Threading the needle

Conniption Fits deliver solid new album

Quarantine produced a variety of reactions from the music community. Some performers polished and completed projects long in progress. Others played nonstop on Facebook Live, while dreaming of an open bar. Some were too busy homeschooling their kids to write songs. And a few made creation a mission — like Stevens Blanchard, who decided to build a new record from scratch. The result, This Useless Thread, is one of the best things done by his band, The Conniption Fits. It’s full of the present moment, from the modern struggle to find harmony in “Harder Than It Is,” which leads things off, to “Forms in the Gaslight” and its complaints about lying leaders.

It offers layered harmonies and majestic guitar swathed in sonic sheen evoking ’90s power rockers like Foo Fighters, Green Day and Muse. Blanchard echoes The Edge on “Slipping Jimmy” and crushes the crunch funk of “Money Goes” without being derivative. Ditto the double entendre pop of “White Lies” and the pulsing title song; the sound is all their own.

This Useless Thread is their first album of all new material since 2012’s Friends With Benefits, though the “greatest hits” CD Misinformed Informant, released three years ago, contained a smattering of new songs. The band’s current lineup is Blanchard on guitar and vocals, bass player Jamie Hosley and drummer Jeff Samataro.

In a recent interview, Blanchard talked about the process of creation and how it kept him going in a difficult, challenging time.

“I made it a point that every morning I would get up and go into the studio and lay down some tracks,” he said. “It’s crazy; you do the work and you actually … are productive.”

Blanchard returned from a trip to Switzerland at the end of February “just in time for everything to shut down for three months,” he said.

He had a lot of ideas kicking around.

“All Conniption Fits albums start with me,” he said. “I come up with chords, melody, lyrics, then put it together in some sort of form.”

Once he finished a rough track, it was sent off to Samataro.

“Jeff put his drum input on it, his rhythm things, and that sometimes made us go back a little bit and retool,” Blanchard said. “Then we have the benefit of doing Jamie on bass last. … He can really lock in with whatever Jeff did. I always like to say he replaces my crappy tracks with real ones.”

There’s a cohesive, well, thread throughout the new album.

“That’s the really cool thing about doing things so fast; you’re very consistent in thoughts, and I was in a very specific head space,” Blanchard said. “I listened to a lot of stuff. … Sometimes I want to do a song that leans more electronic or one that’s sort of rootsy and organic, then run it through the Conniption Fits mill. It sort of comes out being us, you know?”

The band is usually one of the busiest in the state, a solid draw at places like Murphy’s Taproom in Manchester, Goffstown’s Village Trestle and Stumble Inn in Londonderry. Since June, though, it’s been an average of just one gig a week.

“That’s like a quarter of what we normally do through the summer, and we’re lucky to get one,” Blanchard said. “It’s usually decent money, but that’s all it is.”

On Sept. 27 — Blanchard’s birthday — they’ll close out Rochester’s Porch Festival with an “afterparty” show at The Garage, adjacent to the Governor’s Inn, a venue the Fits have played for years.

“They have been gracious enough to have us,” Blanchard said, adding that he energetically pitched his band for the event.

“I was just thinking of all the venues possible that could do public shows,” he said. “Because we’ve been doing all these private shows, and while they’re great we still want to perform for fans, where people can attend and also feel safe and comfortable. I think that’s one of the best outdoor venues to try something like this.”

The Conniption Fits
When: Sunday, Sept. 27, 7 p.m.
Where: The Garage at Governor’s Inn, 78 Wakefield St., Rochester
Tickets: $10 at the door

The Music Roundup 20/09/17

Laughs aplenty: A no-cover triple bill of comedy features Paul Landwehr, who recently won his first cash prize as a golfer. An aviation-themed, craft brew-centric venue is the latest to offer standup for promoter and veteran comic Rob Steen, who also hosts. The lineup is rounded out by Greg Boggis, a local hero who has long run a monthly comedy show down the street at Fody’s. Thursday, Sept. 17, 8 p.m., The Flight Center, 97 Main St., Nashua. See headlinerscomedyclub.com.

Double down: Enjoy acoustic rock from Venom & Mayhem, a pair of identical twins playing covers, from Bob Seger’s “Turn the Page” to “Zombie” from the Cranberries, mixed with originals like the sweetly nostalgic “Summer Haze.” On rare occasions the pair — Tanya on guitar, Tia tapping congas — mix the two by remaking Bon Jovi’s “You Can’t Go Home” into a song about calculus. Friday, Sept. 18, 7 p.m., Penuche’s Music Hall, 1087 Elm St., Manchester, facebook.com/venomandmayhem.

