Category: Nightlife

Latest from Donaher a throwback time capsule

There’s a clear ’90s vibe to Donaher’s second long-player. The Manchester quartet signals its intentions with leadoff track “Fixer Upper” — with its angsty lyrics, floor-shaking guitar and a vocal that straddles the line between an angry growl and a heart-wrecked moan, it’s something Nirvana might have done had Kurt Cobain walked out of his Seattle garage.

That’s no accident.

“Kurt’s the reason why I picked up a guitar when I was 15 years old,” singer and main songwriter Nick Lavallee said recently. Though adulthood, sobriety and a bit of therapy have mellowed him, “I remind myself that I need to continuously do things that would make my 15-year-old-self smile.”

The mood of Gravity And The Stars Above veers from their sunny 2017 debut I Swear My Love Is True, though it shares its sheen — and then some. There’s “Lights Out,” a hook-tastic breakup song brimming with pain, and “Sleepless in New England,” with a protagonist who needs “to remind [his] lungs to keep on breathing.”

The latter track paraphrases a line from the movie Castaway — “tomorrow the sun will rise and who knows what the tide could bring?” — that Lavallee feels could reach the shipwrecked or the dumped.

“I think in many ways the character in that Tom Hanks movie was put on that island to almost slow down time… he had to learn how to be grateful for the things he had,” he said. “There’s some running themes like that on a couple of the songs.”

While there is more than a little romantic misery, a few moments of hope peek through.

“Worth The Wait” is a duet with Noelle Leblanc of the Boston band Damone that recalls both Iggy Pop’s “Candy” and the Foo Fighters’ wall of sound. Lavallee said he was reaching for layers of meaning in songs like Semisonic’s “Closing Time” when he wrote it.

“It sounds like a couple singing about each other, but it’s about [them] having a baby,” he said. “I was like, can I write a song that might be about one thing to me, and mean something totally different to the listener?”

Sweet and wholesome, “Circle Yes Or No” is another highlight, a grade-school romance laid atop a brisk power pop beat. “I basically envisioned, what if The Descendants covered The Lemonheads?” Lavallee said. “They actually backed up Evan Dando on a record once … that’s what I was going for.”

Another throwback move was how the new record dropped. One week prior to hitting streaming services, it came out as an oh-so-retro compact disc.

“I love vinyl, but we weren’t listening to records in the ’90s, we were listening to CDs and tapes,” Lavallee said. “I wanted the first image of this album to be a shrink-wrapped CD, and those feelings of ’90s nostalgia to hit hard.”

Donaher — Lavallee, lead guitarist Tristan Omand, bass player Adam Wood and drummer Nick Lee — will celebrate the new disc with three area shows. The first is Feb. 11 at Newmarket’s Stone Church, followed a week later at Shaskeen Pub, the band’s home court. Opening there is Colleen Green, a singer-songwriter signed to original Nirvana label Subpop’s affiliate Hardly Art. The final show happens Feb. 26 at Lowell’s Thirsty First Tavern.

A self-described “obsessive creative” who’s also a lapsed standup comic and creator of the Wicked Joyful line of pop culture action figures, Lavallee said the presence of two other songwriters in the band, Wood and Omand, helped steady him.

“I’m challenged by them. They don’t let anything slip by,” he said. “I’m doing some stuff that’s very different compared to the first record lyrically, and that’s definitely Tristan pushing me to not just repeat myself.”

As with the first record and last summer’s Angus Soundtrack 2 EP, a favorite band from the decade still influences him.

“This album sounds like it could have been recorded between the Blue Album and Pinkerton,” he said, referring to a pair of Weezer CDs. “It’s no secret that I’m a big fan of Rivers Cuomo and his songwriting, and people would expect our take on Pinkerton, but a little darker, a little louder, little messier. … I think some of those elements are definitely there.”

Donaher w/ The Graniteers

When: Friday, Feb. 11, 9 p.m.
Where: Stone Church Music Club, 5 Granite St., Newmarket
Tickets: $12 in advance, $15 day of show at stonechurchrocks.com
Also Feb. 18 at 9 p.m. at Shaskeen Pub, 909 Elm St., Manchester with Colleen Green & Monica Grasso ($10 at door)

Featured photo: Donaher. Photo courtesy of Jessica Arnold.

A.J. Croce’s family crossroads

Fittingly, the first song A.J. Croce ever recorded from his late father Jim Croce’s catalog was “I Got A Name.” He’d done hits like “Time In A Bottle” and “You Don’t Mess Around With Jim” during Croce Plays Croce concerts for a few years, and a bit reluctantly at that. The decision to truly embrace the tribute show after a long and successful solo career involved some divine intervention, A.J. said recently.

When Jim Croce died in a 1973 plane crash, his son was 2 years old. One way he got to know him was as an archivist, poring over reels of tape for clues about his artistic process.

