News & Notes 21/10/14

Covid-19 update As of Oct 4 As of Oct 11
Total cases statewide 122,054 125,743
Total current infections statewide 3,502 3,941
Total deaths statewide 1,485 1,499
New cases 3,348 (Sept. 28 to Oct. 4) 3,689 (Oct. 5 to Oct. 11)
Current infections: Hillsborough County 920 1,015
Current infections: Merrimack County 380 474
Current infections: Rockingham County 650 718
Information from the New Hampshire Department of Health and Human Services

Covid-19 news

As of Oct. 11 there were 3,941 active infections of Covid-19 statewide and 142 current hospitalizations. Two additional deaths were announced on Oct. 11, bringing the total to 1,499.

On Oct. 8, following the postponement of an Executive Council meeting the previous week regarding federal grants for vaccine funding, New Hampshire Attorney General John M. Formella issued a memo to Gov. Chris Sununu saying that the state is able to accept the money without being locked into any future federal mandates. Anti-vaccine protests had forced the postponement of the Sept. 29 meeting, according to a report from WMUR. “I appreciate that the Attorney General has been very clear in his determination that these contracts do not bind the New Hampshire state government to any sweeping federal mandates, ensuring our state’s sovereignty in how we manage the Covid pandemic,” Sununu said in an Oct. 8 statement.

HealthCost

Last week the New Hampshire Department of Insurance launched the state’s new HealthCost website (nhhealthcost.nh.gov), which helps people compare prices across health care facilities with additional medical procedures and new information on hospital quality measures. According to a press release, the site also includes information on health insurance and an interactive tool to compare hospitals’ quality of care, cleanliness and customer satisfaction.

Spirit at MHT

Manchester-Boston Regional Airport has expanded its services. On Oct. 7 the airport celebrated the first flight of Spirit Airlines, which provided transportation between Manchester and several Florida locations. In the security area at Spirit’s gate, Manchester Mayor Joyce Craig, Spirit’s Vice President of Guest Experience & Brand Lania Rittenhouse, and Airport Director Ted Kitchens gave their remarks on the expansion. According to a press release, Spirit is the first new passenger airline that Manchester-Boston Regional Airport has welcomed in 17 years.

Juvenile justice

Last week Gov. Chris Sununu signed an order establishing the formation of the Juvenile Justice Reform Commission, an advisory group to update and replace the State Advisory Group for Juvenile Justice. According to a press release, the New Hampshire Juvenile Justice Reform Commission will “assist the state in aligning New Hampshire’s juvenile justice system with advances in scientific understanding of adolescent development and youth offenders.” The group’s primary role is to advise the state on its use of federal juvenile justice grants and supporting compliance with federal juvenile justice requirements. The original advisory group had been in place for more than 20 years, created by Gov. Jeanne Shaheen, and the formation of this new group is an effort to bring in fresh perspectives and ideas, the release said. “I would like to thank all new members for agreeing to serve the state in this incredibly important mission, and I have full confidence they will meet the challenges and opportunities facing the state as we create a juvenile justice system designed to meet the needs of the individuals, families, and communities in a safe, data-driven, and evidence-based manner,” Sununu said in a statement.

Organic certification

The state has terminated the Northeast Organic Farming Association of New Hampshire’s certification program for organic processor/handle and livestock operations, according to a press release from NOFA-NH, which noted that the decision could impact as many as 45 state-certified organic farms, processors and handlers as well as farms that were in the process of transitioning to and becoming certified organic. An “adequate transition plan” was not put in place, the release said, and the farms affected will have to contract with a new certifier in the coming year.

