Author: Angie Sykeny

Angie Sykeny is a Hippo staff writer covering local arts, theater, music and pop culture. She can be reached at [email protected].

Starting on a high note

Concord Community Music School welcomes new director

Meet Daniel Acsadi, who will begin his tenure as executive director of Concord Community Music School — and the second permanent executive director in the school’s history — on Monday, May 9.

What is your background in this kind of work?

I have almost 20 years of experience in music, performance, education and nonprofits. My education is from Cornell University, where I did my bachelor’s — a double degree — in music and economics. I did my graduate studies — my master’s and my doctorate — at the New England Conservatory of Music, and I’m a classical guitarist by training. Recently, I was employed as a faculty member at Tufts University, Longy School of Music of Bard College and Bridgewater State University in Massachusetts. I was the director of The Boston Classical Guitar Society for seven years, ending a few years ago. Most recently, I served as the director of education and community programs at Powers Music School in Belmont, Massachusetts.

How did you come into this position at Concord Community Music School?

I was familiar with the Concord Community Music School through the National Guild for Community Arts Education, which is an overarching group that has been around for a while. There’s a lot of activity going on through that as part of its northeast chapter, and Powers Music School and Concord Community Music School are both part of that. I became especially interested in the school after I heard that the visionary founder of the school, Peggy Senter, retired about a year ago, and that they were pursuing a search [for a new director]. The more I learned about the school, I was just intrigued, and it was just really clear what a special community it is, and what a special organization it is.

What will your job as executive director entail?

As executive director, I’m going to be managing the day-to-day operations of the school, supervising staff and faculty and just overall being a good steward to the school’s programs and initiatives.

What do you expect to be some of the biggest challenges?

My first task will be to learn as much as possible about the school, and that’s going to take a little bit of time at the beginning, for sure. Every institution has dealt with things over the last few years both similarly and differently, but It’s encouraging to know that the community remains as vibrant as ever. Obviously, as we resume activities and hopefully turn a corner after the pandemic, we’re able to recapture a lot of the energy and a lot of the programming that stems from being together in person. Ensembles and programming where we’re making music together in groups is, of course, the best kind of music-making.

What do you hope to accomplish?

I want to support the wonderful things that are already going on at Concord Community Music School. It has an absolutely fantastic faculty, which I’m getting to know every day now as I’m preparing to start a great collection of lessons, classes and events, and this incredibly strong community that has been built around the school over almost 40 years. Some of the immediate goals are to creatively grow the programming of the school to ensure that we can best serve the region’s needs and interests musically and artistically. I also want to work on increasing the marketing reach of the school to ensure that, of course, everyone in the community knows about everything that we offer. … It’s really just ensuring that this school is a vibrant center of music making and arts and remains a pillar of the Concord artistic community.

What unique qualities or perspectives do you bring to this position?

I feel like I’m able to bring a lot of different perspectives because of my experience. I’ve been a performer, as a guitarist and chamber musician. I’ve been teaching for a long time at all sorts of levels, from beginner students to graduate students at conservatory level. I’m also a parent, so I understand the goals of parents as they try to educate their children. I’m continuing to play and learn, so I also understand the needs, goals and the love of music that adults experience and the need for music throughout our lifetimes. Finally, with my experience working in the nonprofit sector, I’m able to bring all of these perspectives. I hope that I’m able to really tie all of this together to help the school to continue to improve and flourish.

What are you looking forward to most?

I’ve heard this word repeatedly over the course of getting to know some of the people in Concord and at the school, and that is that the school is truly a ‘gem.’ I’ve gotten some glimpses at that, and I’m really looking forward to exploring and getting to know everyone in this amazing community.

Featured photo: Daniel Acsadi.

On The Job – Michelle ‘Mo’ Wheeler

Michelle ‘Mo’ Wheeler

Clothing designer

Michelle “Mo” Wheeler of Merrimack is the founder, CEO and designer of Doublesolid Apparel, an online clothing store with designs that encourage conversation about mental health. A portion of all Doublesolid’s sales is donated to NAMI (National Alliance on Mental Illness) New Hampshire and other mental health organizations.

Explain your job and what it entails.

My husband often collaborates with me on the artwork, but I’m responsible for everything else, from designing products, updating the website, marketing, budgeting, SEO and everything in between. … Our designs are mainly inspired by my mental health journey, what I’ve seen, what I’ve felt and what I’ve learned while trying to live a balanced life with bipolar disorder, ADHD, PTSD and conversion disorder diagnosis. Our designs are intentionally bold to instigate conversation, because the stigma of mental illness keeps many of us sick and often unable to access the care we desperately need. Talking about mental illness can literally save a life; it’s definitely saved mine. As a rape survivor and a suicide attempt survivor, I want to reach as many people with my story as possible, because we’re not alone … and when we feel connected, we feel better.

What led you to this career field?

I’ve been working since I was 13. I’ve always loved to work, but over the years, my mental struggles have made it tougher to maintain employment. I began experiencing seizures and other physical ailments, which also made stress-relief difficult. I was an active triathlete, but that, too, had to change. I knew I had to feel like an active member of the community, so I combined my work as a mental health advocate and my work experience into the idea for Doublesolid Apparel and voila — I’m creating, networking and benefitting the community.

What kind of education or training did you need?

I have a degree in psychology and a certificate in photography … but none of that was required to do what I’m doing now. I’ve built up skills from the many different jobs and training I’ve had throughout life, and I figured out a way to do what I wanted to do, at my age, without starting all over again.

What is your typical at-work uniform or attire?

It could be sweats, pajamas or a polka dot skirt with fishnets and my Doublesolid favorites. It depends what I’m doing. If I’m in a meeting, that’s one type of outfit. If I’m at home designing, that’s another.

