Author: Michael Witthaus

Era-evoking New Year’s Eve gala in Concord

A retro vibe will blend with entertainment spanning decades, as the Bank of New Hampshire stage is transformed into a splendorous Roaring Twenties-themed ballroom on New Year’s Eve. Performers, ranging from chorus girls on the main stage to a jazz combo with a Sinatra-styled lead singer mining the Great American Songbook in the upstairs lounge, will ring in 2023 with a sexy verve.

Though the evening will commence with “Puttin’ on the Ritz,” much of the ensuing soundscape will be familiar to those who attended a similar bash three years ago at the Concord venue, which back then had a Studio 54 disco theme. The same Boston DJ/VJ who performed that night will return, with a broad song palette accompanied by striking big-screen visuals.

“One of the reasons I have him is because he likes to play a wide range of music,” Boston event artist Beth McGurr, who’s curating the night, said by phone recently. “Some DJs only want to play hip-hop, or Top 40, or house. He likes to have fun with it, and pull out songs that maybe you haven’t heard in a long time, or that you wouldn’t really expect. Plus, a video DJ is harder to find than a regular DJ.”

Another centerpiece of the evening will be the Honey Taps, a New York City song-and-dance troupe that began in the ’80s. It includes members who often appear in Broadway shows when they’re not tapping away in flapper garb and doing songs like “Happy Feet” and “Anything Goes” with infectious energy. Their efforts are “interactive,” McGurr said. “They get the audience to participate and dance with them … get up on stage and dance there too.”

During the evening’s earlier hours, revelers will find sanctuary in the intimate, speakeasy-bedecked lounge overlooking downtown. The Page, Shontz & Rose Jazz Trio will play, with piano, upright bass and woodwinds backing vocalist Lenny Zarcone, who channels not only Ol’ Blue Eyes but Mel Torme, Tony Bennett and other crooners. “It will be a Rat Pack vibe up there,” McGurr said. The room is appointed with comfy chairs and couches to help boost the easygoing mood.

Along with music and dance, there will be an aerialist swinging from the ceiling in the center of Bank of NH Stage’s brick-lined main room, drag performers, a photo booth to capture memories, and party favors to accompany the celebratory midnight Champagne toast — which also will have a balloon drop and confetti blast. A few surprises are promised as well. “Expect the unexpected,” McGurr said. “There’s something around every corner.”

McGurr considered doing a Roaring Twenties night for her initial endeavor in Concord, in 2019. “I didn’t do it the first time…. I was trying to be different,” she said. “It was 2020 and everybody was doing that thing, [but] now, three years later, I’m doing a speakeasy. It’s just a great New Year’s theme; I think everybody loves to dress up and have fun with it.”

This New Year’s Eve party was slated to happen last year, but everyone caught Covid, performers and staff included. The pandemic hit McGurr hard, as the events her Interactive Nightlife company specializes in can’t translate to Zoom. She was also grounded from flying, making it doubly difficult for her. “What I love most in life are traveling and throwing parties, and neither one I could do for two years,” she said. “I was at the edge of going crazy.”

She returned to the Granite State with a Halloween party in October, and hopes this event will flow into a busy 2023, with more Concord soirees planned, spanning a range of themes. “I was really excited after the first New Year’s, because that was my first event up there and I had a momentum going … but then we took a two-year pause,” she said. “I find people are much more comfortable at parties now… everything seems to be pretty busy — knock on wood.”

The event offers two entry tiers, general admission and a VIP level with a pair of drink tickets and access to balcony seats. Attendees are encouraged to come in their favorite finery, whatever decade they choose to evoke. “It’s still that Studio 54-type vibe, where anything goes,” McGurr said. “Dress up, have fun with your style.”

Featured photo: Honey Taps. Courtesy photo.

April Cushman and Brad Myrick team up

On paper, the pairing of April Cushman and Brad Myrick is unexpected. At the recent New England Music Awards, she won for Best Country Act, while he was nominated in the jazz category. Over the years, however, they’ve connected a lot, at area open mics and through bookings done by NH Music Collective, an agency co-run by Myrick.

Recently, they tried playing together informally and found a strong musical connection. So, when Cushman got an offer to open for Scotty McCreary at Keene’s Colonial Theatre, she reached out to him to see if he’d be interested in making her solo act a duo for the show.

It turned into a heady night, as the sold-out crowd responded thunderously to their first song, a rarity when most fans are typically trickling in when the opener is on stage. That gig led to a headlining date for Cushman’s band at the intimate Colonial Showroom on Dec. 9, with Myrick joining the group; it sold out. Over the past several months, they’ve played many shows together, in big and small rooms.

“Brad and I have always been booking with each other and playing a lot of the local places,” Cushman said in a recent co-interview with Myrick. “It just came about that we should collaborate and come together. I’m a rhythm guitarist and Brad is amazing at everything he does. We’re both huge advocates of original music. I regret not doing it sooner than we did.”

Though his recorded output points in one direction, “I gotta say, I’m decisively a rock and pop guy,” Myrick offered. “It’s funny, when I moved back to New Hampshire after being away for a decade, the first project that got some traction was a quintet, so everybody around here started thinking of me as a jazz guy.”

Cushman concurred. “A lot of country music stuff is really rooted in rock and bluegrass,” she said. “When you think about taking Brad and me separately and combining them together where we are both so rooted in rock … country music is very pop these days, and bluegrass … it just worked very well.”

Myrick is especially excited by working in the studio; the two connected in a big way there. Cushman’s debut, The Long Haul, was made in Nashville with session players, and Cushman was looking for a change, both in approach and venue. In November, she and Myrick recorded two of her songs at The Greenhouse Studio in Gilford, for release next year.

“Smoke” is a both aching and sweet ballad that alludes to the trap of social media. “Do you feel like you have to use that filter?” Cushman sings. “Are you stuck somewhere in between who you are and what they see?” Myrick’s fingerpicking guitar perfectly complements the all-acoustic track. The treasure-every-moment “Borrowed Time” is equally intimate and includes a Myrick harmony vocal.

“I wanted to come out of the gates with the first record … radio-ready,” Cushman said. “But at the end of the day, I never played on any of those tracks. I tracked all the vocal work myself … but any of the acoustic guitar on The Long Haul, it’s not me. Playing with Brad in the studio and keeping it local, I think is very important.”

“It was really easy for me to share music with April because she’s got songs; the lyrics are relatable,” Myrick said. “As a side man, I’m listening to the singer, I’m thinking, ‘How do I support that and give it a second voice?’”

Their next duo show is opening for Joe Nichols in Boston Dec. 15. Locally, they’ll do an apres-ski set at Sunapee Resort on Friday, Jan. 6, and share the stage with Houston Bernard Band at the Press Room in Portsmouth on Jan. 20. Both are keeping busy solo schedules. Myrick has a few holiday shows upcoming, including one at Café One East in Warner on Dec. 17 and another at Contoocook Cider Co. on Dec 21.

He spent last summer in Italy, recording a soon to be released record with longtime musical partner Nicola Cipriani. “I think it’s my masterpiece, the best thing I’ve done in 41 years of being alive; I’ve never been so excited about music,” he said, adding, “the last few months have been great playing with April; she’s on such a great trajectory right now. I’m so proud of her, she’s just killing it.”

Death, Seventh Son, Nights of the Dead and Somewhere in Time. When it sells out, there are other items that headbangers will love, like a Pantera set, along with standalones of Ronnie James Dio and Twisted Sister’s Dee Snider.

Featured photo: April Cushman and Brad Myrick performing at NEMA2022. Photo Credit: M. Allen Photography