Career schools

Smaller career schools in New Hampshire will no longer need to be regulated or licensed by the New Hampshire Department of Education’s Office of Career School Licensing, or pay licensing and licensing renewal fees. According to a press release, career schools are defined as post-secondary institutions that provide training in trades and vocational skills that expand students’ employment opportunities. The Senate Bill 148, signed into law by Gov. Chris Sununu in August, applies to private career schools with an adjusted gross income of less than $100,000 per year, of which there are 41 existing in the state. Newly established career schools meeting those criteria will not need to apply for a license from the state. “This change will make it easier for smaller career schools to operate and promote the creation of new vocational schools in New Hampshire with minimal risk to participating students,” Stephen Appleby, Director of Educator Support and Higher Education with NH-DOE, said in the release. Career schools may still opt to remain licensed or apply for licensure if they want to participate in federal programs that require it. Any schools affected by the law that grow to exceed an AGI of $100,000 in the future will at that point be required to go back and receive regulation and licensing by the state again.

Choose Love

The New Hampshire Department of Corrections has joined with the Jesse Lewis Choose Love Movement to provide its programming to incarcerated residents. According to a press release, the Corrections Choose Love Program will include daily activities that will reinforce and support social and emotional learning skills, to improve the residents’ relationships and interactions with their families and communities. Funding for the program was awarded to NHDOC’s Family Connections Center from the state Department of Health and Human Services’ Community Collaborations to Strengthen and Preserve Families. Choose Love has been incorporated into schools, state and local departments and various organizations across New Hampshire, the release said.

Last week Gov. Chris Sununu visited Jeremiah and Jamie Crosby’s home in Springfield to highlight the state’s investment in broadband upgrades, after allocating short-term CARES Act funds to broadband expansion. According to a press release, $13 million went to 16 projects that benefitted over 4,500 households, and the state is expected to receive an additional $122 million in one-time federal funds to provide broadband access to every household in the state.

To commemorate the founding of Daughters of the American Revolution, on Oct. 11, 1890, 10 members of the local Buntin-Rumford-Webster chapter gathered at the Old Fort Cemetery in East Concord on Oct. 8 to clean and reset gravestones. According to a press release, two of the stones that were cleaned belonged to American Revolutionary War patriot Moses Eastman and his wife, Elizabeth.

UpReach Therapeutic Equestrian Center will host volunteer trainings at its facility in Goffstown on Saturday, Oct. 16, from 9 a.m. to noon and Tuesday, Oct. 26, from 1 to 4 p.m. According to a press release, volunteers must be at least 14 and be physically able to lead a horse at the walk and provide support as needed to mounted participants. Supplemental trainings are required for volunteers who want to handle or lead a horse, on Saturday, Oct. 16, from 1 to 2:30 p.m. and Wednesday, Oct. 27, from 1:30 to 3 p.m. Email [email protected] or call 497-2343.

Southern New Hampshire University in Manchester officially opened its new Esports Arena with a ribbon-cutting ceremony on Oct. 8. According to a press release, the arena is equipped with live broadcasting and streaming capabilities and 18 high-end gaming PCs, giving SNHU esports players a place to practice their gaming skills and compete against varsity opponents across the U.S. and Canada.

Pick your pumpkin – 10/07/21

Surround yourself with gourds big and small at local pumpkin festivals, and pick your own at a farm near you!

Also on the cover, follow the Great New Hampshire Autumn Tour with the Hippo’s exclusive pull-out map, p. 24 & 25. And find live music for your long Columbus Day Weekend in Music This Week, starting on p. 39.

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Willy Porter back in NH for two shows Though he’s a native of Wisconsin, Willy Porter feels a strong connection ...

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On the road again

Willy Porter back in NH for two shows

Though he’s a native of Wisconsin, Willy Porter feels a strong connection to the Granite State.

“I think I could easily live in New Hampshire,” he said in a recent phone interview. “I just love the pace of life there.”

Porter returns frequently for shows at The Flying Goose in New London, and this year he’ll be there for two nights to start their live music season.

Porter’s career began around the time Tom Mills opened the restaurant turned brewpub in 1993; his breakthrough LP, Dog Eared Dream, arrived a year later. His ties to the area include a long collaboration with musician and artist Tom Pirozzoli. The two have written together over the years and in 2020 made an album, Reckon by the Light.

