Category: Art & Theater

The Art Roundup 24/03/21

The latest from NH’s theater, arts and literary communities

• Artist receptions: The Chapel Art Center at Saint Anselm College (100 Saint Anselm Drive in Manchester) opened its spring season with “The Intimacy of Seeing, Elsa Voelcker – A Retrospective.” On Friday, March 22, from 4 to 6 p.m. the Chapel Art Center will host an opening reception, with the artist in attendance. Voelcker is a veteran member of the college’s Fine Arts faculty, whose teaching and mentoring in the realm of film and digital photography has benefitted generations of students at Saint Anselm College, according to a press release. The exhibition includes more than 60 works and spans her entire career; it includes a selection of black & white and color prints, as well as some of her handmade photography books. The gallery is free and open to the public Tuesdays through Fridays from 10 a.m. to 4 p.m. and Thursday evenings from 4 to 7 p.m.

An artist’s reception will be held on Saturday, March 23, from 2 to 4 p.m. at the New Hampshire Audubon McLane Center (84 Silk Farm Road in Concord) for Jackie Hanson’s show titled “Human/ Nature,” which runs until Friday, May 17. The show features a unique view of landscapes through pastels by Hanson, who is a recent graduate of New England College and a New Hampshire artist. See nhaudubon.org.

• Printmaking workshop: The Currier Museum of Art (150 Ash St. in Manchester) is hosting a one-day workshop titled “Creative Exploration: Printmaking & Collage Inspired by Raphaël Barontini with Rachael and John O’Shaughnessy” on Saturday, March 23, from 10:30 a.m. to 3:30 p.m. The Currier website describes this workshop as a unique opportunity for adults to learn more about the artist and his ideas while they work with dyed papers, collage and intaglio printmaking techniques to create their own works of art; prior classes and experience are not required, and materials will be provided. Registration is $175 for non-members and $157.50 for members. Visit currier.org or call 518-4922.

• Online art chat: You can virtually meet with the Currier Museum’s education team for “Art Conversations from Home.” These are informal facilitated conversations over Zoom about the Currier’s collection and exhibitions, with a different focus each week, according to their website. Each session is free and lasts 30 minutes. They take place every Wednesday at 1 p.m. until April 24. The conversation on Wednesday, March 20, will be on Andrew Wyeth’s “Day Dream,” 1980, which is from a private collection. Attendance is limited and registration is required, accepted through noon on the day of the event. Visit currier.org.

• Pottery sale: Studio 550 Art Center (550 Elm St. in Manchester) is holding a Spring Cleaning Pottery Sale from Monday, March 25, to Saturday, March 30, noon to 8 p.m. each day, selling pottery, glass and other handmade goods to benefit the International Institute of New England, the Clay for Kids Fund and local artisans, according to a press release. Visit 550arts.com.

• Kids perform Elvis: The Bedford Youth Performing Company (BYPC) will be performing All Shook Up! an homage to Elvis Presley, at the Derryfield School Theater (2108 River Road in Manchester) on Friday, March 22, at 7 p.m. and Saturday, March 23, at 1 and 7 p.m. According to a press release, the performers will take you on a ride into a world of rock ’n’ roll and hijinks in this action-packed musical. Tickets are $17.50 for adults, $15 for students and seniors. Visit bypc.org or call 472-3894.

• The Phil performs Bolero, Hagen performs Double Bass: The New Hampshire Philharmonic Orchestra at the Seifert Performing Arts Center (44 Geremonty Dr. in Salem) will be performing Maurice Ravel’s “Bolero” and more on Saturday, April 6, at 7:30 p.m. and Sunday, April 7, at 2 p.m. Renowned double bass soloist Susan Hagen, who has been an extra player for the Boston Symphony Orchestra for 18 seasons and who became the first female principle double bassist of the Boston Pops Esplanade Orchestra, will be performing Simón García’s Double Bass Concerto, according to a press release. Mark Latham, Music Director of the NH Philharmonic Orchestra, said in a statement that “her talent and passion for the double bass are truly exceptional, and we are honored to have her join us for what promises to be an unforgettable evening of music.” The concert will feature Rimsky-Korsakov’s virtuosic Capriccio Espagnol and music of de Falla and Mozart will be performed as well, according to the same release. Livestreaming will be available for the Sunday performance. Tickets range from $5 to $35. Visit nhphil.org.

