Kiddie Pool 23/11/02

Family fun for whenever

Shows!

• The Riverbend Youth Company will present High School MusicalFriday, Nov. 3, at 7:30 p.m.; Saturday, Nov. 4, at 2:30 and 7:30 p.m., and Sunday, Nov. 5, at 2:30 p.m. at the Amato Center for the Performing Arts (56 Mont Vernon St. in Milford, amatocenter.org/riverbend-youth-company). Tickets cost $12 for adults, $8 for seniors and kids.

• Teach the children about their jam-band forebears at Rock and Roll Playhouse — Music of the Grateful Dead for Kids on Sunday, Nov. 5, at noon at Bank of NH Stage (16 S. Main St. in COncord; ccanh.com). Tickets cost $18.75 in advance, or $5 more at the door.

Museum happenings

• At the McAuliffe-Shepard Discovery Center (2 Institute Drive in Concord; starhop.com, 271-7827), this Friday’s Super Stellar Friday program (program starts at 7 p.m.; doors open at 6:30 p.m.) will focus on “Breaking Barriers: A Woman’s Journey in Aviation” with Debbora Losch, education director at the Aviation Museum of New Hampshire. Losch served as an AH-64D Apache helicopter mechanic while in the U.S. Army, according to a press release, and will discuss the challenges and triumphs of women in aviation. Tickets cost $12 for adults, $9 for ages 3 to 12, $11 for 62+. A webinar version of the presentation is free to view but registration is required.

• At the Children’s Museum of New Hampshire (6 Washington St. in Dover; childrens-museum.org, 742-2002), the Thursday Cultural Crafts for November will focus on Bonfire Night in the United Kingdom. The program is scheduled for 10:30 a.m. during the 9 a.m. to noon session and 2:30 p.m. during the 1 to 4 p.m. session and is included with admission on all Thursdays in November except Nov. 23 (Thanksgiving). On Saturday, Nov. 4, Quint-Essential Winds will perform at 10:30 a.m., offering three classic stories presented with music and interactive elements. Tickets cost $12.50 for everyone over 12 months, $10.50 for 65+.

Storytime

• New England author and illustrator Matt Tavares will read his new picture book Dasher Can’t Wait For Christmas, a follow-up to his book Dasher!, on Saturday, Nov. 4, at 11 a.m. at Gibson’s Bookstore (45 S. Main St. in Concord; gibsonsbookstore.com, 224-0562).

Save the date

• Have kids interested in music lessons? Get a look at what they could learn when more than 100 students show off their guitar, piano, ukulele, violin, saxophone, trumpet, drums and vocal skills at North Main Music’s student concert on Sunday, Nov. 12, at Nashua High School North (8 Titan Way) presented in 90-minute segments from 11 a.m. to 7 p.m. See northmainmusic.com for more information on the music school and northmainmusic.com/contact for more on the concert.

Fall pruning

A few bold cuts can transform a tree or shrub

I asked an experienced arborist the other day what he thought about pruning apple trees in the fall. His answer was the same as mine: “Prune when you have time and the pruners in your hand.” Yes, March is a good time to prune, but I suspect that farmers started the tradition of pruning their orchards then because it was too early to plow or plant, and they were suffering from cabin fever. Over the years, I have pruned most sorts of trees in the fall, winter, spring and summer — and seen no adverse effects. I particularly like to prune in the fall after leaf drop, as one can see clearly the shape of the shrub or tree.

Plants that bloom early in spring or summer have already formed buds for next year. Early bloomers include fruit trees, forsythia, lilac, magnolia, fothergilla, viburnums, rhododendrons, azaleas and many more. Right now you can see big fat buds on most of those, just waiting for spring and the right time to bloom. I say losing a few blossoms to pruning is no big deal: You will have a more beautiful tree to look at all winter, and a healthier tree next year.

Hardwood trees like maples, beech, oak, magnolia and linden can be pruned now. Maples and birch should not be pruned in the spring because they will bleed ferociously. Roses I usually prune in the spring, after I see how much the winter has killed off, if anything. Evergreens like pine and hemlock I usually prune right after the new growth has occurred in summer — that helps keep their growth in check.

Every tree or shrub is pre-programmed to be a certain size and shape. It’s in its DNA. You can influence how it will grow, but it will almost always persist and be what it is programmed to be. It’s very tough to keep a hemlock or pine small, for example. But you can remove lower branches so the mower can get under a tall tree, or make space for chairs in the shade.

My late sister Ruth Anne loved to prune. Her approach to pruning was to start by sitting on the ground and looking up through the branches. First, she looked for branches that filled up space but added little to the overall beauty and structure of the plant. If a tree is too crowded with branches, the interior is a mess and many leaves do not benefit from the sun.

Trees and shrubs look best, and perform best, when they have strong branches that will stand up to ice or snow loads. Ask yourself this question when considering removing a branch, “What will this look like in five years? In 10?” The answer guides me. I like to say that a bird should be able to fly through a well-pruned apple tree without getting hurt.

