Author: Michael Witthaus

Jamantics get down again

Being in Jamantics is like riding a bicycle; however long its five members are apart, the moment they plug in and play, their reliable groove reappears. As rehearsals began for a Nov. 19 reunion show at Bank of NH Stage in Concord, the synergy “was immediate,” guitarist Lucas Gallo said. “Beyond Jamantics, we all have experience musically with each other. … Now the whole band’s back together and it’s sounding great, in my opinion.”

“It’s like putting on a well-oiled glove,” fellow guitar player Freeland Hubbard added.

The group officially existed only from 2009 to 2011 but didn’t break up; it disbanded. Drummer Masceo headed west, and the rest — Gallo, Hubbard, bass player Eric Reingold and fiddler Jordan Tirrell-Wysocki — carried on with other projects.

Reingold worked with several bands, including NEMA winners Cold Engines, while Tirrell-Wysocki appeared on recording sessions and played solo, as did Hubbard and Gallo, who also helped promote local shows. Masceo worked for Napa, California-based Enchanted Hills Camp and served as Jamantics’ archivist.

In October 2015, Jamantics “re-banded” for a show at Concord’s Capitol Center.

When Masceo moved back to Concord in 2019, a 10th anniversary reunion show happened at the newly opened Bank of NH Stage. A planned event the following year was scrapped due to pandemic concerns, but they’re back on Nov. 19 at the same venue for what’s hoped to be a yearly JamAnnual GetDown.

In advance of the show, a new single dropped; “Immortal” began in Masceo’s home studio.

“I was bored like everybody else during the pandemic, and what happened was a ball rolling situation,” he said. “Freeland, Reingold and I had been playing together as a trio; [then] I just kind of sprung it on everybody when it was done…. I wanted everybody to be happy; when there’s five people in a band, that can be a little stressful. I guess it was taking it one person at a time.”

Called InstaJam, the trio had a live debut planned in April 2020 that didn’t happen, but later in the year they began playing around the area as The Special Guests. Masceo remembers walking on stage for the first time after months of lockdown as emotional and unexpected.

“It certainly was a reflection of nostalgia about all the times we’d felt that way… in the pocket of the crowd’s energy, feeling good about the music we’re playing,” he said.

Reingold was philosophical about the experience.

“It’s very rare that we basically as a species all experience the same thing as one people,” he said. “We all experienced lockdown, and I think it goes without saying that nobody was unhappy to get back to the world. Not only musicians, but just everybody in general. It was a breath of fresh air … enhanced by the fact that we’re the ones that get to play for the people coming out.”

When Jamantics formed, their two-part mission was making music and fostering the local music scene. Even as they hit milestones like opening for Little Feat at Casino Ballroom in Hampton, they worked to bring regional bands to Concord for shows at Penuche’s, the Barley House and other venues. Ten years on, they’re pleased with the city’s commitment to local arts, particularly the Capitol Center and its satellite 600-seat room that Reingold calls “the perfect venue.”

Beginning with transforming the Spotlight Room lobby space early in the decade, the nonprofit has long boosted area acts, Reingold observed.

“You’d be talking to the same people who just got off the phone with Willie Nelson’s booking agent, and they’re still making time in their schedule,” he said, adding the new space “fills a gap that I think has existed in Concord for quite some time. So we’re pretty excited to be able to be part of it.”

Jamantics Reunion w/ Teeba

When: Friday, Nov. 19, 8 p.m.
Where: Bank of NH Stage, 16 S. Main St., Concord
Tickets: $15 and up at ccanh.com

Featured photo: Jamantics. Courtesy photo

Legendary band returns to New England

Although it took a while for Little Feat to catch on with audiences in the early ’70s, other musicians quickly got their heady gumbo of rock, soul, funk and New Orleans boogie. Its members were frequently booked for session work, none more than keyboard player Bill Payne, whose resume of studio credits runs for multiple pages.

Beginning with Toulouse Street, Payne was a de facto Doobie Brother, and in recent years a part of their touring band, including a just-completed run of shows marking their 50th anniversary. That’s ending soon, however. The band he co-founded in 1969 with Lowell George and Richie Hayward is back on the road, beginning with several dates across the Northeast, including one at Lowell Memorial Auditorium on Nov. 19.

“I’m 100 percent Little Feat from here on,” Payne said by phone from his home in Montana recently, adding, “there’s just not enough hours in the day.”

Payne explained that Feat recently signed with Vector Management, a Nashville agency that also works with Emmylou Harris, John Hiatt, Alison Krauss and Lyle Lovett.

“I want to give them free rein to really promote our band … having a conflict with the Doobie Brothers about when they can tour, that’s not a great way to run a railroad.”

The audience-driven By Request Tour will include new additions Tony Leone on drums and guitar player Scott Sharrard, who joined after Paul Barrere, a member since 1972, lost his battle with cancer. Leone and Sharrard’s quick fit with the band helped convince Payne and his mates Kenny Gradney, Sam Clayton and Fred Tackett that Feat should carry on.

“It’s about music, it’s about legacy, and it’s about musicianship,” Payne said. “Do we harm our legacy by continuing, or do we add to it? If we’re strictly going out and playing ‘Dixie Chicken’ or ‘Oh Atlanta’ or ‘Time Loves a Hero’ — I can do that by going out and joining a Little Feat tribute band.”

