Author: Angie Sykeny

Walker Lecture Series goes virtual

After canceling its events in 2020, the Walker Lecture Series will return for its 124th spring season with weekly virtual events every Wednesday from March 3 through April 21.

The Concord-based series, traditionally held at the Concord City Auditorium, features free performances and lectures on history, travel, art and science topics. This spring’s virtual events will be hosted by Concord TV, some pre-recorded and aired on the city’s public access TV channel, and some livestreamed over Zoom.

“[When Covid hit,] we were thrown for a loop just like everyone else [was], and we didn’t know what the future would hold,” Walker Lecture Series trustee Jon Kelly said, “but we’re dealing with that reality now. We’re embracing it with a spirit of experimentation.”

The series kicks off with “Banjos, Bones, and Ballads,” where local musician and historian Jeff Warner will perform and discuss traditional New England tavern music, hymns, sailor songs and more.

“He plays old-time music on the banjo, the spoons, the washboard and the bones, just like people did in the 19th century,” Kelly said. “He’s a lot of fun.”

The following week, mentalist and author of Psychic Blues Mark Edward will present a lecture, “Psychics, Mediums, and Mind Readers: How do they do it?”

“He talks about the fraudulence of people who pretend they can talk to the dead and encourages people to use critical thinking to examine the trick nature of it before they believe that someone has magical powers,” Kelly said. “I think our audience will be really interested in that.”

Other programs in this spring’s Walker Lecture Series will include an art lecture on Frank Lloyd Wright and Norman Rockwell; a history lecture on New Hampshire revolutionaries John Stark and Henry Dearborn; an author event with Michael Tougias, discussing his memoir The Waters Between Us; a nature program about bears; travelogues about Denali National Park and Preserve in Alaska and the deserts, coastline and safari parks of Namibia; and a faculty concert by Concord Community Music School.

“We try to choose programs that will be edifying for the audience, but we also want it to be fun,” Kelly said. “We want [the topics] to be things that people will enjoy and like.”

The Walker Lecture Series has also planned and released the schedule for its fall season, which will run Sept. 22 through mid-December. Though it remains to be seen whether the series will be held virtually or in person, Kelly said he is hopeful that in-person events will be possible.

“People have done well with socialization over Zoom, but I am nostalgic for the days when people would all pile in the City Auditorium and get there early and talk with their neighbors in the lobby,” he said. “I’m choosing to be optimistic that we’ll be able to have that in the fall.”

Walker Lecture Series spring season
When: Wednesdays, 7:30 p.m., March 3 through April 21
Where: Virtual, on Concord TV (Channel 22, or stream at yourconcordtv.org), YouTube and Zoom, depending on the program
Cost: Free and open to all; no tickets or reservations required
More info: Call 333-0035 or visit walkerlecture.org

“Banjos, Bones, and Ballads” with Jeff Warner
March 3 on Concord TV

“Psychics, Mediums, and Mind Readers: How do they do it?” with Mark Edward
March 10 on Zoom

“Norman Rockwell and Frank Lloyd Wright” with Jane Oneail
March 17 on Zoom

“Autumn in Denali” and “The World of the Bear” with Tom Sterling
March 24 on Concord TV

“Two New Hampshire Men from the American Revolution: John Stark and Henry Dearborn” with George Morrison
March 31 on Zoom

“Growing Up Wild in the ’60s and ’70s” with Mike Tougias
April 7 on Zoom

“The Road to Namibia” with Rick Ray
April 14 on Zoom

Concord Community Music School Faculty Concert
April 21 on Concord TV

Featured photo: The Walker Lecture Series opens with “Banjos, Bones, and Ballads” by Jeff Warner on Wednesday, March 3. Courtesy photo.

Mother and son create interactive kids book about Covid-19

Deer orienteer Stephen Stagg is on a new kind of hunt in The COVID Paper Chase, a special edition title of Windham children’s author E.A. Giese’s Stephen Stagg Series that Giese wrote and illustrated with her adult son B.G. Sullivan during the pandemic.

