around us. So, you know, just continue to move forward, healthy and happy. That’s all I can really ask for.

Anything I haven’t asked about that you’d like fans to know?

No, just come join us. Have a great time. I’ve got a lot of great friends playing with me at Northlands. Make sure you check that set out. I got a lot of fun stuff to bring for you. We have a lot of good shows left this year. We hope everybody comes out and checks them out. We’re playing really well.

Northlands Music & Arts Festival
When: Thursday, June 15, through Saturday, June 17 (camping pass required for Thursday music)
Where: Cheshire Fairgrounds, 247 Monadnock Hwy., Swanzey
Tickets: $25 to $299 at theticketing.co; lineup at northlandslive.com

Featured photo: Twiddle. Courtesy photo.