“He’s got a great eye as a poet and a painter,” Porter said of Pirozzoli. “He’s one of the guys you want around.”

Porter has made almost a dozen records over his three-decade career. His most recent, mnemonic, arrived just ahead of the pandemic, on Valentine’s Day 2020. With its release, he played a trio show in his home state, then headed to Florida to start a tour in support of the new disc.

When he got there, the world shut down.

After being stranded for a bit, Porter flew back to Wisconsin. He didn’t perform again until June of this year, other than playing for a handpicked crowd last fall to help an Omaha, Nebraska performing arts center stay open.

“It was a strange sort of mummified show … everybody fully wrapped,” he said of the event, which was livestreamed. “I did get to play this extraordinary room; it was like going from my basement to Carnegie Hall.”

Now, beginning with a festival in Oregon and continuing in New England, Porter is finally back on the road.

“I was looking at my luggage and I saw the baggage tag was from the return from Florida on March 12 of 2020,” he said, and offered a baseball metaphor for emphasis. “It’s a gift to come off the Covid bench, get back in it and see some old friends.”

Porter drew from the pandemic and America’s pastime for a single he put out in early summer. “Baseball On The Radio” recalls a trip to Sears with his dad that’s more about time away from his mom than shopping, as the two bond over their beloved Brewers and announcer Bob Uecker calls the game.

“I asked him, ‘Why are we here?’ He said, ‘Because your mother’s not,’ … I just looked at him and then he kind of just smiled, and we moved on. I think that was a time when the garage was just not far enough away,” he said. “I’m lucky that I grew up in a house where my parents always worked it out.”

The hopeful, nostalgic song was also aimed at a reeling country.

“We’re coming out of Covid, and the one thing I’ve always loved is baseball, we can all rally around it. It’s an American thing, it’s not partisan, it’s just fantastic. It’s right up the middle, it’s where we’re from. I just wanted something that was uniquely positive … plus, it’s a lot of fun to sing about the Brewers.”

The song will appear on a new album Porter is working on with Dog Eared Dream producer Mike Hoffman.

“It only took us 27 years to do the follow-up together,” he said with a laugh. The forthcoming disc draws inspiration from his experience revisiting the 1994 record on its 25th anniversary in 2019.

“It was a very hopeful time,” he said. “Going back, you can pull some of that energy out of that music again and reapply it. Not that I’m trying to replicate it, but there’s a mindset, a psychology of hope in both of those records. I’m definitely trying to tap into [that] with this new project.”

Willy Porter

When: Wednesday, Oct. 6, and Thursday, Oct. 7, 8 p.m.
Where: Flying Goose Pub, 40 Andover Road, New London
Tickets: $25 at flyinggoose.com

Featured photo: Willy Porter. Courtesy photo.

The Music Roundup 21/10/07

Local music news & events

Northern soul: On his NEMA-nominated album Chesty Rollins’ Dead End, Charlie Chronopoulos observes everyday life in his home state of New Hampshire and its challenges among the marginalized — opioids, poverty and other hardships. “Glass Factory” distills the disc’s themes: “I can tell you all about the fragile things we make,” he sings. “They spend their lives about to break … should stay on the shelf.” Thursday, Oct. 7, 8 p.m., Stumble Inn Bar & Grill, 20 Rockingham Road, Londonderry. See charliechronopoulos.com.

Pop crop: On their new EP Angus Soundtrack 2, Donaher stays in a solid mid-’90s groove — the title is a nod to the 1995 teen comedy that featured Weezer, Green Day and Goo Goo Dolls. “Courtney” is a cool update of the film’s high school angst theme, with the line, “every text I get, my forehead gets a bead of sweat/wondering what comes next/an emoji you can soon forget,” clocking in at a genre-appropriate minute and 52 seconds. Friday, Oct. 8, 9 p.m., Shaskeen Pub, 909 Elm St., Manchester. See facebook.com/donahertheband.