Jam on: Live music under the tent runs all afternoon, ending up with Andrew North & the Rangers playing originals. Piano ace and songwriter North recently released Allamagoosalum, a concept LP inspired by Phish’s Rift as well as Tommy and Dark Side of the Moon. Saturday, Sept. 19, 5:30 p.m., Area 23, 254 N. State St., Unit H (Smokestack Center) Concord, thearea23.com. An open acoustic jam session hosted by John Farese on guitar and banjo begins at 2 p.m.

Twang thang: Temperatures are cooler, but al fresco music is still a thing, as Sage & the Tumbleweeds play on an outdoor stage completed in late spring that’s perfectly suited for autumn in New England. The five-piece band’s music leans toward Southern rock and Eagles, with an interesting twist — congas and xylophone mix with soaring guitars and high lonesome sound. Sunday, Sept. 20, 5 p.m., Tooky Mills, 9 Depot St., Hillsborough, facebook.com/sageandthetumbleweeds.

Back in front

Erin Harpe & the Delta Swingers return to NH

After months of livestreams, it felt good for Erin Harpe to finally see some real people from the stage of the Midway Café, a music club located a few blocks away from her Boston apartment. True, Harpe and her bass player/husband Jim Countryman stood behind sheets of plastic glass hung at face level — he called it “chicken wire for Covid-19” — but there was an actual crowd.

The late August set also played on her Facebook page.

“Even though the audience was small, it was really fun to play for them,” Harpe said recently by phone. “Even the people watching it streaming told me they enjoyed seeing them just hearing it.”

On Friday, Sept. 11, a four-piece version of her band Erin Harpe & the Delta Swingers will perform an electric set at Zinger’s, as the Milford venue returns to live music and comedy. Joining Harpe and Countryman are drummer Shawn Meehan and harmonica player Jason Novak.

Inspired by artists like Memphis Minnie and Sippie Wallace, along with modern contemporaries Bonnie Raitt and Rory Block, Harpe and her mates serve up some of the region’s most authentic blues, singing and playing guitar. 2020 marks their tenth anniversary as a band. They began playing sit-down acoustic blues before ultimately plugging in.

They won a New England Music Award in 2019 for Blues Artist of the Year and are multiple Boston Music Award nominees, taking the blues trophy in 2012, and five-time Boston Blues Challenge champs.

Harpe just completed a new album, Meet Me In The Middle, her first all-acoustic effort in a dozen years. The LP was born out of a duo tour she and Countryman did in the U.K. last year. She explained that the material on it reflects a challenging period for the couple.

“It covers everything from loneliness to love, to getting along better,” Harpe said. “The last couple of years actually have been kind of tough for me and Jim. We’ve lost some family members and some fur baby family members, gone through different band members.”

There are a couple of gospel songs, including one she sang at a family funeral, along with “fun, upbeat stuff” like the rollicking “Women Be Wise,” with Harpe accompanying herself on kazoo. The record is slated for release in October.

Harpe grew up steeped in blues music; her father is also a performer, and the two have recorded together. But it wasn’t a given that child would follow parent. Harpe only began performing in earnest after college, when she moved to Boston at a friend’s behest and found a burgeoning open mic scene.

Meeting Countryman led to the formation of Lovewhip, a world music band quite different from what she grew up with. Harpe allows it was a rebellious act, though her dad “really doesn’t want to say that word out loud.” Harpe became a fan of African music while studying in Kenya.

“Lovewhip is just a rock dance band,” she said. “We’ve done everything from reggae and dancehall and Afropop to disco and funk and EDM.”

The group gained a quick following, including two famous fans who helped spotlight world music in the United States near the end of the 1970s: Chris Franz and Tina Weymouth, of Talking Heads and Tom Tom Club.

“I grew up in the ’80s, I love the music and I love those guys,” Harpe said. “We actually wanted to meet them … and we ended up, well, not stalking them, but kind of trying to manifest a meeting. We ended up opening for them in Portland, Maine, and have become great friends.”

The Delta Swingers came about almost accidentally, when Lovewhip went to Austin to play a SXSW showcase in 2008. Harpe was approached by someone who’d heard her first album of solo acoustic blues recorded on a Minidisc player in 2000, and asked her to play an event called Not South By Southwest.

