The Art Roundup 24/05/02

The latest from NH’s theater, arts and literary communities

Spring fair: The Craftworkers’ Guild in Bedford will open their spring fair on Thursday, May 2, at the Oliver Kendall House (3 Meetinghouse Road in Bedford, at the bottom of the library parking lot). The guild’s fair is open from 10 a.m. to 5 p.m. daily through Saturday, May 11. See thecraftworkersguild.org.

Tribute, with laughs, to Broadway: Forbidden Broadway, a musical spoof of Broadway shows and stars, will come to Stockbridge Theatre (5 Pinkerton St., Derry; stockbridgetheatre.showare.com) on Thursday, May 2, at 7 p.m. A theatrical institution since 1982 when Gerard Alessandrini created the first edition, lampooning the Broadway shows and stars of the day, Forbidden Broadway in its newest edition includes good-natured shots at Moulin Rouge, the all-Yiddish Fiddler on the Roof, Hadestown, and this season’s dark Oklahoma! revival, along with Dear Evan Hansen, Tootsie, Beetlejuice, Frozen and a whole new generation of Broadway stars, plus some classic laughs from The Lion King, Phantom of the Opera, Les Miz and others, according to a press release. Tickets cost between $35 and $45. Call 437-5210 for tickets.

Tale as old as time: Windham Actors Guild brings Disney’s Beauty and the Beast to the stage for audiences at Windham High School Auditorium (64 London Bridge Road in Windham) on Friday, May 3, at 7 p.m.; Saturday, May 4, at 7 p.m., and Sunday, May 5, at 2 p.m. This classic musical is brought to life by a talented cast of adults and youth, a live orchestra, beautiful settings, and costumes, according to a press release. Ticket prices are $22 for those 18 and older, $18 for students and seniors, and $15 for children under 12, according to the same release. Visit windhamactorsguild.com or call 247-8634.

Fiddles! The New Hampshire Fiddle Ensemble begins a series of performances this Friday, May 3, in Rochester. This community orchestra made up of approximately 100 musicians of all ages and abilities plays a variety of acoustic instruments, according to their website. Performance dates include Friday, May 3, at 6:30 p.m. at the Rochester Opera House (31 Wakefield St. in Rochester); Saturday, May 11, at 6:30 p.m. at Interlakes High School Auditorium (1 Laker Lane in Meredith); Saturday, May 18, at 6:30 p.m. at Exeter Town Hall (9 Front St.) and Sunday, May 19, at 2 p.m. at the Derryfield School (2108 River Road in Manchester). The ensemble features fiddles, guitars, banjos, mandolins, basses, harps, cellos and more, according to a press release. See nhfiddleensemble.org for tickets.

Classical meets folk: The Rex Theatre (23 Amherst St in Manchester; palacetheatre.or) will feature The Kruger Brothers on Saturday, May 4, at 7:30 p.m. Their remarkable discipline, creativity and their ability to infuse classical music into folk music has resulted in a unique sound that has made them a fixture within the world of acoustic music, according to the event’s website. Tickets range from $35 to $49. Gold Circle tickets include a meet-and-greet with the band after the show. Visit palacetheatre.org.

Art Stroll
This year’s May Gallery Stroll in New London includes two new locations, Whipple Hall and Grounds Coffee, making six locations during this First Friday Gallery Stroll’s artist’s reception scheduled for Friday, May 3, from 5 to 7 p.m. at each gallery location, according to a press release. This event is free and allows guests to meet local artists, enjoy art, and connect with the community, according to the release. Starting at Whipple Hall there will be an exhibit of Ruth Wynn’s work as a ‘memoriam’ of her talent; Grounds Coffee will host emerging artists such as Emily Philbrick of Artsy Em Designs, who strives to provoke emotion and transform spaces with her abstract work, landscape scenes and linework; teen artist Grace Scarlet will be featured at the Bar Harbor Bank; Blue Moon Bakery will showcase artists Debbie Campbell and Sherie Dowsett; The Tatewell Gallery will feature works by New York City native Tom Barber; the New London Inn will host artwork from Alison Vernon, who has been painting for over 40 years, and The Fleming Center Connolly Gallery at the New London Barn will host art by Timothy Sievers. Visit centerfortheartsnh.org/microgalleries.