A fourth-generation musician on both sides of his family, A.J. Croce was destined to perform, but his apple landed away from the tree. He grew up playing piano, not guitar like his dad, and his tastes leaned toward blues, jazz and R&B instead of lyric-driven folk rock. A.J. went on to make multiple acclaimed albums rooted in a style one writer described as “part New Orleans, part juke joint, part soul.”

One day a few years ago A.J. Croce stumbled upon a crossroads while listening to his father’s writing tapes. When he wasn’t touring, Jim Croce would record ideas into a Wollensak recorder, and one particular reel was filled with material his son recognized immediately — they were selections he’d been performing for years.

“It gave me chills,” Croce said. “It wasn’t just obscure old jazz and blues and early country artists, but the exact, very obscure songs. So it was Fats Waller, who’s not obscure; but it wasn’t ‘Ain’t Misbehavin’’ or ‘Honeysuckle Rose’ — it was “You’re Not The Only Oyster In The Stew,” which was one of the first songs that I played on a demo for Columbia way back in the late ’80s, early ’90s.”

Twelve of 15 were songs he’d done; Croce began to look at the connection to his father as more than biological.

“I’d probably been asked my whole career to perform his music, and as much as I love his songs, I was first and foremost a piano player,” he said, “and I was also more likely to play a song by Ray Charles or the Rolling Stones than something by my father. That really inspired me to look at the concert not just as a tribute to his music but to the connection that we have to music in general.”

Thus, the upcoming Croce Plays Croce concerts in New Hampshire and across the river in Vermont will blend selections from Jim Croce’s brief but prolific career — three albums made over 18 months in the early ’70s — and A.J.’s genre-crossing catalog, along with the music that inspired them both.

“The influences that we both share are so vast, it could be so many different things,” Croce said. “You can hear Jimmy Reed on songs like ‘You Don’t Mess Around With Jim,’ and Lieber & Stoller’s songwriting on many of the others, whether it’s ‘Leroy Brown’ or ‘Car Wash Blues’ — those sort of R&B influenced things.”

The show also celebrates Jim Croce’s innovative songwriting approach, which A.J. believes came into its own with his most enduring hit, “Time In a Bottle.” His dad wrote the song for him.

“It was sort of a musical epiphany that happened,” he said. “I think he felt like, ‘This is my last chance to do this for a living; I have a son now, I have a family,’ and he really went with it.”

Croce knows the foundational elements of his dad’s work, but believes it’s the relatability of hits such as “Operator (That’s Not the Way It Feels),” “Lover’s Cross” and character songs like “Bad, Bad Leroy Brown,” “Rapid Roy” and “Speedball Tucker” that ultimately set him apart.

“Being a record collector and sort of a musicologist, I think I can hear where those influences come from,” he said. “But what he does is so unique, different than almost anyone I’ve heard. He personalizes it from the perspective of not just him seeing these people, or being present around these people, but also making heroes out of sort of everyday folks.”

Croce Plays Croce

When: Thursday, Feb. 10, 7:30 p.m.
Where: The Flying Monkey, 39 Main St., Plymouth
Tickets: $39 and up at flyingmonkeynh.com (13+)

Featured photo: A.J. Croce. Photo by Joshua Black Wilkins.

Prog rockers ready new album

After a long break since releasing 2015’s Oceans, Mindset X is readying Human^z— the band’s first album with guitarist Lucian Davidson. The son of bassist and keyboard player Paul Davidson, he joined in 2018, and his presence is noticeable on the new disc’s first song.

“For The Love Of War” is a hefty, toothsome number that recalls early Black Sabbath and proto Metallica; the single will drop on Feb. 22. Ahead of that, the Manchester quartet will celebrate a milestone on Jan. 29 at Angel City Music Hall.

“Eighteen years together,” singer, guitarist and primary songwriter Steve Haidaichuk said by phone recently. “It feels like we’re 22 again — just a little more achy.”

The new addition has refreshed the group.

“We fell in that prog-rock niche over maybe the past 10 years,” Haidaichuk said. “Lucian’s background is a lot more metal, so it brings our aggressiveness to the forefront. Not to say that I’m not a metal guy, but, like, I dabble. … Lucien grew up on the big metal bands.”

“We were looking to add more to the sound of Mindset X,” Paul Davidson said. “A guitar player seemed to be the natural of what we’re looking for, which actually was great — it brings Steve to the front of the stage, instead of hanging back with us. So he’s more of a front man now.”

While Oceans was a concept album featuring a primary character, Human^z has other ambitions.

“It kind of ties back to the square root of what we are as a species,” Haidaichuk said.

“It’s almost like part two, but it takes it in a little different angle,” Paul Davidson said, adding that the new effort reflects the many challenges of the recent past — lockdowns, dread and endlessness. “You’re caught in a box for so long; you just want to break out of it, just let it all go.”

“I think every soul has probably written about their time in Covid-town,” Haidaichuk said. “This really isn’t about that, but it did make me reflect on the way society handled it, from an outsider looking in perspective [of] us as a species; really seeing our good points and our bad points.”