Don’t be a timid pruner. A few bold cuts (removing large stems) can transform a tree in just a few minutes. Nibbling away at the edges, taking off pencil-thick branches, is slow, tedious work.

How much wood can you remove in a single season? The old rule of thumb was a third of the leaf-producing branches. Now experts advise just 20 to 25 percent. Remember, the leaves are the engine of the tree. They produce the sugars that feed the roots, allow growth and produce the fruit. If you pile up cut branches near the tree you are working on, it will be easier to see when you have taken enough.

You should always remove all dead branches. Dead branches have dry, flaky bark. If you rub the bark of a small branch, you should see a green layer. Dead branches don’t count when you are calculating how many branches you can remove.

Where should you make your cuts? At the origin of the branch, either on a bigger branch, on the trunk, or at ground level. Don’t cut off a branch flush to the trunk as it will open up a big wound. Instead, look at the branch and see where the “branch collar” is, and cut just beyond it. The collar is the slightly swollen area at the base of a branch, and its bark is often wrinkled.

Here are the cuts I make when pruning a tree, in the order I take them out: (1) dead wood, (2) damaged or cracked limbs, (3) crossing or rubbing branches, (4) branches that are growing toward others or toward the center of the tree. (5) branches that are paralleling others and close to them (I remove the weaker of the two).

Removing a big branch is tricky: The weight can force the branch to break before you cut all the way through, allowing it to fall and tear the bark of the trunk. Make your first cut 18 inches from the trunk and on the underside of the branch. Then go a little farther out the branch and make a top cut. If the heavy branch starts to drop, the undercut will keep the branch from tearing the bark. Then make a through cut at the branch collar.

Buy good tools and keep them clean, dry and sharp. Don’t try to prune a tree that is so big you need a chainsaw. Leave that for the professionals. But shrubs? Anybody can work on them and make them look better. Think of pruning as creating sculpture. I do, and the frustrated artist inside me feels great when I have transformed a scraggly shrub into a thing of beauty. Go for it!

Henry has been living and gardening in Cornish, New Hampshire, for 53 years. He is the author of four gardening books. You may reach him at PO Box 364, Cornish Flat, NH 03746 or [email protected].

Featured photo: Branch collar to left of line drawn shows where to prune a branch. Photo by Henry Homeyer.

The Art Roundup 23/11/02

The latest from NH’s theater, arts and literary communities

Whodunit: The Hillsborough Community Center will present Murder at the Malt Shop, billed as a “zany mystery … with a heap of nostalgic 50s references,” on Friday, Nov. 3, at 6:30 p.m.; Saturday, Nov. 4, at 7 p.m., and Sunday, Nov. 5, at 1 p.m at Hillsboro-Deering Middle School (6 Hillcat Dr. in Hillsboro). Tickets cost $20 ($10 for 60+ and15 and under). See hccnh.org/play.

New London stroll: The Center for the Arts will hold a gallery stroll on Friday, Nov. 3, from 5 to 7 p.m. featuring six New London locations — New London Inn (353 Main St.) with the works of Peter Anderson; Bar Harbor Bank (32 Main St.) with the creations of Carole Sanetti; Blue Loon Bakery (12 Lovering Lane) with oil painter Tatiana Yanovskya-Sink; the Fleming Center at the New London Barn Playhouse (88 Main St.) with the “Art Cafe” exhibit; Candida Clayton Gallery (210 Main St.) with five featured artists, and Tatewell (277 Newport Road) with Ludmila Gayvoronsky, according to a press release. See centerfortheartsnh.org.

Gallery show: There’s still time to catch “Images of Life Re-Envisioned” at Two Villages Art Society (846 Main St. in Contoocook; twovillagesart.org) featuring the work of Barbara Morse, an Amherst artist who specializes in graphic drawings, according to a press release. The exhibit closes on Saturday, Nov. 11; the gallery is open to the public Thursdays through Sundays from noon to 4 p.m.

Route 3 Art Trail
Enjoy art, open studios, demonstrations, a raffle and more during the Route 3 Art Trail on Saturday, Nov. 4, from 10 a.m. to 3 p.m. at 15 locations from North Concord through Penacook, Boscawen and into Franklin. A map and passport are available at route3arttrail.com; visit (and get the passport stamped at) five places to be entered in a raffle, the website said.

At Twiggs Gallery (254 King St. in Boscawen; twiggsgallery.org, 975-0015), one of the spots on the tour, Sleighbell Studio, the gallery’s annual holiday art fair, will open on Saturday, Nov. 4. The gallery will feature fine art and craft times from more than 20 artists, according to a press release. The gallery is open Thursday through Friday, 11 a.m. to 4 p.m., and Saturday, noon to 4 p.m. Through Saturday, Dec. 16, the gallery will feature events on Saturdays from 1 to 3 p.m., such as make-and-take crafts.

More symphony: The Portsmouth Symphony Orchestra opens its season on Sunday, Nov. 5, at 3 p.m. with the world premier of “At This Point,” a piece commissioned in honor of Portsmouth’s 400th anniversary, according to a press release. The concert will take place at the Music Hall in Portsmouth; tickets cost $25 to $35 for adults ($30 for seniors, $15 for students). See portsmouthsymphony.org.

