Seventh heaven

Manchester emo night celebrates a birthday

From disco nights to Taylor Swift sing-alongs, attempts to cash in on musical trends are legion. However, Live Free or Cry, a bimonthly emo-themed night at the Shaskeen Pub in Manchester, is and always has been a passion project. It’s lasted eight years, but since the pandemic ate one of them, 2024 is technically the seventh anniversary.

“The people running it and the people in the bands genuinely have been in the scene for 20-plus years,” founder Aaron Shelton said by phone recently. “We’re not following bandwagons, we’re playing songs that we listened to; we watched all these bands, even toured with some of them…. It comes from a really honest and heartfelt place.”

In the early days, bands like Taking Back Sunday, Paramore or Panic! at the Disco weren’t lumped together as emo.

“We always called it The Scene, which included emo, pop punk, hardcore, metalcore, all offshoots of, I guess punk rock would be the father of it all,” Shelton said. “One of the beautiful things about it was it always felt like a place for all the people who didn’t have a home, the outcasts, quote unquote. All the punk rock kids who didn’t know where to go.”

It’s an inclusive milieu.

“The emo image is always Hot Topic, black hair and nail polish, [but] I see nu-metal kids show up and metal kids and goth kids,” Shelton said. “It’s born out of a genre where the Get Up Kids and Bane would play the same show, and everyone would be psyched about it. It really is a place for everybody.”

Shelton worried the first Shaskeen emo night in 2016 would be a one-off. It included a set from The Nintendos and a pair of Boston DJs. Six months later The 603 Emo Collective performed; it included Shelton and members of a few other area bands. When it fell apart, Shelton started Early 2000s, which became Dangerous Nights, and something of a house band.

“That’s been kind of the constant,” Shelton said. “We’ve played 80 percent of the Emo Nights at this point.”

The effort has evolved and grown. Shelton promotes emo nights in Concord, at Tandy’s, as well as Lowell and Salem, Mass. It’s become a community along the way.

“Between the bands and the audience, it’s kind of found itself,” Shelton said. “In the first years, the crowds were rarely the same. Now I see a lot of repeat people; you can almost predict the type of audience that will show up at this point.”

The celebration on June 29 will include two bands. My Chemical Chungus, a Worcester area band, will be making its LFOC debut. “They’re normally a My Chemical Romance tribute band,” Shelton said. “They recently started branching out and playing more songs. I spoke to them, and they were excited about the set that they had.”

The second act, A Blockbuster Summer, “is your all-encompassing cover band; they do ’90s, ’80s, emo, basically whatever the show calls for,” Shelton said. “They’re just a very talented group with really incredible harmonies out of two singers…. I think it’s going to be musically a very strong night.”

Asked what has surprised him most over the past seven years, Shelton had a fittingly emo response.

“I joke with my band and my fiancée that every time we do one, it’s going to be the last,” he said, “and it just sells out again and again. I think there are four other emo nights in New Hampshire because it works so well. That’s been the surprise; not that I thought it was going to phase out immediately, because it’s been a constant in my life for over two decades, but I didn’t expect it to be this successful for this long. I’m constantly surprised year after year that it just keeps working and working.”

Live Free or Cry w/ My Chemical Chungus, A Blockbuster Summer
When: Saturday, June 29, 9 p.m.
Where: Shaskeen Pub, 909 Elm St., Manchester
Tickets: $10 at the door, 21+, facebook.com/LiveFreeorCryNH

Featured photo: Courtesy photo.

The Music Roundup 24/06/27

Local music news & events

Rocking on: A pair of area bands play their own music on an outdoor stage at Original Music Night. Stand Up Audio is the coming together of four New Hampshire musicians who were in cover acts over the years, while Diamond Edge has released a few albums. Their latest, Unbroken, has a song called “Lockdown” that’s a shout out to a bunch of local bands. Thursday, June 27, 7 p.m., Makris Lobster & Steak House, 354 Sheep Davis Road, Concord, tinyurl.com/mtdtzrvb.

Pure pop: Beginning as pub rock progenitor, Nick Lowe has worn many musical hats over a long career. His latest single is “Went to a Party,” from his upcoming album Indoor Safari. He performs with longtime pals Los Straitjackets. Friday, June 28, 8 p.m., Palace Theatre, 80 Hanover St., Manchester, $49 and up at palacetheatre.org.