• Celtic Woman in Concord: The Capitol Center of the Arts’ Chubb Theatre (44 S. Main St in Concord) will host the 20th anniversary tour of Celtic Woman on Friday, March 22, at 7:30 p.m. Celtic Woman brings a blend of traditional and contemporary Irish music with dancers, bagpipers and traditional Irish instruments like the bodhrán, tin whistle and uilleann pipes, according to a press release. Tickets range from $54.25 to $86.25. Visit ccanh.org

Anastasia
The Derry Opera House (29 W. Broadway in Derry) will be hosting The Majestic Academy of Dramatic Arts as they present Anastasia The Musical: Youth Edition Friday, March 22, through Sunday, March 24. Majestic’s production will star the children and teens of The Majestic Academy of Dramatic Arts under the direction of Collette Foley with musical assistance by A. Robert Dionne, according to a press release. The show transports its audience from the twilight of the Russian Empire to the euphoria of Paris in the 1920s as a brave young woman sets out to discover the mystery of her past, the release said. Show times are Friday, March 22, at 7 p.m., Saturday, March 23, at 2 and 7 p.m. and Sunday, March 24, at 2 p.m. Tickets are $16 for adults, $14 for seniors 65 and above, and $12 for youth 17 and under. Tickets can be purchased by visiting or calling the box office at 669-7469, online at www.majestictheatre.net or at the door prior to the performance.

Classical video games

Symphony NH performs Game Over(ture)

By Michael Witthaus
[email protected]

For many years, video game companies operated like old-school movie studios. Everything was done in-house, including the music. That began to change in the late 1990s, a shift that would impact the life of Austin Wintory, a young composer studying at USC. A lifelong gamer, Wintory had always been intrigued by the scores of Final Fantasy and Legend of Zelda, but he had no interest in working 9 to 5 at a tech company.

“The whole appeal of being a composer is you make your own hours,” he said in a recent phone interview. “You pursue your own opportunities … perpetually take swings and gambles, and bet on yourself. It’s an entrepreneur-type path, like running a small business.”

One day, a fellow student invited him to work on a game he was developing. Wintory recalls it as “very humble, tiny little project” that itself went nowhere, “but it led to him introducing me to some of his classmates … in particular was this guy named Jenova Chen, who was working on his master’s thesis video game project.”

Flow, the game Chen was developing and recruited Wintory for, became an online hit in 2006. Its success led Sony to hire them to code a version for the PlayStation, which had more music composed by Wintory. It became a hit on that platform, as did a sequel (that he didn’t work on).

In 2009, the team reunited to make Journey, a game that “exploded beyond anyone’s wildest imagination,” Wintory said. “It essentially made me a so-called video game composer, even though I’ve never seen myself that way… I was always passionate about games, and always wanting to be a composer. In hindsight … they were always on a collision course.”

Journey became the first video game to be nominated for a Grammy, shoehorned into the “Score Soundtrack for Visual Media” category. Trent Reznor and Atticus Ross’s score for Girl With the Dragon Tattoo took the prize, but Wintory set a precedent that led to the creation of a video game category 10 years later. He’s been nominated both years it’s existed.

He responds with humility at the notion that he’s some kind of trailblazer.

“I honestly find it baffling; I don’t claim to be the one who should have been the first,” he said. “Many iconic scores came before me that simply weren’t nominated.”

Over the years, Wintory has become friendly with Symphony NH Music Director Roger Kalia, and on March 23 and March 24 he’ll guest conduct music from Journey, along with the Final Fantasy Seven’s climactic finale “One Winged Angel,” a piece he sheepishly requested Kalia let him lead at the concert.

“It’s always fun to conduct more than just my own music, but I am the guest, it’s Roger’s show; I’m not trying to pull focus or steal undue podium time,” he said, adding that his selection recalls operatic works like Verdi’s Requiem. “Carlos Orff’s ‘O Fortuna’ from Carmina Burana. It’s a piece in that kind of a vein, an absolute massive grand symphonic statement. It’s a real popular one because that game was just such a landmark.”