Duo delight: Taking electric and concert grand harp in bold new directions, the Harp Twins are identical sisters Camille and Kennerly Kitt. Their two were featured guests on last year’s PBS special Celtic Heart, while the pair’s newest release, Harp Attack 4, is billed as “velvet harp rock and metal.” They cover everyone from Kansas to Metallica, and their spirited version of Billy Idol’s “White Wedding” is a gem. Saturday, Oct. 9, 7:30 p.m., Franklin Opera House, 316 Franklin St., Franklin, tickets $14 at franklinoperahouse.org.

Burt & Hal: Inspired by classic Hollywood, Deep Blue C Studio Orchestra is a regional ensemble bringing the music of Leonard Bernstein, Burt Bacharach & Hal David and other greats from film to stage. On Composers and Their Songs, the Doc Vose-led ensemble performs selections from soundtracks, Great American Songbook classics, and pop favorites ranging from Goffin & King to Ashford & Simpson. Sunday, Oct. 10, 4 p.m., Rex Theatre, 23 Amherst St., Manchester, tickets $20 at palacetheatre.org.

Pond crossers: Grounded in L.A. during the pandemic, English rockers The Struts went into the studio empty-handed to create and record the aptly titled Strange Days. They recruited an impressive supporting cast, including Phil Collen and Joe Elliott of Def Leppard, guitarist Tom Morello for “Wild Child” and Albert Hammond, Jr. of The Strokes on the lead single, “Another Hit of Showmanship.” Wednesday, Oct. 13, 8 p.m., Casino Ballroom, 169 Ocean Blvd., Hampton Beach, tickets $26.50 at ticketmaster.com.

The Many Saints of Newark (R)

The Many Saints of Newark (R)

A young Tony Soprano is mentored by Dickie Moltisanti in “this thing of ours” in The Many Saints of Newark, a Sopranos prequel/little fan service treat.

Dickie (Alessandro Nivola) is the father of Christopher (as an adult, Michael Imperioli), who was the guy The Sopranos-era Tony Soprano took under his wing in fatherly fashion. Here, we see Christopher’s father serve that role for Tony (William Ludwig as a kid; Michael Gandolfini, son of the late James Gandolfini, as a teen), particularly when his own father, Johnny Soprano (Jon Bernthal), is away in prison. Tony frequently has an easier time relating to Dickie than to his own mother, Livia (Vera Farmiga, going all out), who is, you’ll recall, A Lot.

By the way, that previous paragraph, with all the “this guy is that guy’s father and also related to this other guy” is how this movie feels from the very beginning. In the movie’s opening scene, which sets up the movie’s narration, there was a piece of information that caused me to press pause and then have a whole “wait, he had a kid?” discussion. The Many Saints of Newark often feels like an extended conversation about second and third cousins, where you keep forgetting who everybody is and how they’re connected.

The movie actually gets going in part with Christopher’s grandfather, Dickie’s father, Hollywood Dick (Ray Liotta) returning from Italy with an extremely young new wife, Giuseppina (Michela Di Rossi). Dickie — who appears to still live in the family home with his own wife, Joanne (Gabriella Piazza) — instantly has the hots for Giuseppina and also there’s all sorts of psychological weirdness about his father saying she’s going to have his second set of children while Dickie and Joanne struggle to conceive their own child and some residual anger from Dickie because of his father’s physical abuse (toward him as a kid, toward his mother and now toward Giuseppina). Dickie, we learn, also has a temper.

Through it all, kid Tony seems to go to great lengths to be around Dickie, whose occupation seems to involve the numbers racket and stolen goods. Tony gets in his own small-time trouble: as a kid he gets kicked out of school for setting up a little-kid numbers racket, as a teen he gets busted for buying a stolen test. But there is part of him that seems to want what somebody at some point calls a civilian life — he plays football, he dreams of college.

