Author: Michael Witthaus

Winter Warmer showcases regional talent

The spark for Winter Warmer, a virtual music festival that kicked off Jan. 16, came in the sweltering days of August. Along with fellow musician Nick Phaneuf, Mike Effenberger and his wife, videographer Amanda Kowalski, produced an outdoor, multi-camera video project and came away elated with the results.

As they watched the playback, the thought occurred to them that filming a series of professionally staged shows could provide a boost to the area scene when gigs grew scarce. They reached out to Martin England, who frequently uses his barn, dubbed North Buick Lounge, for house concerts. With plenty of space and good ventilation, it was a perfect venue for what they had in mind, Phaneuf said in a recent joint interview with Effenberger.

“The idea was to film when it was warm and safe, so that musicians could … monetize their work in the winter by having a high-quality concert to sell tickets to,” he said. “It would keep the local audience engaged with the scene by providing them with content to keep them caring.”

Area bands, spanning multiple genres, jumped on board immediately. Eleven sets were shot over two weekends, straddling the end of September and the start of October. The first performance filmed was by Boston rap group STL GLD (pronounced “Still Gold”). Effenberger wasn’t sure how the neighbors would react, even though they’d been advised of the plans.

“It’s 11 in the morning and there’s high-volume hip-hop happening that was exciting and briefly nerve-racking, but nobody complained,” he said. “Their set was incredible.”

The livestreams premiered in mid-January with New Orleans channelers Soggy Po’ Boys, and the March 27 finale stars Dan Blakeslee and the Calabash Club. Effenberger and Phaneuf are members of both groups. Upcoming shows include bluegrass from Green Heron (Jan. 23), Americana trio Young Frontier (Feb. 27) and harmony-rich quartet River Sister (March 20).

Phaneuf’s favorite was Seacoast rockers Rick Rude.

“I’ve only got to see them a couple of times over the years, and it was great being up close while we were capturing the concert,” he said. “Their music is joyful and chaotic, in all the best ways. That was a refreshing set to listen to.”

A key benefit for participating musicians is that they’ll retain full ownership of their performance video.

“Creating high-quality content that the bands could then continue to monetize or utilize after the series is done” was a key goal of the effort, Phaneuf emphasized. “We feel pretty good as an outcome of this that we can give them that.”

Both Effenberger and Phaneuf had a limited schedule during 2020, but when they did perform, they were pleased by the outpouring of support from the community.

“I was personally blown away at the dollar value that people put on the thing that we do,” Phaneuf said. “Doing this for a living, you spend at least some amount of your time as musical wallpaper. … You’re seen and not heard. People paying $50 to lock down a table at a Portsmouth pop-up to hear a show made me feel the community really valued music more than I thought they did. It was sort of an ‘absence makes the heart grow fonder’ situation, where there was less music, but the audience dedication to being at those shows was impressive.”

Effenberger liked how venues adapted, and how a few new ones sprouted up overnight. “It was an uphill battle,” he said, noting a farm in Kensington that “simply built a stage and bought a PA, and said, ‘Let’s do this and see if the community bites’ — and they did.”

Almost all the money from Winter Warmer will go to the artists, with five percent benefiting Continuum Arts Collective, an effort run by Martin England that puts musical instruments and equipment in the hands of kids who don’t have access. The series also received critical assistance from Seacoast nonprofit Project MusicWorks.

Shows will be available for viewing after they premiere, for the rest of 2021.

“We’re encouraging people to have a group experience,” Phaneuf said, “but if you miss it on that Saturday, you can watch it later.” Winter Warmer Online Concert Series

Winter Warmer Online Concert Series
Shows debut on Saturdays at 8 p.m. on seacoastmusicsupport.com

Premiere dates:
Green Heron, Jan. 23
Rick Rude, Jan. 30
STL GLD, Feb. 6
Jim Dozet Band Record Release Show, Feb. 13
Jazzputin and the Jug Skunks, Feb. 20
Young Frontier, Feb. 27
Earthkit, March 6
Sojoy, March 13
River Sister, March 20
Dan Blakeslee and the Calabash Club, March 27

Featured photo: Courtesy photo.