What do you wish you’d known at the beginning of your career?

Patience with myself. I want to learn everything right now, and that’s impossible. I keep learning, and I’ll keep making mistakes, but that’s all part of creating something. The symptoms of my mental illness cause me to question myself constantly and feel less-than and unworthy. Having patience with myself is crucial to my success as an entrepreneur, and that’s a hard thing to accept and learn.

What do you wish other people knew about your job?

It’s tough for me to do this as I never feel adequate. It may not seem like much, but for me to take something I created and put it in front of others scares me something silly. Nevertheless, I put my heart and soul into it all, so having anyone interested in it is mindblowing,.

What was the first job you ever had?

I can’t remember if it was cleaning rooms at the Abbot Inn or [working at] Dunkin’ Donuts in Hudson. Regardless, it was back in the days of aluminum ashtrays … and me having to wear a terrible uniform made of polyester and sandpaper.

What is the best piece of work-related advice you’ve ever received?

My husband, Chad, my biggest supporter and the other half of Doublesolid’s design team, constantly reminds me that I can do whatever I set my mind to. Having that support helps to keep me going and reaching beyond the stars.

Five favorites

Favorite book: The Grapes of Wrath
Favorite movie: The Nightmare Before Christmas
Favorite music: Elvis Presley and Sex Pistols
Favorite food: Italian
Favorite thing about NH: Its peacefulness and beauty

Featured photo: Michelle ‘Mo’ Wheeler. Courtesy photo.

The Art Roundup 22/04/28

The latest from NH’s theater, arts and literary communities

• Wizard spoof: Cue Zero Theatre Co. presents Puffs, or Seven Increasingly Eventful Years at a Certain School of Magic and Magic at Granite State Arts Academy (19 Keewaydin Drive, No. 4, Salem), with showtimes on Friday, April 29, and Sunday, May 1, at 7:30 p.m., and Sunday, May 1, at 2 p.m. The show is a parody about a certain wizarding school. “It’s a familiar story with a unique twist,” actor Anna Mae told the Hippo earlier this month. “While new stories are always fun, it’s nice to sometimes return to what is familiar and find appreciation for it in new ways. People will recognize many of the major plot points, and I think they’ll really enjoy seeing it from this new perspective.” Tickets cost $15 ($16.25 with online fees). Masks and proof of vaccination or a negative Covid test taken within three days of the performance are required for admittance. The show is also available to livestream for $15. Visit cztheatre.com or email [email protected].

Dreamcatcher workshop
Head to Canterbury Shaker Village (288 Shaker Road, Canterbury) for a Make Your Own Dreamcatcher workshop on Saturday, April 30, from 2 to 3:30 p.m. Native American artist Lenny Novak will instruct the workshop and discuss the history, meaning, stories and lore of dreamcatchers before teaching participants how to create them in the Ojibway web tradition using natural wood hoops, webbing, beads and feathers. The cost is $25 for Village members and $40 for non-members. Registration is required. All materials will be provided. Call 783-9511 or visit shakers.org.

• ’60s gala: Get your tickets now for the Currier Museum of Art’s (150 Ash St., Manchester) Gala Celebration, happening on Saturday, May 14, from 6 to 10 p.m. The event will include live music, gourmet food, a sponsored cocktail hour, live auction and fundraising program, all inspired by the museum’s current special exhibition, “Warhol Screen Tests.” In the mid-1960s, American multimedia artist Andy Warhol had shot more than 400 short, silent, black-and-white films of his friends at his studio in New York City. He referred to the films, which were unscripted and played in slow motion, as “film portraits” or “stillies.” The exhibition, which is on display now through July 3, features 20 of those films, provided by the Andy Warhol Museum, played in loops across four large-scale projections. Gala attendees must be age 21 or older. Wearing 1960s attire in the spirit of the exhibition is welcome. Tickets cost $350 per person. A limited number of tickets is available for admittance to both the gala and an exclusive pre-gala reception at the Chandler House; those cost $500 per person. Call 669-6144 or visit currier.org.

Iron Melt
There’s still time to register for the Andres Institute of Art’s Remote Spring Iron Melt; registration is open now through Saturday, April 30. Traditionally, the public created custom designed iron tiles onsite. For the remote event, participants pick up a mold from the Institute (106 Brookline Road, Hollis) — pickup dates are Thursday, April 28, and Saturday, April 30, between 10 a.m. and 2 p.m. Drop-off dates are the same as pickup dates, plus Thursday, May 5. Designs will be poured at Green Foundry in Maine on Saturday, May 7, and available for pickup on Thursday, May 12, and Saturday, May 14. The cost is $40 per mold, or $30 for AIA members. Visit andresinstitute.org or call 673-7441.

• Ceramics by hand: The League of NH Craftsmen Meredith Fine Craft Gallery (279 Daniel Webster Hwy., Meredith) will host a two-part ceramic hand-building class on Saturday, April 30, from 10 a.m. to noon, and continuing on Sunday, May 14, from 10 a.m. to noon, at Xavier Ceramics studio in Center Harbor. At the first session, participants will hand-build a planter, vase or container, which the instructor and studio owner Ann Xavier will fire in her kiln. Then, at the second session, participants will glaze their pieces, which will be fired again and ready to take home. The cost is $70, plus a $35 materials fee paid to the instructor on the day of the first session. Space is limited, and registration is required. Call 279-7920 or visit meredith.nhcrafts.org/classes.

Surreal paintings
A special exhibition featuring the work of Arghavan Khosravi is on view at the Currier Museum of Art (150 Ash St., Manchester). The artist’s surrealist paintings explore themes such as exile, freedom and empowerment, and allude to human rights issues, particularly those affecting women and immigrants. They’ll remain on display through Monday, Sept. 5. Admission is $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17, and is free for children age 12 and under and for members. Hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org.

