Author: Amy Diaz

Amy Diaz is the executive editor and writes about movies and compiles the Kiddie Pool column. Reach her at [email protected].

Kiddie Pool 20/12/24

Family fun for the weekend

Just plane fun

The Aviation Museum of New Hampshire (27 Navigator Road, Londonderry, 669-4820, aviationmuseumofnh.org) is hosting a Festival of Planes, a walk-through exhibit that includes aviation-themed toys, models and puzzles, plus vintage aircraft piloted by celebrities like Bugs Bunny and Mickey Mouse. According to a press release, the toys span the 20th century, from custom-made cast iron planes to today’s mass-produced Hello Kitty airplane toys. In addition, hundreds of collectible model aircrafts will be displayed on a new Wall of Planes in the museum’s learning center. The museum will be open during the holiday vacation week, on Saturday, Dec. 26, from 10 a.m. to 4 p.m., Sunday, Dec. 27, from 1 to 7 p.m., and Monday, Dec. 28, through Wednesday, Dec. 30, from 10 a.m. to 4 p.m. The museum will reopen Saturday, Jan. 2, and throughout January will be open Fridays and Saturdays 10 a.m. to 7 p.m. and Sundays from 1 to 7 p.m. — later hours than normal to allow more families to see the Festival of Planes. The exhibit is included with museum admission of $10 per person; $5 for seniors 65+, veterans/active military and students under 13. Members and children under age 5 get in free.

Christmas Eve at the movies

Catch The Polar Express (G, 2004) Thursday, Dec. 24, at 10 a.m. at Cinemagic theaters (38 Cinemagic Way in Hooksett; 11 Executive Park Drive in Merrimack; 2454 Lafayette Road in Portsmouth; cinemagicmovies.com). Tickets cost $6.50.

Or watch Elf (PG, 2003), also playing Christmas Eve day, at 2 p.m. at the Flying Monkey (39 Main St., Plymouth, 536-2551, flyingmonkeynh.com). Tickets cost $10 for adults, $7 for seniors and students.

Last chance for lights

The Gift of Lights is open now through Jan. 3 at the New Hampshire Motor Speedway (1122 Route 106 North, Loudon). The drive-thru Christmas light park spans 2.5 miles and features 80 holiday scenes and 520 light displays. It’s open Sunday through Thursday from 4:30 to 9 p.m., and Friday and Saturday from 4:30 to 10 p.m. Purchase tickets online or at the gate. The cost is $25 per car. Visit nhms.com/events/gift-of-lights.

The Southern New Hampshire Tour of Lights will run through Dec. 27. A list of addresses featuring holiday light displays at homes throughout Amherst, Antrim, Fitzwilliam, Jaffrey, Merrimack, Milford, Peterborough and Rindge is available, so families can plan a driving tour to see as many of the houses as they’d like. Contact any of those towns’ rec departments for the master list of addresses.

The Croods: A New Age (PG)

The Croods: A New Age (PG)

The Neanderthal-ish cave family the Croods meets some yuppie helicopter-parent homo sapiens in The Croods: A New Age, an animated movie in theaters now and coming to PVOD soon, possibly this Friday, Dec. 18.

Meet the Croods: dad Grug (voice of Nicolas Cage), mom Ugga (voice of Catherine Keener), tween-seeming son Thunk (voice of Clark Duke), baby Sandy (voice of Kailey Crawford), Gran (voice of Cloris Leachman) and teenage daughter Eep (voice of Emma Stone), and Guy (voice of Ryan Reynolds), the teenage modern-human-like boy who joined the Croods pack in the first movie. He spends a lot of time flirtily saying “hey” to Eep, who flirtily says “hey” back. Guy is tired of the Croods’ family sleep-pile and other instances of too-much-togetherness and would like to strike out on his own with Eep, who is interested in this “privacy” thing he speaks of. Grug wants everyone to stay together to improve their chances of survival (and because of general dad-ness).