Kalia, he continued, has conducted Journey himself several times — on the West Coast where Wintory lives, and with the Evansville Symphony Orchestra. Wintory considers the Game Over(ture) concert, which will also include music from Legend of Zelda, Super Mario Brothers and Prince of Persia,an ideal way to help expand the reach of classical music.

“What I love about these kinds of shows is they’re a real celebration of … cultural touchstones that people are likely to be imminently familiar with,” he said. “I’m a believer in the preservation of the classical repertoire, and the solemn duty orchestras consign themselves to. Making sure that this massive, particularly orchestral canon is well looked after, taken seriously, performed and continuously exposed to new audiences.”

Beyond that, though, is a need for “showcasing the music audience members are likely to have some kind of contact with or familiarity with on a day-to-day basis; not just appeal to so-called classical music lovers. Roger has a very similar mind and is a great advocate of that sort of programming. I’m incredibly lucky and grateful to be a periodic beneficiary of it.”

Game Over(ture)
When: Saturday, March 23rd, 8pm
Location: Capitol Center for the Arts, 44 S. Main St., Concord
Tickets: $20.75 and up at symphonynh.org

Also Sunday, March 23rd, 3pm, Keefe Center for the Arts, 117 Elm St., Nashua ($10 and up)

Featured photo: Avatar of Austin Wintory created by Angela Bermúdez. Courtesy photo.

The Art Roundup 24/03/14

The latest from NH’s theater, arts and literary communities

• Where’s my art? Mosaic Art Collective (66 Hanover St., Suite 201, Manchester) is placing a call for art for their new exhibit, “Rock, Paper, Scissors,” which will run from Monday, April 8, through Tuesday, April 30, with an artist’s reception to be held on Saturday, April 13, from 4 to 8 p.m. The exhibit serves as a metaphorical playground for artists to engage with diverse materials and techniques, according to a press release. The same release invites artists to explore themes related to environmental consciousness, sustainability, biodiversity, and the delicate balance between human existence and nature. For more information about how to submit a piece for the show, see the website or call 512-6209 or email [email protected].

• Where’s my movie? Red River Theaters (11 S. Main St. in Concord) will host a short film festival put on by Creative Guts, a 501(c)3 nonprofit that is devoted to promoting artists in the Granite State and received the 2023 New Hampshire Governor’s Arts Award for Creative Communities. Creative Guts is inviting independent filmmakers from New Hampshire and beyond to submit their short films to a new film festival, which will be hosted at Red River on June 11, according to a press release. The submission deadline is Tuesday, April 30. Films in any genre that are 15 minutes or under are welcome and there is no submission fee, although donations are accepted, according to the same release. Visit CreativeGuts.org.

• Where’s my play? The Derry Opera House (29 West Broadway in Derry) will be hosting The Majestic Academy of Dramatic Arts as they present Anastasia The Musical: Youth Edition Saturday, March 22, through Sunday, March 24. Majestic’s production will star the children and teens of The Majestic Academy of Dramatic Arts under the direction of Collette Foley with musical assistance by A. Robert Dionne, according to a press release. The show transports its audience from the twilight of the Russian Empire to the euphoria of Paris in the 1920s as a brave young woman sets out to discover the mystery of her past, the release said. Show times are Friday, March 22, at 7 p.m., Saturday, March 23, at 2 and 7 p.m. and Sunday, March 24, at 2 p.m. Tickets are $16 for adults, $14 for seniors 65 and above, and $12 for youth 17 and under. Tickets can be purchased by visiting or calling the box office at 669-7469, online at majestictheatre.net or at the door prior to the performance.

• Where’s my muse? The Bank of New Hampshire Stage (16 S. Main St. in Concord) will be graced by three powerhouse singers to honor the divas of rock on Thursday, March 14, at 7:30 p.m., according to a press release. Muse: Divas of Rock is headlined by Jacyn Tremblay, Lauren Rhoades and Karen Carr. Tremblay said in a statement, “This show brings together local and regional female musicians to celebrate the rock voices of past and present … honoring artists like Pat Benatar, Heart, Evanescence, Fleetwood Mac, Paramore, Alanis Morissette, and more!” Tickets are $39.75 online and will cost an additional $5 at the door. Visit ccanh.com.

