The Bob’s Burgers Movie (PG-13)

The Bob’s Burgers Movie (PG-13)

As ever, the Belcher family’s burger restaurant teeters on the brink while the Belcher kids involve themselves in hijinx in The Bob’s Burgers Movie, a fun feature-length presentation of the animated TV series.

Bob’s Burgers apparently just wrapped up its 12th season, which is probably something like 10 more seasons than I watched. I didn’t stop watching for any specific reason; it’s just one of those shows that fell off my regular viewing rotation list. This movie will likely put it back, especially since off-kilter but ultimately kind comedy is especially appealing to me at the moment.

As in the show, Bob Belcher (voiced by H. Jon Benjamin, a vocal talent for the ages) and his wife, Linda (voiced by John Roberts), own Bob’s Burgers, a burger-based restaurant that always feels like it’s on the edge of closing. At the moment, the restaurant is literally one week from losing its equipment to repossession by the bank to whom the Belchers are behind on a loan payment. So things were looking rough even before a giant sinkhole opened right in front of the restaurant, making it hard for customers to even get inside.

The Belcher kids — eighth-grader Tina (voice by Dan Mintz), 9-year-old Louise (Kristen Schaal) and somewhere-in-between brother Gene (Eugene Mirman) — like all kids both root for and pity their parents while dealing with various dramas of their own. Tina is struggling with whether to ask Jimmy Pesto Jr. (also voiced by Benjamin) to be her summer boyfriend. Gene is trying to keep a band together to play at an upcoming festival. Louise is worried that she might not be brave, and that the pink bunny-eared hat that she always wears really is, as a classmate says, a sign that she’s a baby.

Louise decides that the way to prove her badassedness is to video herself going into the sinkhole, which leads to the discovery of a long-buried body, which leads to murder charges for the burger restaurant’s building owner, Calvin Fischoeder (Kevin Kline). Fischoeder’s legal woes further imperil the restaurant, so Louise decides it’s up to her to save the family by proving that he is innocent and uncovering the real murderer.

Somewhere in the middle of watching this movie I realized that I was deeply enjoying two elements in particular: joke density and small nuggets of surprising earnestness. A concept regularly discussed on the podcast Extra Hot Great and in other TV commentary, joke density is the fast-and-furiousness of the jokes, not just the “set up, laugh” but the small asides, little nuances of delivery, bits of sight business and small gestures that can pack oodles of laughs into every minute of a TV show or movie. It’s been long enough since I watched Bob’s Burgers that I forgot that this is often a high joke density property, with layers of humor in every line. It keeps the energy up without being messily frenetic and, even though maybe it shouldn’t, it adds to the “genuine oddballs” nature of these characters. Though everything about the Belcher family should read as, well, cartoony, they feel tonally real because if you’re lucky, every family is a charming gang of weirdos who love each other in part because of their weirdness.

Which brings me to the earnestness. Like unexpectedly large chunks of cookie dough in your cookie dough ice cream, this movie had a few moments of familial sweetness that delighted me. Because of how un-saccharine these characters are, they can really sell these moments and grab you in the throat right in the middle of, say, a fart joke.

All this is packaged inside a bit of capering on the part of the adults — their schemes to keep the restaurant afloat lead to an unlicensed food cart and Linda dressed like a burger that for some reason is wearing a bikini — and vaguely Scooby-Doo-ish mystery adventure for the kids, what with their bike rides to the nearby amusement park on the wharf and their uncovering of secret passages. And there is a wonderfully fitting bit of song work that actually has to be quite skilled to seem as “we are not professional singers” as it is.

The Bob’s Burgers Movie doesn’t require in-depth knowledge of the series to enjoy it, just a willingness to get to know (or renew your acquaintance with) this delightfully relatable cartoon family. B+

Rated PG-13 for rude/suggestive material and language, according to the MPA on filmratings.com. Directed by Loren Bouchard and Bernard Derriman with a screenplay by Loren Bouchard and Nora Smith, The Bob’s Burgers Movie is an hour and 42 minutes long and is distributed in theaters by Twentieth Century Studios.

Featured photo: The Bob’s Burgers Movie.