When Grug stumbles upon a wonderland of delicious foods planted in neat rows in a lush paradise, he announces that he has found a place everybody can live happily forever, together. But what he’s actually found is a farm — specifically, the Bettermans’ farm, home to husband Phil (voice of Peter Dinklage) and wife Hope (voice of Leslie Mann, who is perfect here) and their teenage daughter Dawn (voice of Kelly Marie Tran). The Bettermans have found a, well, better way to be, as they explain: they live in a walled off compound of fresh food and drinkable water and a lovely tree house with a shower and a flush toilet and separate rooms for everyone. And, they know Guy — the Betterman family and Guy’s family were friends years ago, before Guy’s parents died in a tar pit. Guy seems like a perfect fit for the Betterman lifestyle and for Dawn, who has been lonely living in her parents’ protective paradise and is happy to see Guy again.

While wooing Guy away from the Croods might be the Bettermans’ plan, to this PG kids’ movie’s credit, it isn’t interested in any teen love triangle. Guy’s struggles seem to be between Eep and the comforts (and privacy) of the Bettermans’ way of living. Dawn isn’t on his radar, nor is he on hers. Dawn is more interested in being friends with Eep; they become fast besties, both having an “ugh, parents” mindset and a desire for adventure.

Details of the first The Croods have largely vanished from my brain, just as details from this movie felt like they were fading from memory as I watched the movie. A New Age is full of fun vocal performances (Mann and Keener, in particular) and cute moments (Gran’s memories of the “Thunder Sisters” clan of female warriors sets up a solid action sequence in the movie’s climax) but there’s nothing sticky about the overall story. The characters are more types than personalities (the overprotective mom, the dad who doesn’t want things to change, etc.) and the story hits marks like an amusement park ride chugging past its various attractions — there’s the wacky monkey stuff, there’s the mid-movie couple fight. This movie is forgettable, but with its fantastical creatures (land sharks! wolf-spiders!) and landscapes, all colorfully rendered, it’s not unpleasant in the moment — not for me, the parent, or for kids old enough (age 7 or 8 maybe?) to sit through teenage drama. B-

Rated PG for peril, action and rude humor, according to MPA on filmratings.com. Directed by Joel Crawford with a screenplay by Kevin Hageman & Dan Hageman and Paul Fisher & Bob Logan, The Croods: A New Age is an hour and 35 minutes long and distributed by Universal Studios.

Featured Photo: The Croods: A New Age (PG)

Kiddie Pool 20/12/17

Family fun for the weekend

A Shaker Christmas

Take a A Magic Journey through the North Shop Barn at Canterbury Shaker Village (228 Shaker Road, Canterbury), now through Dec. 23, and from Dec. 27 through Dec. 30, daily, from 1 to 5 p.m. The North Shop Barn, which has been transformed into a winter wonderland, will feature art vignettes like a Shaker Christmas, a dollhouse, a skating panorama and snowy forest scenes; a Find-the-Elf treasure hunt; hot cocoa and cider, and shopping at the Village Store. Additionally there will be a Christkindlmarkt-inspired artisan market of handcrafted holiday gifts on weekends, and food trucks with sweet treats on Saturday, Dec. 19. Admission costs $10 for adults and is free for youth. Visit shakers.org or call 783-9511.

Meet Santa

Enjoy a Polar Express family brunch with LaBelle Winery (345 Route 101, Amherst) on either Sunday, Dec. 20, or Thursday, Dec. 24, from 10 a.m. to noon. The event will feature a multi-course brunch menu accompanied by a screening of the family holiday film The Polar Express on a large projector. Santa Claus and Mrs. Claus will be stopping by for a live reading of “’Twas the Night Before Christmas.” Tickets to the brunch are by the table only, and there is a six guest limit per table (price breakdowns are $22.99 per person). Visit labellewineryevents.com.

There’s still time to visit with Santa Claus at Bass Pro Shops (2 Commerce Drive, Hooksett), where he’ll be now through Dec. 24. Santa will have an acrylic “magic shield” barrier in place between families. Free online reservations are required, as spots are limited to allow social distancing. Visit basspro.com/santa.