Twang thang: Fresh from Boston Calling and with a new album, Ward Hayden & the Outliers play an early evening set of country music that recalls Dwight Yoakam and Buck Owens. The show will hopefully happen at a newly opened performance space in Suncook Village, if the final pieces are in place; otherwise, it’s at Rob Azevedo’s barn. Saturday, June 29, 6 pm., Pembroke City Limits, 134 Main St., Pembroke — email pembrokecitylimits@gmail.com for more info.

Quite lyrical: Mixing new material and old favorites, gifted songwriter Josh Ritter performs Works In Progress and Songs You Know. The latter includes gems like “Horse No Rider” from last year’s brilliant Spectral Lines and hopefully “Me & Jiggs” from Ritter’s 2001 debut, Golden Age of Radio, which name-checked Townes Van Zandt and announced the arrival of a major talent to the world. Sunday, June 30, 7 p.m., Tupelo Music Hall, 10 A St., Derry, $50 at tupelohall.com.

Soulful strut: Funky, sassy and joyful sextet Josyln & the Sweet Compression play a free concert on the green. Singer Joslyn Hampton fronts a band that includes extra spice from sax player Trevin Little and Sam Richardson on keyboards. Standouts from their most recent album, 2023’s Bona Fide, are the empowering title cut and “Cuttin’ It Off,” a dance-ready throwdown track. Wednesday, July 3, 7 p.m., Town Common, 265 Mammoth Road, Londonderry. Visit joslynandtsc.com.

A great hang

Concord art gallery welcomes NH artists

To understand the business philosophy of Meme Exum, owner of The Glimpse Gallery in Concord, the story of how she acquired her first piece of art is instructive. At age 20 she studied political science at Georgia State, waiting tables to support herself. Her only roommate was Angelina, an angelfish from the Amazon River.

Exum had an emotional connection with the fish, who’d nibble her finger when she fed it. One day she rushed off to work worried her aquarium’s pH balance wasn’t right, and when she returned from her shift her beloved companion had passed. Heartbroken, she asked a friend, a student at Georgia State’s art school, to paint her portrait.

She paid $50 for the small painting of Angelina in a spray of river silk with tiny bubbles escaping from her mouth. The image now greets visitors to Glimpse; it’s both a logo and the source of the gallery’s name. With the bubbles, “you’re getting a glimpse of her in her native habitat,” Exum said.

What does this have to do with running an art gallery located on the alley side of a building across the street from the Statehouse? First of all, Glimpse isn’t a moneymaker. Exum breaks even on costs, and her web design company pays the bills. She charges a wall space fee sufficient to cover maintenance but doesn’t take a commission when something sells.

She mounts six exhibitions a year, relying on word of mouth to draw people in. The current show offers works from seven artists whose works range from surreal images of stair-climbing fish to watercolor horizons, colorful canvas sculptures that echo Van Gogh, and portraits of players on the NBA Champion Boston Celtics.

It opens July 9, preceded by four Friday evening receptions; the final one is June 28 at 5 p.m. It will include works from Julie Daniels, Mark Ruddy, Kevin Kintner, Rose Culver, Paul Gilmore, Cheryl Mitchell and Christina Landry-Boullion. Art prices can range from under $100 to a few thousand dollars.

“I simply am in it to get the art out,” she said, adding that she eschews social media. “That’s not the vibe, it’s more an underground following. You hear about it from other artists, you hear about it from people who truly love art. Then you come here, have a glass of wine or a non-alcoholic beverage and you simply see new art. If you don’t buy anything, you’re still supporting the artist.”

There’s another reason for her altruism, however.

After being bit by the collector bug in college, Exum got a job at an Atlanta architect’s office. There she ran a side hustle connecting her artist pals with interior designers.

“When I sold a piece from a struggling student who just graduated to an interior designer, that feeling of being the intermediary was my goal,” not money, she said. “It was a power for good.”

Her reward was being able to snag pieces she liked before they ended up on the wall of a million-dollar condo. “You know where I made bank?” she asked. “I get dibs on all the first art … I get to see all these artists and pick what I like.” In other words, she’s in business for reasons very similar to those of people who run used record stores or antique shops.

This explains the ancient Toyota pickup truck parked in front of Glimpse. “We’re never selling this, and our other car is a 10-year old station wagon,” Exum said. “Why buy a fancy car when we could have that cash available for when we see the right piece? We can buy it if we don’t have a car payment.”

Glimpse’s first exhibit in February had works from the online gallery Exum ran out of Atlanta before she and her husband moved north, along with pieces from her brother in Vermont and a few from a Bow artist. Since then she’s managed to fill the walls with mostly New Hampshire artists.

Choosing what to display doesn’t come down to her personal preferences; Exum tries to keep an open mind and find work outside of her comfort zone.