On stage, part 1: The Players’ Ring (105 Marcy St., Portsmouth) presents The Legend of Georgia McBride by Matthew López, directed by Joe Juknievich, from Friday, May 3, to Sunday, May 19, with shows on Fridays and Saturdays at 7:30 p.m. and Saturdays and Sundays at 2:30 p.m., according to their website. The show follows Casey, an Elvis impersonator who has everything until in a flash he loses his gig, his rent is overdue and his wife announces a baby on the way. So when Elvis leaves the building and a drag show moves in, “The King” transforms into an all-out queen with the help of some new friends who become the second family Casey never saw coming. Tickets are $31, $28 for students and seniors. Visit playersring.org or call 436-8123.

On stage, part 2: Spring Awakening opens at the Seacoast Repertory Theatre (125 Bow St. in Portsmouth; seacoastrep.org, 433-4472) on Thursday, May 2, and runs through Sunday, May 26. Shows this weekend are at 7:30 p.m. on Thursday, 8 p.m. on Friday, May 3, and 2 and 8 p.m. on Saturday, May 4. Tickets cost $37 to 68, according to the website. The Rep is also continuing its run of Willy Wonka, which is on stage through Sunday, May 19. This weekend catch it on Sunday, May 5, at 2 and 7:30 p.m.

A truth Universally Acknowledged
The Community Players of Concord will presents Pride and Prejudice at Concord City Auditorium (2 Prince St. in Concord, 228-2793, theaudi.org) Friday, May 3, and Saturday, May 4, at 7:30 p.m., and Sunday, May 5, at 2 p.m. Adapted by Kate Hamill from the novel by Jane Austen, the Players describe the adaption as “fresh and funny, hip and hilarious” on their Facebook page, where you can see photos of the cast in costume. “This is not your usual Pride and Prejudice. There are a couple of balls, lovely costumes, but there’s also disco, modern music and Mr. Darcy’s shirt stays absolutely dry, ” according to the director’s notes as quoted in a Players’ Facebook post. Tickets cost $20 for adults, $18 for age 17 and under and seniors 65+. See communityplayersofconcord.org. At left, Travis Laughlin is Mr. Darcy, Julia Kehr is Elizabeth Bennet. Photo by Michael von Redlich.

Makers market: Shop the Squam Lake Vintage & Makers Market at Cottage Place at Squam Lake (1132 Route 3 in Holderness; cottageplaceonsquam.com) on Saturday, May 4, and Sunday, May 5, from 9 a.m. to 4 p.m. each day. Admission is $5. The market will feature vendors, live music, food and a mobile bar, according to an email.

ARTalk: Registration is open for an ARTalk with London-based artist Hew Locke on Sunday, May 19, at 2 p.m. at the Currier Museum of Art (150 Ash St. in Manchester; currier.org, 669-6144). The cost is $30 for adults, $25 for 65+ or students with ID, $15 for ages 13 to 17, $10 for museum members and free for children (the cost includes museum admission). Locke’s sculptural installation “Gravesend” is on display at the Currier and he has an exhibition, “The Procession” at the Institute of Contemporary Art Watershed in Boston on May 23, the website said.

Whose Town?
Take in a classic when the Nashua Theatre Guild presents Thornton Wilder’s Our Town on Friday, May 3, and Saturday, May 4, at 8 p.m. and Sunday, May 5, at 2 p.m. at the Court Street Theater (14 Court St. in Nashua). Our Town shares the idea that we live life without really appreciating what it has to offer, according to a press release. The Nashua Theatre Guild asks that if you dine in at the Margaritas in Nashua on Saturday, May 4, between noon and 11 p.m., you mention the Nashua Theatre Guild — if you do, 20 percent of your bill will be donated to NTG, according to the release. Tickets to the show are $20 for adults (18 and older), $18 for students and seniors. Visit nashuatheatreguild.org.

Not your mother’s family portrait

Manchester artist creates dream-like synthesis of photos

By Zachary Lewis
[email protected]

Self-taught photographer Karen Jerzyk invites families of all shapes and sizes to head over to her studio space at Morgan Self Storage (400 Bedford St. in Manchester) to partake in an alternative to the generic family portrait. Jerzyk is a true artist and her work has appeared on the Tonight show with Jimmy Fallon, but this is just icing on the surreal and fantastical cake that is her style.

“People come, they have fun, they get their pictures,” Jerzyk said.