• Where’s my Irish band? Stockbridge Theatre (44 N. Main St. in Derry) will host the Irish bluegrass band JigJam on Thursday, March 14, at 7 p.m. JigJam made its Grand Ole Opry debut in Nashville in March 2023 to critical acclaim and received a standing ovation from a sold-out crowd as they were joined by Garth Brooks, Trisha Yearwood and others, according to a press release. Tickets cost $25 to $30 and are available at stockbridgetheatre.showare.com or by calling the box office at 437-5210.

• Where’s my other Irish band? The Bank of New Hampshire Stage (16 S. Main St. in Concord) presents Waking Finnegan on Saturday, March 16. The New Hampshire-based band offers a fresh take on Celtic rock that combines the edge and drive of electric guitar with the soul and depth of the upright bass, topped with haunting accordion, fiery fiddle and powerful vocals, all tied together with rockin’ drums, according to a press release. Concert-goers should expect to hear some old favorites in a new way, according to the same release. Tickets online at ccanh.com are $18.75 for general admission, $35.75 for reserved balcony seating; both are $5 more at the door.

Behind the scenes

Bedford Off Broadway presents Blame It On Beckett

In the theater, a dramaturg is a person tasked with combing through stacks of plays in search of any that might be worth doing. Bedford Off Broadway’s Blame It On Beckett, running through March 17, explores what happens when an aspirant to that role collides with the cynical incumbent dramaturg of a nonprofit theater company.

Heidi Bishop, played by Abby Lefebvre, is the wide-eyed newly minted MFA disrupting the scattered coffee cup office world of Jim Foley, a role inhabited by Larry Watson. Jim brushes off Abby’s entry as “a meeting with Mary Poppins,” but when smitten company president Mike Braschi (Jeff Robinson) hires her as an intern, Jim’s life begins to change.

The play’s title is reference to the author of Waiting for Godot, and a dig at innocents like Abby who view theater as life’s highest calling while mistaking him as an exemplar.

“You’re too young to like Beckett,” Jim tells her early on, adding that she only thinks she does because a college professor filled her head with silly ideas.

Further, Jim has decided, via years of reading mediocre works, that there are no worthy new playwrights. Anything worth doing will come from a recognized name or someone with connections. “This office is where great theater goes to die,” he believes, and the dramaturg’s only job is to reject submissions as quickly as possible.

This is advice that Abby decidedly doesn’t heed. From there, the play rollicks forward.

The final character in the play’s quartet of actors is Tina Fike, played by Karyn Russell Merriman. Tina is the company’s star, a veteran playwright whose presence leaves Heidi tongue-tied. Tina and Jim’s connection is seemingly the reason he enjoys his job, as the two thrust and parry while completing her latest work — its success will be critical to all concerned.

Written by John Morogiello and directed by Joe Pelonzi and Declan Lynch, Blame It On Beckett is filled with funny lines. Many are Jim’s; Watson stands out as the play’s star. Nonprofit theater only exists, he complains at one point, to make do-gooders feel better about wasting their money, adding he’d like to see a play written by the NRA.

Jim’s back-and-forth with Abby is hilarious. Asked if her degree intimidates him, he replies, “The only thing that threatens me is that sweater.” However, Abby’s blend of guilelessness and ambition will complicate things for Jim and cause some serious moments in Act Two.

As it’s a play about an obscure job in a niche part of the theater world, some of Blame it On Beckett’s best touches are meta and self-referential. For example, one of the rejected scripts mentioned in the play was written by Morogiello. Another funny moment has Jim telling Abby that no one would ever consider turning their office discussion into a play (like the one they are currently acting in).

Another wonderful element is the many subtle references to Godot, like the company’s “big-name bait” Literary Manager who never comes to the office, the many cigarettes Jim futilely tries to light, the director of Tina’s play, and the employee who’s on maternity leave whom Abby hopes to replace. Like the invisible character in Beckett’s play, none arrive (or ignite). Of course, there’s also the mountain of scripts on Jim’s desk with no hope of seeing a spotlight.

It all adds up to a sophisticated romp that’s snarky, sharp and at times touching. However, the show is aimed at mature audiences, something Director Pelonzi stressed in a recent phone interview.

“There are definitely adult themes,” he said. “To be honest, though, we did clean up some of the language, because there are certain things that we can’t say on stage here. But it’s still pretty edgy. It’s definitely a lot edgier than the normal shows we do in Bedford.”