I’m not saying I want this but there is a version of this project that isn’t a two-hour movie but a three-season HBO show, where side plots like the ambitions of Giuseppina or everything to do with Harold McBrayer (Leslie Odum Jr.), a man whom we first meet working for Dickie but who wants to strike out on his own, get richer development. McBrayer in particular is an interesting character — initially collecting cash for Dickie but deciding to go out on his own: a numbers-running operation in the Black community controlled by him and not the Italian mob. His story intersects with the Newark riots and real-life gangster Frank Lucas. But as presented here, a lot of his story feels kind of stuffed in. “Here are some ideas” is the feel of McBrayer and Giuseppina’s arcs but then the action of the movie is really centered on Dickie. And, my attention was usually on Tony and his growing into the guy we remember from the TV show and all the familiar names associated with that. You know how the post-credits scene of a superhero movie will show a costumed character or mention a first and last name and you know that you’re supposed to know who this person is and understand their significance? That is sort of how this movie is, but for the whole movie (and I say this as someone who watched the entire run of The Sopranos). As was pointed out to me by my movie night companion, a lot of those “hey, that’s Silvio Dante” or “they just mentioned Hesh” aren’t important for the plot of this specific movie. But because this is a Sopranos property, you can’t help focusing on these elements.

All of that said, this movie was fun to watch, even if I seemed to watch it in 10-minute chunks, pausing for frequent “is that the guy who”-type conversations. There are truly horrifying moments, truly funny moments and some solid bits of acting, including from Farmiga and Gandolfini. And like a family gathering full of third cousins and unplaceable children (a nephew? By marriage? Which marriage to whom?), The Many Saints of Newark feels overstuffed and even overwhelming at times but also familiar and enjoyable to spend time with in this limited setting. The movie displays some quality construction and dialogue and reminds you just what a standout, even after the ensuing decades of peak TV, The Sopranos really was. B-

Rated R for strong violence, pervasive language, sexual content and some nudity, according to the MPA on filmratings.com. Directed by Alan Taylor with a screenplay by David Chase & Lawrence Konner, The Many Saints of Newark is two hours long and is distributed in theaters by Warner Bros. Pictures and is on HBO Max until Oct. 31.

Venom: Let There Be Carnage (PG-13)

The alien symbiote/human goofball partnership that lives inside Eddie Brock accidentally spawns a bigger, redder creature in Venom: Let There Be Carnage.

And, as you may have already heard, there is a mid-credits scene in this movie. On balance, I’d say it’s worth waiting for because you already put on your outside clothes to come to the movie theater anyway and it is a fun little teaser for [redacted].

If you ever watched the late great one-season ABC show Stumptown, you’ll remember the somewhat ratty car that lead character Dex drove — it had a broken tape player that would on-the-nose-ily turn on and it always looked like it was one too-fast turn from coming completely apart. Eddie Brock (Tom Hardy) feels like the human version of this — just barely keeping himself together. And, in truth, that’s what he’s often doing: just barely keeping Venom, the evil-Spider-Man-looking alien symbiote who lives inside him, from popping out and going on some kind of destructive rampage. Eddie talks back to the pestering Venom voice (that only he can hear) who seems to spend a lot of time asking to eat either people or chocolate, or complaining about Eddie’s inability to get back together with his former fiancee Anne (Michelle Williams), who is now dating Dr. Dan (Reid Scott).

But Venom is useful too. When Eddie interviews serial killer Cletus Kasady (Woody Harrelson), it’s Venom who notices some of the drawings on Cletus’ wall and helps Eddie figure out that one of them points to the location of Cletus’ victims’ bodies. This earns Eddie some acclaim — and Cletus’ rage, as the appearance of all the new bodies has the state of California decide to make an exception to its “no more executions” rule just for Cletus. During his final meeting with Eddie, though, Cletus provokes Venom and bites Eddie, getting just enough of that weird alien symbiote-infected blood to grow his own strange creature inside himself, which I think eventually calls itself Carnage.

