College reunion

Blues trio goes way back

When James Montgomery arrived at Boston University in 1967 his mind was on more than the English degree he hoped to earn. Steeped in the music of his native Detroit and keenly aware of his new home’s burgeoning scene, he set out for Kenmore Square with a harmonica tucked in his pocket.

There he found guitarist Bob McCarthy playing 12-bar blues. Montgomery offered to jam; an instant friendship formed.

“Within two or three hours,” Montgomery said in a recent phone interview, “I had already found someone to play music with, and I continue to play with him to this day.”

McCarthy went on to make many Boston “best of” lists while appearing with Neil Young, Bonnie Raitt, Linda Ronstadt, Jonathan Edwards and others.

For his part, Montgomery kicked off a 50-year career by being the first Northern artist signed to Capricorn Records, label of the Allman Brothers and Marshall Tucker Band. The irony of the pairing wasn’t lost on him. “Grew up in Detroit, out of Boston, but somehow we were called Southern rock,” he told one interviewer. “Go figure.”

On May 21, Montgomery and McCarthy continue the bond formed that day at an acoustic show in Laconia, performing as a trio rounded out by bass player Billy Martin — who also shares a connection with Montgomery from those days.

“He was in my first college band,” he said. “We opened up for Paul Butterfield, and Buddy Guy and Junior Wells in upstate New York.”

It will truly be a BU reunion, Montgomery added. “I mean, we all did really go to school together and everything.”

After the pandemic canceled his 2020 shows, Montgomery, whom Peter Wolf once called “the John Mayall of New England,” is eager to get back on stage.

“I’m bringing the whole band, and we’ve all been vaccinated,” he said. “I’ve got a bunch of outdoor shows. … My July and August look like any other year.”

Their first gig back was April 23 in Franklin, Mass.

“We had a ball,” Montgomery said, though “some of the songs we couldn’t remember; it was like, ‘Does the bass solo come before or after that?’ There were some arrangement changes we made spontaneously on stage.”

For anyone on the fence about getting a shot, Montgomery had an answer with “Get Vaccinated,” a redo of “Intoxicated,” which originally appeared on his From Detroit to the Delta album.

“We made it multicultural, people from across the spectrum getting vaccinated,” he said of the video, released in late April. “One of the main reasons for putting it out was to try and encourage people to hasten that process so we can get back to full-capacity live music.”

Montgomery has been involved in several film projects over the past two decades, contributing the title song for Delta Rising: A Blues Documentary in 2007, a project that included narrator Morgan Freeman and musicians Mose Allison, Charlie Musselwhite and Willie Nelson. With partner Judy Laster, who runs the Woods Hole Film Festival, he co-founded the Reel Blues Festival in 2001.

Currently he’s nearing completion of a documentary that’s close to his heart: Bonnie Blue — James Cotton’s Life in the Blues. Cotton, a harmonica legend, shared a familial bond with Montgomery.

“When I’d call his manager, Jack would say, ‘Oh, your father wants to say hello,’” he said. “I met him when I was in my teens, and we were lifelong friends. Of course, we’d done a ton of work together.”

Most of the filming is complete, with post-production and song rights the remaining tasks. The latter is currently the focus of a fundraising effort.

“It’s a music film, so there’s going to be a lot of licensing stuff,” Montgomery said.

The finished product will be a star-studded affair.

“We got Steve Miller, Jimmy Vaughan, Buddy Guy, and I think we’ll get Charlie Musselwhite next,” Montgomery said.

A two-day shoot had harp players from across the country reminiscing, as both Cotton’s and Montgomery’s bands joined in.

“It was completely spontaneous playing, and chatting about him, which I’ve never seen in a documentary before,” he said. “It’s really cool footage.”

Acoustic Trio – Bob McCarthy, Billy Martin and James Montgomery
When: Friday, May 21, 6 p.m.
Where: Belknap Mill, 25 Beacon St. E., Laconia
More: belknapmill.org

Featured photo: Bob McCarthy and James Montgomery. Courtesy photo.