Blame It On Beckett
When: Friday, March 15, and Saturday, March 16, 8 p.m., and Sunday, March 17, 2 p.m.
Location: Bedford Old Town Hall, 3 Meeting House Road, Bedford
Tickets: $15 ($12 seniors/students) at brownpapertickets.com
Note: Not appropriate for children

Featured photo: Larry Watson and Abby Lefebvre in Blame It On Beckett. Courtesy photo.

The Art Roundup 24/03/07

The latest from NH’s theater, arts and literary communities

• Spring into love: “To Manchester With Love,” the new exhibition from theMosaic Art Collective ( 66 Hanover St., Suite 201, in Manchester; mosaicartcollective.com, 512-6209) is on display now through Friday, March 29. According to a press release, the show is dedicated to celebrating Youth Art Month and the artistic talents of high school students from Manchester. The opening reception will take place on Saturday, March 9, from 4 to 8 p.m.

• Spring on top of a piano: The city’s oldest music series, the Concord Community Concert Association opens its 93rd spring season Saturday, March 16, at 7:30 p.m. at Concord City Auditorium with Mia Vassilev. The internationally acclaimed piano virtuoso Mia Vassilev and Company’s ensemble adds percussion and dance to her dynamic performance style, according to a press release. The same press release stated that every CCCA concert becomes a party for the local music community with special refreshments served before the show and at the artists’ meet-and-greet. There will be a specially themed silent auction to support the artists’ fees. The CCCA season finale concert on Saturday, April 13, with headliner William Florian. The all-volunteer CCCA offers five concerts for a $60 season ticket, and students are admitted free. Tickets for this performance are $20 (free for youth to 18) and are available at the door 90 minutes before the show time or by calling 344-4747. See ccca-audi.org.

• See Simone: The Bookery (848 Elm St. in Manchester) will host TikTok artist Simone on her Open Book tour on Sunday, March 10, as she performs unreleased songs from her forthcoming EP at independent bookstores. According to the Bookery’s newsletter, a meet & greet will follow the performance. RSVP for the performance at laylo.com/simone/m/Crr66, and you can follow Simone at @simonemusic

• Spring into the color: On Sunday, March 10, from 2 to 4 p.m., the Currier Museum of Art (150 Ash St. in Manchester, 669-6144, currier.org) welcomes Theatre Kapow back to present a staged reading of Red, John Logan’s 2009 play unpacking the artistic approach of artist Mark Rothko, according to a press release. The performance will be followed by a facilitated conversation and a gallery visit to view Rothko’s painting “Untitled (Red over Brown),” which is featured in “Toward the New: A Journey into Abstraction,” an exhibition on view at the museum now through March 31. Tickets are $30 for adults, $25 for ages 13-17 and 65+, $10 for members, and free for children under 13.

• Spring into a Shakespeare audition: The Cue Zero Theatre Co. will hold open auditions at the Arts Academy of New Hampshire (19 Keewaydin Drive in Salem) for William Shakespeare’s Long Lost First Play (abridged), a play by Reed Martin and Austin Tichenor, on Tuesday, April 2, at 6 p.m., with callbacks on Sunday, April 7, at 1 p.m. Performances will take place June 21 through June 23. Interested performers should sign up for a time slot on Cue Zero’s website, where you can find more information about preparing for the audition. See cztheatre.com/index.php/get-involved.

• Spring into the mothership: The Players’ Ring (105 Marcy St. in Portsmouth) is beaming up the play Aliens, written by Annie Baker, March 8 through March 24, produced in collaboration with Bardo Theatre Co. The play is described as a painfully beautiful drama as well as afunny, heartening play with music about art, friendship, and love, according to a press release. Showtimes will be Fridays and Saturdays at 7:30 p.m. as well as matinee performances on Saturdays and Sundays at 2:30 p.m. General admission is $28, or $25 for students and 65+. Get tickets and more information atplayersring.org/shows/aliens.