Keeping with the math-themed title of Human^z, the release of “For The Love Of War” on 2-22-22 will be followed by a video of the song two weeks later, with a “two by two” cycle repeating every other week until the full record is out.

“When we first started doing this, we released too much music over the course of a year, then as we got farther down the line as a band we released too little,” Haidaichuk said. “I think we learned from both of those experiences what kind of works and what doesn’t. … Some people still like CDs, and some people don’t even own a CD player anymore.”

They’re excited to perform at Angel City, one of their home city’s newest venues.

“It’s a classic club and for Manchester to have one of these, I think it’s about time,” Paul Davidson said. “Especially because you’re limited when you’re playing original music as well … it’ll be nice to have almost like a welcoming show.”

They’ll play two sets, featuring new songs mixed with old favorites, occasionally reworked. Haidaichuk stressed that their aim is to shake things up and remove expectations.

“At the end of the day, we’ve always taken the music side of us extremely seriously; we like to write things that we feel mean something, and maybe make a statement or two,” he said. “But on the flip side of tha t… we want you to have fun while we get you to think; that’s pretty much what Mindset X has always been.”

Mindset X w/ The Graniteers

When: Saturday, Jan. 29, 7 p.m.
Where: Angel City Music Hall, 179 Elm St., Manchester
Tickets: $10 at the door, 21+

Featured photo: Mindset X. Courtesy photo.

Ahead of biography, Felix Cavaliere performs

Felix Cavaliere’s voice powered hits like “Groovin’,” “I’ve Been Lonely Too Long” and “It’s A Beautiful Morning” into the cultural zeitgeist, landing his band The Rascals in the Rock & Roll Hall of Fame. He’s still on the road, satisfying fans who never stopped craving the group’s signature brand of blue-eyed soul, even though they split after less than a decade together.

At the relentless urging of E Street Band guitarist and satellite radio impresario Steven Van Zandt, The Rascals reunited in 2012 for the multimedia show Once Upon A Dream. It ran on Broadway and toured North America the following year. As the group swung through press conferences in different cities, Cavaliere decided to start work on an autobiography.

“They would ask us questions individually, and everybody had a different answer,” he said by phone recently. “I said, ‘Wow, was I there or did I dream this?’ It’s kind of like when you tell a joke and somebody repeats it, it’s never the same. … I thought, I’ve gotta make sure, for my sanity if nothing else, that I write down my story.”

Memoir Of A Rascal arrives March 22. A big part of the book covers their time with Atlantic Records. The Young Rascals were one of the first rock groups signed by the legendary R&B label. They made the deal after turning down an offer from producer Phil Spector.

Their decision to go was driven by a desire for creative control.

“I knew that if we went with Phil, we wouldn’t sound like what we sounded like,” Cavaliere said. “We would sound like Phil … that big wall of sound. But Atlantic said, ‘Yeah, you guys can produce yourselves,’ and I was adamant about that.”

The unanticipated presence of Atlantic co-producer Arif Mardin, who decades later helmed Norah Jones’s chart-topping debut album, made a big difference, Cavaliere said.

“Then good fortune comes into the picture,” he said with a laugh. “You can’t really put into words the addition that was to our music. … It’s like The Beatles with George Martin. This gentleman not only became one of my dearest friends, but like wow, man, was he talented! He was phenomenal.”

Working at the home of artists like Ray Charles, Otis Redding and Aretha Franklin was “just a joy,” Cavaliere said. “First of all, my record collection at that time was three quarters Atlantic, and one quarter Motown. To be on that label was not only a treat, but that place was all about making good music. They made it so easy and comfortable for us, [and] for that I’ll always be grateful.”

Cavaliere spent most of the past year and half in Nashville, where he’s lived for several years, finishing his book and making an album called Then & Now, which pairs classic favorites with newly written tunes.

“Out of the two million songs that interest me, I chose five and re-recorded them. … I did Jackie Wilson’s ‘Higher and Higher’ and Ben E King’s ‘Spanish Harlem,’ and I wrote five new ones that were influenced by that,” he said.

In October he made a tentative return to the stage at a tribute concert for Lee Greenwood. Though it was an odd pairing for Cavaliere, whose liberal resume includes co-writing “People Got To Be Free” and working for Robert F. Kennedy’s presidential campaign, the two go back to their early days as musicians.

“He’s an old friend, and he’s done well for himself,” he said. “We are on opposite poles of the universe, but that’s OK, he’s a good guy.”

The two initially connected when Cavaliere and future Rascals drummer Dino Danelli first played together at the Dunes Hotel in Las Vegas, backing Sandu Scott, a forgotten singer bankrolled by her hotelier husband. Greenwood was with a group that approached him with an offer. Scott called her band Her Scotties, and for the duration of their brief run Cavaliere and Danelli wore traditional kilts on stage.

“Hey,” said Cavaliere, “everyone’s gotta work.”