Unfortunately for Eddie (and everyone else in the city), by the time Cletus/Carnage have broken out of San Quentin, Eddie and Venom have, er, broken up. Eddie doesn’t like how Venom causes thoughtless havoc in Eddie’s life and Venom isn’t cool with how Eddie keeps him from eating human brains (they had bought chickens for Venom to eat but he ended up naming them — Sonny and Cher — and is now too attached).

Cletus and Carnage and Cletus’ long-lost girlfriend Frances (Naomie Harris) — this movie’s villains — are very “meh, whatever” villains. (Ditto a character called Detective Mulligan played by Stephen Graham, who by the end of the movie is less of a character and more just comic book homework.) Is Harrelson appropriately crazy? Sure, he’s pretty good at that kind of character. But I found myself wishing we could just cool it with Cletus and his motivations and his backstory and spend more time with Tom Hardy and his Eddie/Venom duo. Hardy seems to be having a really good time with this/these character/s (Hardy even has a story-by credit). Obviously CGI plays a big part in the look of Venom but the personality seems to come from Hardy letting Eddie be more of a, well, goober and Venom more “immediate reaction of all your worst impulses.” It makes for an overall very watchable, fairly silly — if still quite violent, I was kind of surprised this movie is only a PG-13 — lead character even if everything going on around him is less than thrilling. B-

Rated PG-13 for intense sequences of violence and action, some strong language, disturbing material and suggestive references, according to the MPA on filmratings.com. Directed by Andy Serkis (yes that Andy Serkis) with a screenplay by Kelly Marcel, Venom: Let There Be Carnage is an hour and 37 minutes long and distributed in theaters by Columbia Pictures.

The Addams Family 2 (PG)

The altogether-ooky family hits the road in The Addams Family 2, a rather underwhelming second entry in this rather underwhelming animated adaptation of the Addams Family.

After preteen Wednesday Addams (voice of Chloë Grace Moretz) gets annoyed with her family for showing up to her science fair, dad Gomez (voice of Oscar Isaac) decides he must yank his daughter back into the fold with a family road trip. Mom Morticia (voice of Charlize Theron) and younger kid Pugsley (voice of Javan Walton) load up the family’s camper (which has kind of a steampunk hearse carriage/iron lung appearance) and set out for three weeks, along with Thing, Lurch (voice of Conrad Vernon), Uncle Fester (voice of Nick Kroll) and occasionally Cousin It (voice of Snoop Dog).

Right before the family leaves, though, a lawyer named Mr. Mustela (voice of Wallace Shawn) shows up to inform the Addamses that Wednesday might have been switched at birth and might not actually be an Addams. They laugh it off at first, thinking it’s just Wednesday trying to get out of the family trip, but Mustela follows the Addams family as they travel across the county.

Is Wednesday really not an Addams or does this lawyer and his story have something to do with Wednesday’s science experiment, which involved briefly giving Uncle Fester the intelligence of a Rubik’s Cube-solving octopus? When the science fair sponsor, Curtis Strange (voice of Bill Hader), asked Wednesday for her research, she turned him down, but he doesn’t seem like the type to accept “no.” Also, maybe Fester’s transformation wasn’t as “brief” as originally thought, since he suddenly has an irresistible urge to be near water and one of his arms is looking very cephalopod-like.

There is an off-kilter oddball energy to the 1990s live-action Addams Family movies that is missing here. These Addamses are spooky, sure, in kind of a Halloween decoration way, and Wednesday is still trying to kill her brother Pugsley in a way that felt a little too murderous to have me rushing to show this to my young elementary-aged kids. But there’s a gleeful weirdness that made those movies something I always end up stopping to watch if I flip past them. Here, the Addams-ness is rather muted beneath a very standard “family appreciating each other” tale.