“It turned out that the blues was more popular than Lovewhip in Austin, Texas,” Harpe said. “We got up with this whole scene down there … country and bluegrass and rockabilly. They really embraced us. We got all this European radio play out of the couple performances we did there. After a couple of years of that, we said, ‘Let’s do a band around this.’”

Harpe looks forward to playing New Hampshire again, their first appearance in the state since Manchester’s Strange Brew a few weeks before the pandemic hit. Last fall they did one of the final shows at Riverwalk Café in nearby Nashua.

“We love Milford,” she said. “I think we have quite a few fans in the area, so hopefully we’ll see a lot of friends we haven’t seen in a while.”

Erin Harpe & The Delta Swingers
When: Friday, Sept. 11, 8 p.m.
Where: Zinger’s, 29 Mont Vernon St., Milford
Tickets: $22 at growtix.com

The Music Roundup 20/10/09

Local hero: Guests are welcome at a private club show by Chad LaMarsh, whose annual booze cruise was among the sadder casualties of this Covid-wracked season. In addition to being an endearing entertainer, with a set list including everything from Matchbox 20 to Nine Inch Nails, LaMarsh is a charitable guy, with his annual Bundle of Books Christmas CD. Friday, Sept. 11, 7 p.m., American Social Club, 166 Daniel Webster Hwy., Nashua; call for reservations, 255-8272.

Body double: The finale of Palace Theatre’s Socially Distant Concert Series stars Almost Queen. The name is an acknowledgement that “nobody could ever be Queen,” says Joseph Russo, who plays Freddy Mercury, though the New Jersey band does a convincing job of duplicating their visual elements, right down to Mercury’s mustache. Saturday, Sept. 12, 7 p.m., Northeast Delta Dental Stadium, 1 Line Dr., Manchester, $23 (four-ticket minimum) at ticketreturn.com.

Funny man: Indoor entertainment is back at the Capitol Center as Juston McKinney performs for safely spaced out fans, part of his Comedy at a Distance tour. McKinney kept the laughter alive during quarantine but hit the stage soon after it was lifted. “Comedy is an art form that should be done in a controlled environment — sound, lights, crowd,” he said. Saturday, Sept. 12, 8 p.m., Bank of New Hampshire Stage, 16 S. Main St., Concord. Tickets $29 at banknhstage.com.

Band stand: Enjoy an open rehearsal from Tall Granite Big Band, playing vintage music from the likes of Count Basie, Duke Ellington, Glenn Miller, Woody Herman, Tommy Dorsey and Les Brown. There’s also ice cream treats and family attractions — a petting zoo, giant Tonka Toy sandbox, corn maze and pumpkins, a taste of autumn to come. Monday, Sept. 14, 5 p.m., Beech Hill Farm and Ice Cream Barn, 107 Beech Hill Road, Hopkinton, see facebook.com/tallgranite.

Southern men

Musical veterans band together as Once An Outlaw

The five members of Once An Outlaw have a long history in Southern rock. Macon, Georgia, native Chris Hicks played guitar with the Marshall Tucker Band for many years. Chris Anderson, born in Florida and raised in Spartanburg, South Carolina, spent time in the Outlaws, as did bass player Jeff Howell — who also toured with English blues rockers Foghat.

A.J. Vallee was mentored by Blackfoot drummer Jakson Spires and played in the Southern Rock All-Stars before joining guitarist Chuck Farrell in the Allman Brothers centric band The Peacheaters, called “the greatest tribute act in America” by Outlaws founding member Henry Paul.

“They capture the spirit and passion of the Allmans, and that ain’t easy,” he said.

With all that shared experience, however, it took time and fate to make them a band.

“We’ve all enjoyed being a small part of their legacies, and being able to go out and play these songs for people,” Hicks said of his membership in the Southern rock brethren, during a recent interview that included Anderson and Farrell. “Even though we’ve all been in these bands at different times, we’ve never really played together that much.”

Hicks was set to hit the road with Marshall Tucker this summer in support of Charlie Daniels’ Fire On The Mountain anniversary tour, but those plans were dealt a one-two blow — Daniels’ death and Covid-19. So when Farrell rang up Anderson with an offer for him and Hicks to head north and play a few shows, both were ready.

They left Nashville, where both currently live, in mid-August, arriving for an abbreviated Bike Week in Laconia. Five sold-out socially distanced shows “went really great,” Anderson said. “We had a ball. … People really seemed to enjoy it.”