Drive-in time

Tupelo season continues with Truffle

Few New Hampshire bands have the longevity of Truffle; 2021 marks their 35th year. Beyond that, the quintet’s lineup has stayed intact for most of that time. Mike Gendron took over on drums 10 years in; he’s jokingly called “The Rookie” by his bandmates.

As a recent sold-out Stone Church show attests, Truffle is a mainstay at its Seacoast home base. But the rest of the state often finds itself waiting to see them play, a situation made worse by the pandemic. An upcoming Tupelo Drive-In show is their first inland gig since February 2020, when they played at Milford’s Pasta Loft.

Truffle front man Dave Gerard is stoked to celebrate his band’s anniversary with horn-honking fans, their first time in the Derry parking lot venue born out of necessity last spring, and that’s set to close when indoor events return.

“Our peeps told us they were dying for a show, and we were like, OK, here you go,” he said in a recent phone interview. “It’s our only one in May, so let’s hope there’s good weather.”

Before Covid-19 blew a hole in their plans, Truffle was set to make a new album for their big year. Main songwriter Ned Chase and bass player David Bailey had a lot of new material ready, but plans were pushed out another year.

“Whenever we all have a bunch of tunes, that’s when it tells us it’s time to do an album,” Gerard said. “but it just wasn’t meant to be.”

Instead, Gerard made his sixth solo disc, due for a June release.

“I made the call, I said, hey, you guys, OK that I’m going to do a DG album? And they were like, of course man,” he said.

He recorded at The Electric Cave in Portsmouth, “flying in tracks” from several musician connections and recruiting local scene luminaries like Yamica Peterson of Mica’s Groove Train to contribute.

The approach to recording was loose and low-key.

“I thought, if the guys can’t come in, no pressure, I’ll make an acoustic album,” he said. “The next thing I know Mike Gendron and Dave Bailey, the rhythm section from Truffle, were like, ‘Yeah, we’ll come in, absolutely.’ … I’d say at least half the album ended up full-fledged electric.”

Sound Cave engineer Marc McElroy contributed on several instruments; Gerard handled all the guitars, along with vibes and percussion. Tracking was just completed, and the new release should be out by early summer.

“I went into it thinking it’s going to be what it’s going to be,” Gerard said. “It’s far exceeded what I thought we’d get.”

Live outdoors — for now

Gerard expects to play a few new tunes at the upcoming Tupelo show. While he played similar al fresco venues last season around his Seacoast stomping grounds, this will be his first — and last — at the Derry venue. That’s because owner Scott Hayward announced the return of indoor shows in an April 28 email.

“Based on our contracts, conversations with agents, and new tours that are being booked, I believe that we will once again be hosting shows indoors in September,” Hayward wrote. “This means that we will be making some sort of transition at the end of August and probably ending our Drive-In series mid-August.”

In a phone interview two days later, Hayward said the transition may happen earlier. It will depend on whether Three Dog Night or Air Supply follow through with tour plans and perform on Aug. 20 and Aug. 28, respectively.

“Air Supply says they’re coming, and if that’s the case I have to have the show,” he said. That’s a problem if skittish fans want refunds. “We could be open and still lose money.”

It’s Hayward’s plan that 33 1/3 Live’s Killer Queen Experience kicks off the return of live entertainment in the 700-seat room on Sept. 3, followed by Frank Marino & Mahogany Rush on Sept. 9.

Hayward dangled some tantalizing names for “yet to be announced shows” waiting on contracts that are likely to happen later this year. Performers could include Chris Isaak, Rick Wakeman, Wynonna and a night co-headlined by The Fixx and The English Beat.

The path forward is by no means certain.

“There’s a real misunderstanding of what it means to say you’re open — people need to understand that few bands are touring and it pushes everything out a few months,” Hayward said. “You’re kick-starting an entire industry.”