Virtual tribute show promises the best of Garth

There’s an emphatic mood these days at the Palace Theatre: The show must go on.

Since the pandemic has again ended performances for live audiences, some postponed events are now being repurposed to happen virtually at the Manchester venue. One scheduled for Jan. 15 is a night of Garth Brooks hits performed by local musician Brooks Young.

Two more evenings of music are set, an All New Piano Men tribute to Elton John, Billy Joel and others Jan. 22, and the Feb. 5 Divas Through the Decades, reprising singers from Etta James to Gloria Estefan, Tina Turner and Madonna. All shows premiere on Friday night, and later are made available to stream on demand.

A singer, guitarist and songwriter, Young is no stranger to the impact that national events can have on the arts. His breakout gig, opening at Singer Park for B.B. King, was nearly canceled the day it happened: Sept. 11, 2001. But the concert had already been rescheduled from 12 days earlier, and the blues legend wasn’t going to let it slip again.

Along with his musical prowess, Young has worked as technical director for the Palace and Rex theaters for the past two years.

“It was a good fit with my background,” he said in a recent phone interview, noting that he’s currently studying for a music business degree. “I love all the people. … I feel like I haven’t worked a day since I started here; I just get up and do something that I love every day.”

One of Young’s latest projects was overseeing the installation of a new state-of-the-art video screen for the Palace stage; it will be behind him at his Brooks Plays Brooks show. He promises a high-tech performance, with a socially distanced band that includes a steel guitarist and a fiddle player.

“It’s going to be your typical Garth Brooks show with the fancy lights, the video wall, the smoke, the whole nine yards,” he said. “We’re not just going to be standing up there like deer in headlights.”

The event’s name was a natural choice, as was the artist being lauded.

“I grew up listening to him and I’m familiar with all his music. He was one of my first CDs in the ’90s. I always thought if I were to do a country show, it’s definitely going to be Garth Brooks,” Young said, noting that his grandfather was in a touring country group when he was younger.

So the longtime blues ace decided, “I’m going to try it. So I got myself a cowboy hat, and we’ll see what happens.”

One result is a new song with a country flavor called “Ask Me How I Know” that recently debuted on Spotify. Young has plans for more studio work in the spring.

“I always thought I’d play some country music, and my grandmother always asked me, ‘Hey when are you going to have a country group, because you love it,’” Young said. “She passed away last July, so I said … ‘Maybe now is a good time to do it.’”

The new tune follows a Christmas song that arrived last month, reflecting a strategy of putting out a lot of material, one track at a time.

“You can’t just release something once every two or three years,” Brooks said. “Things need to come out a couple of times a year, singles and stuff like that — that’s how the algorithms work with all the streaming services. I’ve been learning a lot and trying to adapt with these new times.”

Brooks Young Plays Garth Brooks
When: Friday, Jan 15, 7 p.m.
Where: Palace Theatre, 96 Hanover St., Manchester (virtual event)
Tickets: $15 at palacetheatre.org (free to members)

Featured photo: Courtesy photo.

Lakes Region brewery hosts Charlie Chronopoulos

Amidst the challenges of 2020, Twin Barns Brewing Co. in Meredith continued to offer live music along with craft beer. That is scheduled to continue on Jan. 8 when singer-songwriter Charlie Chronopoulos appears, on the heels of a new album he released at year’s end.

Chronopoulos said in a recent phone interview that the seven starkly rendered songs on Chesty Rollins’ Dead End reflect daily life struggles he sees in his home state of New Hampshire.

“There’s this backward narrative of poverty around this area,” he said. “A lot of these are real stories that I wove into a record. … I would call it northern rock and soul.”

He carefully alludes to the shame and desperation of addiction on “Solomons” and “God In The Details,” then confronts it head on in “Middlesex,” a loping shuffle that recalls a former band member lost to heroin. “He went to Hollywood and found a rubber band,” Chronopoulos sings. “Coming of age, it came and went.”

Punctuated by deft fingerpicked guitar riffs, “Glass Factory” lays out the themes haunting the record. “I can tell you all about the fragile things we make,” Chronopoulos sings in a near-wail. “They spend their lives about to break, should stay up on the shelf.”