Kiddie Pool 22/06/09

Family fun for the weekend

Trucks and eats

• The Touch-a-Truck and Food Truck Festival in the parking lot of Hopkinton High School (297 Park Ave. in Hopkinton) will feature trucks to check out (fire truck, police cruiser, etc.) and trucks selling eats on Saturday, June 11, from 11 a.m. to 2 p.m. Admission is $8 for adults and $5 for kids, with proceeds benefiting the Library of Things at the Hopkinton Public Library. See hopkintonpubliclibraryfoundation.org.

Grow gardeners

• New Hampshire Audubon McLane Center (84 Silk Farm Road in Concord) will hold a “Buds & Blooms: Beginner Botany” program geared toward kids and families, all about native plants and pollinators, on Saturday, June 11, from 10 to 11 a.m. The event is free but register in advance at nhaudubon.org. Head back to the McLane Center the next day, Sunday, June 12, from noon to 4 p.m. for a native plant sale.

Game on!

• Concord Skate Park (15 Loudon Road, Concord) will host its second annual Rumble in the Rubble Skate Jam on Saturday, June 11, from 11 a.m. to 5 p.m. In addition to skating, there will be prizes, raffles, food, music and more. Skaters of all experience levels are welcome. See concordskatepark.com.

• The 78th annual New Hampshire Soap Box Derby race will be held on Sunday, June 12, at 120 Broadway in Dover, with races running from 10 a.m. to 2 p.m. The event is free for spectators. Kids ages 7 and older can create a gravity-powered car and race it down a track in hopes of making the All-American Soap Box Derby World Championship. See soapboxderby.org/new-hampshire.aspx.

• The next home games of the Nashua Silver Knights (a team in the Futures Collegiate Baseball League) at Holman Stadium (67 Amherst St. in Nashua) are Tuesday, June 14, at 6 p.m. against the New Britain Bees and Thursday, June 16, at 6 p.m. versus the Brockton Rox. See nashuasilverknights.com for tickets.

• The New Hampshire Fisher Cats will return to Northeast Delta Dental Stadium in downtown Manchester with a game on Tuesday, June 14, at 6:35 p.m., the first of six days of games against the Somerset Patriots. Wednesday, June 15, will feature two games, with the first starting at 5:05 p.m. See nhfishercats.com.

On with the show

• Catch the first of nine movies the Prescott Park Arts Festival has on the schedule for screening in Prescott Park in Portsmouth this summer with the screening of Pixar’s Soul(PG, 2020) on Friday, June 10, at 8:30 p.m., screened in collaboration with the Black Heritage Trail of New Hampshire. A $5 per person donation is suggested to make a reservation (with other options for a table or blanket). See prescottpark.org/events/category/movie or blackheritagetrailnh.org/events.

• Get your little dancers excited about taking some lessons. The Martin School of Dance in Bedford is presenting its recital Toy Story on Sunday, June 12, at the Capitol Center for the Arts (44 S. Main St. in Concord; ccanh.com) at 2 p.m. Doors open at 1 p.m. Tickets cost $33; see martinschoolofdance.com for more about the school.

And speaking of kid fare on the Cap Center stage, Blippi the Musical, based on the Blippi educational character that got its start on YouTube (according to Wikipedia), will come to the Cap Center on Friday, June 17, at 6 p.m. Doors open at 5 p.m. and tickets start at $39.50 plus fees (an extra $50 gets you the photo experience package), according to the Cap Center website.

• The Palace Teen Apprentice Company, which features student actors ages 12 through 18, will present Seussical Jr. at the Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org, 668-5588) on Wednesday, June 15, and Thursday, June 16, at 7 p.m. Tickets cost $12 to $15.

Top Gun: Maverick (PG-13)

Top Gun: Maverick (PG-13)

Enjoy some long, lingering shots of military aircraft — old airplanes, new airplanes, airplanes going fast, airplanes doing crazy maneuvers — in the lookbook of sexy planes that is Top Gun: Maverick, a movie that also has some people, but mostly they’re incidental to all the cool airplanes.

Look, I like a flying machine as much as the next Josephine and, sure, the jets featured here are particularly cool, with all their aerobatic maneuvers. But this movie is way hotter for the airplanes than it is for any of the humans.