“I really look at pieces that I’m not necessarily drawn to, because we all like our own taste,” she said. “If I’m not really drawn to it let me see if I can understand it more and if that will give me a connection.”

Exum also knows there’s always more to glean.

“I am learning so much from the artists that Glimpse represents, like when they’ll mention an artist that I’ve never heard of,” she said. “It’s a very humbling place to be a gallery owner, and everyone’s telling you stuff you don’t know, but I’m just trying to absorb it as much as I can.”

First Glimpse Art Show
When: Friday, June 28, 5 p.m.
Where: The Glimpse Gallery, 4 Park St. (Patriot Building), Concord
More: theglimpsegallery.com

Yes connection

Jon Anderson recreates ’70s era with new group

By Michael Witthaus
mwitthaus@hippopress.com

On June 13, Jon Anderson & the Band Geeks released a video for “Shine On.” The original song recalls “Siberian Khatru ‘’ and other classics from his former band Yes. Guitarist Andy Graziano’s frenetic arpeggio caused a YouTube commenter to exclaim, “Jon turned to Steve Howe & said, ‘hold my beer’” and another to say “This IS Yes. … The spirit is with Anderson and always has been.”

The Rock & Roll Hall of Famer will weave a few tracks from True, a full album due this summer, with 1970s Yes material on June 22 in Concord. His collaboration with the Band Geeks — Graziano, multi-instrumentalist Richie Castellano, Andy Acolese on drums, and keyboard players Christopher Clark and Robert Kipp — began in 2018, when he saw them cover “Heart of the Sunrise” on their classic rock-centric podcast.

“I went, wait a minute, they sound just like us; they sound perfect, and they look so happy,” Anderson recalled in a recent phone interview. A month later he called Castellano to thank them. “In the middle of the conversation, I said, ‘Why don’t we go on tour?’ He kind of went, ‘What?’ I said, ‘Yeah, we could go on tour and do sort of epics and classics.’”

For still unclear reasons, Anderson, Rabin & Wakeman had dissolved earlier in the year, so the singer was looking for a backing band. However, Castellano is in Blue Öyster Cult, so logistics were tricky. When the pandemic happened, he had to wait some more. Late last summer, after intense rehearsals, they finally were able to play for audiences.

“I couldn’t believe how good it was when we actually performed,” Anderson recalled. “We did 12 shows together and that really inspired me to want to work with them more, because they were just very open, grateful, thankful and everything about life.”

An original from the upcoming LP that’s been previewed at shows is “True Messenger,” which Anderson wrote over a decade ago. It includes elements of “Wondrous Stories” and “Roundabout” along with many tempo changes.

“I’d been working with a guy called Jamie Dunlap, who does a lot of the music for South Park; I found him to be a great musician,” he said. “We wrote two or three songs and that was one of them that I sent to Richie … he opened it up with ideas.”

Castellano was initially “kind of freaked out” at the thought of going into the studio, but Anderson reassured him, “I think we’d make a great album that probably would sound like Yes, and people who love Yes will like it; that’s what we aim for. There are two large 15-minute pieces, and the rest are very happy-go-lucky, rock ’n’ roll, and who knows what.”

The new project has charged up Anderson’s creative energy, and he shows no signs of slowing down.

“I want to tour the world with this band, and after that, who knows?” he said. “For the next couple of years I’m just going to go out there and perform the Yes classics and epics, plus the True album. New music is new music; by the time you’ve got it on the road, it blossoms. It’s just one of those natural things.”

In 2017 Yes was inducted into the Rock & Roll Hall of Fame, an occasion that marked the last time its original members played together, performing “Owner of a Lonely Heart” and “Roundabout.” Sadly, it was without original bassist Chris Squire, who’d died two years before.

Still, Anderson has fond recollections of the experience.

“I was very happy,” he said. “I think one of the things that was exciting about it was that we shook so many hands during the course of the evening. I was there with my beautiful wife, Jane. We were just having a good time, sipping Champagne. Then I remembered, ‘Wait a minute, I’ve got to go on and sing. I’ve got to be careful.’ We got up there and did two songs with the band. It was really fun, and the energy backstage was fantastic.”

Yes Epics, Classics & More featuring Jon Anderson & the Band Geeks
When: Saturday, June 22, 7:30 p.m.
Where: Capitol Center for the Arts, 44 S. Main St. Concord
Tickets: $59 and up at ccanh.com

Featured photo: Jon Anderson and the Band Geeks. Photo by Steven Schenck courtesy Glass Onyon PR.