Their sets featured a mixture of hits from the many groups they’ve played in, songs like “Green Grass and High Tides,” “Hurry Sundown,” “Can’t You See,” “Heard It In a Love Song,” “Take the Highway,” ”Slow Ride,” “Fool for the City,” “Tell Mama” and others.

Hicks was happy to leave hot and humid Tennessee to play for a live audience after months of down time.

“People are just ready to get out and see some music,” he said. “They’ve been quarantined for so long, you know there’s a lot of energy on both sides.”

He also relished an opportunity to jam with Anderson, whose resume includes Grinderswitch, Bad Company and Lynyrd Skynyrd.

“I’m not saying this to promote the show,” he said. “Chris Anderson has always been one of my favorite guitar players. You have to see him play to know what I’m talking about — it’s just a natural, very heartfelt thing.”

Unlike Hicks and Anderson, Farrell and Vallee are native New Englanders, and Howell hails from upstate New York. But geography doesn’t matter, Farrell said.

“It’s in you,” he said, adding he loves that “there’s no brain hemorrhaging with this music; you just go out and do it,” he said. “It’s a language — in the front it’s three guys playing guitar, with a great rhythm section and everyone having a good time.”

A native of the Allmans’ home base, Hicks discovered the harmony guitar and jam ethics of the genre at a very young age and was captivated. He was also taken with the freewheeling spirit evoked by the music and its players.

“In 1968, my great uncle told me, ‘The hippies have moved in down the street; let’s go look and see what they’re doing.’”

The Allman Brothers Band lived at nearby Idlewild South Farm, a commune that gave their first album its title.

“It’s right outside of Macon, which grows the best mushrooms in the world. That’s why they made their logo like that, they like them so much,” Hicks recalled. “The first thing I saw was a beautiful blonde girl naked riding a horse on the side of the road. I said, ‘You know what. this is gonna be pretty cool.’ It only got better from there.”

Featured Photo: Once An Outlaw. Courtesy photo.

Once An Outlaw
When:
Saturday, Sept. 12, 1:30 p.m. (Gates at Noon)
Where: Alpine Grove, 19 S. Depot St., Hollis
Tickets: $25 and up at alivenkickingprod.simpletix.com
The Bob Wolfman Band opens

The Music Roundup 20/09/03

Get festive: Warm up for the unofficial end-of-summer weekend with Slack Tide members Chris Cyrus and Mike Seavy. The jam band blends a wide range of elements into their sets, and Cyrus cites influences like Jack Johnson, Sublime and Reel Big Fish. He’s also a big fan of ’60s psychedelic rockers like Cream, Jefferson Airplane, The Doors and, of course, the Grateful Dead. Thursday, Sept. 3, 7 p.m., Penuche’s Music Hall, 1087 Elm St., Manchester, facebook.com/slacktideofficial.

New crew: Offering old-school country & western music, Route 603 debuts with a few familiar faces from the Concord music scene, featuring Mary Fagan singing lead on Hank, Merle and Cash covers, along with her own originals, backed by Tom Wright on Fender Telecaster and BJ Steinberg on pedal steel. Upright bass player Jock Irvine and drummer Ed Raczka provide rhythm. Saturday, Sept. 5, 7 p.m., Purple Pit Coffee Lounge, 28 Central Square, Bristol, facebook.com/jockirvinemusic.

Crossing over: When he’s not with his band Double Crossers, Paul Driscoll keeps busy as a solo performer, playing a lot around his home base of Milford, including an early show at the spot where he returned to live gigs in May, post-quarantine. Along with a tasty catalog of originals, Driscoll covers everyone from Tom Waits to Tyler Childers, Black Keys, Bruce Springsteen and Sawmill Joe. Sunday, Sept. 6, 9 p.m., Trombly Gardens, 150 N. River Road, Milford, facebook.com/doctordriscool.

Hand-picked: With a name taken from a line in the John Prine song “Paradise,” Peabody’s Coal Train is a local supergroup packed with rustic charm, with a set list ranging from old murder ballads to Townes Van Zandt covers. The band’s chemistry is obvious: six voices in harmony, exhibiting deft instrumental interplay and, above all, the joy of making music. Thursday, Sept. 10, 6 p.m., Jane Lewellen Bandstand, Riverway Park, Contoocook, also webcast on Facebook Live.

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