New show: Creative Venture Gallery (411 Nashua St. in Milford; creativeventuresfineart.com, 672-2500) will open its annual “Small Works — Big Impact” show on Tuesday, Nov. 7, and hold an opening reception where you can meet many of the participating artists on Friday, Nov. 10, from 6 to 8 p.m. The show features work in a variety of media from more than 30 area artists and most pieces are smaller than 12 inches in diameter, according to a press release. The gallery is open Tuesday and Wednesday from noon to 4 p.m.; Thursday from noon to 6 p.m.; Friday from noon to 4 p.m.; Saturday from 10 a.m. to 2 p.m. and Sunday from noon to 4 p.m., according to the website.

Yes, those mittens: Vermont author and fiber artist Jen Ellis will visit Gibson’s Bookstore (45 S. Main St. in Concord; gibsonsbookstore.com, 224-0562) on Thursday, Nov. 9, at 6:30 p.m. to discuss her book Bernie’s Mitten Maker: A Memoir, according to a press release. Ellis is the maker of the internet-famous mittens Bernie Sanders wore to the 2021 presidential inauguration and the book discusses her life and the fame those mittens brought her, according to a press release.

Intown Concord’s Art Walk
Intown Concord will hold an Art Walk for the First Friday event on Friday, Nov. 3, from 4 to 8 p.m. At the Bank of NH Stage (16 S. Main St.), Saad Hindal, an Iraqi artist, will discuss his newly completed mural, according to a press release. Concord Arts Market will have a pop-up in Bicentennial Square with live music from Brian Burnout from 4 to 5 p.m. The New Hampshire Art Association and Queerlective will hold an artist pop-up at the Greater Concord Chamber of Commerce office (49 S. Main St.) featuring the exhibit “Magical Realism” from artist William Turner. Penumbra (10 N. State St.) will feature demonstrations by Meadows Madsen (pottery) and Heidi Pauer (jewelry). Pillar Gallery (205 N. State St.) will show off its new exhibit “Flora & Fauna” and Pompanoosuc Mills (28 N. Main St.) will feature works by artists Jess Barnett, Michelle Motuzas, Helen Fitzgerald and more, the release said. See intownconcord.org and find a map of participating locations on Intown’s Facebook page.

A community pillar

New gallery brings art hub to Concord

Mike Howat and Fallon Andrews had been deliberating their vision for about a year before officially opening the doors to PILLAR Gallery and Projects at 205 N. State St. in Concord on Saturday, Sept. 30. The pair will showcase art across a variety of media. Their inaugural exhibition, “Flora & Fauna,” is on display now through Friday, Nov. 17.

“I think there’s a need for it in the area,” Howat said. “There’s a lot of amazing artists and art-minded people and I think [there’s] a need for a place for professional artists to show their work and for the community to have a gathering place outside of bars and restaurants.”

Andrews adds, “With the New Hampshire Institute of Art dismantling over the years and there not being a lot of hubs for artists, we wanted to be a pillar in the community.”

Andrews and Howat met a few years ago through mutual friends. With over a decade of combined experience — Andrews having worked on different events throughout the state and Howat being a working artist and an art teacher for about eight years — the duo decided to team up to curate two salon-style exhibitions, Salon 2021 and Salon 2022, at Kimball Jenkins in Concord.

“It held over 700 works of art and over 350 or so artists,” Andrews said. “With that momentum going in the community and feeling like we just wanted to be something that people still could get excited about, that’s why we wanted to collaborate and work together to open this up.”

On their opening day, they debuted their first ever exhibition, “Flora & Fauna,”with acrylic work by Lauren Welch, fabric art and stoneware by local artist Rachel Montroy and ceramics by Cierra Vigue, among others.

“We wanted it to be something that caught people’s eyes and attention and be the opposite of what people thought of when people hear the subject, [flora and fauna],” Andrews said. “Normally around these parts you see traditional landscapes and things that are pretty digestible, and we wanted to do something radically different, and that’s why ‘Flora & Fauna’ is bright and it almost looks like a little alien world inside of this small sleepy town.”

Their upcoming exhibition “As the Light Wanes”follows the theme of the changing seasons and the losing of light that comes with descending into the winter months and will be on display from Saturday, Dec. 9, through January 2024. The gallery also includes a shop where stickers and prints are for sale, and Andrews hopes to start offering coffee, tea and treats in the coming weeks.

“We’re definitely really excited to bring something else to [this] side of the neighborhood,” Andrews said. “My goal in the next few years is to extend downtown Concord and really have it reach more of those suburban areas and really connect the whole city.”

PILLAR Gallery and Projects
Where: 205 N. State St., Concord
Hours: Sunday and Monday, noon to 4 p.m.

“Flora & Fauna”
When: On display through Nov. 17

Featured photo: PILLAR Gallery. Courtesy photo.

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