Holiday tales

Ballet Misha performs The Nutcracker at the Dana Center (Saint Anselm College, 100 Saint Anselm Drive, Manchester) on Saturday, Dec. 19, at 11 a.m. and 6 p.m. Ballet Misha’s production of the holiday classic won the 2019 Hippo Best of award for “Best Dance Performance of the Year.” Tickets cost $28, and reservations must be made via phone at 641-7700.

Watch Eleanor’s Very Merry Christmas — A Musical from the comfort of home. Based on the book by the same name, the musical tells the story of a rag doll at the North Pole searching for a family of her own. This production is available for livestream via the Capitol Center for the Arts in Concord, through Dec. 27. Tickets start at $20 (plus a $3 fee) for streaming during a 48-hour window; packages with games and other items are available.

Hillbilly Elegy (R)

Hillbilly Elegy (R)

J.D. Vance’s popular 2016 memoir gets the awards-season glossy movie treatment in the Ron Howard-directed Hillbilly Elegy.

Neither of the movie’s two lead actresses, Glenn Close and Amy Adams, has won an Oscar despite multiple nominations for each. Perhaps the desire to rectify this is why J.D. (played by Gabriel Basso as an adult and Owen Asztalos as a kid) feels like a lesser character in what is technically his own life story.

After a scene of young J.D. and his summers spent in Kentucky, his family’s ancestral home, the movie jumps to adult J.D., now a law student at Yale. He’s trying to get a summer gig at a fancy law firm in D.C. to be near his girlfriend, Usha (Freida Pinto), when he gets a call from his sister, Lindsay (Haley Bennett), letting him know that their mom, Bev (Adams), has overdosed on heroin and is in the hospital. Lindsay, the mom of three kids and with her own job, needs help figuring out how to take care of Bev. As J.D. drives back to Ohio, where his mom and sister live, we get flashbacks to his childhood — his mom’s volatility, her and J.D.’s relationship with her parents, Mamaw (Close) and Papaw (Bo Hopkins), and later her struggles with drugs. There is a bit of This Is How People Live Here posturing about Middletown, Ohio, where J.D. and his family live, and rural Kentucky — and Yale, actually, where everybody reminds me of The Simpsons parodies of upper-crusters.

This movie is a whirlwind of wigs and accents and “Most Acting over Best Acting” but the biggest problem with it is, I think, a focus problem. The interesting story here is the story of three women — Mamaw, her daughter Bev and her daughter Lindsay — and the choices they made. Because J.D. is the nominal center of the story, though, we get flat versions of these women. The movie presents very little depth on their inner lives, their choices, the circumstances they dealt with and who they are as people. We get wisps of their story and hints of their thinking but only through J.D.’s eyes.

And, sure, a valid criticism of my criticism is that this isn’t Lindsay’s story (or Bev’s or Mamaw’s), it’s J.D.’s and so we’re naturally going to get his viewpoint. Unfortunately, the movie puts Adams and Close in the spotlight — they are the big names and they are the ones doing the heavy lifting, so the thinness of their characters is all the more noticeable. And, though he is the narrator and center of this biography, J.D. isn’t all that well-rounded either; the big events in his life seem to be presented largely in montage. The movie doesn’t even do a great job with filling in the details of its setting. Instead of getting a rich story with a strong sense of place populated with fully realized people, we get a list of life events and people presented more as types.

The movie begins and ends with photographs of Vance’s family (or, in the case of the beginning photographs that seem to go back into the 1800s, maybe they’re just families like his, I don’t know) and these still photos by themselves offer a more interesting glimpse into the lives of people in the region, just as the modern photos of Vance’s mother and sister and the few sentences on title cards about them offer a wider window on them than the movie we just watched. I feel like there are interesting stories to be told about this family and the history of the region and maybe Vance’s book tells him but this movie doesn’t. C

Rated R for language throughout, drug content and some violence, according to the MPA on filmratings.com. Directed by Ron Howard with a screenplay by Vanessa Taylor (from the book by J.D. Vance), Hillbilly Elegy is an hour and 57 minutes long and distributed by Netflix.

Featured Photo: Hillbilly Elegy (R)

Mank (R)

Mank (R)

Screenwriter Herman Mankiewicz writes Citizen Kane while recuperating from injury and Citizen Kane-ily reflecting on his career in Hollywood in Mank, the most made-for-Oscar-nominations movie I have ever seen.