• Fiddles for a cause: The New Hampshire Fiddle Ensemble will perform at the Exeter Town Hall (9 Front St., Exeter) on Saturday, April 30, at 7 p.m. to benefit the New Hampshire Children’s Trust. The group consists of more than 100 musicians between the ages of 9 and 89, playing fiddles, guitars, banjos, mandolins, basses, harps, cellos and horns, and singing. Tickets cost $16 for adults, $14 for seniors and students and $12 for children ages 13 and under. Masks or proof of vaccination are required for admittance. Visit nhfiddleensemble.org.

ART

Exhibits

• “IMPACT! ABSTRACT! Exhibition featuring the abstract work of six local artists, including Ann Saunderson, who works in acrylic, mixed media, oil and cold wax and monotype; Daniela Wenzel, who does oil painting, assemblage, ink drawing, driftwood pyrography and improvised quilt-making; Kate Higley, who does printmaking; Ethel Hills, who works in acrylic; and Grace Mattern, who does mixed media collage. Twiggs Gallery (254 King St., Boscawen). On view now through May 28. Gallery hours are Thursday through Saturday from 11 a.m. to 4 p.m., and Sunday from noon to 4 p.m. Visit twiggsgallery.wordpress.com or call 975-0015.

• “APPEAL OF THE REAL: 19TH CENTURY PHOTOGRAPHS OF THE ANCIENT WORLD” exhibition features photographs taken throughout the Mediterranean to record the ruins of ancient Egypt, Greece and Rome. The Currier Museum of Art (150 Ash St., Manchester). On display now through June 12. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and is free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org for more information.

• “WARHOL SCREEN TESTS” In the mid-1960s, American multimedia artist Andy Warhol had shot more than 400 short, silent, black-and-white films of his friends at his studio in New York City. Warhol referred to the films, which were unscripted and played in slow motion, as “film portraits” or “stillies.” The exhibition will feature 20 of those films, provided by the Andy Warhol Museum, in loops across four large-scale projections. The Currier Museum of Art (150 Ash St., Manchester). On display now through July 3. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and is free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org for more information.

• “ARGHAVAN KHOSRAVI” Artist’s surrealist paintings explore themes of exile, freedom and empowerment; center female protagonists; and allude to human rights issues, particularly those affecting women and immigrants. The Currier Museum of Art (150 Ash St., Manchester). On display now through Sept. 5. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and is free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org for more information.

• “ECHOES: ABSTRACT PAINTING TO MODERN QUILTING” exhibition features abstract paintings inspired by the bold colors, asymmetry, improvisational layout, alternate grid work and negative space in composition of modern quilting. Two Villages Art Society (46 Main St., Contoocook). On display now through May 14. Visit twovillagesart.org or call 413-210-4372 for more information.

“NATURE AT NIGHT: PAINTINGS BY OWEN KRZYZANIAK GEARY” Two Villages Art Society (46 Main St., Contoocook). On display from May 27 through June 18. Visit twovillagesart.org or call 413-210-4372 for more information.

• ART ON MAIN The City of Concord and the Greater Concord Chamber of Commerce present a year-round outdoor public art exhibition in Concord’s downtown featuring works by professional sculptors. All sculptures will be for sale. Visit concordnhchamber.com/creativeconcord, call 224-2508 or email [email protected] for more information.

Call for Submissions

• SCULPTURE SUBMISSIONS The City of Concord and the Greater Concord Chamber of Commerce’s Creative Concord Committee are seeking sculptors for the city’s fifth annual “Art on Main” Outdoor Sculpture Exhibition, a year-round outdoor public art exhibit set up in Concord’s downtown. Professional sculptors age 18 and older (with preference for New England-based sculptors) are invited to submit up to two original sculptures for consideration. The selected sculptors will receive a $500 stipend, and their sculptures will be on display and for sale from June 2022 through May 2023 (30 percent commission taken by City of Concord). The deadline for entries is Friday, April 29. To apply, visit concordnhchamber.com/creativeconcord, call 224-2508 or email [email protected].

Fairs and markets

• CRAFTSMEN’S FAIR The annual nine-day outdoor craft fair hosted by the League of New Hampshire Craftsmen features hundreds of craftspeople with vendor booths, plus special craft exhibitions, demonstrations, hands-on workshops and more. Sat., Aug. 6 through Sun., Aug. 14. Mount Sunapee Resort, 1398 Route 103, Newbury. Call 224-3375 or visit nhcrafts.org for more information.

• CONCORD ARTS MARKET The juried outdoor artisan and fine art market runs one Saturday a month, June through October, from 10 a.m. to 3 p.m. Market dates are June 11, July 30, Aug. 20, Sept. 17 and Oct. 15. Rollins Park, 33 Bow St., Concord. concordartsmarket.net. The first market will be held on Saturday, June 11. Visit concordartsmarket.net/summer-arts-market.html for more information.

Special events

• REMOTE SPRING IRON MELT Participants may pick up a mold from the Institute, scratch their design at home, then drop off their scratched molds back at the Institute. Andres Institute of Art, 106 Brookline Road, Hollis. Pickup dates are Thurs., April 28, and Sat., April 30, between 10 a.m. and 2 p.m. Drop-off dates are the same as pickup dates, plus Thurs., May 5. Online registration is required and is open now through Sat., April 30. Designs will be poured at Green Foundry in Maine on Saturday, May 7, and available for final pickup on Thursday, May 12, and Saturday, May 14. The cost is $40 per mold, or $30 for AIA members. Visit andresinstitute.org or call 673-7441.

