Author: Amy Diaz

Minari (PG-13)

A Korean-American family seeks a path to financial security in rural Arkansas in Minari, an excellent family drama.

While the movie feels like it is telling this story from the point of view of David (Alan Kim), the elementary school-aged youngest child of the Yee family, we get a good glimpse at the inner lives of all the family members. Mom Monica (Yeri Han) is horrified when her husband, Jacob (Steven Yeun), pulls up to the family’s new plot and presents her with a rickety-looking trailer sitting in a field. They have moved from urban California to very rural Arkansas in what seems like the early 1980s to chase Jacob’s dream of having a farm. Specifically, he plans to grow Korean vegetables and sell them to businesses in Korean communities in regional cities, like Houston or Oklahoma City. We get the sense that Jacob (who, like Monica, has immigrated from Korea; the kids seem to have been born in the U.S.) has some experience with farming but not nearly enough experience with convincing Monica of his plan. To pay the bills while he starts his farm, the couple works, as Jacob complains at one point, staring at chicken butts all day — that is, they sort the male and female chicks. David and older sister Anne (Noel Kate Cho) seem to adapt to this new environment, amusing themselves by poking around the family’s land or watching TV while drinking Mountain Dew.

When Monica’s not worrying about their financial precariousness, she is worrying about David, who has a heart murmur and has been told not to run or do the strenuous kid stuff he naturally wants to do. Their new home is an hour away from the nearest hospital, a fact that adds to Monica’s worries.

When the threat of a tornado nearly breaks the wound-tight Monica, Jacob tries to placate her by telling her to bring her mother to live with them. Monica seems embarrassed to have her mother see her family’s circumstances but Grandma, Soon-ja (Yuh-Jung Youn), treats the whole situation as kind of a hoot, teaching David to play a Korean card game and swear in Korean, watching American wrestling and planting minari in the wild near a pond on the property.

This is such a relatable family and such a relatable story — the dad who needs to succeed beyond his nine-to-five, the mom who feels the weight of her kids’ safety and well-being, the kids torn between their American culture and their parents’ culture, the fish-out-of-water can-we-make-the-best-of-it-or-will-this-break-us scenario. I felt like I knew these characters very quickly and could see all the perspectives and life experience that went into their reactions and decisions. Monica and Jacob have several fights where you can see both sides and can empathize deeply with both of them. Han and Yeun do absolutely excellent work to show us everything about what their characters are thinking or fearing with just a look or a small gesture. The surrounding actors do good work too — Kim is so believable as David, with the exact right amount of kid fear, kid adaptability and kid mischievousness. Youn as the grandmother is also fantastic — you’re not a real grandma, David complains, which Soon-ja gleefully takes as a compliment.

The movie is also shot beautifully — you can see why Monica is aghast that this creaky trailer is the family’s new home but the movie also shows us the home and land in the same light Jacob sees it, his garden of Eden he says, only half joking, at one point.

Minari isn’t just another awards-season movie that deserves its praise; it’s a standout movie that completely immerses you in a family’s life. A+

Rated PG-13 for some thematic elements and a rude gesture, according to the MPA on filmratings.com. Written and directed by Lee Issac Chung, Minari is an hour and 55 minutes long and distributed by A24. It is available for rent.

Featured photo: Minari

Nomadland (R)

Frances McDormand gives one of the year’s great performances in Nomadland, a movie based on the non-fiction book by Jessica Brueder.

The two most common scenes in this movie are McDormand’s Fern talking to people in what feel like actual conversations people are just having with McDormand herself, and Fern by herself enjoying the beauties and working through the difficulties of life as a nomad. Fern became a nomad — specifically, a nomad who lives in a van and travels from one seasonal job (Amazon warehouse) to another (a harvest) — after, basically, losing everything. Her beloved husband died after a painful illness and her town essentially died when the factory employer closed and kicked the workers out of the company housing.