She mentioned that one family in particular told her, “We’ve been looking for something like this to do … family photos are strange, we feel uncomfortable having a picture of us on the wall not portraying our personalities. We feel better putting this kind of stuff on the wall.”

One family consisting of a mother, father, son and daughter are taking part. “The son, he did green, the girl did pink” and the parents are going to do different colors, Jerzyk said.

People can dress up and even bring their pets.

“I have a lot of accordions over there … people can use props…. I have like 10 tons of wardrobe,” she said.

Jerzyk had “wanted to do another monochromatic color series,” so she thought, “I’ll do it again and invite the public to come and get their portrait taken. Which is a kind of win-win because it also helps me pay for the materials to actually do this stuff for my portfolio.”

Jerzyk just did the color green, is now focusing on pink and will move into blue later in May. Those who sign up can expect to spend a half hour of their time and $40 plus a small eventbrite fee to receive a movie-quality portrait that captures their essence.

“I get a lot of inspiration from movies,” Jerzyk said. “I grew up in the ’80s. … I like the sci-fi, like, that vaporwave, neon-y, just the vibe of the ’80s I’ve always loved.” One aspect of that time period was the practical and analog effects needed to create a realistic version of unreality.

“It’s always important to me that when I do this … that it’s real, that I don’t Photoshop anything.” With the growth of artificial intelligence in image creation and the charlatans who wield it for profit, Jerzyk wants to assure clients of her authenticity. “They’re getting what I say is going to happen.”

She does use Lightroom software for some color-correcting and shoots with a Canon R5C, usually with some type of wide-angle lens. “I’ve always loved using Canon.”

Jerzyk buys tons of paint for her monochromatic color series too, as the saturation of color is crucial to the design. “It’s very strange when things are painted all the same color. It’s very surreal,” she said.

“For pink, I kind of wanted to not go the typical what people would think pink would be, so I had two skeletons in here — and it killed me to paint those ’cause they’re kinda expensive, they’re poseable skeletons. I just like building stuff that is just surreal, that people wouldn’t necessarily get a chance to insert themselves into or experience or get their photo taken in.”

Apart from the color series, her studio has a collection of permanent sets that range from a prototypical grandparents’ home from the early ’80s to a retro-futuristic diner complete with a bar and barstools, a jukebox, and a neon breakfast sign.

Before getting into portraiture, Jerzyk did around 10 years of music photography. She enjoyed album covers and art, and started by sneaking disposable cameras into concerts, so when she graduated from the University of New Hampshire in 2003 her parents gifted her a digital camera. But the music scene was not where Jerzyk was destined to stay.

“I started getting bored with it because I think deep down I was just missing a creative outlet … it was definitely awesome getting a photo pass, especially for bands I really like,” Jerzyk said, but she was looking for something more. “If I can’t say or show people what’s in my head, it’s not something I can keep doing.”

“I expressed [this] to a friend around 2008 and he was like, ‘How come you never shoot portraits of people?’ I was like, I don’t know, I’m kind of awkward and introverted … meeting up with a stranger and directing them, back then it seemed like a nightmare to me.”

It was a long but necessary road to take to get where she is today. “I think it’s important for people to know that when I started doing this stuff it was not good. I think that self-realization is good, though, because then you know you can be better…. It took a while to get, I guess I’d call it an aesthetic voice or just an aesthetic in general,” Jerzyk said.

Jerzyk’s vision is solid and at the same time fluid, abstract yet concrete, and a pleasure to experience. “Now when people see my work they know it’s mine,” she said, “but it took a couple years to get that.”

Karen Jerzyk photography
karenjerzykphoto.zenfolio.com
$40 for a 30-minute portrait session.
Tickets are available at Eventbrite:
eventbrite.com/e/karen-jerzyk-presents-tickets-870680748557.

Featured Photo: Photo by Karen Jerzyk

Making the show

New twist to NH Gay Men’s Chorus concerts

Every year since 1998 the New Hampshire Gay Men’s Chorus has performed a series of concerts. This year they invite the audience to go behind the scenes and see how the program is chosen, in an evening of music laced with theater called Putting It All Together. Luc Andre Roberge, NHGMC’s Artistic Director, said in a recent Zoom interview that the chorus will portray the path from brainstorming songs to turning them into a show.