• SPRING OPEN STUDIOS Art Up Front Street Studios & Gallery, 120 Front St., Exeter. The artists’ collective features seven working artist studios. Sat., May 7, and Sun., May 8, from 10 a.m. to 4 p.m. Call 418-6286 or visit artupfrontstreet.com for more information.

• CURRIER MUSEUM OF ART GALA CELEBRATION Event will include live music, gourmet food, a sponsored cocktail hour, live auction and fundraising program, all inspired by the museum’s current special exhibition, “Warhol Screen Tests.” Currier Museum of Art’s (150 Ash St., Manchester). Sat., May 14, from 6 to 10 p.m. Gala attendees must be age 21 or older. Wearing 1960s attire in the spirit of the exhibition is welcome. Tickets cost $350 per person. A limited number of tickets is available for admittance to both the gala and an exclusive pre-gala reception at the Chandler House; those cost $500 per person. Call 669-6144 or visit currier.org.

Workshops and classes

• “BLACKSMITHING BASICS” Beginner level workshop. Sanborn Mills Farm(7097 Sanborn Road, Loudon). Fri., May 20, through Sun., May 22, from 8 a.m. to 4 p.m. each day. The cost is $375. Call 435-7314 or visit sanbornmills.org for more information.

• “INTRO TO 3D PRINTING” Port City Makerspace (68 Morning St., Portsmouth). Wed., June 8, from 6 to 9 p.m. The cost is $25 for members of the makerspace and $45 for nonmembers. Call 373-1002 or visit portcitymakerspace.com for more information.

• ART CLASSES Art classes for teens and adults, including Pottery, Stained Glass, Intermediate Watercolor and Clay Hand Building. Studio 550 Art Center (550 Elm St., Manchester). Five-week sessions. Classes met for two hours a week. Call 232-5597 or visit 550arts.com for the full schedule and cost details.

• DRAWING & PAINTING CLASSES Art House Studios, 66 Hanover St., Suite 202, Manchester. Classes include Drawing Fundamentals, Painting in Acrylic, Drawing: Observation to Abstraction, Exploring Mixed Media, and Figure Drawing. Class sizes are limited to six students. Visit arthousestudios.org or email [email protected] more information.

• GENERAL ART CLASSES Weekly art classes offered for both kids and adults of all skill levels and cover a variety of two-dimensional media, including drawing and painting with pastel, acrylic, watercolor and oils. Classes are held with small groups of three to eight to five students. Diane Crespo Fine Art Gallery (32 Hanover St., Manchester). Kids classes, open to ages 10 and up, are held on Thursdays and Fridays, from 4:15 to 5:45 p.m. Adult classes are held on Thursdays, from 6:30 to 8:15 p.m., and Saturdays from 10:30 a.m. to 12:15 p.m. Tuition is pay-as-you-go at $20 per student per class, due upon arrival. Call 493-1677 or visit dianecrespofineart.com for availability.

THEATRE

Classes/workshops

• STORYTELLING WORKSHOPS Monthly workshop series hosted by True Tales Live storytelling showcase. First Tuesday (except November), from 7 to 8:30 p.m., virtual, via Zoom. Registration is required. Visit truetaleslivenh.org for more information.

Shows

• THE PRODUCERS A mainstage production of the Palace Theatre (80 Hanover St., Manchester). Now through May 15, with showtimes on Friday at 7:30 p.m., Saturday at 2 and 7:30 p.m., and Sunday at noon. Tickets cost $39 to $46. Call 668-5588 or visit palacetheatre.org.

• PUFFS! OR SEVEN INCREASINGLY EVENTFUL YEARS AT A CERTAIN SCHOOL OF MAGIC AND MAGIC Cue Zero Theatre Co. presents. Granite State Arts Academy (19 Keewaydin Drive, No. 4, Salem). Showtimes on Fri., April 29, and Sun., May 1, at 7:30 p.m., and Sun., May 1, at 2 p.m. Tickets cost $15 ($16.25 with fees). Masks and proof of vaccination or a negative Covid test taken within three days of the performance are required. The show is also available to livestream for $15. Visit cztheatre.com or email [email protected] for more information.

• LAST GAS Produced by the Community Players of Concord. Concord City Auditorium, 2 Prince St., Concord. Fri., May 6, through Sun., May 8. Tickets cost $18 for adults, $16 for youth ages 17 and under, $16 for seniors age 65 and up. Visit communityplayersofconcord.org or call 224-4905 for more information.

• AN INSPECTOR CALLS Presented by New Hampshire Theatre Project. West End Studio Theatre (959 Islington St., Portsmouth). May 6 through May 22, with showtimes on Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Tickets cost $30 ($33.26 with fees) for general admission, $26 ($29 with fees) for seniors, students and veterans and must be purchased in advance. Masks are required in the theater. Visit nhtheatreproject.org or call 431-6644.

• THE PLAY THAT GOES WRONG Presented by the Manchester Community Theatre Players. Manchester Community Theatre Players Theatre, located at the North End Montessori School (698 Beech St., Manchester). Showtimes on Fri., May 13 and May 20, and Sat., May 14 and May 21, at 7:30 p.m. Tickets cost $20 and must be purchased in advance. Masks and proof of vaccination are required to enter the theater. Visit manchestercommunitytheatre.com or call 327-6777.

• CHILDREN OF THE GRIM Presented by Bitter Pill. Players’ Ring Theatre (105 Marcy St., Portsmouth). May 13 through June 5, with showtimes on Fridays at 7:30 p.m., Saturday at 2:30 and 7:30 p.m., and Sunday at 2:30 p.m. Tickets cost $28 for adults and $25 for seniors age 65 and up and students. Masks and proof of vaccination or a negative Covid test are required. Visit playersring.org or call 436-8123.

