Books – Page 29

This Will Be Funny Later, by Jenny Pentland

This Will Be Funny Later, by Jenny Pentland (Harper, 341 pages)

You may not have heard of Jenny Pentland, but you’ve probably heard of her mother, an actress and comedian by the name of Roseanne Barr. Barr was the star of the eponymous sitcom that aired on ABC for nine years in the ’80s and ’90s, and I have to confess before we start that I’m not sure I ever watched an episode in its entirety.

As such, I’m not much impressed by the fact that Pentland and her siblings — indeed, her entire family — were the models for the messy TV family known to Americans as the Conners. (In addition to Barr, the show made John Goodman, her TV husband, a household name.)

Truth be told, I’m not much impressed by anything that comes out of Hollywood lately.

That said, Pentland has emerged from relative obscurity to write a surprisingly interesting book that doesn’t demand binge-watching Roseanne as a prerequisite.

It is intelligent and scathing, indicting and forgiving, bitter and loving, a large dose of acid with just the right amount of sweet. Pentland’s childhood was, in effect, kind of horrible by all objective standards, meaning the standards of Child Protective Services — and that was before her mom became famous. “Aside from being half-naked and feral, we were also being raised part atheist, part Jewish and part Wiccan, with a touch of paganism and voodoo thrown in.” For years, the family struggled, graduating from trailers to an apartment to a 500-square-foot bungalow. “We may have been climbing the ladder, but we were still on the lower rungs,” she writes. “We could afford name-brand foods now, but we couldn’t afford to spill them. We still had to make our frivolous purchases, like toys, from other people’s lawns.”

Her dad was a trash collector before he became a mail sorter; her mother struggled to assimilate her creative ambitions with the day-to-day drudgery of having three young children in diapers. Meanwhile, Pentland herself showed signs of a comedic streak even as a child: Her growing collection of dolls, some scavenged by her father from other people’s trash, always had something wrong with them, so she took to diagnosing them with various illnesses — polio, sickle cell anemia, debilitating autoimmune diseases. She even made crutches out of pencils for one of the dolls. Yes, a social worker seeing this would have intervened, but in retrospect, since Pentland turned out OK, it’s wicked good black humor.

Humor got scarcer in adolescence. After her mother discovered her talent at making people laugh at open-mic nights, she began spending less time tending to her children and more time tending her career, and Pentland’s weight started to become an issue; like mother, like daughter. (She says her mother once lost a lot of weight with a diet that allowed her one doughnut and one ice cream cone a day, and nothing else.) Barr would be traveling and come home to find out that everyone had gained five pounds from eating fast food. Then they’d all go on a fad diet. Visits to her grandparents’ “house/feedlot” didn’t help. No surprise, Pentland developed an eating disorder that found her at times eating spoonfuls of granulated sugar or plain pats of butter. At one point, to try to keep their children from eating, the parents literally put a padlock on the refrigerator.

Meanwhile, the relationship between Barr and Pentland’s father was catastrophically unraveling, even as Barr’s star was ascending. When they finally got divorced, he lost not only his kids, but his job writing for the TV show. Pentland and her siblings had to deal with all the ordinary fallout from a family disintegrating, while also dealing with reporters and photographers stalking the family. Then Barr got involved with Tom Arnold, a man 10 years younger than she was, and their lives got even messier.

Through her teen years, Pentland was shuttled from weight-loss camps to wilderness survival programs, some of which have now been described as child abuse. At the start of one, participants were given a can of peaches each, but no way to open them. (The staff just watched as the teens tried to smash them.) In the next phase, they were given nothing to eat but raisins, peanuts, raw cornmeal and beans to eat. She writes of being covered with blisters and mosquito bites, and having to spend a night in the woods by herself. She was 15. Later, when she was done with all that, there were the classes at the Scientology Center.

It is much like driving past a car wreck, only in this book we are invited to look at the horror. What is most amazing about this story is that somehow, inexplicably, it seems to end well. Despite a train-wreck of a childhood and adolescence, Pentland turned out amazingly well. She is now the mother of five (none of whom have polio) and she lives a seemingly idyllic life on a farm in Hawaii. Moreover, her relationship with her mother is confoundingly good. She recently told People magazine, “We communicate at all costs. Even if it’s uncomfortable, annoying or the timing is bad, that’s the priority.”

It is unclear how such a good relationship could have emerged out of what came before, and I still have zero desire to watch Roseanne, but This Will Be Funny Later succeeds as a thoughtful and provocative memoir, even it’s title isn’t always true. A

Book Notes

In February, a young man’s fancy lightly turns to thoughts of strangling the infernal groundhog.

Winter will be with us for a few more weeks, although there are those who say it won’t be with us in a few more centuries. Porter Fox, for example, asks us to consider The Last Winter (Little Brown & Co., 320 pages), his examination of “the scientists, adventurers, journeymen and mavericks trying to save the world” from climate change.

A former fellow at MacDowell, the artists’ colony in Peterborough, Fox grew up on the coast of Maine and has previously written about skiing and the future of snow, so he’s not new to the topic. Depending on how cold you are right now, this might be a dystopian book, or one of hope.

Continuing the theme, poetry fans will want to check out Winter Recipes from the Collective (Farrar, Straus & Giroux, 64 pages) from Louise Glück, an underachiever who has won both a Nobel Prize for literature and a National Book Award and has also been the U.S. poet laureate.

If you prefer short stories, there’s Lily King’s Five Tuesdays in Winter (Grove Press, 240 pages), of which Ann Patchett said, “It filled up every chamber of my heart.”

Skiers will like Winter’s Children, A Celebration of Nordic Skiing (University of Minnesota Press, 448 pages), by Ryan Rodgers, even though it’s mostly about skiing in the Midwest.