“Let’s get the audience to experience what it’s like to put this whole thing together,” he said. This year they will again perform four shows, one each in Concord, Manchester, Nashua and Stratham, along with several outreach shows across the state at assisted living facilities and other places.

Selections in the upcoming concerts include Ike & Tina Turner’s version of “Proud Mary,” with the slow-groove first part performed in the program’s early set and the rocked-up “nice and rough” section in the second half. The program also has “A Million Dreams” from The Greatest Showman, a medley from Hamilton and Dear Evan Hansen, and a song most will recognize from The Big Bang Theory, Barenaked Ladies’ “The History of Everything.”

The show closes with “Why We Sing,” a song that NHGMC President John McGeehan called “very meaningful” during the same interview. “Even when you don’t understand someone’s language, you can still get the emotion and the feeling and the expression through their music,” he said. “There are few things out there that are like that. I think that’s a really powerful statement to leave our audience with.”

Though it’s a musical entity, NHGMC has higher aims.

“Part of our mission statement is to share the joy of music with the residents of New Hampshire, but also to be representatives of the LGBT community, give it a positive image,” McGeehan said. “I think that’s really important, especially now.”

Roberge noted that at the chorus’s first performance, some members asked that their names not be listed in the program, while others wore dark glasses or hats to obscure their identities.

“It was a very different world in 1998 than the one we live in now,” he said. “People didn’t go about telling people that they were gay. One didn’t really even come out, certainly not in the state of New Hampshire.”

Thankfully, that’s changed. The Granite State legalized same-sex marriage in 2010. In 2018 Gov. Sununu and Rep. Chris Pappas joined to celebrate NHGMC’s 20th anniversary. Last year Manchester Mayor Joyce Craig signed a proclamation declaring New Hampshire Gay Men’s Chorus Day in the city. And one recent fact in particular stands out for Roberge. “Less than half of all our concert attendees identify as gay,” he said. “That says there’s a lot of acceptance in the state.”

Roberge was a charter member of NHGMC and became Artistic Director in 2000. He co-leads the chorus with Principal Accompanist Gary Finger. Among Roberge’s memories of his tenure, the one that stands out as his favorite isn’t musical. While in his 30s, he came out to his parents, urged by fellow chorus members who thought they should see him sing a solo rendition of “Old Man River” at an upcoming concert.

Though he had a good relationship with them that included strong support for his music, Roberge worried that telling them his truth would damage it. His mother cried upon hearing the news, but not for reasons he’d feared.

“‘How many concerts did I miss?’ was her question to me,” he said. “She was so upset that she’d missed all that time — five years with the chorus at that point.”

Immediately, she and her father left the house for a series of face-to-face visits, ultimately inviting 30 friends to the concert. “And all of them came,” Roberge said. “It truly meant it was a non-issue. It was a very moving and touching experience. Not just for myself, but for the chorus, and anyone that attended that concert.”

The wonderful affirmation still makes him smile.

“I ended up, living in the state of New Hampshire, having an excellent coming out story, with an organization that believes we need to show that we are just average people,” he said. “That’s a very positive experience that I had with the chorus.”

Beautiful: The Carole King Musical
When: Fridays, 7:30 p.m., Saturdays, 2 & 7:30 p.m., Sundays, 2 p.m. through May 12
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $28 and up at palacetheatre.org

Featured Photo: Austin Mirsoltani and Rachel Gubow in Beautiful: The Carole King Musical.

Weaving a tapestry

Palace brings Carole King story to stage

For anyone who ever wondered where songs come from, the Palace Theatre’s splendid production of Beautiful: The Carole King Musical provides a perfect primer. It’s to director Carl Rajotte’s credit that the music, performed by a talented ensemble cast, is accompanied by photos of original artists like the Drifters, Shirelles and Righteous Brothers, as well as the principal artists played by feature actors.

Rachel Gubow shines in the title role, her first at the Palace, both as a singer and actress. She reveals how King, along with songwriting partner Gerry Goffin, helped shape the soundtrack of a generation. Austin Mirsoltani, also making his Palace debut, does an admirable job as Goffin, as he illustrates the inspiration for songs like “Up on the Roof” and “Will You Love Me Tomorrow?” along with the challenges of working in a highly competitive creative environment.