The books in the series feature interactive puzzles for young readers to do as they follow Stephen Stagg on his orienteering adventures. In The COVID Paper Chase, Stephen is looking around his neighborhood for an item of great importance that is in short supply due to the pandemic. It includes hidden images and pandemic-related vocabulary words to find, mysteries to solve and a special activity.

“It’s meant to be more like a workbook,” Giese said. “Educational for children as well as entertaining.”

Giese and Sullivan said they have talked casually about collaborating on a book together for years but could never seem to find the time, so when Sullivan was laid off from his full-time job last March due to the pandemic, they decided to finally give it a go.

“Being laid off had significantly freed up my time at that point,” Sullivan said, “and I really wanted to do something productive with that time … and do something that would be able to help other people.”

Sullivan said he has “always been an artistic person,” having an interest in illustration since he was a child, and going on to attend and receive his certificate from a graphic design school.

“I homeschooled my two sons through middle school and high school, and we were very creative during that time,” Giese said. “We’ve been lifelong creatives, all of us.”

In Giese and Sullivan’s collaborative process, Giese came up with the story and developed the storyboards while Sullivan worked more on the script itself, which is written in rhyming verse. Giese did the hand drawn illustrations, outlined in pen and colored with colored pencils, and used a rubbing technique to give the illustrations texture. Then, Sullivan used his graphic design skills, he said, to add “the finer details, more realism, and really bring her illustrations to life.”

The idea for a children’s book about Covid-19, Giese and Sullivan said, came from seeing parents they knew struggle with explaining the pandemic to their young children. They wanted to create a book that could help parents “broach the subject” in an honest, but comforting way, Sullivan said.

“It’s psychologically soothing for children without being too heavy and grim,” he said.

“There was kind of a fine balance between giving [the book] some lightheartedness to make it palatable to children while still paying respect to the weight and seriousness of the issue,” Giese added.

Giese and Sullivan said they plan to team up for more children’s books for both the Stephen Stagg Series and other series.

“We’re really starting to see a future in our collaborations together,” Sullivan said.

“We have a lot of fun doing this together,” Giese added, “and I think that really comes across in the book.”

The COVID Paper Chase
The book is available at the authors’ website, regalbeepub.com, and will be available on Amazon by the end of February.

Featured photo: E.A. Giese and B.G. Sullivan. Courtesy photo.

Local musician creates new version of “America the Beautiful”

What started as a song for a children’s choir to sing at Hancock’s Martin Luther King Day celebration last year has become an ongoing collaboration of musicians and music groups across the country.

As a member of the planning committee for the event, Hancock singer-songwriter Steve Schuch had taken on the task of organizing a musical performance. At the time, he had been reading about the history of the patriotic anthem “America the Beautiful,” originally written as a poem by American author and poet Katherine Lee Bates in 1892, and studying the life and writings of American civil rights activist Martin Luther King Jr.

“Then, I thought, what would happen if we took the opening lines of ‘America the Beautiful’ that everyone knows and added a chorus and new verses that reflected Martin Luther King’s wider dream for all of America?” Schuch said.

The reimagined version of “America the Beautiful,” titled “America the Dream,” received such a “strong response” at the celebration, Schuch said, that he decided to keep expanding on the project.

He teamed up with another local musician, Mike Bradley, to write more lyrics and reached out to Shelbie Rassler, a senior at Berklee College of Music at the time, who had produced a viral YouTube video of a virtual choir of students singing “What the World Needs Now,” to assist with the musical arrangement and assembling a virtual choir to perform the piece.

Rassler was “all in,” Schuch said, and has produced three virtual performance videos of the song so far, with more on the way, including a contemporary country version out of Nashville.

“I hope that with each passing year, different singing groups around the country will want to do it,” he said. “It would be neat if someday Keith Lockhart wants to do this with the Boston Pops for the Fourth of July, or, hey, in my wildest dreams, maybe Beyonce would sing it at the Super Bowl.”