Shorn of everything — her possessions are in a storage locker, she even cut her hair we’re told — Fern packs up a few of her most precious things and heads out. First, she stays at an Amazon-paid-for RV lot while she works packing things at some massive distribution center. Later, we see her follow new friend Linda May to a job as a park host at another RV/campground near a national park. Fellow nomad Dave (David Strathairn, one of the few other people not essentially playing themselves here) is a worker at the park and helps hook Fern up with a job at Wall Drug (a tourist attraction in South Dakota). Dave takes a shine to Fern; she maybe likes him too. They’re both awkward as heck in their flirting but we also get the sense that Dave is an attachment Fern is not ready for.

According to posts on the Nomadland Twitter account, several of the people McDormand’s Fern meets along the way — including Swankie, Linda May and Bob Wells — are essentially playing themselves and had their stories told in the book. I think this approach helps to ground this movie and keep the story focused on Fern and her life, rather than letting it spin off into thinkpiece territory. Fern is working through grief and dealing with a life turning point when we first meet her and that makes her story (and all the socio-economic aspects to it) all the much more layered and meaningful.

I realize that projecting soul-deep authenticity is sort of a baseline of any McDormand performance but she really does knock it out of the park here. I cared about Fern, and the movie makes us understand why she makes the choices she does and empathize with them.

And on top of this, the movie is beautiful — beautiful to look at (so many shots of the western and midwestern country) and beautiful to listen to, with a really excellent score. Definitely add Nomadland to your awards season must-watch list. A

Rated R for some full nudity, according to the MPA on filmratings.com. Directed by Chloe Zhao with a screenplay by Zhao (from the book Nomadland: Surviving America in the Twenty-First Century by Jessica Bruder), Nomadland is an hour and 48 minutes long, is distributed by Searchlight Pictures and is in some theaters and available via Hulu.

The Map of Tiny Perfect Things (PG-13)

Two teens are stuck in one of those Groundhog Day/Edge of Tomorrow-time loops in The Map of Tiny Perfect Things.

We enter in the middle of Mark’s (Kyle Allen) time-loop experience. He knows all the beats of this one day he’s been living over and over. Currently, he is using his knowledge of when and where everything happens, down to the second and the milimeter, to get the attention of a specific girl who always falls into the water at the neighborhood pool after getting hit by a beach ball. That is, she falls in if Mark isn’t there to catch her (and sometimes if he is; playing it cool takes a lot of do-overs).

But one day, instead of Mark catching the girl after the ball hits her, another girl walks by and swats the ball away. This new girl’s sudden appearance and the way she looks at and runs away from Mark makes him pretty sure that she, too, is in the loop. After a few “days” of looking, Mark finds and meets Margaret (Kathryn Newton). They are, as she says, marooned on this island together, so they hang out and become friends, even creating a project to map all of the little awesome moments (a guy getting pushed out of the way of bird poop, an eagle grabbing a fish, a girl showing up all the lesser skaters at a local skateboard hangout) that happen during their one day. But every evening Margaret mysteriously leaves him, and Mark isn’t sure how to turn these regular hangouts into something more. Or how to even have something more when he can never move forward.

Unlike other timey-wimey movies, Mark actually has a good group of people around him that he can lean on. We see him interact with his dad (Josh Hamilton), his sister (Cleo Fraser) and his best friend (Jermaine Harris), who don’t know about the “one day over and over” thing but are still able to help him work through some things. It’s all very sweet and allows the movie to examine the regular teen clash of emotions of wanting to grow up and also not being ready to move on. Newton in particular stands out as being a solid up-and-comer; I liked her in the recent Freaky and this movie similarly shows her skill with blending drama and humor, silliness and genuine emotion. B+

Rated PG-13 for brief strong language, some teen drinking and sexual references, according to the MPA on filmratings.com. Directed by Ian Samuels from a screenplay by Lev Grossman, The Map of Tiny Perfect Things is an hour and 38 minutes long and is distributed by Amazon, where it is available on Amazon Prime.

Featured photo: Nomadland

Barb and Star Go to Vista Del Mar (PG-13)

Everybody is wonderfully game in the delightfully silly Barb and Star Go to Vista Del Mar, a movie co-written by Annie Mumolo and Kristen Wiig, the writers of Bridesmaids.

Comparatively, Bridesmaids played it straight. Barb and Star goes all in on its weirdness.