That milieu is fleshed out by Donnie Kirschner, who ran Aldon Music in 1960s Times Square, played by Ken Quiricone, along with fellow songwriters Barry Mann and Cynthia Weil. In the latter roles, Evan Ross Brody and Lauren Echausse are hilarious, earning more than a few laugh-out-loud moments on opening night.

Brody is reprising a role he recently played in a Florida production of Beautiful. In an interview following the initial performance, Director Rajotte called the pair’s contribution essential. “Evan sent us his reel, and I just thought he was hysterical,” he said. “This show needs that, Cynthia and Barry, to lighten it up.”

He continued that Gubow seemed destined to portray the artist who, as a composer, helped shape the mid-20th-century’s Great American Songbook and later joined contemporaries like James Taylor and Joni Mitchell for a singer-songwriter movement that included her 1971 solo album Tapestry.

When the show opened on Broadway, Gubow was just out of school and auditioned for the lead role, urged by her agent. “That was her first Broadway callback, and even though she knew at the time it was a dream, ever since then she’s been studying Carole King,” Rajotte said. Later, Gubow was an understudy in a Beverly, Mass., production, serving one time as lead. “She came in knowing the show really well, which is great, because Carole’s on stage all the time.”

There’s much more to King’s story than music. Beautiful spans a turbulent decade, and Mirsoltani is convincing as a man who feels constrained by suburbia, even as he’s writing the words to songs like “Pleasant Valley Sunday” for the Monkees sitcom. Goffin and King’s marital breakdown brought a visceral response from the opening night crowd; their acting is that convincing.

As written by Douglas McGrath, the musical’s book is a historical mashup. For example, Act 1 ends in a Vermont ski lodge in 1964, and the second begins with King working on an arrangement of “Chains” — which was actually a hit for the Cookies two years earlier. Also, and perhaps less critical, King’s transition from Goffin’s partner to solo performer omits a messy path that included both a failed trio called The City, and a pre-Tapestry solo record.

Such artistic license is allowable in the service of vividly depicting a moment that likely won’t come again, as a gaggle of creatives barely out of their teens followed their instincts into immortality. Nuanced performances from the core five cast members show the movement from musicians performing other people’s songs to writing their own, the cultural upheaval of the hippie movement, and creating in a place where, to use a Cynthia Weil line, there was “always magic in the air.”

There are many reasons to see this more than excellent production before it closes on May 12. All of them are good ones, but director Rajotte’s rationale is perhaps the best.

“I know everyone is coming to hear Carole King’s music,” he said, “but what I really want is that they hear her life story … where the music came from is just so important.”

Beautiful: The Carole King Musical
When: Fridays, 7:30 p.m., Saturdays, 2 & 7:30 p.m., Sundays, 2 p.m. through May 12
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $28 and up at palacetheatre.org

Featured Photo: Austin Mirsoltani and Rachel Gubow in Beautiful: The Carole King Musical.

The Art Roundup 24/04/25

The latest from NH’s theater, arts and literary communities

• “Neon Bathroom!”: Karen Jerzyk presents “Neon Bathroom!” at 400 Bedford Street (400 Bedford St., Suite 329, Manchester; 400bedfordstreet.com), a multi-purpose art space, on Tuesday, April 30, from 5 to 7:30 p.m. Participants can step into a surreal neon bathroom and have their portrait taken, in 30-minute increments, according to the event website. Karen Jerzyk is a surrealistic photographer who combines elements of sci-fi and fantasy with elaborate environments to create visual narratives by either building a set from scratch in her studio or finding an existing location, according to the same website. Striving for an element of what some people have said reminds them of an era of “future-past”, her photos tend to appear timeless, with colorful montages laden with underlying themes, according to the same website. Each portrait is $40. Visit karenjerzykphoto.zenfolio.com. Tickets are available at Eventbrite, eventbrite.com/e/karen-jerzyk-presents-tickets-870680748557.

On the Trail: The final weekend of The Trail to Oregon, a musical comedy presented by Actors Cooperative Theatre, runs Friday, April 26, and Saturday, April 27, at 7:30 p.m. and Sunday, April 28, at 2 p.m. at the Derry Opera House, 29 W Broadway in Derry. Go to kidscooptheatre.ludus.com for tickets and find the Actors Cooperative Theatre on Facebook for videos about the show.