An Evening With Felix Cavaliere’s Rascals

When: Friday, Jan. 21, 7:30 p.m.
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $50.50 and $60.50 at palacetheatre.org

Featured photo: Felix Cavaliere. Courtesy photo.

Corey Rodrigues headlines Tupelo Night of Comedy

The world is full of comedians who entered the craft after being inspired by another standup, but Corey Rodrigues came to it through the crucible of a barbershop owned by his family. Making the customers laugh came naturally, and the more he did it, the clearer it became that he was destined for bigger crowds.

However, Rodrigues was the last one to know about his career in the making.

“I never thought I would be a comedian,” he said in a recent phone interview. “People used to say I should, but I was like, that’s stupid. I don’t know how to make people laugh [who] I don’t know, and I don’t want to … I’m not a clown. I didn’t even know how that could be possible.”

So Rodrigues became a comic by acclamation, as classmates, coworkers and others urged him to give it a shot.

“It’s just in me, I’ve always been this person,” he finally realized. “There’s a funny angle at which you look at things … someone else may have thought it, but they just don’t know what to do with it. That’s not their mindset. … The blessing and curse of a comedian is you’re constantly finding something funny.”

After suffering through a few tough shows early on, he did begin to study other comics.

“I was like, I could eventually get to that … it looks easy enough,” he said. He eventually became aware of another critical standup survival skill. “If you’re delusional, you’ll stay in this business. … You have to have a level of delusion.”

Rodrigues was raised in Milton, Mass., after his troubled mother sent him and his brother to live with their grandparents — he described it as an act of mercy in an Epix Unprotected Sets episode filmed last year.

Early on, he sharpened his edge at Boston’s Improv Asylum, later winning several competitions. A key break came in 2018, when his Dry Bar Comedy Club special garnered over 40 million views, leading to a Late Night With Conan O’Brien appearance the following year.

The Dry Bar special required Rodrigues adhere to PG content, which wasn’t a difficult pivot for him, as he already had a long resume working on cruise ships.

“I do churches, colleges, corporate gigs, everything,” he said. “If you have enough material, you could talk about your balls and something very vanilla at the same time and still make it funny. It was probably one of the best experiences I ever had. … I killed that set.”

He’s done some other unconventional things, like appearing on Mike Huckabee’s show in Nashville a few months back.

“I want to make it [out to] be worse than it was, but it was actually pretty cool,” he said of the experience. “I don’t agree at all with what he said after, when we talked, but he knew my jokes [and] everybody’s gotta laugh.”

Further evidence of Rodrigues’s inclusive comedy was found in Corey’s Stories, a family-friendly livestream he did with his son in the early days of the pandemic. The two read books together, told jokes and invited their audience to call in to answer trivia questions for prizes.

“I had a lot of friends complaining about being stuck at home, kids getting on their nerves and everything, so I created something to kind of give people a break,” he said.

Does Rodrigues have plans for his son to follow in his footsteps?

“I’m not really grooming him for that, but he already knows how to hold his own,” he said. “He showed me that in the show, which was pretty awesome.”

Corey Rodrigues, Kyle Crawford and Alex Giampapa

When: Friday, Jan. 14, 8 p.m.
Where: Tupelo Music Hall, 10 A St., Derry
Tickets: $22 at tupelohall.com

Featured photo: Corey Rodrigues. Courtesy photo.

Music, comedy and more for New Year’s Eve

Send off 2021 in style with music, comedy and more on Friday, Dec. 31. Know of a party not mentioned here? Let us know at music@hippopress.com.

• 603 Bar & Lounge (368 Central Ave., Dover, 742-9283) A night of DJs offers Sex on Decks with support from DJ Deja and Pete Vitello. 9 p.m.

• 815 Cocktails & Provisions (815 Elm St., Manchester, eventbrite.com) $100. The theme at this downtown speakeasy is Red Carpet — think Music Awards, and the fun wardrobe that goes with that. Open bar, eats, dancing, unlimited photo booth, midnight Champagne toast. 9 p.m.

• Alan’s (133 N. Main St., Boscawen, 753-6631) NYE with Stray Dog, $15 per person, 8 p.m.

• American Legion Post 47 (551 Foundry St., Rollinsford, 742-5833) Acoustic Radio fifth annual bash with opener Aunt Peg, $15, with prime rib dinner available. 7:30 p.m.

• American Legion Post 70 (169 Walton Road, Seabrook, 474-2430) Ghost Riderz rock in the New Year, $20 per person. Starts at 9 p.m.

• American Legion Post 98 (43 Baboosic Lake Road, Merrimack, 429-0343) Kid N’ Play Style New Year’s Eve Bash with a mix of ’80s/’90s hip-hop and R&B music. 9 p.m.

• Angel City Music Hall (179 Elm St., Manchester, 931-3654) Rock in 2022 with Everybody Wants Some – A Tribute to Van Halen ’78-’84; The Hellion – Judas Priest Tribute; and Caliente Pistolas. $50 dinner buffet by Chef Sean, Champagne toast at midnight. Starts at 7 p.m.