• Spring acting classes: The Palace Youth Theatre’s Palace Academy has a slate of spring classes including Improv and Acting Games I (for grades 1-5; Thursdays at 5 p.m., starting March 14), Improv and Acting Games II (for grades 6 to 9; Thursdays at 6 p.m., starting March 14); Mini Camp (for grades 2 to 6; Fridays at 5 p.m., starting March 8); Scene to Song (for grades 5 to 9; Mondays at 4 p.m., staring March 11); Stagecraft: Props (grades 4 to 12; Fridays at 4 p.m. starting March 8); Scene Study (grades 6 to 12; Fridays at 5 p.m. starting March 8); Intro to Directing (grades 6 to 12; Fridays 6:30 p.m, starting March 8), and Intro to Sketch Writing (grades 6 to 12; Monday at 5 p.m., starting March 11). The cost is $100 for each class series; see palacetheatre.org/pyt/palace-academy to register.

—Zachary Lewis

Art in Nature

NH Audubon in Concord showcases artist Jackie Hanson

Starting Tuesday, March 12, the artwork of New Hampshire native Jackie Hanson will be on display at the Susan N. McLane Audubon Center at 84 Silk Road.

“It is a really nice space,” Hanson said, describing the venue. “Great natural light, plenty of wall space — I feel like I need to make a few more pieces before I hang the show.”

Hanson, a 2022 Bachelor of Fine Arts graduate from New England College (after the New Hampshire Art Institute merged with the school) was thrilled to be asked by the New Hampshire Audubon to exhibit her collection titled “Human/Nature.”

“I do a lot of landscapes and other nature-based things,” Hanson said. This will be her third showing since September.

“I had my art hang at two different public libraries last year,” she said. “The first one was Nashua Public Library. That was in September and October. Then my work went to Amherst Town Library in December.”

The NH Audubon describes this collection on their website as “immersive landscapes that feature both well-known and overlooked vantages.”

Hanson likes to pick and choose how to express an image.

“This show will all be in soft pastel,” Hanson said, “which is kind of like a chalk. That’s what that series of work is, but apart from that I also like to use watercolors, acrylic, wash … I like to jump around in different mediums. I find that if I do switch now and then, then I am better at all of them when I switch again.”

The collection for this show is solid. “I believe I have around 15 or 20 pieces. The biggest one that I have is called ‘Annie C Maguire Shipwrecked Here 1886.’” The painting measures 30 by 62 inches installed.“It is a four-panel, I guess quadriptych, of a panoramic view at Portland headlight in Maine. I named it that because there is a rock that you can see that they have to repaint it every few months because of the tide, but it says the name of a shipwreck that happened there.”

Hanson, as the NH Audubon points out, enjoys the vantage points less traveled.

“I have done a few pieces in this way, where I went to an iconic landscape in New England and I kind of turned away from the classic view, which in this case would be the lighthouse,” Hanson said. “I had it behind me and I was taking a view of the little cove next to it instead. And you can actually see the place that most people stand to take their photo of the lighthouse in my painting.”

Hanson grew up in an artistic family; her mother is an artist and has “always been doing artwork,” she said. “My family and my mom have shaped my idea of what’s beautiful in the world. So I like to promote that with other people, to look for beauty in everyday moments. ”

“I have a full-time job and it can be tricky,” she said; Hanson makes the most of her time, though, “painting at night and on the weekends. As we get into the warmer months, I do a lot of art and craft fairs on the weekends. You can find me all around the state and sometimes into Maine or Massachusetts, bringing my art and prints and cards and stickers of my art to different places. I like to do pop-ups, making it accessible to everyday people to have artwork in their homes. That’s a lot of how I get my art income. I do have my work at a store in Contoocook called Maple Street Mercantile as well.” The majority of her pieces will be for sale at the McLane Center.

Be on the lookout for future shows from Hanson.

“I just finished up an unrelated series that’s in mostly acrylic but some mixed media that’s botanicals, mostly house plants. I wanted to make sure that they had a distinctly feminine aesthetic.” As she sees it, “a lot of the high art world and some of the academic art world doesn’t think that things considered feminine are necessarily worthy…. So, a lot of pink, a lot of vibrant colors. I was thinking: art by a woman for women.”

Human/Nature
Where: McLane Audubon Center, 84 Silk Farm Road, Concord
When: March 12 through May 17; the gallery is open Tuesdays through Fridays 11 a.m to 5 p.m.
An artist reception will be held Saturday, March 23, from 2 to 4 p.m.

More info: “Looking Back: Owl’s Head” by Jackie Hansonart. Courtesy Photo.

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