And worth dipping back to the past is Winter World: The Ingenuity of Animal Survival (Ecco, 368 pages), which was published in 2003 but is an evergreen discourse on how animals survive through New England winters. It’s by biologist Bernd Heinrich, a professor emeritus at the University of Vermont.

Book Events

Author events

• ERIK LARSON Author presents The Splendid and the Vile. The Music Hall Historic Theater, 28 Chestnut St., Portsmouth. Wed., Feb. 16, 7 p.m. Tickets cost $13.75. Visit themusichall.org or call 436-2400.

• GARY SAMPSON AND INEZ MCDERMOTT Photographer Sampson and art historian McDermott discuss New Hampshire Now: A Photographic Diary of Life in the Granite State. Sat., Feb. 19, 9:45 to 11:45 a.m. Peterborough Town Library, 2 Concord St., Peterborough. Visit monadnockwriters.org.

• HOWARD MANSFIELD Author presents Chasing Eden. Sat., March 19, 9:45 to 11:45 a.m. Peterborough Town Library, 2 Concord St., Peterborough. Visit monadnockwriters.org.

• BECKY SAKELLERIOU AND HENRY WALTERS Becky Sakelleriou presents The Possibility of Red. Henry Walters presents Field Guide A Tempo. Sat., April 16, 9:45 to 11:45 a.m. Peterborough Town Library, 2 Concord St., Peterborough. Visit monadnockwriters.org.

Poetry

• REBECCA KAISER Poet presents Girl as Birch. Virtual event hosted by Gibson’s Bookstore in Concord. Mon., April 11, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com or call 224-0562.

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

I Came All This Way to Meet You, by Jami Attenberg

I Came All This Way to Meet You, by Jami Attenberg (Ecco, 263 pages)

It is apparently the fashion to write a memoir about writing after having achieved at least some modest success. Maybe this isn’t new and goes all the way back to Montaigne, but the trend seems to have accelerated after Anne Lamott’s ever popular Bird by Bird, published in 1994.

Into this space enters Jami Attenberg, a novelist of acclaim whose body of work includes The Middlesteins, her 2012 portrait of a family obsessed with eating; 2017’s All Grown Up (given a B+ here), and most recently, 2019’s All This Could Be Yours.

In I Came All This Way to Meet You, subtitled “writing myself home,” Attenberg gets personal in a refreshingly candid manner. It’s not so much a book as it is a conversation, the sort that occurs at a bar after strangers have had a couple of shots.

It’s a conversation that takes place during the pandemic; Attenberg peppers the memoir with mentions of life during Covid-19 and she occasionally touches on ongoing social issues. But it’s mainly the story of an ordinary woman who got tired of all the ordinariness in her life and set out to build something different. As Attenberg writes in the opening, in which she bluntly summarizes the first 20 years of her working life, most of her jobs were essentially bringing other people’s ideas into being.

“Eventually I thought: What about my ideas? When do I own them?” she writes. “And once I realized that, I couldn’t stop thinking about it. I could not stay where I was any longer.”

In a perfect world, an aspiring writer who comes to this conclusion would then find an oceanside cottage in which to write her first book, ensconced there rent-free except for the task of walking someone’s dog. And for Attenberg, it was in fact a perfect world, at least in this regard.

After she spent decades working invisible, low-paying jobs — to include temping, waitressing, typing, blogging — a supportive friend helped set her up in this space, and Attenberg started bringing her characters to life. But that was the extent of her perfect world. It was a hard slog to get to where she is today, an “Author with a capital A,” and she shares her remembrances of this unglamorous life, much of which involved arduous road trips in an old car, trying to get people to buy her books when people didn’t want them — including, at one point, her publisher, who dumped her after her first few books didn’t sell well.

In many ways it would be hard to find a more unappealing depiction of a novelist’s life, from driving alone in a white-out in Wyoming to being booed at a literary festival when she was introduced as being from Brooklyn.

At one point she says this about a book tour: “I do my event. A Jewish event, a panel of four authors. I sell five books. Thanks, Jews. Another car to the airport, two hours before my flight. And there I sit.”

That paragraph, in all its pith, demonstrates precisely why this memoir is so engrossing. Attenberg is completely uninhibited; you never know what she is going to say next. The writing is as choppy as the sea, and as unpredictable, as is her life story, which she unspools gradually.

As much as the memoir is about Attenberg, it’s also about her friends. Despite being a generally anxious person, she has the enviable talent of finding and cultivating friends, such as the Alaska mom she met in Guatemala when she was doing travel writing — a woman who travels internationally for a month by herself every year — or the younger Italian novelist she spotted at a literary festival wearing a black Victorian gown. (“I immediately thought: Her, I must know.”)

On the subject of friendship, Attenberg waxes philosophical, writing: “The thing about bad friends is you never realize when you’re being one until it’s too late. Forgiveness and understanding? Not in this economy.”

She also brings that candor to writing about her romantic relationships. One, undertaken after a solitary trip to Sicily during which a restaurant refused to seat her because she was alone, was particularly promising: “No children, no desire for them whatsoever. No old marriages rotting in the past. We both owned our own homes. We both had flexible schedules. He even promised to quit smoking for me.”

There may have been no children, but a beautiful essay grew out of this relationship, about their trip to a “bone chapel” in Portugal — Capela dos Ossos, circa the 16th century, built using the remains of more than 5,000 people. Visiting it, Attenberg writes, she was “in a state of thrall to the bones.”