• Area 23 (State Street, Concord, 881-9060) With edgy new song “Deathmask,” Faith Ann Band performs, joined by special guests Alfredo Benavides and Ben Harris. 7 p.m.

• Ashworth by the Sea (295 Ocean Blvd., Hampton, 926-6762) Party with a live band, hors d’oeuvres and a seated surf & turf dinner, a cash bar, late-night snack, midnight Champagne toast, and fireworks on the beach. DJ dancing. 6:30 p.m.

• Auburn Pitts (167 Rockingham Road, Auburn, 622-6564) Stuck In Time Band performs ’60s, ’70s and ’80s covers, with free buffet and midnight Champagne toast. 8 p.m.

• Backstreet Bar & Grill (102 Plaza, 76 Derry Road, Hudson, 578-1811) DJ Bobby Lane leads a dance party. 8 p.m.

• Bank of NH Stage (16 S. Main St., Concord, eventbrite.com) $45 to $90. Shuttavac NYE Spectacular is inspired by the bold speakeasies of the Roaring 1920s to the iconic New York nightclubs of the 1970s, where people escaped to celebrate in inclusive, bold and glamorous worlds. 8 p.m.

• Belmont Hall & Restaurant (718 Grove St., Manchester, 625-8540) New Year’s Eve dance party with DJ Hustle Boy, $55, cash bar. 7 p.m.

• Blue Ocean Music Hall (4 Oceanfront North, Salisbury, Mass., 462-5888) The tradition continues with a New Year’s Eve bash starring The Fools & Psychedelic Relics, with optional dinner buffet. Champagne toast, party favors and midnight balloon drop. Dinner and show $92; show only $28 general admission. 7 p.m.

• Bonfire Restaurant & Country Bar (950 Elm St., Manchester, 217-5600) Martin & Kelly perform country rock. 9 p.m.

• Boston Billiard Club (55 Northeastern Blvd., Nashua, 943-5630) Live music from The Apathetics, $10 cover. Reserve a pool table for the night for $175. Includes an appetizer platter, bottle of Champagne and the cover is waived for up to four people in your party. 9 p.m.

• Breezeway Pub (14 Pearl St., Manchester, 621-9111) Drag Roulette Fridays. 8 p.m.

• Bridgewater Inn (367 Mayhew Turnpike, Bridgewater, 744-3518) Mystical Magic performs downstairs, with DJ upstairs spinning all night long. $45 per person includes buffet (5:30 to 7:30 p.m.) and party; $20 for party only. Hats & tiaras, noisemakers, beads and Champagne toast. 8 p.m.

• Buckey’s (240 Governor Wentworth Hwy., Moultonborough, 476-5485) Red Hat Band plays its traditional NYE set. 9 p.m.

• Cask & Vine (1 East Broadway, Derry, beerfests.com) Celebrate this gastropub’s 10th year with its NYE masquerade party. $25 deposit will be applied to the bill. Includes midnight Champagne toast. 6 p.m.

• Castleton Banquet and Conference Center (58 Enterprise Dr., Windham, eventbrite.com) $200. Dress to impress with three-course meal, open bar all night, 50/50 raffle, Joey Dion from Main Event Entertainment, photo booth, midnight Champagne toast. 7 p.m.

• Central Ale House (23 Central St., Manchester, 660-2241) Gatsby Gala Midnight Masquerade with 1920s style dress code, midnight Champagne toast. Starts at 6 p.m. Email info@centralalehouse.com to RSVP.

• Cercle National Club (550 Rockland Ave., Manchester, 623-8243) Drink specials, party favors and Plan B playing rock covers at this members club. 6 p.m.

• Chen Yang Li (520 South St., Bow, 228-8508) Great Gatsby party hosted by DJ Kenny P. 8 p.m.

• Chop Shop (920 Lafayette Road, Seabrook, 760-7706) An evening of active rock with Leaving Eden and Band, Inc., led by 18-year-old singer and bassist Giuliana Amaral. 6:30 p.m.

• Chunky’s Cinema Pub (151 Coliseum Ave., Nashua, headlinersnh.com) Two events: Comedy with Matt Barry, James Dorsey and Greg Boggis in one room, Dueling Pianos in another. $30 each show, 7 and 10 p.m.

• Chunky’s Cinema Pub (707 Huse Road, Manchester, headlinersnh.com) Two events: Comedy with Joe Yannetty, Joey Carrol and Mark Scalia in one room, Dueling Pianos in another. $30 each, 7 and 10 p.m.

• Coach Stop (176 Mammoth Road, Londonderry, 437-2022) Pete Peterson performs an early set. 7 p.m.

• Common Man (88 Range Road, Windham 898-0088) Singer-songwriter Karen Grenier performs an early set. 6 p.m.

• Concord Holiday Inn (172 Main St., Concord, 224-9534) Comedy with Mike Donovan and Amy Tee, dancing and toast — with dinner and room $276 per couple, dinner-only $188 per couple, $94 single. 8 p.m.