Part of moving forward includes making new music.

Released in July, “When All Boats Rise” is a gospel-infused tune that confronts the hope and despair of a fractious nation. Payne came up with the nautical-themed title and handed it to frequent collaborator Tom Garnsey, a songwriter he’s long admired.

“I’ve written songs with [Grateful Dead lyricist] Robert Hunter, for example,” he said. “His lyrics hold up with that caliber of stuff; he’s just excellent.”

The song is a clarion call for harmony in divided times; Payne knows some will greet it cynically.

“There’s a lot of people out there that will go, all boats rise, well, I don’t even have a boat,” he said. “It’s aspirational — liberty and justice for all is what we aspire to, and that’s what we aspire to with ‘All Boats Rise.’”

Fans have submitted a lot of requests for the upcoming tour.

“The Little Feat fan base is obviously a very knowledgeable group,” Payne said. “We’re just going to have to see how many of them we can learn, to be honest with you.”

Some, he added, won’t make the cut, and not for musical reasons, Payne said.

“I think given the state of affairs of the world, ‘The Fan’ is an interesting request, but it’s not exactly a song with a good view of women.” It’s true, the Feats Don’t Fail Me Now track’s misogyny is glaring in hindsight. “Look, we’re not going to sing that, OK? Let’s play some of the music … we’d be in a world of trouble if we actually got up there and sang it.”

Payne is receptive to focusing on Little Feat’s most successful album, the 1978 double live Waiting For Columbus.

“[That’s] been brought up year after year, and I’m like, I don’t know,” he said.

New management, and new blood in the band, however, encourage him.

“The weight of it is you’re going after one of the best albums we ever put out and certainly one of our most well-known. … I think it’s a perfect way to say, ‘Put it right down: the gauntlet has been thrown.’”

Little Feat By Request

When: Friday, Nov. 19, 8 p.m.
Where: Lowell Memorial Auditorium, 50 E. Merrimack St., Lowell
Tickets: $39 to $289 at event.etix.com

Featured photo: Little Feat. Courtesy photo.

Comedian Carolyn Plummer headlines Rex show

Of all the words Carolyn Plummer might use to describe herself, “lucky” isn’t one. As a teenager Plummer won a pair of Grateful Dead passes, only to see the show canceled when Jerry Garcia died. In early 2020, she had the best spring of her comedy career lined up, and everyone knows how that turned out.

Quarantine led to a lot of soul-searching, Plummer said in a recent phone interview.

“I reassessed my whole life,” she said. “Like, why am I doing comedy? Should I have focused on a career? Should I have been a teacher?” Then, in February of this year, Denis Leary called with an invitation for Plummer to appear at the annual Comics Come Home benefit.

“That re-energized me to feel like I was on the right path,” she said. “Now I have a deeper appreciation for live shows and performing. I look at every performance now as an opportunity to meet more people and network and just enjoy it. … There’s a lot of sacrifice, but that kind of just brought everything full circle, that all the sacrifices made sense.”

Of course, the Nov. 13 Boston Garden show has been postponed for another year, but Plummer knows she’ll be on the next one. That’s a more tangible thing to hold on to than that Dead contest back when.

“They were will-call,” she said of the Boston Garden concert. “So I didn’t even have the tickets.”

A few comics mined the pandemic for new jokes, but not Plummer.

“I wasn’t very creative at the beginning. … My whole life just changed; it took a while to work through. I did a few things about contactless delivery; I don’t know why we didn’t have that in the past. I don’t need to have a relationship with the guy bringing the pizza to my house.”

A New Hampshire native — she grew up in Wolfeboro, a minister’s daughter — Plummer got into comedy after responding to an ad.

“This guy was teaching a class out of his mom’s condo in Manchester,” she said, adding with a chuckle, “That seemed safe to me at the time.”

It turned out well, and after a summer of learning, she began hitting open mic nights, eventually spending a lot of time in Portland, Maine.

“I met all the Boston guys; they would come up and do comedy,” she said. “I would watch them and go, ‘Wow, these guys are awesome’ — you know what I mean? Like Don Gavin, and all the greats: Lenny Clarke, Tony V….”

A big early break was the result of misfortune for Plummer.

“True story: On my 30th birthday, I got laid off,” she said. “Kelly MacFarland is one of my best friends, and she’s also a comic. She said, ‘I just met these guys, and they need another roommate, why don’t you go talk to them, and if it works out, move in there?’ I was like, ‘I don’t know, I don’t have a job.’ She said, ‘That’s the best time to go.’ I ended up moving back to Belmont, Mass., which I could never afford if I wasn’t in a roommate situation. … It kind of took off from there.”

While she’s performed in New York City, ventured to California for the Burbank Comedy Festival and even thought about moving west once or twice, Plummer is partial to living in and working in New England, particularly her home state.

“What I like about New Hampshire is it surprises you,” she said. “You might go to this tiny town in the middle of nowhere and have all these highly educated people that you’d think wouldn’t be living in the woods, fixing cars, being lumberjacks, and all this other stuff. You can’t make assumptions like that. … All the different towns are different.”

Carolyn Plummer & Friends

When: Friday, Nov. 5, 7:30 p.m.
Where: Rex Theatre, 23 Amherst St., Manchester
Tickets: $25 at palacetheatre.org

Featured photo: Comedian Carolyn Plummer. Courtesy photo.