“Everything was dead … and yet it felt so alive to me at the same time. It was designed for thought. Alive and dead, stories everywhere. Thousands of possibilities, thousands of stories. The bones had been brought together in this space, the bones would never be alone. They have each other, I thought. And all of us, visiting them, every day.”

Bones became a metaphor for her life, and ultimately for the relationship as well. She is a work in progress, as we all are, but just is more talented than other people in lassoing the mess into art.

To call Attenberg an original thinker is an understatement. Her words crackle like an overbuilt fire, and whether or not you’ve read her work previously, this thoughtful memoir is worth a look. A

Book Notes

With Valentine’s Day coming up, you’re probably scouring the shelves of your local independent bookseller looking for the perfect book to give to your significant other. If you’re not, you should be. Chocolate is gone in a week. The perfect book may outlast your relationship.

You can buy love poems, of course — a new title is Love by Night (192 pages, Andrews McMeel) by SK Williams. But these are not to be confused with poems about love, such as Please Love Me at My Worst(Andrews McMeel, 144 pages), last year’s collection by Michaela Angemeer.

You can buy books about great relationships other people had — such as Dear Scott, Dearest Zelda (Bloomsbury, 432 pages), the story of F. Scott and Zelda Fitzgerald’s marriage in their own words. Or books that promise to help you have a great relationship of your own, such as Fierce Love, Creating a Love That Lasts — One Conversation at a Time (Thomas Nelson, 240 pages).

Or you can forget the cheesy sentimental stuff and give your significant other a book about love that isn’t really about love, but just has love in the title and is a cool and interesting book. To wit: Love Poems (for Anxious People) by John Kenney, known for his writing in The New Yorker and also for two previous books, Love Poems for Married People and Love Poems for People With Children. It’s from G.P. Putnam’s Sons, 112 pages. With poems titled “Here comes someone whose name I should know” and “Am I meditating yet?” these are not really love poems, but that’s kind of the point.

I Love You But I’ve Chosen Darkness (Riverhead, 304 pages) by Claire Vaye Watkins is a novel released last fall that’s probably more of a wry gift for your BFF when you exchange cards about how much you hate Valentine’s Day. But we can’t resist the title. Premise: Woman with postpartum depression leaves her baby and husband and goes all Thelma and Louise without the Louise. It’s widely described as hilarious.

The Love Songs of W.E.B. Du Bois (Harper, 816 pages) by Honoree Fanonne Jeffers was an Oprah’s pick last year and Barack Obama said it was one of his favorite books. It’s a novel that reads like poetry and it is not actually about Du Bois, the late Civil Rights activist, historian and sociologist, but his words are interspersed throughout.

But there are limits to how edgy you can be when selecting a book with love in the title. The ‘I Love My Instapot’ Anti-Inflammatory Diet Recipe Book: Not recommended. If that’s your only choice, go with the candy.

Book Events

Author events

• HOWARD MANSFIELD Author presents Chasing Eden. Sat., March 19, 9:45 to 11:45 a.m. Peterborough Town Library, 2 Concord St., Peterborough. Visit monadnockwriters.org.

Poetry

• ROB AZEVEDO Poet reads from his new book of poetry, Don’t Order the Calamari. The Bookery, 844 Elm St., Manchester. Thurs., Feb. 3, 6 p.m. Visit bookerymht.com.

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

The School for Good Mothers, by Jessamine Chan

The School for Good Mothers, by Jessamine Chan (Simon & Schuster, 325 pages)

Parents are more likely to have a child taken away from them by the government than by a stranger. Yet for most of us, Child Protective Services enters our consciousness only when we hear of its failure.

An alternate world is presented in Jessamine Chan’s debut novel, The School for Good Mothers, in which the state vastly oversteps its bounds and is given terrifying power over families when someone is accused of child neglect or abuse.

The story is about a single mother, Frida, who, overcome by exhaustion and stress, makes the shockingly bad decision to leave her toddler alone while she goes to get coffee and pick up some forgotten work at the office. Neighbors call the police when the child, named Harriet, starts crying.

When the police call Frida to say they have her child, she is overcome with guilt and rushes to the station, expecting to pick up her child after sufficient explanation and groveling. Instead, she finds herself in a cascading nightmare.

The police let Frida’s ex-husband, Gust, take Harriett to the home he shares with his young girlfriend. They tell Frida that she will have to convince Child Protective Services of her worthiness before she can have her child again. This isn’t just today’s Social Services, however, but a 1984-ish imagining of a state darkly empowered by surveillance technology and the belief that the state knows more about proper child-rearing than parents.

Soon after Harriett goes home, two men from Child Protective Services arrive to inspect her home and outfit it with cameras. They will be watching, even without Harriett in the home, in order to assess Frida’s fitness to mother her child. They explain that artificial intelligence will use the footage to analyze her feelings, that this will be fair because it eliminates human error.

Frida accepts this because she has no choice; it’s a condition for getting her child back. But so are monitored visits with Harriett with a social worker watching — visits in which she is expected to play with her toddler in her ex-husband’s house, the same daughter who now feels abandoned by her mother.

Not surprisingly, these visits go spectacularly poorly, and eventually Frida is deemed “insufficiently contrite” and a “narcissist with anger-management issues and … poor impulse control.” She is given her last option: to submit to a year’s stay at a state-run facility at which she and other mothers accused of neglect or abuse are taught how to be “good” mothers. At the end of the year, the state will decide whether she can have her child back.

Chan engages a politically fraught topic in the age of debate over free-range parenting, the ethics of nanny cams and other forms of surveillance, and whether parents or educators should decide what children are taught in public school. But she has crafted an elegant and engrossing story that only once steps out of the narrative (and then only briefly) to mention contemporary conflicts. Other than a few paragraphs, this is a story about Frida alone, and she is a complicated and bewilderingly sympathetic protagonist.