• Copper Door (41 S. Broadway, Salem, 458-3033) Jodee Frawlee plays an early set. 3 p.m.

• Copper Door (15 Leavy Dr., Bedford, 488-2677) Jordan Quinn plays an early set. 3 p.m.

• CR’s (287 Exeter Road, Hampton, 929-7972) Rico Barr Trio playing holiday hours 5 to 11 p.m.

• Crow’s Nest (181 Plaistow Road, Plaistow, 974-1686) DJ Golo provides the music with prizes, giveaways and extended hours. 9 p.m.

• Derryfield (625 Mammoth Road, Manchester, 623-2880) Chad LaMarsh rocks the party. $20 a ticket includes admission to see the music, Champagne toast at midnight and party favors. 9 p.m.

• Farm Bar & Grille (1181 Elm St., Manchester, 641-3276) The Gold Everything Party: Jam’n 94.5’s DJ Sammy Smoove and Boston’s DJ Real Ace spin top 40, hip-hop and Latin hits. Gold attire is encouraged but not mandatory for entry. $25. 8 p.m.

• Flying Monkey Movie House (39 Main St., Plymouth, 536-2551) Comedian Bob Marley is back, performing three times, at 3, 6:30 and 9 p.m. Tickets start at $39.50. 8 p.m.

• Fody’s (9 Clinton St., Nashua, 577-9015) Joe Wedge Experience performs. 9 p.m.

• Fody’s Derry (187 1/2 Rockingham Road, Derry, 404-6946) Pop Roks plays fun covers. 9 p.m.

• Fratello’s (155 Dow St., Manchester, 624-2022) Clint LaPointe plays. 8 p.m.

• Fratello’s Italian Grille (194 Main St., Nashua, 889-2022) Justin Jordan entertains. 9 p.m.

• Gibb’s Garage Bar (3612 Lafayette St., Portsmouth, portsmouthnh.com) Elijah Clark plays an early set at this throwback automotive-themed restaurant. 7 p.m.

• Grill 28 (200 Grafton Road, Portsmouth, 766-6466) Dave Gerard of Truffle plays an early set. 6 p.m.

• Headliners (700 Elm St., Manchester, 988-3673) Open after a long hiatus, with three comics and DJ spinning in the ballroom. Packages include food, drink and dancing, starting at $40. 8 p.m.

• High Octane (1072 Watson Road, Laconia, 527-8116) Masquerade party with EXP Band playing, best mask cash prize, Champagne toast as this Lakes Region club celebrates its first anniversary. 8 p.m.

• Hillsboro Moose Lodge (15 School St., Hillsboro, 464-6024) Cellar Dwellers, Superbug and Probable Cause perform, with a Champagne toast at midnight plus snacks, appetizers and food. $10 in advance, $15 at the door. 6 p.m.

• Homestead (641 Daniel Webster Hwy., Merrimack, 429-2022) Ralph Allen performs. 6:30 p.m.

• Jimmy’s Jazz & Blues Club (135 Congress St., Portsmouth, ticketmaster.com) Grammy-winning jazz pianist Eddie Palmieri & La Perfecta Big Band perform. $375 to $425. 7 p.m.

• Jocelyn’s (355 S. Broadway, Salem, 870-0045) Brian Walker performs an early set. 6 p.m.

• L Street Tavern (17 L St., Hampton, 967-4777) Craig LaGrassa performs. 8 p.m.

• LaBelle Winery (345 Route 101, Amherst, 672-9898) New Year’s Eve dinner with Freese Brothers Big Band followed by a stroll through the LaBelle Lights. $121.50. 9 p.m.

• Lynn’s 102 Tavern (76 Derry Road, Hudson, 943-7832) Sindicate rocks in the new year. 9 p.m.

• Murphy’s Taproom (494 Elm St., Manchester, scampscomedy.com) Dancing Madly Backwards follows a comedy show with Dave Rattigan, Chris Cameron, E.J. Murphy and Casey Crawford. $22. 8 p.m.

• Music Hall (28 Chestnut St., Portsmouth, themusichall.org) $38, Champagne Pops, Portsmouth Symphony Orchestra led by special guest conductor Dr. Dirk Hillyer and guest vocalist Jacyn Tremblay, performing selections from Frozen, The Greatest Showman, Cabaret, Chicago, The Godfather, West Side Story and a collection of Gershwin swing favorites. 8 p.m.

• Nan King Restaurant (222 Central St., Hudson, 882-1911) Patty Shock’s Energizer Karaoke provides entertainment. 8 p.m.

• Palace Theatre (80 Hanover St., Manchester, 668-5588) Recycled Percussion is again home for the holidays — ring in 2020 with junk rock. Two shows, 4 and 7:30 p.m. $35 to $45.

• Pasta Loft (241 Union Sq., Milford, 672-2270) Fatha Groove fills the dance floor. $10 includes Champagne toast at midnight. 7 p.m.