Truffle
When:
Friday, May 7, 6 p.m.
Where: Tupelo Drive-In, 10 A St., Derry
Tickets: $22 per person, $75 per car at tupelohall.com

Featured photo: Truffle

Do Over

Married Iguana finally debuts in Manchester

After a heady process of assembling a band, then working up and recording three original songs for a debut EP, Married Iguana was prepared for a big reveal at Jewel Music Venue in Manchester. Sadly for the nascent power trio, their debut gig was scheduled on March 14, 2020, the day after Covid-19 landed like an asteroid on the local music scene.

The group quarantined and waited for another chance to show their stuff to an audience. The Rehearsal Dinner did come out as planned, and it’s a treat. “EAYM” is a Primus meets Mothers of Invention romp, and “Farewell My Friend” echoes Rush as it rocks out with abandon.

Leading off the record, “Go With the Flow” chugs like a steady rolling party bus, but to Married Iguana guitarist, singer and principal songwriter Brett Higgins it’s also an ironic anthem for his band, which went from planning to play out to hunkering down.

A year later, the personnel has changed — the current lineup has Higgins, Ian Smith (Trichomes) on bass and drummer Tyrel Gagnon — along with the music. Punchy radio rockers are now stretched out more.

“We don’t want to call ourselves a jam band,” Higgins said in a recent phone interview, “though Ian has a lot of that influence playing with his other group … it’s a little more progressive rock.”

That said, the way Higgins described his songwriting process is jammy enough.

“Me doodling around at home is basically how every one of our tunes starts,” he said. “I have my strainer of songs. I’ll be working on something and I have to think if it’s special enough to sell those guys. It’s almost like I’m auditioning for my own group.”

Higgins formed Married Iguana to counteract playing in cover bands like Darrah and Channel 3.

“I’ve always written my own songs on the sidelines, and finally got to the point where it was time to start applying myself,” he said, and began recruiting on Facebook.

Smith responded immediately with an offer to hang out and jam.

“There was no real idea,” Higgins said. “I had a couple of songs floating around right at the get-go, and I started showing them. We just noodled around a lot and Ian really latched onto a couple of the riffs. We’ve been getting together ever since, and that was it.”

Early on, the band was a four-piece, with a second guitarist. A few different drummers also came and went before Gagnon joined. He and Higgins have played in different bands together for over a dozen years.

“He’s been my go-to guy for a long time,” Higgins said. “He’ll get sick of me and he’ll skip out and then he’ll find a way to come back, or I’ll beg him enough and he ends up coming back in.”

On May 4, the band will finally make its hometown debut at Jewel.

“It’s a makeup gig,” Higgins said with a laugh, adding they’re fired up to finally play a set with over an hour of original music for a hometown crowd — though there are more than a few nerves at play.

“I just hope that people will have fun and will really accept us; we’re still kind of unsure what to expect,” he said. “We’re not the run-of-the-mill band from around the area. We’ve got a unique sense about us, a lot of energy in the music. It changes and twists and turns a lot, and I just hope that people will enjoy it, have fun and come see us.”

Married Iguana w/ The Humans Being and What Has Science Done?
When
: Tuesday, May 4, 9 p.m.
Where: Jewel Music Venue, 61 Canal St., Manchester
Tickets: $10 at the door, masks required for entry

Featured photo: Married Iguana. Courtesy photos.

Grateful dad

New music and shows from Lucas Gallo

Over the past year, Concord singer-songwriter Lucas Gallo noticed a marked shift in how the diners that he played to responded to his craft.

“People’s appreciation … or the way they show it, has changed,” Gallo said in a recent phone interview. For example, “I usually don’t put out a tip jar, but people walk by and just throw a 10-dollar bill at me and say, ‘Good job, man.’ That was a rare occurrence, but now people are dropping money at my feet.”