It is a movie about the movies featuring a character whose name is on one of the Academy Awards’ prizes (that being the Irving G. Thalberg Memorial Award; the Irving Thalberg played by Ferdinand Kingsley here is worth his own biopic). Many of the towering figures of 1930s Hollywood appear in this movie set in southern California that somehow captures, despite being in black and white, the sunny California-ness. And you get the intersection of California politics and Hollywood (and the conservative politics of corporate Hollywood clashing with the liberal politics of creative Hollywood) and a testament/cautionary tale about the power of movie magic storytelling in a real political world. There’s a “fake newsreel”! This movie has everything!

When we meet Herman Mankiewicz (Gary Oldman) in 1940, he has recently been in a car accident and has been given a place out toward the southern California desert to recuperate, a nurse (Monika Gossman) to care for him and an assistant, Rita Alexander (Lily Collins), for him to dictate his screenplay to. All of this comes courtesy Orson Welles (Tom Burke), who has hired him to write a screenplay (or begin the writing that the two would complete; look, the authorship of Citizen Kane is a whole thing — what I’m talking about here is what this movie tells us about a screenplay that would ultimately have both Mankiewicz’s and Welles’ names). John Houseman (Sam Troughton) is to work as editor on the project and it seems understood by everybody, immediately, that what Mank is doing is a potentially dangerous undertaking.Even Alexander, a British lady who is more concerned about her RAF pilot husband’s survival than Mank’s career woes, immediately knows that the great man in decline that Mank is writing about is a thinly veiled riff on media magnate William Randolph Hearst (Charles Dance), which would make his ditzy showgirl wife a take on Marion Davies (Amanda Seyfried), even though Mank insists he doesn’t mean it to be her.

In flashbacks we see how Mank used to be a writer at MGM for Louis B. Mayer (Arliss Howard) and used to be a friend of Hearst and his mistress Marion Davies, having met her through her nephew, the writer Charles Lederer (Joseph Cross). The witty Mank was, for a while, a regular at gatherings at Hearst’s house in San Simeon, where he hung out with the likes of Mayer and Thalberg and saw their influence beyond media and into the world of state and national politics. Mank seems to want to appear above politics, playing the sarcastic wiseguy role, but the 1934 governor’s race and Mayer’s and Hearst’s opposition to the Democratic candidate Upton Sinclair seems to make it increasingly hard for Mank to follow his wife Sara’s (Tuppence Middleton) “if you don’t have anything nice to say” advice. And then there’s his own self-destructive behavior — drinking and gambling and a fair amount of what seems like self-loathing.

This feels like such a movie-nerd’s movie I’m not even sure how to judge it. I mean, do I love it? Sure, it checks all the boxes for a movie geek, with movie nostalgia (or not nostalgia, really, because I’m not 110 years old but, like, reveling in the fantasy, mostly built by movies, of the early days of Hollywood) that packs an extra punch both because I haven’t been seeing big Hollywood movies in theaters and because the industry and its future are suddenly, here in 2020, so much in flux. I like all the technical elements of this movie, how in look and sound and scene transitions it looks like a 1940s film. Specifically, it uses a lot of Citizen Kane visual and storytelling elements and, sure, it does so very self-consciously, but it doesn’t make me like it any less.

Oldman’s performance feels, well, Oscar-bait-y in the extreme but captivating nonetheless. He’s not just Herman Mankiewicz; he’s a Herman Mankiewicz-y version of the Herman Mankiewicz character in highly stylized movie. It is not a natural performance, I guess is what I’m saying, nor is anybody else’s, but I bought it.

Look, this is 2020 and for those of us out in the movie fan universe (i.e. not going to virtual film festivals or working for film studios) this glossy Netflix bit of concession stand candy is probably as Hollywood as it’s going to get for us. This was probably always going to be an enjoyable movie to me, but under these circumstances it felt like an extra special bit of movie magic. A-

Rated R for some language. Directed by David Fincher with a screenplay by Jack Fincher, Mank is two hours and 11 minutes long and distributed by Netflix.