• Pats Peak Ski Area (686 Flanders Road, Henniker, 728-7732) New Year’s fireworks (slopes close at 10 p.m.) and dancing to The McMurphys in the Sled Pub. 6 p.m.

• Penuche’s Ale House (6 Pleasant St., Concord, 228-9833) NYE party with Felix Holt. 9 p.m.

• Players’ Ring Theatre (105 Marcy St., Portsmouth, 436-8123) Lady Ro drag show is back after two years. 10 p.m.

• Portsmouth Gas Light (64 Market St., Portsmouth, 430-9122) Boston Circus Guild – Welcome to The Show. Cirque du Soleil-inspired evening with live entertainment and DJ music. VIP packages available by emailing brandonburke@portsmouthgaslight.com. 8 p.m.

• Rex Theatre (23 Amherst St., Manchester, 668-5588) Juston McKinney’s Year In Review comes to Manchester, $35 (also New Year’s Day). 8 p.m.

• River Hill Grange (32 Horse Hill Road, Penacook, penacook.org) Midlife Crisis album release party with K Daver, Kinetik, Mass Militia, Livid Rhymer and Quincer. $20 includes free drinks. 7 p.m.

• Rochester Elks Lodge (295 Columbus Ave., Rochester, 332-9700) Bill Vendasi performs at a Mad Hatter’s party, $45 per person includes cocktail hour with appetizers, prime rib or chicken cordon bleu dinner, dessert and midnight toast. 9 p.m.

• Saddle Up Saloon (92 Route 125, Kingston, 369-6962) Bite The Bullet Band plays fourth annual bash, $55 tickets include buffet from 7 to 9 p.m. and a late-night pizza buffet, Champagne toast and party favors. 7 p.m.

• Salt Hill Pub (2 W. Park St., Lebanon, 448-4532) 19th annual New Year’s Eve party featuring Vermont and New Hampshire’s only cowpunk-thunder boogie band, Road Trash. $10 admission, 8 p.m.

• Sawbelly Brewing (156 Epping Road, Exeter, 583-5080) Parker Richards, back for the holidays from Nashville, performs an early set. 5 p.m.

• Shaskeen (909 Elm St., Manchester, 625-0246) Lock The Doors Bash is reprised with limited $50 tickets covering a food buffet, midnight Champagne toast, giveaways, Chris Bennett, a.k.a. DJ Myth, spinning and open bar. The club will be closed to anyone without tickets (21+ only). 8 p.m.

• Sheraton Hotel (250 Market St., Portsmouth, eventbrite.com) Mark Riley, Ryan Gartley and host Steve Scarfo provide the laughs at the 12th annual show presented by Live Free and Die Laughing. Early show $28 (8:30 p.m.), late show $38 (10:30 p.m.).

• Soho Bistro (20 Old Granite St., Manchester, 222-1677) $20 for starters with up to $600 for VIP packages gets you into an elegant NYE party. 9 p.m.

• South Side Tavern (1279 S. Willow St., Manchester, 935-9947) Cox Karaoke hosts with dancing, party favors and Champagne toast at midnight. No cover. 9 p.m.

• Stone Church (5 Granite St., Newmarket, 659-7700) Club d’Elf with special guests John Medeski & David Tronzo. $75. 6 p.m.

• Stonecutters Pub (63 Union Sq., Milford, 213-5979) KJ-Dave O hosts New Year’s Eve karaoke with spot prizes for ugly sweaters and much more fun in store. 9 p.m.

• Stumble Inn (20 Rockingham Road, Londonderry, 432-3210) Swipe Right Band performs. 8 p.m.

• Sweeney Post #2 (251 Maple St., Manchester, 623-9145) The Lexi James Band, with lots of food, lots of great music and lots of fun. 8 p.m.

• The Big House (322 Lakeside Ave., Laconia, 767-2226) Back in the Day plays this Weirs Beach room at 8 p.m. $10.

• The Goat Hampton (20 L St., Hampton, 601-6928) Alex Anthony performs at Hampton Beach’s only country bar at 8 p.m.

• The Goat Manchester (50 Old Granite St., Manchester, 603-4628) NYE party with Those Guys at this club family’s newest location at 8 p.m.

• The Goat Portsmouth (142 Congress St., Portsmouth, 658-4628) Chris Toler plays early. 9 p.m.

• Thirsty Moose (21 Congress St, Portsmouth, 427-8645) Connecticut pop rock band Mattson performs in the basement music space while great beer flows on both floors, 9 p.m.

• Tower Hill Tavern (264 Lakeside Ave., Laconia, 366-9100) $10. Resident DJ Kadence hosts a karaoke NYE party, 8 p.m.

• Tupelo Music Hall (10 A St., Derry, 437-5100) Adam Ezra Group and opening duo Sirsy play with a four-course dinner at 5:30 p.m. for $95; 8:30 p.m. show only is $40, and all tickets include a Champagne toast.