Another bright spot of the pandemic was outdoor performing, which grew out of necessity but has become de rigueur at many venues. Gallo books music at Penuche’s Ale House in Bicentennial Square, which is known for its raucous basement, but they’re “trying to work a patio in,” and he expects that the soon-to-reopen True Brew Barista will likely use its outdoor space for live music at some point.

Gallo played at last year’s summer series hosted by Capitol Center for the Arts in nearby Fletcher-Murphy Park, which will reprise in early June, and he’ll be back again for a July 31 show. He’s also involved in the return of Market Days to downtown Concord in August, with an even sharper eye for area talent.

“They’re really focused on local offerings, not national or bigger chain vendors, which I think is cool,” he said.

Lately, he’s been playing at places like Area 23 and had effusive praise for the restaurant-tap room’s owner, Kirk McNeil, “who never let the live, local music stop no matter what.” He recently did a set at Main Street Bar & Grill in Pittsfield; it reminded him of The Green Martini, a mainstay Concord bar until it burned down in 2012.

“I lived there for a while, it was my go to, and maybe it was because some of that crew is there, but it had a super chill, fun, friendly hangout vibe,” he said.

An upcoming show at Concord Craft Brewery will showcase Lost & Found, a six-song EP released digitally in March. Their Safe Space IPA is not the only reason he enjoys going back to the brewery.

“It’s so supportive,” he said, adding their outdoor performing space is “one of the many cool places that have popped up everywhere. You get passers-by when you play their patio; it’s right on the road.”

There’s a lot of love and warmth on Gallo’s new record, a reflection of family nesting during the long quarantine. The title track is an easygoing love ballad; “Thrive” offers words of wisdom for his children. “I wanted to write a sort of advice-type song for them,” Gallo said, “ and that’s what came out.”

It succeeds sweetly, offering a checklist of instructions. “Don’t let the bumps and the bruises of the day change the way you’re moving through it,” he sings, “every pain heals itself in time … be the light.”

Such sentiments, and the choice of the album’s title, Gallo said, are a reminder that “in addition to the underlying theme of gratitude, there is the sense/motif of light and darkness, and a balance between the two that corresponds with being lost and found.”

While the music scene ground to halt for large parts of 2020, Gallo managed to get a lot done.

“Funny thing, there didn’t seem to be a huge amount of slow time,” he said. “Maybe it was all the livestreams people were doing … people just found ways to do more, but it’s nice to see them getting back into the restaurant and patio gigs.”

Along with his solo projects — another three-song record will arrive mid-summer — Gallo has plans to again reunite his old band JamAntics.

“We were going to do another show last year and everything was shutting down before we announced it,” he said, “We have some stuff in the works for later this year. I don’t want to say too much, but we’re crossing our fingers that everything continues the positive trend, so we can open later in the year.”

Lucas Gallo
When
: Saturday, April 24, 4 p.m.
Where: Concord Craft Brewing, 117 Storrs St., Concord
More: facebook.com/ConcordCraftBrewing

Featured photo: Lucas Gallo. Courtesy photo.

‘Sweet Caroline’ for the win

Musical Bingo Nation adds songs to game night

Musical Bingo Nation is changing bingo’s sound all across the Seacoast — rather than listening for “B2” or “G6,” players listen for the opening chords to “Never Gonna Give You Up,” “Sweet Caroline” or other songs on their bingo sheet.

On Tuesdays at Tailgate Tavern in Stratham, anyone who wants to play gets a free bingo card when they’re seated. Throughout the night, guests eat and drink while keeping an ear out for the songs listed on their card, which were created by the entertainment company Musical Bingo Nation.

“They [are] usually based upon some sort of theme, like either ’60s, ’70s, hits, or one-hit wonders,” said Stephanie Smith, general manager at Tailgate Tavern.

A host from Musical Bingo Nation plays the tunes throughout the night, and once someone fills a column, row or diagonal they’ll win a prize, ranging from free drinks to Tailgate Tavern gift cards.