Barb (Mumolo) and Star (Wiig) are poofy-haired besties whose favorite flavor is “plain,” whose wardrobe is built on culottes and who work together at a Jennifer Convertibles in Nebraska. When their store is closed and they are kicked out of Talking Club (run with an iron passive-aggressive fist by a woman played by Vanessa Bayer, so well used here as so many of the movie’s supporting roles and cameos are), Barb and Star decide to throw caution to the wind and go on an exotic vacation — to the middle-aged-vacationer-friendly Vista Del Mar, Florida. They end up at a hotel with a real “cruise ship but on land” vibe and, during their first night, end up at the bar sharing a giant hallucinogenics-containing scorpion bowl with Edgar (Jamie Dornan). Edgar is drowning his sorrows over his would-be girlfriend, Sharon Gordon Fisherman (also Wiig, looking very “Dr. Evil meets 2013’s Snowpiercer” but chic). Sharon won’t become an “official couple” with him until after he helps her release a swarm of genetically modified mosquitoes meant to kill the residents of Vista Del Mar because they were mean to Sharon when she was a kid.

Other things that happen in this movie: A character has a conversation with a crab. Andy Garcia shows up in a cameo, still in Mamma Mia! Here We Go Again! mode. A human cannon serves as a significant plot point. Dornan shows an almost superhuman lack of vanity (there’s a power ballad! on a beach! I have never liked him more than I do here).

I did wonder, occasionally, if this movie was being cruel to Barb and Star, if it was punching down at these ladies with their haircuts and their general middle-ness. But I don’t think it is, ultimately. Through all the silliness, Wiig and Mumolo, who seem to be having such a sunny great time here, give these characters a core that includes general decency and their deep love and friendship for each other.

Barb and Star Go To Vista Del Mar is great goofy fun and I highly recommend it. B+

Rated PG-13 for crude sexual content, drug use and some strong language, according to the MPA on filmratings.com. Directed by Josh Greenbaum with a screenplay by Annie Mumulo & Kristen Wiig, Barb and Star Go to Vista Del Mar is an hour and 47 minutes long and is distributed by Lionsgate. It is available to rent.

Judas and the Black Messiah (R)

Daniel Kaluuya and Lakeith Stanfield do standout work in Judas and the Black Messiah, a movie about the real-life activism and death of Fred Hampton of the Black Panther Party.

In the late 1960s, Bill O’Neal (Stanfield) is arrested after a rather inventive car theft and given a choice by FBI agent Roy Mitchell (Jesse Plemons): prison time or becoming an informant for the FBI. Bill picks not-prison and is sent to join the Black Panther Party in Illinois, where Fred Hampton (Kaluuya) is the Illinois party chairman. As Bill finds his way into the party and Fred’s inner circle, he sees Hampton attempt to unite different social-political factions in Chicago to work for similar goals, largely related to poverty and police brutality.

We also see the charismatic Hampton begin a relationship with Deborah Johnson (Dominique Fishback), now known as Akua Njeri. They try to build a life of activism together while the FBI relentlessly pursues Hampton and the Panthers however they can.

Judas and the Black Messiah shares some of the same historical space as fellow award-season hopeful The Trial of the Chicago 7. But where that movie was filled with big Aaron Sorkin speeches and cutesy Aaron Sorkin character notes, this movie feels like it is about real people with real motivations and personalities. There are little moments, particularly with Kaluuya and Fishback as Fred and Deborah, where you feel like you’re watching a fully-formed person wrestle with not just Big Political Ideas but with what those ideas mean to them and the course of their life. Stanfield makes you feel O’Neal’s uncertainty about what he’s asked to do by the FBI and his growing difficulty of balancing what seems like a genuine respect for Hampton and the aims of the Black Panthers with his willingness to help Mitchell (and his desire to stay out of jail).

This is a well-told story filled with strong performances about a slice of history the movie makes feel fresh and relevant. A

Rated R for violence and pervasive language, according to the MPA on filmratings.com. Directed by Shaka King with a screenplay by William Berson and Shaka King, Judas and the Black Messiah is two hours and five minutes long and distributed by Warner Bros. It is in local theaters and on HBO Max until mid-March.

Featured photo: Barb and Star Go to Vista Del Mar