Author: Michael Witthaus

Sons pay tribute in Ricky Nelson Remembered

Matthew and Gunnar Nelson formed their duo Nelson as the MTV era crested. Their video “(Can’t Live Without Your) Love And Affection” was ubiquitous when it came out in 1990, but like their father, Ricky Nelson, whose string of hits was cut short by The Beatles in 1964, his twin sons’ ascent was also stymied by a musical movement — Nirvana and grunge.

The brothers were accustomed to uphill battles, though. It took years for Geffen Records to take them seriously.

“We call it the world’s longest overnight success,” Matthew Nelson said in a recent phone interview. “We were the kings of waiting and starting and waiting.”

Even with a record deal, they received scant support; once, they busked in front of an elevator at a radio convention because the label wouldn’t spring for a hotel suite.

So the pair pressed on, touring with their hard-rock blood harmony sound and making new music. They’ve recorded six studio albums since their multiplatinum debut After The Rain, and a country rock project, First Born Sons, is currently in the works. But an evening playing their father’s songs wasn’t something they considered doing until a Japanese promoter suggested it in the early 2000s.

Initially they were skeptical about performing for U.S. troops at Yokosuka Naval Station.

“No one at that time knew who we were, let alone our dad. He said, it’s Japan, it’s for a good cause, and nobody’ll know if it’s horrible,” Matthew Nelson said. “This is pre-internet, so there was truth to that. We put together a little rockabilly show and by the first number my brother and I felt like idiots that we weren’t doing it sooner — the kids loved the music.”

Two decades later, they’re still doing Ricky Nelson Remembered; it hits Manchester’s Palace Theatre on Oct. 7. The show has evolved from its protean origins into a multimedia affair, an evening of music and storytelling. Hits like “Hello Mary Lou,” “Travelin’ Man” and “Garden Party” are mixed with Matthew and Gunnar’s memories, along with filmed interviews from artists who were influenced by their dad, including Paul McCartney and Chris Isaak.

Ricky Nelson starred with his family on The Adventures of Ozzie and Harriet, a sitcom that ran from 1952 through 1966; the show launched a music career that sold half a billion records. His pivot from teen idol to singer-songwriter inspired a bevy of SoCal folk rock performers, from the Byrds to the Eagles.

“He was definitely in a very cool place at a very cool time,” Matthew Nelson said. “If he had any kind of albatross, it was that he was impossibly handsome with a television show [and] I think he came to represent something that had passed by.”

Undeterred, the elder Nelson formed the Stone Canyon Band in the late ’60s and kept playing, releasing “Garden Party” in 1972 with the wonderfully dismissive line, “if memories were all I sang, I’d rather drive a truck.”

Matthew and Gunnar were 18 when their father died in a plane crash, on New Year’s Eve 1985; two years later he was posthumously inducted into the Rock & Roll Hall of Fame. Matthew recalls a “great relationship” with their dad, marked by music, love and laughter. The tribute show reflects that.

“The best part about it is frankly representing our dad and honoring him — I still miss him every day,” Matthew Nelson said. “So for me on the selfish front, I get to visit with him whenever I do the show and relive some of those memories that are personal to me. We get to talk about him on stage.”

Ricky Nelson Remembered draws a multigenerational audience; some come to relive their past, others to discover a bygone era. However, the show goes beyond family nostalgia, insists Matthew Nelson.

“It’s especially a journey through music that wasn’t computerized or fixed in the mix … it’s live. I think that going back to basics is important for everybody — especially for musicians that can slap on a plug-in and tune their voices. You couldn’t do that back then. … People get something real, and that’s the most important thing.”

Ricky Nelson Remembered
When: Thursday, Oct. 7, 7:30 p.m.
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $45 to $55 at palacetheatre.org

Featured photo: Gunnar and Matthew Nelson. Courtesy photo.

Gin Blossoms-Vertical Horizon twin bill hits town

Gin Blossoms singer Robin Wilson knows his band’s odds of making the Rock & Roll Hall of Fame are slim — “There’s a pretty deep bench you gotta work your way through before you get to us,” he said in a recent phone interview. It’s OK, though; the music HoF in Wilson’s home state of Arizona inducted them in 2017. Better still, the ’90s band is buzzing in the current zeitgeist.

They were name-checked on the season opener of Apple TV+’s hit show Ted Lasso and drafted into a Twitter war during the Phoenix Suns’ NBA playoff run. The Lasso mention was especially gratifying for Wilson. “‘Hey Jealousy’ is the best Gin Blossoms song,” the American football turned English soccer coach played by Jason Sudeikis said, “but ‘Follow You Down’ is my favorite.”

The latter song came at a critical juncture in the band’s career. After their major label debut New Miserable Experience went multiplatinum, Gin Blossoms founder and creative leader Doug Hopkins was consumed by addiction, left the band, and later died by suicide. “Follow You Down” was the lead single of their 1996 follow-up, Congratulations I’m Sorry. It would be their first and only Billboard No. 1.

“That helped legitimize the rest of the band,” Wilson said. “If that hadn’t happened, we would have been living in Doug’s shadow forever. ‘Follow You Down’ and ‘Till I Hear It From You’ — those songs were our opportunity to really prove that we had what it took … then for Ted Lasso to say it’s his favorite song 30 years later, it’s pretty … cool.”

“Follow You Down” came late in the process, recalled Wilson, when their record label demanded another hit.