“The good thing about it is it’s not like trivia, where you’re locked in and you have to be there at a certain time. You could come in late or just play one round if you want. It’s a lot of fun,” Smith said, though she noted that some people have started to arrive hours in advance to guarantee a seat.

The game is family-friendly at Tailgate Tavern, she said, which is especially welcome in a time where it’s challenging to find out-of-the-house things to do.

“It’s nice to go out into a socially distant environment and be able to bring your kids along with you and play and have a good time and just be a family,” Smith said.

Wally’s Pub in Hampton has been offering Musical Bingo Nation on Tuesdays for a couple of months, and bartender Hannah Beringer said it has already brought bigger crowds to the beachside bar.

“People … come in just to play bingo,” she said. “It’s just a good way to get out and have fun without just sitting at a bar all night long.”

Saddle Up Saloon in Kingston is entering its third month offering Musical Bingo Nation, and owner Bob Page said the new game has “definitely helped,” with the bar seeing about a 25 percent increase in customers on Wednesday nights.

“The music they play is excellent,” Page said.

Smith agrees, saying that staff loves bingo nights too.

“We’re all just in such a great mood, listening to great music. The customers are happy, we’re happy,” she said. “The other day [the host] was playing ‘Sweet Caroline’ and everyone in the restaurant was singing. It makes me happy. It makes everyone happy. … I don’t know too many people that can listen to music nice and loud and stay in a bad mood.” – Sadie Burgess

Where to play music bingo
Here are a few spots that are currently offering Musical Bingo Nation.

Wally’s Pub
When
: Tuesday nights, 7:30 to 9:30 p.m.
Where: 144 Ashworth Ave, Hampton
More info: wallysnh.com/calendar

Saddle Up Saloon
When
: Wednesday nights, 7 to 9 p.m.
Where: 92 Route 125, Kingston
More info: saddleupsaloonnh.com/Events

Tailgate Tavern
When
: Tuesday nights, 6 to 8 p.m.
Where: 28 Portsmouth Ave, Stratham
More info: tailgatetavernnh.com

The Goat
When
: Monday nights, 7 to 9 p.m.
Where: 20 L St., Hampton
More info: goatnh.com

Featured photo: Musical Bingo. Photo courtesy of Steph Smith.

Ready to rock?

Live music returns to big venues — carefully

Fueled by rising vaccination rates and the tantalizing promise of herd immunity, the live music industry is more optimistic than it was a year ago. Around the region, however, a haze of uncertainty remains, and a survey of regional venues seating 500 or more patrons reveals varying plans to offer shows in the coming months.

In Manchester, the Rex and Palace Theatres are ambitious, almost booked solid from June through December. There’s more caution at Concord’s Capitol Center for the Arts and its sister room Bank of NH Stage, with only outdoor events planned — at least until New Hampshire eases its social distancing rules for venues like theirs from 6 to 3 feet.

Portsmouth’s Music Hall is taking a hybrid approach, re-launching 2020’s successful Music Under the Arch outdoor concert series while booking regional acts for its Historic Theatre. Casino Ballroom in Hampton Beach is selling tickets for nationally touring acts, though it’s aware that those shows might get canceled or postponed.

That’s also somewhat true for Bank of NH Pavilion; the Lakes Region shed is bullish on its plans for national acts like Toby Keith, Dave Matthews Band and Chris Stapleton, betting on New Hampshire plans to allow 100 percent capacity there by July 16, “assuming self-attestation of vaccination” by fans when they purchase tickets.

At SNHU Arena in downtown Manchester, the state’s largest indoor facility, tickets for Nickelodeon star JoJo Siwa are still being sold, but the July 24 date, rescheduled from last summer, might move again. The arena’s next listed concert is Eric Church on Dec. 3; the country singer’s 55-city Gather Again tour is scheduled to kick off in mid-September.

“The chicken/egg situation is still true no matter what confident venue people say,” Tupelo Music Hall CEO Scott Hayward said on April 5. “Unless artists are ready to organize tours through several states and be confident that it’s safe everywhere, they’re not going to mount tours.”