Although Frida insists she had one very bad day in her mothering career — her lawyer coaches her to call it a “lapse in judgment” — it was an extraordinarily bad day, and the fact that she had barely slept the night before does not absolve her of leaving a toddler alone in an exercise saucer for nearly two hours. Even though the child wasn’t hurt, it was a horrific offense, and it seems right that the state conduct a review for Harriet’s sake.

But compassion grows as we learn more about Frida’s circumstances — the discovery of her husband’s affair while she was still pregnant, the over-involved girlfriend who texts parenting advice to Frida and posts pictures of Harriett on social media, the shared custody arrangement that forces Frida to work while caring for a sick child on her own.

But again, there are no stereotypes here, just human beings in varying stages of imperfection. The father who left Frida also held her hand in divorce court; the girlfriend who seems to want the child for her own testifies on behalf of Frida’s parenting.

The only true villains here are the smug, condescending “playground moms” who look down on the parenting of others, and of course the state.

Its arrogant and overreaching arm, which coldly keeps Frida from the child who gives her life purpose and meaning, becomes so much of a villain that we wish the Avengers would swoop in.

Chan has a delicate touch and she refrains from overt moralizing; moreover, The School for Good Mothers is an extraordinary first novel because Frida is not one-dimensional. She did a terrible thing and we never really understand why she did it. But Frida is not quite an antihero, either; she loves her child desperately and did many things right before the state began training its eye on the things it believes she does wrong. As such, it’s a nuanced and intelligent novel that is also thoroughly absorbing, the sort of book you can breeze through on a weekend but will think about all the next week. A

Book Notes

Last week, we started running through a literal Book of the Month club for 2022, choosing the best-reviewed books that have a month in the title.

So far, we’ve had The Ten Thousand Doors of January by Alix E. Harrow; February House by Sherill Tippins; March: A Novel by Geraldine Brooks; One Friday in April by Donald Antrim; Eight Days in May by Volker Ullrich; and Seven Days in June by Tia Williams. On to the rest of the year.

July: The most recent is a book of poetry, July (Sarabande Books, 120 pages), published last June by New York writer Kathleen Ossip. NPR named it one of its “books we love.” But you can also go back to 2014 for the Tim O’Brien novel July, July (Houghton Mifflin, 322 pages), a story of 10 friends attending their 30th college reunion.

August: Snow in August (Little, Brown & Co., 320 pages) by the late Pete Hamill, former editor of the New York Daily News, is the best we can do, although this takes us back to 1997. It’s the story of a friendship that bloomed between an Irish Catholic boy and a lonely Brooklyn rabbi.

September: The Fortnight in September (Scribner, 304 pages) is a 1931 novel by R.C. Sheriff that was reissued last fall as a 90th anniversary paperback edition. NPR called it a “gift” that came back into the public consciousness during the pandemic. It’s also described as a “timeless classic” and is about a family of five vacationing on the coast of England.

October: The End of October (Knopf, 400 pages) by Lawrence Wright, a writer for The New Yorker, is about a deadly pandemic that begins in Indonesia and spreads across the world. Stop us if you’ve heard this one before.

November: November Road (William Morrow, 320 pages) is a 2019 thriller by Lou Berney. It’s set at the time of the John F. Kennedy assassination, and involves a mobster on the run who picks up a mother and kids on the side of the road and gives them a ride in exchange for his cover: disguising himself as an insurance salesman on a trip with his family.

December: Lots of choices here, many of them terrible, but let’s go with Lost in December (Simon & Schuster, 368 pages), a novelized retelling of the Bible’s “prodigal son” story by the wildly popular Richard Paul Evans, author of The Christmas Box. Scoff all you want, but it’s got five stars on Amazon. Guess we’ll need to read The Christmas Box, too.

Book Events

Author events

• TOM RAFFIO Author presents Prepare for Crisis, Plan to Thrive. The Bookery, 844 Elm St., Manchester. Thurs., Jan. 27, 5:30 p.m. Visit bookerymht.com.

• CHAD ORZEL Author presents A Brief History of Timekeeping. Virtual event hosted by Gibson’s Bookstore in Concord. Thurs., Jan. 27, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com or call 224-0562.

• ISABEL ALLENDE Author presents Violeta. Virtual event hosted by Gibson’s Bookstore in Concord. Sat., Jan. 29, 7 p.m. Via Zoom. Registration and tickets required, to include the purchase of the book. Visit gibsonsbookstore.com or call 224-0562.

• JOHN NICHOLS Author presents Coronavirus Criminals and Pandemic Profiters. Virtual event hosted by Gibson’s Bookstore in Concord. Tues., Feb. 1, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com or call 224-0562.

Poetry

• ROB AZEVEDO Poet reads from his new book of poetry, Don’t Order the Calamari. The Bookery, 844 Elm St., Manchester. Thurs., Feb. 3, 6 p.m. Visit bookerymht.com.

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

Out of Office, The Big Problem and Bigger Promise of Working from Home, by Charlie Warzel and Anne Helen Petersen

Out of Office, The Big Problem and Bigger Promise of Working from Home, by Charlie Warzel and Anne Helen Petersen (Knopf, 272 pages)

We are just now beginning to see how Americans’ work lives may have forever been changed by the pandemic, and in Out of Office, Charlie Warzel and Anne Helen Petersen craft a vision for how things could be better for the so-called “knowledge workers” who are able to do some or all of their jobs remotely. With some companies already announcing that they will be fully or partially remote even after the pandemic ends, this isn’t necessarily cause for celebration for people sick of working in their basements. But the authors begin by arguing that what we’ve been doing for the past two years isn’t truly remote work, but remote work during a stressful pandemic while homeschooling and wondering where the next roll of toilet paper is coming from. In other words, forget the past two years. Instead, dream with them about working fewer hours with no commute, fewer unnecessary meetings, more time to focus on the most important and fulfilling aspect of your job. It’s not The 4-Hour Workweek promoted by Tim Ferriss, but a more realistic fantasy.