• THE BALD SOPRANO Produced by the Community Players of Concord. The Hatbox Theatre (located inside the Steeplegate Mall, 270 Loudon Road, Concord). Fri., June 17 through Sun., June 26. Showtimes are on Friday and Saturday at 7:30 p.m., and Sunday at 2 p.m. Tickets cost $22 for adults, $19 for students, seniors and members and $16 for senior members. Visit hatboxnh.com or call 715-2315 for more information.

• TRUE TALES LIVE Portsmouth-based storytelling showcase. Monthly, last Tuesday (no shows in July and August), from 7 to 8:30 p.m. Shows will be held in person (Portsmouth Public Media TV Studio, 280 Marcy St., Portsmouth) starting in April, and returning to the Zoom format for the winter, starting in November. Each month’s showcase is centered around a different theme. The series is free and open to all who want to watch or participate as a storyteller. Pre-registration for attendees is required for Zoom shows but not required for in-person shows. Visit truetaleslivenh.org and email [email protected] if you’re interested in being a storyteller.

Classical

• “THE MUSIC OF JAMES BOND” Symphony New Hampshire presents. The performance will include Themes from 007, a Medley for Orchestra and themes from other spy film favorites, including Mission Impossible, Pink Panther and Raiders of the Lost Ark. Sat., May 7, from 7:30 to 8:50 p.m. Keefe Center for the Arts (117 Elm St., Nashua). Tickets cost $20 to $60 for adults, $18 to $55 for seniors age 65 and up, and free for children with a paying adult. Visit symphonynh.org or call 595-9156 for more information.

• SPRING POPS – BROADWAY AND MORE The New Hampshire Philharmonic Orchestra performs. Seifert Performing Arts Center, 44 Geremonty Drive, Salem. Sat., May 21, at 7:30 p.m., and Sun., May 22, at 2 p.m. Visit nhphil.org or call 647-6476 for more information.

The bigger picture

NH Travel and Tourism director joins national travel board

Lori Harnois, director of the New Hampshire Department of Business and Economic Affairs Division of Travel and Tourism, has been elected to serve a two-year term on the U.S. Travel Association’s board of directors. She talked about the opportunity and the intersection between her work in New Hampshire and the part she plays in national issues.

What is your background in travel and tourism?

This is my second time serving in this role as director of travel and tourism for New Hampshire. I [returned] at the end of February 2020, a month before Covid hit. Before that, I was working for Discover New England, which is a marketing organization that promotes the New England region as a travel destination to the overseas traveler. Before that, I was in this role I’m in now. I feel fortunate that I was able to come back to this role to promote the state that I live in and tell everybody why New Hampshire is a great place to come and visit.

What does your role as director of New Hampshire’s Division of Travel and Tourism entail?

Our department’s role is to promote New Hampshire as a travel destination, both domestically and internationally, for the purposes of increasing business, the business economy and the workforce, all centered around travel and tourism. We head up all the marketing efforts that promote New Hampshire as a travel destination, like the state’s website visitnh.gov and a guidebook on New Hampshire that’s given out to travelers, encouraging them to come here. We’re also responsible for a grant program that provides assistance to chambers of commerce and other destination marketing organizations, such as Ski NH, the White Mountains Attractions Association and the Lakes Region Tourism Association, to help them pay for their marketing efforts. Since the pandemic, we’ve also been helping [the state’s industries] work through workforce issues by encouraging people to consider moving and living … playing or working here, and we’ve been trying to help the tourism industry recover, because it was actually the industry that was hit the hardest as a result of the pandemic.

What is the function of the U.S. Travel Association board of directors?

It’s a fairly large board — at least 125 people, I’d say — with CEOs from a variety of different organizations, such as Expedia and Disney World, as well as [representatives from] states, like myself. … Some of the main issues this national organization has focused on are things like reopening the international borders during the pandemic; workforce … and the importance of international workers; … and trying to help the [tourism] industry recover from the pandemic … by encouraging [a return to] in-person meetings and traveling for business. … The board meets three times a year. … We just had a meeting two weeks ago.

What are some of the issues the board discussed at the last meeting?

Promoting the U.S. as a travel destination to international travelers for the purposes of restarting international travel was a big priority that we were discussing. We talked about the international workforce … and how to speed along the visa-processing time, because there’s quite a lag right now between when someone applies for a visa and when they can actually come here to work. … We talked about how we can change the [public’s] perception of jobs within the tourism sector and [show that] there are good-paying jobs, not just low-paying jobs, and that there are opportunities to grow and climb the ladder quickly. We talked about updating and maintaining our country’s infrastructure, like our roads and our airports, to increase travel mobility; how technology plays a role in that; and how we can do it in the right manner to [meet] the need for sustainability.

How does being on the national board inform your work in New Hampshire?

There are a lot of things on the national scale that we look at and think about how we can mimic those efforts at a state level in New Hampshire. … There were also breakout sessions for state tourism directors like myself, where we were able to talk about what we do, what’s been working for us and how we can potentially take some of those ideas and implement them in our own states.

How does representation from New Hampshire inform the national board’s work?

Being part of the U.S. Travel Association board of directors allows New Hampshire to have a voice on a national level … and express our concerns on certain issues. … I can take stories from the companies here in New Hampshire and share those with people in the U.S. Travel Association, who can then communicate to Capitol Hill what is going on in the states and what issues need to be addressed … with some type of policy change. That’s how New Hampshire has a direct impact [on a national level].

Featured photo: Lori Harnois

On The Job – Colin Campbell

Colin Campbell

Pressure washer technician

Colin Campbell co-owns and -operates PressureWorks, a pressure wash and deep cleaning service based in Sandown.

Explain your job and what it entails.