Earth Day art: The Massabesic Center (26 Audubon Way, Auburn) is partnering with the League of NH Craftsmen to feature original work in its “Earth Day Exhibition 2024 — A Nature Inspired Show, featuring work from including photography, prints, and fiber art, which will run until Friday, May 31, according to their website. The exhibition will be open during regular Center hours, 11 a.m. to 5 p.m., and is free for all ages. Visit nhaudubon.org.

Teenage Mutant Ninja Turtles: Portsmouth Mini-Con 40 is on Saturday, April 27, and Sunday, April 28, from 10 a.m. to 6 p.m. both days, at Cisco Brewers (35 Corporate Drive, Portsmouth), an event celebrating the 40th anniversary of the Dover-born Teenage Mutant Ninja Turtles and featuring Turtles creator Kevin Eastman as well as other creators and artists from Mirage Studios, according to the event’s website. This extremely limited attendance event celebrates the 40th anniversary of the original Portsmouth Mini-Con in 1984, which featured the premiere of Eastman and Laird’s beloved characters, and is a fan tribute honoring those who helped propel the TMNT to their current popularity, according to the website. This exclusive event is not a “comic-con” but a reunion of celebrities and a Turtle celebration for the hardest of hardcore fans, according to the website. See portsmouthminicon.com for ticket options.

Work with metal: Manchester Makerspace (36 Old Granite St., Manchester) is hosting an Intro to Blacksmithing course on Wednesday, May 1, from 6 to 9 p.m. Attendees will learn basic skills that translate to every facet of the craft, from forging Knightly Broadswords to stunning wrought iron gates, and will start by making coat hooks, according to the website. The non-member price of $200 includes one month of membership at Manchester Makerspace that can be activated on the day of the class, according to the same website. See manchestermakerspace.org.

Haiku workshop: A poetry reading and open mic at the Griffin Free Public Library (22 Hooksett Road in Auburn) will be held on Saturday, April 27, at noon with a haiku workshop from local poet Michael Czarnecki where patrons are encouraged to share stories, songs, poems and any original works, according to the website. No registration is required and all ages are welcome. Visit griffinfree.org. — Zachary Lewis

The Art Roundup 24/04/18

The latest from NH’s theater, arts and literary communities

Sweet seasons: Experience Beautiful: The Carole King Musical at the Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org) which opens Friday, April 19, and runs through Sunday, May 12, with shows on Fridays at 7:30 p.m., Saturdays at 2 and 7:30 p.m., Sundays at 2 p.m. and Thursday, May 9, at 7:30 p.m. According to the event site, before she was hitmaker Carole King she was Carole Klein, a spunky young songwriter from Brooklyn with a unique voice who wrote chart-topping hits for the biggest acts in music. The book is by Douglas McGrath with words and music by Gerry Goffin & Carole King as well as Barry Mann & Cynthia Weil. Tickets cost $28 to $49.

Symphony: Listen to Symphony NH’s presentation “New World: Dvorak and Sparr” featuring Antonin Dvorak’s “Symphony No. 9 in E Minor ‘New World’” and the world premiere of composer D.J. Sparr’s “Extraordinary Motion: Concert for Electric Harp” with poet/co-creator Janine Joseph and harpist Rosanna Moore, on Saturday, April 20, at 7:30 p.m. at the Keefe Center for the Arts (117 Elm St., Nashua). Tickets cost $10 to $63. Directly preceding the show, hosts Deanna Hoying and Roger Kalia will present a pre-concert talk looking into the music with illuminating stories, histories and insights into the repertoire and composers, according to the website. See symphonynh.org.

THEATRE PROJECT DRAMA
The New Hampshire Theatre Project (959 Islington St., Portsmouth) presents Collected Stories, a Pulitzer Prize-nominated play by Donald Margulies, directed by Monique Foote and Starring Genevieve Aichele and Amy Desrosiers through April 28 with Friday showtimes at 7:30 p.m. and Saturdays at 2:30 and 4 p.m as well as a performance on Thursday, April 25, at 7:30 p.m., according to a press release. The play explores who owns the rights to a story as a teacher and respected author mentors a young writer who decides to base her novel on her mentor’s secret affair with a famed poet, according to a press release. Tickets range from $28 to $32. Visit nhtheatreproject.org.