The Music Roundup 24/06/20

Local music news & events

Local sounds: Enjoy a sumptuous buffet of regional music at Market Days, running through Saturday in downtown Concord. There’s music on three stages representing the Granite State and more, such as Ultimate Queen Celebration, a tribute performance closing out Friday’s festivities on the Main Stage in front of Concord Co-Op. Bicentennial Square will host the most local talent. Starts Thursday, June 20, 1 p.m., Pleasant and South Main streets, Concord, marketdaysfestival.com.

Shape shift: On any given night, Marcus Rezak might play fiery blues rock originals, perform with Frank Zappa’s old band mates, or do a prog-rock-infused Grateful Dead tribute. This time he brings Phish 1.0: Gumbo to town. It focuses on the Vermont band’s earliest phase, some of which happened at the storied club he’s playing at, and includes vintage gear from the same period. Friday, June 21, 8 p.m., Stone Church, 5 Granite St., Newmarket, $15 at stonechurchrocks.com.

Pond crossers: Enjoy the hits of bands from The Beatles and Stones to Wham! and Radiohead as the Brit Pack performs. Founded by U.K. musicians Mark Sidney Johnson and Will Haywood Smith, with Americans Brian Percival and Matt Nakoa, the group faithfully covers decades of classics, from the British Invasion to early MTV through the ’90s second wave fueled by Oasis and Radiohead. Saturday, June 15, 8:30 pm., Rex Theatre, 23 Amherst St., Manchester, $35 at palacetheatre.org.

Melody man: The soprano saxophone played by Kenny G gave soft jazz an identity; countless fans who couldn’t name an instrumental song if they tried will pick out his ’80s smash “Songbird” while winding through the aisles at Target on the weekend. His 1992 album Breathless is the best-selling instrumental record of all time, going platinum over a dozen times; his latest LP is Innocence. Saturday, June 22, 7:30 p.m., Colonial Theatre, 609 Main St., Laconia, $59 and up at etix.com.

Blues power: Bring a mister and big bottle of water to see Brian Templeton & the Delta Generators perform a gazebo show, as record temperatures are forecast. Wednesday, June 26, 7 p.m., Town Common, 265 Mammoth Road, Londonderry, $39 and up at etix.com.

Family business

Jersey Boys at Winnipesaukee Playhouse

By Michael Witthaus
mwitthaus@hippopress.com

Along with being a jukebox musical about a great American vocal group, Jersey Boys has a lot of drama. The director of an upcoming production of the show at Winnipesaukee Playhouse believes that experiencing it is akin to buying a theater ticket and a concert ticket at the same time.

The Tony-winning musical, opening June 21, follows the Four Seasons vocal group’s arc of success, a path marked by triumph and tragedy. Iconic songs include “Sherry,” “Rag Doll,” “Big Girls Don’t Cry” and “Can’t Take My Eyes Off You,” but the human stories — music and the mob, frayed family ties and other struggles — are equally compelling.

“I think there’s a tendency to assume with a show like this that we’re just going to sing and have some fun,” Teisha Duncan said in a recent phone interview. “But these are people who lived, who we can easily access stories about. They’re building a full-bodied production of character work. It’s not just about being able to sing the part and having these distinct voices.”

Jersey Boys is Duncan’s third production in three years with the Meredith theater, and her first musical. A Black Jamaican woman, Duncan didn’t expect to direct the show.

“It’s very rare that they give me things that are very much concentrated in a part of American history,” she said, “but I grew up listening to the Jersey Boys, I knew Frankie Valli. It’s very much a part of our canon, the music.”

She’s also spent time on stage in the musical theater world, acting in Disney’s The Lion King and The Color Purple and others. Jersey Boys is a bigger challenge, though.

“This is my first jukebox musical that I’m directing and at this scale of work,” she said, and expressed gratitude for the opportunity. “Even though it’s a separate part of my artistry, I’m glad that they trusted that I know the genre enough to direct it.”

It’s an eagerly anticipated show; already, tickets are selling faster than any production in the playhouse’s history. It’s also an ambitious undertaking, with a set that can be quickly reconfigured for more than 50 scene changes, including the Brill Building, nightclubs, New York City bridges and even a state penitentiary.

“It has to transition in real time,” Duncan said. “And it’s exciting to experiment with that, to see how we can create continuity through these transitions and relationships so there isn’t a moment where the audience has to wait for a setup. All of that happens as a rolling pattern.”

An all-female creative team includes Duncan, choreographer Chloe Kounadis and musical director Judy Hayward. The cast has a few returning members like New York actress Drea Campo, part of the Playhouse production of [title of show] last summer, and a lot of fresh faces.