I mainly do pressure washing, but I also offer on-the-road car detailing services. My pressure washer makes it easy to do driveways, the outside of homes and cars, so I figured, why not include them all? I mainly deal with all the customers, while also keeping up … all aspects of the work, from setting up the job, to cleaning underneath the seats of cars.

How long have you had this job?

I’ve been doing work for customers for about a month, but just recently registered as an LLC.

What led you to this career field and your current job?

I told myself that I didn’t want to work for someone else anymore. I wanted to be my own boss, make my own decisions, and not only reap all the benefits of it, but feel proud of the work I was doing. My friend and I heard a lot about pressure washing businesses being started online, and I began to look into it. After a few weeks of planning, I finally had enough tools to complete some simple jobs. I continued to study and do research while practicing with my pressure washer, and I realized not only was it not too difficult, but I actually enjoyed it and definitely did feel proud of my work.

What kind of education or training did you need?

I didn’t need any specific schooling for this, but I think extensive research or professional training is necessary to do this, though. I spent countless nights researching to ensure that I knew more than enough to answer customers’ questions and complete the jobs right.

What is your typical at-work uniform or attire?

When I’m working, I like to wear a pair of jeans and weatherproof boots. When pressure washing, it gets a bit wet, and sometimes it’s impossible to avoid the splashback on your legs and torso. For a shirt, I generally wear a plain, blank, polyester T-shirt that allows my body to breathe in the scorching sun during the summer.

What do you wish you’d known at the beginning of your career?

I wish that I had prepared a little more with some of the tools I needed, or had gotten a truck instead of an SUV two years ago. I’m able to make it work out of an SUV, but a pickup truck would make it a thousand times easier.

What do you wish other people knew about your job?

That it’s very simple and very cheap to get into this business. I was able to borrow most of my equipment and only had to order a few things that I needed, but, overall, I was able to start this business and complete my first few jobs with just a few hundred dollars. I think just about anyone with a big enough vehicle can start up their business and start making profit with under $1,000, [which] is quite inexpensive.

What was the first job you ever had?

My first job was at a Christmas tree farm. I worked there from Thanksgiving to Christmas Eve for two years when I was around 12 years old, and it was a great starting job. I’d deal with customers and practice my sales pitches by trying to sell them certain trees, hoping to get them to buy the biggest one. Then, if they wanted me to, I’d do the manual labor of cutting down the tree with a handsaw … and putting it on top of their car.

What’s the best piece of work-related advice you’ve ever received?

To never blindly take someone’s advice just because they seem knowledgeable, and don’t be afraid to make your own path. I need to believe in myself to continue to grow and not listen to anyone else. I accept help, but make my own decisions.

Five favorites

Favorite book: The Emerald Atlas by John Stephens
Favorite movie: Ace Ventura: Pet Detective
Favorite music: Hip-hop and rap
Favorite food: Tacos
Favorite thing about NH: My whole family is here.

Featured photo: Colin Campbell. Courtesy photo.

The Art Roundup 22/04/21

The latest from NH’s theater, arts and literary communities

• Molten fun: Online registration for the Andres Institute of Art’s Remote Spring Iron Melt is open now through Saturday, April 30. Traditionally, the public has been invited to the Institute’s studio space to create custom designed iron tiles; participants would scratch their design into a 6-by-6-inch sand mold and coat it with a liquid graphite, then watch as molten iron is poured into their molds on site. For the remote event, participants will pick up a mold from the Institute (106 Brookline Road, Hollis) — pickup dates are Thursdays, April 21 and April 28, and Saturdays, April 23 and April 30, between 10 a.m. and 2 p.m. — and scratch their design at home, then drop off their scratched molds back at the Institute; drop-off dates are the same as pickup dates, plus Thursday, May 5. Designs will be poured at Green Foundry in Maine on Saturday, May 7, and available for pickup on Thursday, May 12, and Saturday, May 14. The cost is $40 per mold, or $30 for AIA members. Visit andresinstitute.org or call 673-7441.

• Make way for … Ja’far?: Twisted: The Untold Story of a Royal Vizier, produced by the Actors Cooperative Theatre, will begin a three-weekend run at the Hatbox Theatre (270 Loudon Road in Concord; hatboxnh.com, 715-2315) on Friday, April 22. The show will run through Sunday, May 8, with shows on Fridays and Saturdays at 7:30 p.m and Sundays at 2 p.m Tickets cost $22 for adults ($19 for seniors and students). The play is described as a comic rif on the 1990s Aladdin story told from the perspective of Ja’far “a well-intentioned and hardworking official from The Kingdom,” according to a press release (which notes that the play contains “adult language, adult situations … drug references, sexual situations and partial nudity”). The musical is written by some of the same people behind parodies like A Very Potter Musical and The Trail to Oregon, the release said.

Sculptors wanted
The City of Concord and the Greater Concord Chamber of Commerce’s Creative Concord Committee are seeking sculptors for the city’s fifth annual “Art on Main” Outdoor Sculpture Exhibition, a year-round outdoor public art exhibit set up in Concord’s downtown. Professional sculptors age 18 and older (with preference for New England-based sculptors) are invited to submit up to two original sculptures for consideration. The selected sculptors will receive a $500 stipend, and their sculptures will be on display and for sale from June 2022 through May 2023 (30 percent commission taken by City of Concord). The deadline for entries is Friday, April 29. To apply, visit concordnhchamber.com/creativeconcord, call 224-2508 or email [email protected].