Much of the storytelling comes from his theater experience. Among other projects, Chronopoulos worked with American Repertory Theatre on Witness Uganda, which later went to Broadway as Invisible Thread.

“A lot of the cast overlapped with the team that worked on Hamilton,” he said. “So I got to see that take off.”

The raw honesty in his lyrics also reflects a decision to pursue an artist’s life close to home — “a lounge singer, that’s what I am, I’m not some touring national act” — and what he’s been exposed to as a result.

“I play a lot of rural bars, and I see the other side of things,” he said. “I’m not trying to take a political stance on it, but I see the humanity in a lot of the struggle. My mother’s side of the family had a lot of death to heroin in the last few years and displaced family members hopping around. My little sister, she’s on the spectrum, finding housing for her has been tough. All these things ended up coming out in the songs one way or another.”

Its title is an amalgamation of a famous stripper — “she had 77-inch guns ‘like deadly weapons’ was the way they sold her” — his mother’s maiden name, and Chronopoulos’s early life experience.

“I realized that … certain pursuits, things that I thought were the goal, were actually a dead end,” he said. “I needed to tie them off. They weren’t my path.”

He played sparingly over the pandemic-scarred year.

“I called a few of the places that were still able to be open during the summer and told friends of mine that ran the bar that I’d play for free,” he said. “They were working at half capacity with people still showing up expecting the same service and show; I knew they couldn’t swing it.”

With an open guitar case for tips, Chronopoulos played and sang.

“People wanted to help,” he said, adding that the overall response to original music like his was heartening. “In the food industry, we want to eat a salad that’s from the local farm, but for some reason music is supposed to just come out strictly for scale…. I’m supposed to be counting streams, all that nonsense. That’s what I’ve been railing against artistically for the last 10 years anyway; it’s just self-sabotaging.”

Chronopoulos looks forward to sharing his new material at Twin Barns.

“The place is great, they’re such cool people,” he said. “The beer’s amazing [and] their protocol isn’t insane — there’s a lot of space and good ventilation. It’s a cool old barn and it sounds amazing in there. When they invited me I said that regardless of Covid, we could probably do this safely and make it a good show.”

Charlie Chronopoulos
When: Friday, Jan 8, 5 p.m.
Where: Twin Barns Brewing Co., 194 Daniel Webster Hwy., Meredith
More: facebook.com/twinbarnsbrewing

Concerts

Venues

Palace Theatre

80 Hanover St., Manchester

668-5588, palacetheatre.org

Stone Church

5 Granite St., Newmarket

659-7700, stonechurchrocks.com

Shows

• A Natural Woman (A Carole King Tribute) Friday, Jan. 8, 7 p.m., virtual concert via Palace Theatre

• SOUP (featuring members of Slack Tide and Clandestine) Friday, Jan. 8, 8 p.m., Stone Church

• Dave Gerard & Tim Theriault Saturday, Jan. 9, 7 p.m., Stone Church

• Jeff Daniels with music from his album Alive and Well Enough Tuesday, Jan. 12, 8 p.m., livestreamed acoustic concert via Palace Theatre

• Brooks Play Brooks (Garth Brooks tribute) Friday, Jan. 15, 7 p.m., virtual concert via Palace Theatre

• Wood & Bone Friday, Jan. 15, 7 p.m., Stone Church

• A Night of JGB & The Dead Saturday, Jan. 16, at 5 and 9 p.m., Stone Church

• The All New Piano Men (hits from Stevie Wonder, Billy Joel, Elton John, Barry Manilow, Freddy Mercury & more) Friday, Jan. 22, 7 p.m., virtual via Palace Theatre

• Russ Condon & Tim Cackett of Town Meeting Friday, Jan. 22, 7 p.m., Stone Church

• Brian O’Connell Fellowship Saturday, Jan. 23, at 8 p.m., Stone Church

• Dave Gerard Thursday, Jan. 28, 6 p.m., Stone Church

Featured photo: Charlie Chronopoulos. Courtesy photo.