“We have a nice blend of newbies to both the show as well as the theater house, and they’re all excited about it,” Duncan said. “Some of them have done the show, but they’ve played other roles. Our Frankie, I think he played DiCarlo in the last production, and our DiCarlo played Guardio.”

When asked to name her favorite part of the show, Duncan recalled audience response the night it was announced for the 2024 season, and the era’s evocative power.

Successful theaters “have a conversation with their community, and they listen to them,” she began. “They want to connect to parts of their life and memories that are exciting and create theater that’s reflective of who lives in [and] engages with that community, the parts of their memory that pull them back to what makes them happiest.”

The cheers and applause that greeted news of Jersey Boys still rings in her ears, she said.

“It feels like that dialogue between the Winnipesaukee Theatre and the community members is actually happening, and we want to keep that conversation strong,” she said. “We want people to come in and really tap into those beautiful memories. There is a specific sound of Frankie Valli & the Four Seasons. You hear that song, and you’re right into that. It brings out some of the happiest memories of most people’s lives. So, I love that about Jersey Boys.

Curtain calls: The Palace Theatre’s (80 Hanover St. in Manchester; palacetheatre.org) production of 42nd Street offers five shows in its final weekend: Thursday, June 20, at 7:30 p.m.; Friday, June 21, at 7:30 p.m.; Saturday, June 22, at 2 & 7:30 p.m. and Sunday, June 23, at 2 p.m. Tickets cost $38 to $59. See Michael Witthaus’ look at the production in the June 6 issue of the Hippo on page 14 (hippopress.com to find the e-edition).

On stage:Sleuth is presented by The Majestic Academy of Dramatic Arts on Friday, June 21, at 7 p.m., Saturday, June 22, at 2 and 7 p.m., and Sunday, June 23, at 2 p.m. at the Majestic Theatre (880 Page St., Manchester, majestictheatre.net, 669-7469). As described on the website, the show presents the ultimate game of cat and mouse played out in a cozy English country house owned by ca elebrated mystery writer whose guest is a young rival who shares his love for games. Tickets are $15 and $20.

Craft: Hall Memorial Library (18 Park St. in Northfield; hallmemoriallibrary.org, 286-8971) will hold a Summer Craft Show on Saturday, June 22, from 10 a.m. to 2 p.m.

Premiere:The Nashua Historical Society at The Florence H. Speare Memorial Museum (5 Abbott St., Nashua) will be hosting the premiere of the documentary ​At Home and Abroad: Nashua and World War II on Saturday, June 22, at 11:30 a.m. and at 1 p.m., according to their website. The documentary chronicles the stories of civilians, veterans and Holocaust survivors as Nashuans share personal and family World War II stories. The film was created by local filmmakers John Sadd and Jeremy Frazier. The showing is free and open to the public. Doors open at 11 a.m. Visit nashuahistoricalsociety.org.

Fest in the Clouds: Castle in the Clouds in Moultonborough is hosting its second annual Community Arts Festival on Saturday, June 22, from 10 a.m. to 4 p.m. The festival will feature more than 100 booths with the works of local crafters, artists and community organizations and attendees can look forward to a scavenger hunt, art activities for kids, and other events, according to a press release. Seecastleintheclouds.org.

Symphony Saturday: The Boston Civic Symphony with Conductor Fransico Noya and Pianist Frederick Moyer will perform Saint-Saëns Piano Concerto No. 2 in G minor Op. 22, Chevalier de Saint-Georges – Symphony Op 11 No. 2, and Brahms Symphony No. 4 in E minor at Colby-Sawyer College’s Sawyer Center Theater (541 Main St., New Boston) on Saturday, June 22, from 7 to 9:30 p.m. Tickets are $25 for adults and $5 for students. Visit summermusicassociates.org or call 526-8234.

Outdoor theater: The annual mainstage production for the Prescott Park Arts Festival in Portsmouth opens Friday, June 21, when Legally Blonde The Musical hits the stage at 7 p.m. The show runs most Thursdays through Sundays until Aug. 11, all at 7 p.m. with matinées on Sunday, June 30 and Sunday, July 28 at 1 pm, according to prescottpark.org where you can find information on reservations.

Jersey
When: June 21 through July 6, Fridays and Wednesdays, 7:30 p.m.; Saturdays, Tuesdays and Thursdays , 2 and 7:30 p.m.
Where: Winnipesaukee Playhouse, 33 Footlight Circle, Meredith
Tickets: $25 to $52 at the winnipesaukeeplayhouse.org

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