And it’s necessary, the authors say, because the workforce is “collapsing” under the pressure of what they called fetishized standards of productivity and the hours we work: more than workers in other Western nations.

Among their points:

• To improve work life, we need not boundaries but guardrails. Boundaries are permeable. Guardrails protect. “Not because we’re fragile or undisciplined, but because the forces that undergird work today — especially the obsession with growth and productivity — are indiscriminate in their destruction,” the authors write. Other countries have guardrails that have been legislated, such as France, which passed a law in 2016 aimed at discouraging people who work at large companies from sending or replying to emails after working hours.

• Four-day work weeks can be achieved when companies eschew “faux productivity” and focus on getting important stuff done in less time. Companies can create policies that don’t accidentally discriminate — for example, childless people should be entitled to leave or sabbaticals without going to the trouble of having a baby. Like remote work, flexibility in employment is not necessarily a perk, the authors argue, but an opportunity to work 24-7. True flexibility would be like the software developer who gets much of his thinking done on a hiking trail, or the graphic designer who works for a few hours in the middle of the day, then three hours in the evening, building her day around the needs of her young children.

Companies like theirs operate with a culture of trust, “granting real freedom to make small and occasionally large decisions about when work should be done. … They’re focused not on immediate growth but on long-term vision: retaining valuable employees in a competitive industry.”

• Be suspicious of companies that present themselves as a family, rhetoric that emerged in the past half-century. “Treating your organization as a family, no matter how altruistic its goals, is a means of breaking down boundaries between work and life.” What many of us need is not a work “family” to compete with our own, but more emotional distance from all-consuming work.

In recent years, tech companies have normalized lavish perks that have contributed to this sense of work being a second home, from pool tables and pinball in break rooms, to free gourmet coffee and snacks, to bring-your-dog-to-work days. In order for a new hybrid model of work to succeed, offices need to be less appealing to workers, not more. Otherwise, remote workers already anxious about their relative invisibility, compared to people who keep showing up, suffer FOMO, fear of missing out, leading to even more stress. Companies need to create a culture in which there is truly a level playing field whether you’re remote or in an office building, Petersen and Warzel say.

• Remote workers contribute to their own stress by doing something that the authors call LARPing; the acronym stands for live-action role playing, and we do it at work when we become obsessed with constantly looking like we’re working, even when we ostensibly shouldn’t be. (An after-hours response to an email or Slack message is an example.) “A flare sent into the air to show you’re working incites others to send up their flares, too,” the others write.

In the end, Petersen and Warzel describe today’s knowledge workers as enduring a sort of carnival horror house of employment. In doing so, they make remote work sound worse than it is; there’s a reason so many workers are refusing to go back to the office, and it’s not all Covid-19-related. On the other hand, there’s also a reason for what’s been called the Great Resignation, and it’s not that we’re all clamoring to drive for Amazon.

Post-pandemic, we’re not going back to the lives we led in 2019, and Out of Office is part of the thoughtful conversation that needs to take place before we mindlessly take on other ghastly routines. Not every idea presented here is sterling; I’m deeply suspicious of the authors’ argument that cutting back on office time frees us to volunteer in our communities. That may solve some societal problems, but still leaves us with exhausted citizens. Also, the ideas presented in Out of Office may inspire hope among knowledge workers, but most have little power to change their own circumstances; it’s their bosses who need to read this book and sign on to the ideas. Workers can, however, help to foster change by thinking about why they revere hyperproductivity, a mindset the authors argue is a relic of the agrarian past. “Who would you be if work ceased to be the axis of your life?” they ask. While much of this book could be condensed into an article in The Atlantic, it’s good that the authors are posing the question they raise here. B-

Book Notes

Reader’s Digest Condensed Books are a thing of the past (we have SparkNotes with which to cheat-read now), but there are still “Book of the Month” clubs out there that offer to send you a book every month in the genre of your choice. Given that Americans read 12.6 books, on average, in 2021, according to Gallup,they’ve at least got the pacing down right.

But there’s another way to see books of the month — quite literally.

Last year, for example, The Ten Thousand Doors of January by Alix E. Harrow came out in paperback (Redhook, 416 pages). It’s a well-reviewed novel about a 17-year-old girl from Vermont named January who finds a peculiar book that leads her on a fantastical adventure. Reviewers called it magical and inventive.

Let’s move onto February: February House (Mariner Books, 336 pages) is “the story of W.H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, under one roof in Brooklyn.” And you thought your bathroom was crowded. Sounds a bit like the Algonquin Roundtable, 24-7.

March: No way to begin spring without Little Women, so let’s do March: A Novel (Viking, 288 pages) by Geraldine Brooks, who envisions the Civil War experiences of the absent father of Meg, Beth, Jo and Amy.

April: One Friday in April: A Story of Suicide and Survival (W.W. Norton, 144 pages) is a gripping memoir by Donald Antrim, released last fall about his near suicide and struggles with depression.

May: Eight Days in May (Liveright, 336 pages) is another fall 2021 book that examines the collapse of the Third Reich. The author, Volker Ullrich, is a German historian, and the book was translated into English by Jefferson Chase.