From history: Get a view of history when Howard Mansfield discusses his bookI Will Tell No War Stories: What Our Fathers Left Unsaid About World War II on Saturday, April 20, at 2 p.m. at Balin Books (375 Amherst St., Somerset Plaza, Nashua, balinbooks.com). Discover a very personal story about Mansfield’s father, who was a gunner, and fellow crew members in the Eighth Air Force and the bombing missions over Germany from their base in England, according to the bookstore’s website.

Audition: Raymond Arts is holding auditions for Mustering Courage, a new play by Don LaDuke based on the book Letters from a Sharpshooter: The Civil War Letters of Private William B. Greene, transcribed and published by William H. Hastings. Auditions are being held Wednesday, April 17, and Thursday, April 18, at 6 p.m. at Raymond High School Cafeteria (45 Harriman Hill Road, Raymond) for all roles. The call is for men and women between the ages of 16 and 60 who should be prepared for a sight reading and to discuss any potential schedule conflicts, according to a press release. Performance dates are from Friday, Aug. 2, to Sunday, Aug. 11, and rehearsals begin Sunday, April 28, according to the release. Visit facebook.com/RaymondArts.

BROADWAY SATIRE
Forbidden Broadway, a musical spoof of Broadway shows and stars, will come to Stockbridge Theatre (5 Pinkerton St., Derry; stockbridgetheatre.showare.com) on Thursday, May 2, at 7 p.m. A theatrical institution since 1982 when Gerard Alessandrini created the first edition, lampooning the Broadway shows and stars of the day, Forbidden Broadway in its newest edition includes good-natured shots at Moulin Rouge, the all-Yiddish Fiddler on the Roof, Hadestown, and this season’s dark Oklahoma! revival, along with Dear Evan Hansen, Tootsie, Beetlejuice, Frozen and a whole new generation of Broadway stars, plus some classic laughs from The Lion King, Phantom of the Opera, Les Miz and others, according to a press release. Tickets cost between $35 and $45. Call 437-5210 for tickets.

Play: RGC (Ro Gavin Collaborative) Theatre and 3S Artspace (319 Vaughan St., Portsmouth) present Ordinary Daysby Adam Gwon on Saturday, April 20, at 7:30 p.m for all ages. Set in New York City, the play singles out four average New Yorkers whose lives end up tangled as they flounder through everyday obstacles and edge closer to connecting with each other, according to the event site. Tickets range from $25 to $50 and prices are based on a “pay-what-you-choose” model. Visit 3sart.org.

Card game tournament: Join Double Midnight Comics in Concord (341 Loudon Road) for Flesh and Blood Pro Quest Season 5, a fantasy and action/adventure card game tournament from 1 to 5 p.m. on Saturday, April 20. Entry is $35, format is classic constructed and prizing will be in store credit, according to the event site. Flesh and Blood fans can also stop by on Wednesdays from 6:30 to 10 p.m. when DMC hosts “Wednesday Blitz,” which is one of the most popular ways to play the game and where they make sure everyone gets a chance to play, according to their website. Tickets are $5 and participants have a chance to win card packs as a prize. Visit dmcomics.com.

D&D league: Fans of Dungeon & Dragons, a role-playing game, can stop by Double Midnight Comics in Manchester (252 Willow St.) for their Tuesday Adventurers League from 6 to 9 p.m. Adventurer’s League is a pop-in, pop-out style of game, so it’s fine to miss a couple of weeks; to see how Adventurer’s League works, check out the official DnD site, and check out the Facebook group D&D@Dmcomics to find information on tables, starting levels, and which DM’s are available, according to the same website. Visit dmcomics.com and dnd.wizards.com/adventurers-league.

ART AUCTION GALA
The Jaffrey Civic Center will be hosting its third annual Heart of the Arts Gala Art Auction on Saturday, April 27, at 6:30 p.m. This semiformal ticketed event is an opportunity for people to get dressed up and enjoy a night out while supporting local arts and culture with an artist preview reception that is free to the public on Saturday, April 20, from 5:30 to 7 p.m, according to a press release. Artists from the region contributed 76 pieces to the auction, they will receive a portion of the proceeds from the sale of their art, with the rest going to support the Civic Center, according to the same release. A select portion of the works of art will be auctioned off by artist and auctioneer Harold French, and there will also be a virtual silent auction, which will open at least a week prior to the big event. Tickets are $40 for one, $60 for two. To find the silent auction slideshow, or for tickets, visit jaffreyciviccenter.com/live-auction-items

Zachary Lewis

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