The question of how to ensure the safety of audience members lingers. New Hampshire state guidance makes no mention of a so-called vaccination passport or other form of proof. Verifying such a document was deemed “impossible to do” by Capitol Center Executive Director Nicki Clarke in an April 6 phone interview. “If some other authority issues something” defining enforcement, she said, it might have a chance of working, “[but] we just think it’s a problem on so many levels.” (Clarke, also a member of the Governor’s Economic Re-Opening Task Force, announced her retirement from the Capitol Center after 14 years at the helm on April 9.)

Two efforts born of necessity last year are returning, each bringing a different mindset.

Tupelo Drive-In in Derry was a pioneer in parking lot concerts, garnering national press for its quick pivot from indoor to outdoor shows. It will be back exactly as it was in 2020, with only minor tweaks. That said, Hayward sees an end in sight as he eyes indoor shows for the fall, albeit cautiously.

Not so for Northlands, launched last year as Drive-In Live by the agency that books Plymouth’s Flying Monkey Cinema. With a capacity more than double Tupelo’s, it can book bigger acts. The rebranded venue now has five-person audience pods instead of parking spaces, and its founders envision a life well beyond the pandemic.

Here’s what venues around the region are doing in the coming months. Fans need to be aware that everything is a moving target. Tickets bought for an event in May or June might end up unused until September or October — or even 2022. It’s essential to frequently check websites and social media pages — the latter option seems to be the most reliably up to date.

Palace Theatre & Rex Theatre, Manchester

The wall calendar in Palace Theatre CEO Peter Ramsey’s office is filled with shows.

“We have some 200 events scheduled between June 1 and the end of the year, which is a lot,” he said. “I’ve only got maybe six or seven days free from Labor Day to the end of the year and most of them are Mondays.”

Many are shows that were postponed in 2020, like Linda Ronstadt Experience and KT Tunstall. “From the beginning, we were committed to not treating any artist in an unethical or bad way, so we guaranteed we’d rebook them out,” Ramsey said.

Those include Paula Cole, The Fools and Billy Joel tribute act David Clark’s Songs in the Attic.

Ramsey’s big hope is a five-week run of Mamma Mia! in the fall, at full capacity.

“We were running Mamma Mia! when we shut down and we ended up canceling 15 sold out shows,” he said.

Manchester’s newest venue was sent reeling when the pandemic shut it down mere months after opening. Rex Executive Director Chuck Stergiou promises three months of regular Friday night comedy shows, along with a solid mix of music, from locals like Ally Beaudry and the Spain Brothers to Adam Ezra, Susan Werner and Max Weinberg’s Jukebox, a side project of the E Street Band drummer due to hit town on Nov. 11.

Capitol Center for the Arts & Bank of NH Stage, Concord

While the space was shuttered for the year, indoor air treatment capabilities were improved, hands-free restroom equipment was added and other pandemic-related enhancements were done, so both the Chubb Theatre and Bank of NH Stage are ready when the State of New Hampshire green-lights larger audiences.

For Clarke, reducing the social distancing minimum from 6 to 3 feet would be a critical step.

“Depending on what happens with the guideline situation, if it loosens up a little bit, getting another 25 or 30 people into the Bank of NH Stage makes a difference for us,” she said. “Nothing’s going to change in the big theater until we really can be at full capacity, because of the fees we pay artists.”

Rather than plan indoor events that currently aren’t economically viable, there are plans for an 11-show Sunday in the Park outdoor concert series in nearby Fletcher-Murphy Park, beginning on June 16 with guitarist Joe Sabourin.

Tupelo Music Hall, Derry

After inventing a new business from scratch in three weeks last year, Hayward will again transform his parking lot into Tupelo Drive-In — he hopes for the final time.

“The question is, how long are we going to be outside? We’ve booked through the end of July, but from everything I can see … we’ll be outside in August. I’m hoping I can get back indoors by October, but who knows?”