June: Seven Days in June (yes, there’s a pattern here) is a celebrated novel by former beauty editor Tia Williams released last June (Grand Central Publishing, 336 pages). It’s about a pair of writers who had a fleeting romance as teenagers, then parted ways yet continued to write about each other in their books — while pretending not to know each other as adults.

Promising stuff here, if you missed these books when they first came out. Next week: July through December.

Book Events

Author events

• TOM RAFFIO Author presents Prepare for Crisis, Plan to Thrive. The Bookery, 844 Elm St., Manchester. Thurs., Jan. 27, 5:30 p.m. Visit bookerymht.com.

• CHAD ORZEL Author presents A Brief History of Timekeeping. Virtual event hosted by Gibson’s Bookstore in Concord. Thurs., Jan. 27, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com or call 224-0562.

Book Sales

• USED BOOK SALE Used books for $1, $3 and $5. GoodLife Programs & Activities, 254 N. State St., Unit L, Concord. Jan. 10 through Jan. 21 (closed Jan. 17). Monday through Friday, 9 a.m. to 4 p.m. Visit goodlifenh.org.

Poetry

• CAROL WESTBURG AND SUE BURTON Virtual poetry reading hosted by Gibson’s Bookstore in Concord. Thurs., Jan. 20, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com or call 224-0562.

• ROB AZEVEDO Poet reads from his new book of poetry, Don’t Order the Calamari. The Bookery, 844 Elm St., Manchester. Thurs., Feb. 3, 6 p.m. Visit bookerymht.com.

Sweat, A History of Exercise, by Bill Hayes

Sweat, A History of Exercise, by Bill Hayes (Bloomsbury, 221 pages)

Every time a new study comes out about the benefit of exercise, there’s a sort of breathlessness about it, as if the authors have come across some undiscovered bit of wisdom that will change hearts and minds — and bodies.

Exercise does that, of course, but this is not a new development. Joe De Sena built a fitness empire on the concept of “Spartan Fit” and Sparta was last a player in ancient Greece. Most of us know at least a vague history of the Olympic games, and that physical fitness was a key component in the education of young men in ancient societies. “To achieve excellence, we first must sweat,” the Greek poet Hesiod wrote in 700 B.C.

It’s surprising, then, that when New York writer Bill Hayes set out to learn more about how exercise became a human compulsion, he found few contemporary histories on the subject, but found a comprehensive one written in 1573. Called De arte gymnastica (in English, the Art of Gymnastics), the work was compiled by an Italian physician, Girolamo Mercuriale, and written in medieval Latin. It was, Hayes would later be told, the sort of book that medieval intellectuals kept on their bookshelves but never read, “like the Bible or Infinite Jest.”

Mercuriale himself had set out to do precisely what Hayes does here: to comb through centuries of accounts of how people exercised and why they exercised, going back to the fifth century BC. There was, of course, exercise as a form of preparation for war. The Spartans, in particular, organized their society around principles of building not just men but warriors. But in other Greek societies, there was a culture of exercise more similar to the luxurious athletic clubs of today: While men went to athletic facilities known as “palestras” to strenuously train and challenge their bodies, there were also physical pleasures to be found there, such as saunas, bathing rooms and “oiling” rooms, where athletes would be rubbed with scented olive oil.

The goal, however, according to Mercuriale, should not be to become more physically attractive but to live a long and healthy life — in contemporary lingo, to have not just a long lifespan but a long healthspan. “Those who exercise moderately and appropriately can lead a healthy life that does not depend on any drugs, but those who do so without proper care are racked by perpetual ill health, and require constant medication.”

What’s amazing about Mercuriale’s conclusions, and similar ones by Plato, Hippocrates and the second-century physician Galen, is that they came in a time in which people got a lot of things wrong about health. They believed, for example, that illness was caused by imbalance in the four humors (blood, phlegm, yellow bile and bile), and that people could be healed with practices such as letting leeches suck their blood. But on exercise generally, these guys got it right, even if they did some weird things along the way, like collecting the sweat of athletes to use as a healing balm for hemorrhoids and genital warts.

Hayes is the the author of six other books, including Sleep Demons, a memoir about insomnia, and Five Quarts: A Personal and Natural History of Blood. He is also known as the partner of the legendary late physician Oliver Sacks, and has written about other aspects of medical history before, including a nonfiction book that examines how the medical classic Gray’s Anatomy came to be. So it’s a little disappointing that Sweat sometimes devolves into more of a personal blog rather than an erudite history. This happens when Hayes drops in his own workouts, from mastering the crow pose in yoga to taking a boxing class. He may be an accomplished author, but he never convinces me to care deeply about his sports injuries, even when he slammed into a rock once while he was swimming. Not that I’m not sympathetic to head injuries, but it wasn’t what I came for.

That said, it was interesting to learn about the exercise habits of diverse, interesting people, from the late Justice Ruth Bader Ginsburg, who famously did 20 military-style push-ups each day, even in her 80s, to an Italian publisher and translator of Mercuriale who rings 600-pound church bells for exercise. Fun fact on the topic of unusual forms of exercise: Mercuriale counted laughing, crying and holding one’s breath as exercise, another reason to like him. And again Mercuriale was prescient: a belly laugh has been likened to “jogging for the innards.”

Hayes received funding from two foundations that enabled him to travel around the world to research this book, in part by inspecting old and rare books, aided by friendly librarians. (This in itself offered a glimpse into a strange world, as when he wrote that the librarian “placed a clean white pillow on the table top — a soft bed for these often fragile volumes — and provided a fresh package of handwipes” in order that he could clean his hands thoroughly in between books.) He also took an eight-week class that certifies people to become personal trainers, not to become one (although he did become certified), but just to learn about the process and more about the human body.