“They were perfectly clear that they didn’t want just another song,” he said. “That’s about as much pressure as any band can ever be under; trying to follow up a multi-platinum debut, and then being told you’re not quite there yet. … I take an immense pride in what we did … but it’s not like we cured cancer; we just wrote a good song.”

Their first two albums represented a commercial pinnacle, and the group disbanded in 1997, but a reunited Gin Blossoms has continued to make new music since the early 2000s. Their most recent, 2018’s Mixed Reality, is a gem. For Wilson the creative spark is always around.

“It’s a deep ingrained passion I’ve had my whole life,” he said. “The first time I ever wrote a song, I think I was in the third grade, writing about UFOs and stuff. … It’s easy to perform, it’s easy to write. The hard part is being in a band and compromising with your bandmates, finding the middle ground, and even that isn’t as difficult as a lot of other things.”

Wilson is working on a solo project, Poppin’ Wheelies. It’s currently a soundtrack to an animation series that he hopes to place on Cartoon Network, Netflix or a similar platform. A video for one of the songs, “Little Stars,” is up on YouTube and has an unmistakable Gin Blossoms sound.

“My vision is Scooby Doo in outer space with great humor, retro ’70s, Saturday morning nostalgia,” he said. “On top of that it would be full of just great animation, and the music video sequences would be the standout moments. I’d like it to basically be like Spinal Tap in outer space.”

Perhaps he should pitch to Apple, given the Ted Lasso connection?

“That’s definitely one of my targets, but my agent is saying he’s not sure they’re really interested in animation … but a big part of Poppin’ Wheelies is guest stars and licensed music; in that sense I think they’d really get it. Clearly they have the budget we’d be hoping for, and it’s a prestige network.”

Gin Blossoms & Vertical Horizon
When: Saturday, Sept. 18, 1 p.m.
Where: Anheuser-Busch Brewery, Merrimack
Tickets: $29 and up at ticketmaster.com
More: 16 and over unless accompanied by a parent. Children under 5 not permitted.

Featured photo: Gin Blossoms. Courtesy photo.

Yoga studio hosts music and art

As 2020 dawned, Wyn Doran was feeling the glow of her moving debut EP, Thick of It, and working on new music. Like the rest of the world, by March she was locked down and satiating her creative impulses with intimate livestreams, always thinking of bigger things.

In November she hit upon an idea that would lead to a nomination in the New England Music Awards’ new digital performance category, along with a nod for New Hampshire’s Best in State prize.

Doran released “Starry Eyes” in 2020, a duet with Justin Wiggins augmented by the Pennichuck Middle School Chorus singing via Zoom, each member on a tiny retro television. For self-described “choir nerd” Doran, the collaboration, which also included songwriters from the U.K. and Brooklyn, was a dream come true.

“To put it quite simply, it’s a really huge part of my connection to music, and for the first time, I had a song where I could actually hear a choir behind it,” she said in a recent phone interview, adding that the logistics weren’t easy. “I wasn’t really sure how to pull it off, but the choir director was really excited, because that was also a class. My heart goes out to all the students going through the BS of learning online. … For choir, there was no way to sing in a room.”

For Doran, who had a creative breakthrough working with singer-songwriter Ben Folds a few years back, working with other writers in the pandemic was an unexpected benefit in an otherwise stifling time.

“I have different collaborators from all over the globe,” she said, “which I couldn’t have done without the … pandemic.”

Being alone with her thoughts for months on end sparked a desire to dig into her local surroundings. This led to Doran’s latest endeavor, with Vibe Yoga in Nashua — a curated musical showcase preceded by an art display by the studio’s owner, Melissa Coppola. The two met and bonded over their shared experiences leaving the corporate world, and a desire to do more for their hometown.

“It was always in her vision to not just provide yoga to the Nashua community but also bring art and music into it,” Doran said. “We were talking about what can we do? We thought about our ideal shows outside of the city, and how they foster an environment of true listening and appreciation.”

The first show in a hoped-for series — “We’re going to hold our breath a little bit into September about lining up October,” Doran said — happens Thursday, Sept 9, and includes Doran, Aaron Emmanuel and Elizabeth Wyld.

Wyld and Doran met while both were touring in 2018, and the two will share a bill in Allston, Mass., two days before the Nashua show. The indie singer-songwriter released her debut album, Quiet Year, last May.

“I’m hoping to bring artists that I met and loved when I was on the road to my city,” Doran said. “That’s how Elizabeth came along. Aaron Emmanuel is an awesome voice from Boston that I’ve seen perform in Somerville. He felt like a great person to round out our first bill.”

The connection to Coppola’s yoga studio is rewarding for more than the community activism it’s inspired. Doran has dealt with chronic pain for over a decade, and the fitness regimen Vibe offered her was a tonic.

“Pursuing the artist lifestyle and actually writing the darn songs that have been festering in my soul, plus yoga, have been two things that have really made a difference in my life,” she said. “That’s definitely a huge piece of me being so excited to tap into the Nashua community. Ten years ago I’d never even tried it. Now I’m definitely a believer.”

Live at Vibe w/ Wyn Doran, Elizabeth Wyld & Aaron Emmanuel
When: Thursday, Sept. 9, 6:30 p.m.
Where: Vibe Yoga, 182 Main St., Nashua
Tickets: $12 — proof of vaccine required; more at VibeYoga603.com

Featured photo: Wyn Doran, Elizabeth Wyld and Aaron Emmanuel. Courtesy photo.