Now, that same factor — fewer electrocutions and babies with knives — might make it more palatable/less nightmare-inducing for, say 8-year-olds and up (whereas I felt the first movie in this series was maybe for more like 10-year-olds and older). So the mushiness that makes it a less interesting Addams movie probably does make it a better kids’ movie — which, of course, kids in the audience is really the whole point of this movie. And the overall look of the film is fun in the way that a lot of spooky themed stuff is fun. I feel like kids who generally enjoy monsters and scary stuff (but still need their scary stuff to be not too scary) will enjoy this. C+

Rated PG for macabre and rude humor, violence and language, according to the MPA on filmratings.com. Directed by Greg Tiernan and Conrad Vernon with a screenplay by Dan Hernandez & Benji Samit and Ben Queen and Susanna Fogel, The Addams Family 2 is an hour and 33 minutes long and distributed by United Artists Releasing. It is in theaters and available via Video On Demand.

FILM

Venues

AMC Londonderry
16 Orchard View Dr., Londonderry
amctheatres.com

Cinemark Rockingham Park 12
15 Mall Road, Salem

Chunky’s Cinema Pub
707 Huse Road, Manchester; 151 Coliseum Ave., Nashua; 150 Bridge St., Pelham, chunkys.com

The Music Hall
28 Chestnut St., Portsmouth
436-2400, themusichall.org

Red River Theatres
11 S. Main St., Concord
224-4600, redrivertheatres.org

Regal Fox Run Stadium 15
45 Gosling Road, Newington
regmovies.com

The Strand
20 Third St., Dover
343-1899, thestranddover.com

Wilton Town Hall Theatre
40 Main St., Wilton
wiltontownhalltheatre.com, 654-3456

Shows

The Witch (R, 2015) screening at The Strand in Dover on Wednesday, Oct .6, 7 p.m. Tickets cost $6.

Night of the Living Dead (1968) screening on Thursday, Oct. 7, at 7 p.m. at Red River Theatres in Concord.

Hansel & Gretel: Witch Hunters (R, 2013) screening at The Strand in Dover on Thursday, Oct. 7, 7 p.m. Tickets cost $6.

21+ Trivia Night for The Nightmare Before Christmas at Chunky’s in Manchester on Thursday, Oct. 7, at 7:30 p.m. Reserve a seat with the purchase of a $5 food voucher.

The Evil Dead (NC-17, 1981) 40th anniversary screening with intro from Bruce Campbell on Thursday, Oct. 7, at 7:30 p.m. at AMC Londonderry 10, Lowell Showcase Cinemas and Regal Fox Run Stadium 1 via Fathom Events.

I’m Your Man (R, 2021) screening at Red River Theatres in Concord, Friday, Oct. 8, through Monday, Oct. 11, at 1, 4 & 7 p.m.

Lamb (R, 2021) screening at Red River Theatres in Concord, Friday, Oct. 8, through Monday, Oct. 11, at 1:30, 4:30 and 7:30 p.m.

The Conjuring (R, 2013) screening at The Strand in Dover on Friday, Oct. 8, 7 p.m. Tickets cost $10.

Maleficent (PG, 2014) screening at The Strand in Dover on Saturday, Oct. 9,2 p.m. Tickets cost $6.

The Nowhere Inn (R, 2021) screening at The Music Hall in Portsmouth on Saturday, Oct. 9, at 7 p.m. Tickets cost $15.

Hocus Pocus (PG, 1993) screening at The Strand in Dover on Sunday, Oct.10, 2 p.m. Tickets cost $6.

The White Tiger (1923), a silent film with live musical accompaniment by Jeff Rapsis, at Wilton Town Hall Theatre on Sunday, Oct. 10, at 2 p.m. Admission is free; $10 donation suggested.

Scream (R, 1996) on Sunday, Oct. 10, at 3 p.m. at Cinemark Rockingham Park, AMC Methuen and Regal Fox Run and at 7 p.m. at AMC Methuen and Regal Fox Run. Also screening Monday, Oct. 11, at 7 p.m. on Cinemark Rockingham Park, Regal Fox Run and AMC Methuen. All via Fathom Events.

Featured photo: Dear Evan Hansen. Courtesy photo.

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