Good ole Pete Mitchell, a.k.a. Maverick (Tom Cruise), is still in the Navy, still smirking and ignoring orders and still flying faster than anyone on Earth, as one crew member says when he flies a hypersonic jet to Mach 10 despite being told to abort the experimental flight. (Because Maverick, who has got to be around Tom Cruise’s age of 59, is still a hot-shot pilot and not a crazy medical liability? Don’t think about it too hard, I guess.)

While that particular bit of insubordination should get him in some kind of trouble, instead he is sent to teach the young hot shot pilots the Top Gun fighter pilot training school. The Navy has only a few weeks to prepare for a mission to blow up some kind of secret nuclear facility in (unnamed) enemy territory. The mission involves flying through mountainous, anti-aircraft missile-studded terrain (it’s remarkably similar to the mission to blow up the Death Star) and Maverick is picked by his longtime friend, Admiral Tom Kazansky, Iceman (Val Kilmer), to be the one to teach the elite pilots who will go on the mission. The aggressively cocky pilots include Rooster (Miles Teller), as Lt. Bradley Bradshaw is known. The movie goes hard with some mustache styling and piano playing to convince us that Rooster is the son left behind by Goose, Maverick’s old friend and wingman who died in the first movie.

Maverick is nervous about training Rooster, whom he feels protective toward (and who also super hates Maverick), but takes the gig because Admiral Simpson (Jon Hamm) tells him this is his last chance to fly or something — those “Maverick and his superior officers” scenes don’t have much staying power. “Bark! bark! bark!” is how all of Hamm’s dialogue sounded to me.

Meanwhile, Maverick has a lady friend named Penny (Jennifer Connelly). She owns the bar everybody hangs out in, she has a daughter (not Maverick’s), they have a past and she’s basically happy to see Maverick again. She is not a person with an interior life and a personality beyond “bar owner who awkwardly kisses Maverick.”

We are still light on big movie star event films and this is definitely that, Tom Cruise being The Last Great Movie Star, as so many movie-critic-types have observed lately. While this isn’t his most personable or captivating role ever, it isn’t off-putting. And I have a soft spot in my heart for nostalgia — I loved the “let’s do original Star Wars again!” vibe of Star Wars: The Force Awakens and I am very excited for the forthcoming fifth season of Cobra Kai, which isn’t so different from Top Gun: Maverick in that it takes some iconic 1980s characters and catches up with them in the present. But from the initial cowbell-gong noises (you know the one) and “Danger Zone,” this movie started to wear me out.

While Cobra Kai has let those Karate Kid characters grow and let the world around them change and just generally has some perspective on itself, Maverickand Maverick are still solidly stuck in the mid 1980s. Sure, the Karate Kid movies were underdog stories and Top Gun comes from a more muscley overdog-type place, but they both existed in the very particular 1980s-y culture at roughly the same time. Top Gun: Maverick, though set in the now, feels like it is still there, still doing 1986, without even any “kids these days” differences between the pilots then and the pilots now. There is little sign that Maverick has in any way grown or lived a life for the last 35 years. The only acknowledgment that time has passed for him and that we’re in the present is when various people say the word “drones.”

If you go to this movie in the theater and have fun, that’s fine. The shots of two planes spiraling around each other or whipping through canyons are cool and are a pretty good argument for seeing things on a big screen. And the movie has a very kind Val Kilmer cameo.

If you wait and see this movie at home some Saturday evening, that is also fine — stunts aside, it is maybe, with the opportunity to rewind and to have “hey, remember in the first movie when” conversations, even the more fun way to view this movie. The movie itself feels C+ in its non-airborne moments, but I’d go to a B- if you really like planes and miss being at air shows.

Rated PG-13 for sequences of intense action and some strong language, according to the MPA on filmratings.com. Directed by Joseph Kosinski with a screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie, Top Gun: Maverick is two hours and 11 minutes long and distributed in theaters by Paramount Pictures.

Featured photo: Top Gun: Maverick.

Kiddie Pool 22/06/02

Family fun for the weekend

More SEE

The SEE Science Center (200 Bedford St. in Manchester; see-sciencecenter.org) is open seven days a week through Labor Day. The center is open from 10 a.m. to 4 p.m. on weekdays and 10 a.m. to 5 p.m. on weekends. Admission costs $10 for all guests 3 and up and advance reservations are recommended. And plan now for SEE’s Kickoff to Summer event June 20 through June 26, which will feature three daily shows with yo-yo performer Brett Ooch and hands-on activities, according to the website.