An eclectic mix of talent is booked, from national acts like Dar Williams, Tiffany and Popa Chubby to local favorites like Truffle, Entrain and guitarist Tim Theriault, who opens the season on Friday, April 30. A May 29 Jon Butcher Axis show will include a guest appearance from Stompers front man Sal Baglio.

Doppelgänger acts appear frequently, beginning with Foreigners Journey May 1 and May 2.

“The tributes attract a lot of people because they are generally bands that have been around a very long time, like the Eagles,” Hayward said. “People like the music … it appeals to parents and kids alike, and they will bring the families.”

Northlands, Swanzey

After a switch from cars to pods inspired by European festivals, the novel venue can sell even more seats for big-name acts like Indigo Girls, Allman Betts Band, Dinosaur Jr. and Smith & Myers, the latter an acoustic side project from Shinedown front man Brent Smith and guitarist Zach Myers.

The switch was made to improve audience experience, Northlands Director of Operations Mike Chadinha explained in a phone interview. “The drive-in was cool in a lot of ways because you’re tailgating at instead of before the concert,” he said, but other issues, such as sight line and sound, negated the benefits. “Someone has a giant truck and the person behind them has a Honda Civic, that’s a little tough. On top of that, I don’t think artists generally want to play to a parking lot.”

Bank of NH Pavilion, Gilford

Beginning with Thomas Rhett on June 3 and June 4 and ending with Toby Keith in early September, there are 17 shows scheduled at New Hampshire’s biggest outdoor concert facility that require fully relaxed guidances. “We expect to be back to full capacity by midsummer, so a very good chance,” the venue responded on its Facebook page when fans asked about whether their tickets would be used.

That said, four “reduced-capacity, socially-distanced” shows are bet-hedgers for the LiveNation property. Country singer Jake Owen appears May 29, followed a month later by an Independence Day weekend run from by Nashville band Old Dominion.

The Music Hall, Portsmouth

The historic downtown theater will take its mixed approach of indoor and outdoor events a step further, with livestreams of socially distanced concerts now available. The focus of those concerts continues to be regional talent that would appear at the smaller Music Hall Loft in different times.

Music Hall CEO Tina Sawtelle is especially pleased with a three-concert series featuring Zack Williams, Rachael Price and Son Little, designed to assist fellow Portsmouth venues 3S Artspace and Prescott Park.

“They were not able to access State of New Hampshire Covid emergency funding as easily as we were,” she said by phone, “so we’re opening up our doors and providing the production team and the front of house team to run those events.”

Proceeds will be split evenly between the two nonprofit organizations, Sawtelle continued. “We’re just thrilled to be hosting it and to be collaborating in a way we haven’t before,” she continued. “We hope that’s a real relationship that is sustained beyond Covid and these trying times that we’re all in.”

The very successful evening concerts on Chestnut Street resume with two shows from Antje Duvekot on May 8, followed by area bluegrass stalwarts Rockspring the next Saturday. Also slated are folksinger Vance Gilbert on May 19 and the duo Crys Matthews & Heather Mae on June 22.

Casino Ballroom, Hampton Beach

Beginning with the ’60s revival Happy Together Tour on June 27 followed by the annual SoCal ska show from Badfish on July 2, Casino Ballroom has over a dozen dates slotted for summer. But the reality, Marketing Director Andy Herrick explained by phone recently, is many may be postponed because advance ticket sales already exceed capacity limits.

“The holy grail for us is when restrictions can be dropped,” Herrick said. “No one has a crystal ball, but the fall looks reasonably good, and maybe even summer, with the vaccination rate being what it is.”

The reluctance of big-name acts to hit the road compounds things.

“We’re only part of the big picture, because tours have to happen for our shows to happen,” he said. “We’ll try to stay positive, and keep shows on our website that have a shot.”

Featured photo: Northlands. Courtesy photo.

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