As with any book that runs the gamut from Pliny the Elder to Jane Fonda, Sweat attempts to cover a marathon in the space of a 5K. It’s a perfectly serviceable book, but not one that’s particularly memorable, since for so much of it the reader is subjected to watching the author travel and exercise. At least he had fun, so there’s that. As for advice, it’s hard to top this from Galen’s The Art of Medicine, dating from 180 A.D.: “Exercise should cease as soon as the body begins to suffer.” If, for you, that’s the moment you step out the door, best move on to another title. B-

Book Notes

If you haven’t heard, birds aren’t real. They’re drones sent by the federal government to spy on us, according to a tongue-in-cheek movement. But that doesn’t mean we shouldn’t feed them and enjoy looking at them when we’re trapped inside by miserable weather.

There is no “birds aren’t real” book — not yet, anyway — but there’s been an equally cheeky book leading the “bird field guides” genre on Amazon recently. The Field Guide to Dumb Birds of the Whole Stupid World (Chronicle, 176 pages) is Matt Kracht’s followup to his The Field Guide to Dumb Birds of North America, published in 2019 (Chronicle, 176 pages). Kracht, who lives in the Pacific Northwest, is gaming the system by showing up here. While the books are in the field-guide format, and technically about birds, they’re pure humor, and crude humor at that.

What’s really fascinating, though, is that Kracht’s take is not especially original. The same year Kracht’s first book came out, Aaron Reynolds gave the world the Effin’ Birds: A Field Guide to Identification (Ten Speed Press, 208 pages), which has even more profanity and absurdity than Kracht’s books offer. (Who knew there was such animosity toward birds?)

Effin’ Birds is cultural commentary wrapped in bird bodies, with Reynolds inventing creatures such as the “spotted do-nothing” and the “peevish ringneck.” It too is kind of juvenile in its humor, but also kind of funny, as we all have a spotted do-nothing in our life.

If you prefer to take your birding more seriously, Princeton University Press recently published How Birds Evolve, What Science Reveals About Their Origin, Lives and Diversity by New York evolutionary biologist Douglas Futuyma (320 pages).

And last year, Deckle Edge published a new version of The Bedside Book of Birds, an Avian Miscellany, by the late Canadian novelist Graeme Gibson, with a foreword by Margaret Atwood (392 pages).

But you’ll have to wait a few months for the book you really need: an actual field guide, snark-free: Birds of New Hampshire. It’s by Marc Parnell and is part of the Birding Pro series. (Naturalist and Traveler Press, 272 pages, coming March 22).

Book Events

Author events

• TIMOTHY BOUDREAU Author presents on the craft of writing short stories. Sat., Jan. 15, 9:45 to 11:45 a.m. Peterborough Town Library, 2 Concord St., Peterborough. Visit monadnockwriters.org.

• TOM RAFFIO Author presents Prepare for Crisis, Plan to Thrive. The Bookery, 844 Elm St., Manchester. Thurs., Jan. 27, 5:30 p.m. Visit bookerymht.com.

• GARY SAMPSON AND INEZ MCDERMOTT Photographer Sampson and art historian McDermott discuss New Hampshire Now: A Photographic Diary of Life in the Granite State. Sat., Feb. 19, 9:45 to 11:45 a.m. Peterborough Town Library, 2 Concord St., Peterborough. Visit monadnockwriters.org.

Book Sales

Poetry

How To Live Like a Monk, Medieval Wisdom for Modern Life, by Daniele Cybulskie

How To Live Like a Monk, Medieval Wisdom for Modern Life, by Daniele Cybulskie (Abbeville Press, 175 pages)

When modernity fails, antiquity beckons. That is the conclusion to be drawn from renewed interest in lifestyles vastly different from the high-consumption, low-contemplation and tech-driven models so prevalent today.

This is seen in the popularity of Twitter’s “Lindy Man,” a lawyer turned lifestyle guru who exhorts people to consult ancestral wisdom in order to lead a more fulfilling life, and the trend toward tiny houses, minimalism and other scaled-back systems of living that previous generations of poor people sought to escape. Into this space comes Daniele Cybulskie, a medieval historian and self-described professional nerd who has built up a niche following with a podcast on medieval life. Her fourth book, How to Live Like Monk, seemed a promising escape from the excesses of the holiday season, and it has glimpses of potential, but ultimately devolves into boilerplate cheerleading for gratitude and simplicity, a la Sarah Ban Breathnach of the Simple Abundance brand. That said, it’s a book well worth skimming, especially if you’re a trivia buff.

“Abundance” is not a word typically associated with monks, whose lifestyle, as we all know, is distinguished by austerity. But here’s the thing. What do you really know about monks, or nuns or other people of disparate religious beliefs who lead cloistered lives? You have Trappist beer or jelly in the house but know nothing about why monks make beer anyway. Cybulskie does not examine the lives of modern monks (which seems an oxymoron), but looks at their predecessors, and when she is focusing on history, and not giving advice, this handbook is fascinating.

Who knew, for example, that early monks were allotted a gallon of beer a day, or that despite their rigid schedule of prayer and chores, their lives were pretty much an intellectual’s dream, filled as they were with mealtime lectures and quiet reading hours? Monastery life was often foisted on young children, whose parents would turn them over to an order if they could not afford to raise or educate them (or if they wanted bonus points in the afterlife). And sometimes criminals took refuge in a monastery to avoid punishment (think Jean Valean). But many people chose the lifestyle freely, as there is something to be said for living in a peaceful commune where you don’t have to worry about how to pay the rent or what to wear. (Monks were typically given two outfits — one to wear while the other was being washed — and one pair of shoes, which were replaced every year.)