• Tuscan Market & Village (9 Via Toscana, Salem, 912-5467) The Deviant (Mindset X leader Scott Haiduchuk’s acoustic alter ego) performs. 8 p.m.

• Veteran’s Club (118 John Stark Hwy., Newport, 863-3945) $10 for Talkin’ Smack, a popular cover band playing the hits. 7 p.m.

• Village Trestle (25 Main St., Goffstown, 497-8230) Paul Lussier plays an early set. 5 p.m.

• Wally’s Pub (144 Ashworth Ave., Hampton, 926-6954) Boston based rock/pop cover band Down A 5th performs at this party. 9 p.m.

• Waterville Valley Ski Area (1 Ski Area Road, Waterville Valley, 236-8311) Gabby Martin at T-Bars and Henry LaLiberte at Freestyle, with fireworks at midnight. 3 p.m.

• XO Bistro (827 Elm St., Manchester, 560-7998) Acoustic Moxie performs an early set. 6:30 p.m.

• Yankee Lanes (216 Maple St., Manchester, 625-9656) Roll New Year’s Eve three-hour bowling party $99.95 per lane for up to six people. 9:30 p.m.

Featured photo: Courtesy image.

Gift ideas for music fans

Books, box sets, baubles, even bespoke action figures are all good ways to make the music fan in your life feel special — and if those don’t do it, there’s always concert tickets. Here are some gifts that are sure to provoke a positive response.

Keep the holiday spirit alive all year with singer, songwriter and artist Dan Blakeslee & the Calabash Club’s joyful album, Christmasland Jubilee, available in a deluxe green and gold accented splattered vinyl edition that includes a silkscreened jacket, lyric book and original sketches from the New England treasure, who frequently performs in the Granite State.

Celebrate multiple New England Music Award nominee Liz Bills by purchasing her latest CD, Liz Bills & The Change, or grabbing a ’60s themed poster marking the same release.

Sepsiss took home their second NEMA in October, for Hard Rock/Metal Act of the Year. The New Hampshire rockers are ace branders as well, with a merch store offering puzzles, dog tags, red starred socks, stickers and even a signed Polaroid, along with T-shirts and caps. One of the best items is a fleece blanket with the image of lead singer Melissa Wolfe.

Not content with doing standup comedy and performing power pop with his band Donaher, Nick Lavallee began crafting made-to-order action figures of cultural icons a while back, including a dual set with Chance the Rapper and Death Cab for Cutie’s Ben Gibbard, Tom Hanks in his Castaway role, Tenacious D and the priceless Mahket Basket clerk (actually $65). See pics on Instagram @wickedjoyful or purchase at wickedjoyful.bigcartel.com.

Peter Jackson’s mammoth documentary Get Back had Beatles fans atwitter over Thanksgiving; some loved it, others were put off by its eight-hour length. For fans, there’s a deluxe vinyl box set of the Let It Be album that includes all the superior Glyn Johns mixes, or a Get Back coffee table book. For brevity lovers, it’s perhaps a better idea to grab a pair of tickets to watch Ringo Starr & His All-Starr band open Bank of NH Pavilion’s 2022 concert season on June 4.

For the concert fan who can’t decide, there’s always the gift card option. Many area venues offer them, including Tupelo Music Hall. The Derry venue has upcoming shows from Marc Cohn, The Alarm, Rick Springfield, Tower of Power and ex-Eagle Don Felder, along with Tom Petty & the Heartbreakers guitarist Mike Campbell, so it will surely get spent.

Supply chain problems preclude anyone from having the 30th-anniversary box set of Nirvana’s earth-shattering Nevermind on vinyl until next May, so if preordering won’t work, there’s a five-CD version with the remastered album and complete recordings of four concerts, as well as a Blu-ray disc of the HD Live in Amsterdam video, and a 40-page hardcover book.

Speaking of books, several fine reads for the rock fan were published this year, including Rock Concert by Marc Myers, an oral history with memories from artists, fans and industry figures. It’s packed with fun facts, such as that the first stadium concert was promoted by Kay Wheeler, the teenage president of Elvis Presley’s fan club. Her letter writing campaign in 1956 managed to fill the Cotton Bowl in Dallas.

For the classic rock fan, Hollywood Eden by Joel Selvin traces the roots of the 1960s California Sound to University High School in Los Angeles, where teens like Bruce Johnston of the Beach Boys and Jan & Dean spent their days in classes and their nights making hit records. It includes the bizarre story of a plot to kidnap Frank Sinatra Jr. to revive a flagging career.

At the intersection of rock and fantasy, Z2 Comics offers graphic novels based on music from artists from All Time Low to Yungblud. Among the best are one that combines the I Love Rock and Roll and Bad Reputation albums by Joan Jett into one book, and another based on Judas Priest’s Screaming for Vengeance. The latter comes in a $500 deluxe version.

Featured photo: Dan Blakeslee vinyl. Courtesy image.