Hillbilly Elegy
Ron Howard directed this adaptation of J.D. Vance’s 2016 memoir and it’s streaming on Netflix now. It stars Glenn Close and Amy Adams — both of whom seem to be trying hard for their elusive Oscar wins. Find Amy Diaz’s thoughts on Hillbilly Elegy at hippopress.com, available for free thanks to our members and contributors.

Featured Photo: Mank

Kiddie Pool 20/12/10

Family fun for the weekend

Let there be lights

The Gift of Lights is open now through Jan. 3 at the New Hampshire Motor Speedway (1122 Route 106 North, Loudon). The drive-thru Christmas light park spans 2.5 miles and features 80 holiday scenes and 520 light displays. It’s open Sunday through Thursday from 4:30 to 9 p.m., and Friday and Saturday from 4:30 to 10 p.m. Purchase tickets online or at the gate. The cost is $25 per car. Visit nhms.com/events/gift-of-lights.

The Southern New Hampshire Tour of Lights will run from Dec. 11 through Dec. 27. A list of addresses will soon be released for the public to visit holiday light displays at homes throughout Amherst, Antrim, Fitzwilliam, Jaffrey, Merrimack, Milford, Peterborough and Rindge. Visit merrimackparksandrec.org/holiday-happenings or call 882-1046.

Fun with gingerbread

The Culinary Playground (16 Manning St., Derry) is hosting a parent-child gingerbread house decorating workshops on Sunday, Dec. 13, from 10 to 11 a.m. or from 11:30 a.m. to 12:30 p.m., and Sunday, Dec. 20, from 4 to 5 p.m. or from 5:30 to 6:30 p.m. Adults and kids will work together with royal icing and all types of colorful treats and edible decorations to design their own houses. The cost is $45 per team and registration is required. Visit culinary-playground.com.

The Amherst Town Library is holding two virtual family gingerbread house workshops via Zoom on Thursday, Dec. 10, from 6:30 to 8 p.m. and on Saturday, Dec. 12, from 10 to 11:30 a.m. The library will provide a take-home kit for you to make graham cracker gingerbread houses at home. Registration is required, as space is limited. Visit amherstlibrary.org.

Meet Santa

Santa Claus will arrive by helicopter at the Aviation Museum of New Hampshire (27 Navigator Road, Londonderry) on Saturday, Dec. 12, at 11 a.m., where he’ll greet families and take gift requests until 1 p.m. The outdoor event is free and open to the public. Hot chocolate will also be provided courtesy of the Airport Diner in Manchester. Visit aviationmuseumofnh.org.

Get a golden ticket

Chunky’s Cinema & Pub (707 Huse Road, Manchester, 206-3888; 151 Coliseum Ave., Nashua, 880-8055; 150 Bridge St., Pelham, 635-7499) will host multiple Polar Express golden ticket screenings on Saturday, Dec. 12, and Sunday, Dec. 13. Showtimes vary depending on the location, but there are several throughout the morning, afternoon and evening at each theater. Kids will be given a special “golden ticket” to hole-punch prior to entering the theater. Visit chunkys.com.

Christmas celebrations

Enjoy Christmas at the Farm, reimagined, at Forgotten Farm (23 Goffstown Road, Hooksett). Families can visit from 10 a.m. to noon on Saturdays, Dec. 12 and Dec. 19, for cookies, cocoa, visits with the farm animals and a free take-home craft. Visit forgottenfarm.weebly.com.

Vintage Christmas in Portsmouth is an ongoing citywide celebration of the holidays featuring a number of shows at The Music Hall (28 Chestnut St., themusichall.org, 436-2400); shopping in Market Square; Candlelight Stroll Under the Stars, happening weekends from Dec. 11 through Dec. 20 at Strawbery Banke Museum (14 Hancock St., 433-1100, strawberybanke.org); Labrie Family Skate at Strawbery Banke’s Puddle Dock Pond; the 30th annual Gingerbread House Contest and Exhibit at the Portsmouth Historical Society (10 Middle St., 436-8433, portsmouthhistory.org) now through Dec. 22, and more throughout the holiday season. Visit vintagechristmasnh.org.

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