• Abstract art shown: Twiggs Gallery (254 King St., Boscawen) presents a new exhibit, “Impact! Abstract!,” featuring the work of six local artists, on view now through May 28. The artists include Ann Saunderson, who works in acrylic, mixed media, oil and cold wax and monotype; Daniela Wenzel, who does oil painting, assemblage, ink drawing, driftwood pyrography and improvised quilt-making; Kate Higley, who does printmaking; Ethel Hills, who works in acrylic; and Grace Mattern, who does mixed media collage. “It showcases artists boldly approaching abstraction in completely different ways with a wide variety of media,” Twiggs gallery director Laura Morrison told the Hippo earlier this month. “Most of the artwork in this exhibit is on the smaller side, yet each piece really stands out on its own. It’s very powerful work.” Gallery hours are Thursday through Saturday from 11 a.m. to 4 p.m., and Sunday from noon to 4 p.m. Visit twiggsgallery.wordpress.com or call 975-0015.

• Once trash, now fashion: The Upcycled Fashion Show, presented by Makers Mill and the Governor Wentworth Arts Council, will be held on Saturday, April 23, from 7 to 9 p.m. at Makers Mill (23 Bay St., Wolfeboro). The event invites designers of all ages to create wearable art with at least 75 percent of the materials being recycled, reused or repurposed. “Upcycled fashion is … a great way to experiment artistically and … experiment with style,” featured designer Amelia Bickford told the Hippo last month, adding that the show is “a great opportunity to draw further attention to the tremendous need the world has for recycling and reducing waste.” Tickets for spectators cost $5 in advance and $7 at the door. Visit makersmill.org/blog or call 569-1500.

• Music of love: Symphony New Hampshire presents a concert, “Love’s Dawn,” on Saturday, April 23, from 7:30 to 8:30 p.m. at the Keefe Center for the Arts (117 Elm St., Nashua). The program will feature Claude Debussy’s Petite Suite, Richard Wagner’s Siegfried Idyll and Wolfgang Mozart’s Symphony No. 35 in D major, K.385 “Haffner.” Doors open at 6:15 p.m., and there will be a pre-concert talk at 6:30 p.m. and a post-concert reflection approximately 15 minutes after the concert. Masks and proof of vaccination are required for all attendees. Ticket costs range from $20 to $60 for adults, and from $18 to $55 for seniors age 65 and up. Children are admitted for free with paying adults. Visit symphonynh.org or call 595-9156.

Wild Symphony
New Hampshire native and bestselling author of The Da Vinci Code Dan Brown will join the University of New Hampshire Wind Symphony for the world premiere of the wind ensemble version of his debut classical work Wild Symphony on Sunday, April 24, from 5 to 6:30 p.m., at the university’s Johnson Theatre (30 Academic Way, Durham). The work is based on the musical album, released in conjunction with a corresponding children’s book of the same name, which pairs short poems and illustrations of animals with classical music. Brown will narrate the book while the symphony performs the music. The event is free, but tickets must be reserved in advance. Visit unh.universitytickets.com.

ART

Exhibits

• “IMPACT! ABSTRACT! Exhibition featuring the abstract work of six local artists, including Ann Saunderson, who works in acrylic, mixed media, oil and cold wax and monotype; Daniela Wenzel, who does oil painting, assemblage, ink drawing, driftwood pyrography and improvised quilt-making; Kate Higley, who does printmaking; Ethel Hills, who works in acrylic; and Grace Mattern, who does mixed media collage. Twiggs Gallery (254 King St., Boscawen). On view now through May 28. Gallery hours are Thursday through Saturday from 11 a.m. to 4 p.m., and Sunday from noon to 4 p.m. Visit twiggsgallery.wordpress.com or call 975-0015.

• “APPEAL OF THE REAL: 19TH CENTURY PHOTOGRAPHS OF THE ANCIENT WORLD” exhibition features photographs taken throughout the Mediterranean to record the ruins of ancient Egypt, Greece and Rome. The Currier Museum of Art (150 Ash St., Manchester). On display now through June 12. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and is free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org for more information.

• “WARHOL SCREEN TESTS” In the mid-1960s, American multimedia artist Andy Warhol had shot more than 400 short, silent, black-and-white films of his friends at his studio in New York City. Warhol referred to the films, which were unscripted and played in slow motion, as “film portraits” or “stillies.” The exhibition will feature 20 of those films, provided by the Andy Warhol Museum, in loops across four large-scale projections. The Currier Museum of Art (150 Ash St., Manchester). On display now through July 3. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and is free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org for more information.

• “ARGHAVAN KHOSRAVI” Artist’s surrealist paintings explore themes of exile, freedom and empowerment; center female protagonists; and allude to human rights issues, particularly those affecting women and immigrants. The Currier Museum of Art (150 Ash St., Manchester). On display now through Sept. 5. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and is free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org for more information.

• “ECHOES: ABSTRACT PAINTING TO MODERN QUILTING” exhibition features abstract paintings inspired by the bold colors, asymmetry, improvisational layout, alternate grid work and negative space in composition of modern quilting. Two Villages Art Society (46 Main St., Contoocook). On display from April 22 through May 14. Visit twovillagesart.org or call 413-210-4372 for more information.

“NATURE AT NIGHT: PAINTINGS BY OWEN KRZYZANIAK GEARY” Two Villages Art Society (46 Main St., Contoocook). On display from May 27 through June 18. Visit twovillagesart.org or call 413-210-4372 for more information.

• ART ON MAIN The City of Concord and the Greater Concord Chamber of Commerce present a year-round outdoor public art exhibition in Concord’s downtown featuring works by professional sculptors. All sculptures will be for sale. Visit concordnhchamber.com/creativeconcord, call 224-2508 or email [email protected] for more information.