Fun for all

The Children’s Museum of New Hampshire (6 Washington St. in Dover; childrens-museum.org, 742-2022) will hold “Exploring Our Way: Sensory Friendly Playtime” on Tuesday, June 7, from 1 to 4 p.m. “These monthly, low-sensory events are designed for children with autism spectrum or sensory processing disorders allowing them to explore the museum along with their families without the noise, crowds, and stimulation of a typical open day,” the website said. Reserve a spot online in advance. Admission costs $11 for everyone over 1 year old ($9 for 65+).

Kids on stage

The Palace Youth Theatre will presentOliver! Jr.on Tuesday, June 7, and Wednesday, June 8, at 7 p.m. at the Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org, 668-5588). Tickets cost $15 for adults.

Summer of outdoor exploring!

If you’re planning some nature adventures this summer, check out NH Fish and Game’s website, wildlife.state.nh.us, specifically the “Connect Kids to Wildlife” section (under the “Education” tab). In addition to information on wildlife programs, the site has some fun printable PDFs to take with you on a hike. One is a pocket guide to animal tracks but it’s likely most kids will be all about the guide that’s all about poop. The “Wildlife Scat” printout offers a guide to figuring out what animal made the poop you might find out in the woods — or in your yard.

Downton Abbey: A New Era

Downton Abbey: A New Era (PG)

The Crawley family (hanging on to their country house and British nobility trappings in interwar Yorkshire) deal, as ever, with the encroachment of modernity, family secrets with inheritance-related implications, potential health crises and some rather meekly drawn romantic entanglements in Downton Abbey: A New Era, a theatrically released sequel that has the feel of a double episode of the TV series.

Can you just show up at Downton Abbey having never before visited with Lord Grantham, a.k.a. Robert Crawley (Hugh Bonneville), and his American wife, Cora (Elizabeth McGovern), and their politely sniping daughters, Mary (Michelle Dockery) and Edith (Laura Carmichael)? Maybe. There isn’t so much context needed here that you won’t get the “this moment is sad” or “this moment is shocking” melodrama that drives the story. But I think you might be a bit lost in all the below-stairs characters and random children and spouses, both seen and unseen.

The movie starts with the marriage of Tom Branson (Allen Leech) to Lucy (Tuppence Middleton), secret daughter of Maud (Imelda Staunton), who was some kind of fancy Crawley cousin we met in the last movie. (If there was a title card to tell us when we are, I missed it but Wikipedia says the year is 1928.) Tom, widower of a third Crawley daughter, learns shortly after the wedding that Sybbie (Fifi Hart), his daughter from that first marriage, has been designated as the inheritor of a villa in the south of France. Violet (Maggie Smith), Robert’s mother and the matriarch whose cutting world view has run the family until recently, has herself recently inherited the villa from a man she knew years ago (exactly when she knew him and what “knew” means becomes a bit of intrigue). Violet’s intention is to give young Sybbie a future inheritance similar to the rest of her generation of titled and monied cousins but the existence of the villa and this mysterious French man has the family in a tizzy. The man’s son, Montmirail (Jonathan Zaccai), invites Robert and Tom to France to check out the property and solidify Sybbie’s inheritance position. Ultimately, Robert brings a whole posse: Cora, Tom, Lucy, Maud, for no particular reason Edith and her husband Bertie (Harry Hadden-Paton), lady’s maid Miss Baxter (Raquel Cassidy), valet Mr. Bates (Brendan Coyle) and, mostly to get him out of the hair of the Downton people, butler emeritus Mr. Carson (Jim Carter).

Their absence from Downton corresponds with the arrival of a movie crew that has offered a roof-fixing amount of money to shoot on location. Mary accepted the offer and stayed to oversee the situation. She strikes up a friendship with director Jack Barber (Hugh Dancy), who is making a silent film with stars Myrna Dalgleish (Laura Haddock) and Guy Dexter (Dominic West) just at the moment when talkies are starting to crush the silent films at the box office. This is particularly worrisome for Myrna, who has the look of glamor and refinement but the voice of her more humble background. Goings on with this group include Downton staff Daisy (Sophie McShera) and Anna (Joanne Froggatt) being star-struck (and then disenchanted with the real-life star), Jack and Mary’s friendship (with “maybe more” flickerings as Mary deals with the disappointment of an absent husband — I guess Matthew Goode could not fit even a last-minute appearance in his schedule for this go-around), Guy Dexter’s wooing of current Downton butler Thomas Barrow (Robert James-Collier), and Mr. Molesley’s (Kevin Doyle) unexpected prowess as a screenwriter.