For all their simplicity, the grounds of a monastery were typically glorious, not only because they were to be a reflection of God’s glory, but because a key ministry of monks was providing comfortable lodging for travelers, a tradition that continues today, or at least that did before Covid. As for food, monks are not known for feasting, but they were Whole Foods before Whole Foods existed, with their own orchards, herb and vegetable gardens, and fish ponds. They generally shunned the flesh of four-legged animals, but ate poultry and fish, and there is record of one medieval monastery accepting eels as payment for rent. Monks were also way ahead of us on the whole green burial thing, accepting “dust to dust” as a lifestyle and even burying their dead in their orchards. Like the early Christians, monks of the Middle Ages were somewhat obsessed with death, ordering their lives around their hopes for the afterlife and sincerely believing that they lived in end times. Of course, like everyone else who lived before antibiotics, death was always a breath or two away, which gave rise to skull art and jewelry known as “memento mori” — Latin for “remember you must die.”

Cybulski concedes this to be a sort of “grotesque emphasis” on death and struggles to recommend it to her readers, but finds other monkish practices to suggest. Some are banal: Embrace minimalism! Don’t overspend! Supercharge habits! But there are nuggets of seriousness here, thought truffles worth digging for, and one of the monks’ most famous traditions, an emphasis on silence, is something sorely needed in the noisy lives that many of us live. Saint Benedict, originator of arguably the most famous guide for living like a monk, the Rule of St. Benedict, decreed that monks should not speak out loud except by permission or in services. He believed that “mindless chatter was at best distracting and at worst destructive.” By cutting out the small talk, he effectively kept monks from grumbling, and instead filled their minds with edifying words read during their communal meals.

On the website for Saint Anselm College in Manchester, home to a community of Benedictine monks, you can read Brother Isaac’s blog, which shows that despite a societal yearning for the past, the past’s institutions are keeping up with modern times. The concept of a blog might have been distressing for St. Benedict, but at least you can write one in silence. This saintly little handbook fails to ascend to intellectual heights, and its compact size reduces the usefulness and beauty of its otherwise compelling photographs and art, but it will nonetheless stimulate interest about cloistered life, past and present. C

Book Notes, New Year Edition

According to social scientists, you will likely abandon your new year resolutions between Jan. 19 and Feb. 1, but until then, keep the faith. In order to help with your plans to be thinner, smarter, kinder, richer, more organized and better dressed, here’s a lineup of books, both from past years and upcoming, that promise to help with your goals, fleeting as they may be.

Atomic Habits (Avery, 320 pages) by James Clear was published in 2018 but is still atop Amazon’s bestseller list. The author promises “tiny changes, remarkable results” that can apply to anything you’re resolved to do this year.

Brene Brown was a research professor before she broke into the Oprah-esque popular culture space. Her new book, Atlas of the Heart, is about “mapping meaningful connection and the language of human experience,” whatever that means (Random House, 336 pages). Its genre is emotional self-help. That said, Amazon has said it’s one of the best books of the year, so worth checking out.

The Blue Zones Challenge is the latest from Dan Buettner, who studies people who live in the blue zones, the areas of the world where people live the longest. This workbook encompasses four weeks of changes with the goal of having a “longer, better life,” which fits nicely with the four weeks with which most of us stick with our resolutions. It’s from National Geographic, 240 pages.

Organizing for the Rest of Us (Thomas Nelson, 224 pages) comes out Jan. 22. Dana K. White offers 100 “realistic” strategies to keep our homes under control. She says that cleaning is the last step of a three-step process; the first is decluttering and the second is managing day-to-day stuff. Doesn’t look like there’s much new here, but could be an inspirational pep talk.

Baby Steps Millionaires (Ramsey Press, 224 pages) is by financial guru Dave Ramsey, who has taken some PR hits this year in accusations of a cult-like atmosphere at his Tennessee headquarters. Millions of people follow his plans, however, and his new book, releasing Jan. 11, promises to teach ordinary people how to build extraordinary wealth. Don’t read unless you’re willing to cut up your credit cards.

Finally, in what’s possibly the most unappealing title of a diet book ever, there is Dr. Kellyann’s Bone Broth Diet (Rodale, 416 pages), which is only slightly more appetizing than my proposed counter-title, Lose Weight and Gain Energy Eating the Slimy Contrails of Backyard Slugs. But OK. Kellyann Petrucci is a “concierge physician” for celebrities, and she says we can lose 15 pounds, 4 inches and an unspecified number of wrinkles by following her plan. At $17.99, it’s cheaper than Botox. Let me know if it works.

Book Events

Author events

• JAMES ROLLINS Author presents The Starless Crown, in conversation with Terry Brooks. Virtual event hosted by Gibson’s Bookstore in Concord. Mon., Jan. 10, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com or call 224-0562.

• TIMOTHY BOUDREAU Author presents on the craft of writing short stories. Sat., Jan. 15, 9:45 to 11:45 a.m. Peterborough Town Library, 2 Concord St., Peterborough. Visit monadnockwriters.org.

• TOM RAFFIO Author presents Prepare for Crisis, Plan to Thrive. The Bookery, 844 Elm St., Manchester. Thurs., Jan. 27, 5:30 p.m. Visit bookerymht.com.

Book Sales

Poetry

Category: Books

This Will Be Funny Later, by Jenny Pentland

I Came All This Way to Meet You, by Jami Attenberg

The School for Good Mothers, by Jessamine Chan

Out of Office, The Big Problem and Bigger Promise of Working from Home, by Charlie Warzel and Anne Helen Petersen

Sweat, A History of Exercise, by Bill Hayes

How To Live Like a Monk, Medieval Wisdom for Modern Life, by Daniele Cybulskie

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