Calls for submissions

• SCULPTURE SUBMISSIONS The City of Concord and the Greater Concord Chamber of Commerce’s Creative Concord Committee are seeking sculptors for the city’s fifth annual “Art on Main” Outdoor Sculpture Exhibition, a year-round outdoor public art exhibit set up in Concord’s downtown. Professional sculptors age 18 and older (with preference for New England-based sculptors) are invited to submit up to two original sculptures for consideration. The selected sculptors will receive a $500 stipend, and their sculptures will be on display and for sale from June 2022 through May 2023 (30 percent commission taken by City of Concord). The deadline for entries is Friday, April 29. To apply, visit concordnhchamber.com/creativeconcord, call 224-2508 or email [email protected].

Fairs and markets

• CRAFTSMEN’S FAIR The annual nine-day outdoor craft fair hosted by the League of New Hampshire Craftsmen features hundreds of craftspeople with vendor booths, plus special craft exhibitions, demonstrations, hands-on workshops and more. Sat., Aug. 6 through Sun., Aug. 14. Mount Sunapee Resort, 1398 Route 103, Newbury. Call 224-3375 or visit nhcrafts.org for more information.

• CONCORD ARTS MARKET The juried outdoor artisan and fine art market runs one Saturday a month, June through October, from 10 a.m. to 3 p.m. Market dates are June 11, July 30, Aug. 20, Sept. 17 and Oct. 15. Rollins Park, 33 Bow St., Concord. concordartsmarket.net. The first market will be held on Saturday, June 11. Visit concordartsmarket.net/summer-arts-market.html for more information.

Special events

• REMOTE SPRING IRON MELT Participants may pick up a mold from the Institute, scratch their design at home, then drop off their scratched molds back at the Institute. Andres Institute of Art, 106 Brookline Road, Hollis. Pickup dates are Thurs., April 21 and April 28, and Sat., April 23 and April 30, between 10 a.m. and 2 p.m. Drop-off dates are the same as pickup dates, plus Thurs., May 5. Online registration is required and is open now through Sat., April 30. Designs will be poured at Green Foundry in Maine on Saturday, May 7, and available for final pickup on Thursday, May 12, and Saturday, May 14. The cost is $40 per mold, or $30 for AIA members. Visit andresinstitute.org or call 673-7441.

• UPCYCLED FASHION SHOW Presented by Makers Mill and the Governor Wentworth Arts Council. Designers of all ages are invited to create fashion pieces composed of at least 75 percent recycled, reused or repurposed materials. Sat., April 23, from 7 to 9 p.m. Makers Mill (23 Bay St., Wolfeboro). Registration for designers is free and open now through the end of March or until participation is full. Visit makersmill.org/blog or call 569-1500 for more information.

• SPRING OPEN STUDIOS Art Up Front Street Studios & Gallery, 120 Front St., Exeter. The artists’ collective features seven working artist studios. Sat., May 7, and Sun., May 8, from 10 a.m. to 4 p.m. Call 418-6286 or visit artupfrontstreet.com for more information.

Workshops and classes

• “BLACKSMITHING BASICS” Beginner level workshop. Sanborn Mills Farm(7097 Sanborn Road, Loudon). Fri., May 20, through Sun., May 22, from 8 a.m. to 4 p.m. each day. The cost is $375. Call 435-7314 or visit sanbornmills.org for more information.

• “INTRO TO 3D PRINTING” Port City Makerspace (68 Morning St., Portsmouth). Wed., June 8, from 6 to 9 p.m. The cost is $25 for members of the makerspace and $45 for nonmembers. Call 373-1002 or visit portcitymakerspace.com for more information.

• ART CLASSES Art classes for teens and adults, including Pottery, Stained Glass, Intermediate Watercolor and Clay Hand Building. Studio 550 Art Center (550 Elm St., Manchester). Five-week sessions. Classes met for two hours a week. Call 232-5597 or visit 550arts.com for the full schedule and cost details.

• DRAWING & PAINTING CLASSES Art House Studios, 66 Hanover St., Suite 202, Manchester. Classes include Drawing Fundamentals, Painting in Acrylic, Drawing: Observation to Abstraction, Exploring Mixed Media, and Figure Drawing. Class sizes are limited to six students. Visit arthousestudios.org or email [email protected] more information.

• GENERAL ART CLASSES Weekly art classes offered for both kids and adults of all skill levels and cover a variety of two-dimensional media, including drawing and painting with pastel, acrylic, watercolor and oils. Classes are held with small groups of three to eight to five students. Diane Crespo Fine Art Gallery (32 Hanover St., Manchester). Kids classes, open to ages 10 and up, are held on Thursdays and Fridays, from 4:15 to 5:45 p.m. Adult classes are held on Thursdays, from 6:30 to 8:15 p.m., and Saturdays from 10:30 a.m. to 12:15 p.m. Tuition is pay-as-you-go at $20 per student per class, due upon arrival. Call 493-1677 or visit dianecrespofineart.com for availability.

THEATRE

Classes/workshops

• STORYTELLING WORKSHOPS Monthly workshop series hosted by True Tales Live storytelling showcase. First Tuesday (except November), from 7 to 8:30 p.m., virtual, via Zoom. Registration is required. Visit truetaleslivenh.org for more information.

Shows

• THE PRODUCERS A mainstage production of the Palace Theatre (80 Hanover St., Manchester). April 22 through May 15, with showtimes on Friday at 7:30 p.m., Saturday at 2 and 7:30 p.m., and Sunday at noon. Tickets cost $39 to $46. Call 668-5588 or visit palacetheatre.org.

•​ THE RULE OF THREEAn adaptation of Agatha Christie’s one-act murder mystery series, presented by the Majestic Studio Theatre (880 Page St., Manchester). Showtimes are on Friday, April 22, and Saturday, April 23, at 7 p.m., and Sunday, April 24, at 2 p.m. Tickets cost $15 to $20. Call 669-7469 or visit majestictheatre.net.

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