Looking back at this description, I can see how I’ve just listed a lot of “who cares” if you’ve never watched the TV show. Thinking “ha, good for you Molesley” or “is Thomas going to find happiness?” is probably the principal source of enjoyment for this movie. Yes, fitting in all of these little bits of story for supporting characters does at times feel scattershot, and many stories don’t seem to get the development they’d deserve. (In particular, the Thomas Barrow/Guy Dexter maybe-romance feels a little underbaked, perhaps the result of not wanting to entirely write Thomas out of any future stories?) But to some extent what we’re watching is a season run at triple speed, not necessarily a stand-alone story.

The movie does manage to craft a few quiet moments between two characters with emotional history. We get nice conversations between Violet and Isobel (Penelope Wilton), between Mary and Mr. Carson, between Robert and Cora. These moments are only meaningful if you have the context of the series to draw from, but for fans they offer a nice little treat.

This latest Downton has a lot in common with your standard Marvel movie, with its bits of fan service and Easter eggs of past plot lines. And like a middle-of-the-road Marvel entry, it does what it needs to do without necessarily doing anything new or different or exciting. Want to cheer for some favorite characters and triumphs big and small? Downton Abbey: A New Era fills the bill just fine. B

Rated PG for suggestive references, language and thematic elements (though this movie is way tamer than even the series ever was), according to the MPA on filmratings.com. Directed by Simon Curtis with a screenplay by Julian Fellows, Downton Abbey: A New Era is two hours and four minutes long and distributed by Focus Features

Featured photo: Downton Abbey: A New Era.

Kiddie Pool 22/05/26

Family fun for the weekend

Under the sea, on stage

• The Palace Youth Theatre will presentThe Little Mermaid Jr.on Thursday, May 26, at 7 p.m. at the Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org, 668-5588). Tickets cost $12 to $15 for the show, which features performers in grades 2 through 12.

The cold never bothered her

Also at the Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org, 668-5588) this week, Dimensions in Dance Presents The Snow Queenon Saturday, May 28, at 11 a.m. and 3 p.m. “The story of the Snow Queen is told through dance … ballet, jazz, modern, tap, hip-hop, acro, pointe and lyrical,” according to the Palace website. Tickets cost $25 for adults, $20 for kids.

Museum fun

• Thursday, May 26, is the final World Culture Thursday on the schedule at the Children’s Museum of New Hampshire (6 Washington St. in Dover; childrens-museum.org, 742-2022). At 10 a.m. during the morning play session (9 a.m. to noon) and at 2 p.m. during the afternoon play session (1 to 4 p.m.) the World Culture event features a craft, game or other activity celebrating a different culture. The sessions are part of regular admission, which costs $11 for everyone over 1 year old ($9 for 65+). Reserve an admission spot online before heading out. The Children’s Museum is closed Mondays and is open Wednesdays through Saturdays for morning and afternoon sessions and Tuesdays and Sundays for morning sessions only.

Nature on land, nature on water

Squam Lakes Natural Science Center (23 Science Center Road in Holderness; nhnature.org, 968-7194) opened its public trails at the beginning of May (daily hours are 9:30 a.m. to 5 p.m. with last trail admission at 3:30 p.m.) and last weekend it started its Squam Lake Cruises, which are on the schedule daily at 1 p.m. The cruises are about 90 minutes long on a canopied pontoon boat and advance reservations are required. Cruises cost $27 for adults, $25 for 65+ and $23 for youth up to ages 15).

Prefer to stay on land? The three-quarters of a mile live animal exhibit trail features coyote, fisher, foxes, bobcats, black bear, river otters, deer, owls, raptors and more, according to the press release, which recommends planning a two-and-a-half-hour visit to walk the trail, which winds through meadows, forests and marsh boardwalks. Admission costs $22 for adults, $20 for ages 65+, $16 for ages 3 to 15, and is free for children 2 and under.

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