Late last year, Schuch and his collaborators launched the “American Dream Project” website where people can find the performance videos as well as sheet music for six different arrangements of the song, sound samples of the different choral parts and a piano accompaniment track for singing groups to use for rehearsals or performances if they don’t have access to live musical accompaniment.

“[The arrangements] run from really simple ones that are appropriate for elementary schools or children’s choirs up through ones for accomplished high school and college choirs and adult community choirs,” Schuch said. “There is enough variety that any music director or conductor could find a version that’s right for their group and their setting.”

What makes “America the Dream” especially unique, Schuch said, is that it’s an open source piece; not only can people access the sheet music and sound samples for free, but they also have permission to create and perform their own versions of the song with different musical arrangements and different or additional lyrics for non-commercial use.

“We encourage people to keep adding to it and would love for them to submit their recordings to add to the website,” he said.

The website also includes a list of suggested reading material and resources for groups or individuals who want to use the “American Dream Project” as “a springboard for discussion,” Schuch said.

“It’s more than a song,” he said. “It’s a chance for all Americans to think about what we hold in common for the dream of our country and what our country can become.”

Featured photo: “America The Dream” virtual performance by Berklee College of Music students, Shelbie Rassler Orchestral Arrangement. Courtesy photo.

Nashua Choral Society sings together from a distance

The Nashua Choral Society is inviting new singers to join its 2021 spring season, which is just getting underway. The non-auditioned community choir has found some creative ways to rehearse while maintaining social distance, including weekly virtual rehearsals over Zoom and monthly “driveway rehearsals” where members can gather in person and sing together from their cars.

When Covid hit last spring, the choir was just polishing up an upcoming performance with Symphony NH, featuring a full program of Haydn music, and a performance with the Nashua Chamber Orchestra, which was to include the premiere of a new song written for the choir.

Those performances were postponed, but instead of losing momentum the choir has gotten stronger — active members have stayed, less-active members have become more involved and new singers have joined, artistic director Dan Roihl said.

“Obviously, performance is a big part of [being in a choir], but I think there is some intrinsic reward in the communal aspect of just singing together, hearing your voice with other voices and creating works of beauty,” Roihl said. “That’s been enough for people right now.”

Still, moving from in-person rehearsals to virtual rehearsals was a bit more complicated than expected, Roihl said.

“As most choirs quickly figured out, singing together live over Zoom just isn’t practical because of the lag time,” he said. “It’s just not possible to synchronize.”

To get around this, Roihl has been encouraging members to record themselves singing the pieces on their own and send him the recordings, which he mixes together and plays at the rehearsals so that members can hear how their voices sound in unison. He also plays the instrumental musical tracks and has members sing along with their microphones muted.

“That way, they can at least have the simulated experience of singing together in real time,” he said.

In addition to the weekly Zoom rehearsals, the choir meets once a month in person for a “driveway rehearsal” in the parking lot of the church where they used to have their regular rehearsals. While remaining in their cars, members sing together using wireless microphones. The sound is run through a mixing board and played back through an FM radio station that members can tune into and hear each other. The choir had its first driveway rehearsal on World Choral Day on Dec. 13 with around 30 members in attendance.

“It was almost magical, because at that point we hadn’t been able to actually hear what we sound like together in real time for about nine months,” Roihl said. “It’s just really amazing to experience singing together again, even if it is just through our car windows.”

The driveway rehearsals are not only more personal than the Zoom rehearsals, Roihl said, but also more productive.

“It’s a lot more like a real rehearsal because [singers] can respond to my gesture, and I can get feedback on how they are responding to my gesture in real time, which is something that had been sorely lacking in the Zoom context,” he said. “It allows us to really assess how we are doing so I can still do some music teaching and we can work on our techniques.”

While the Nashua Choral Society has performed primarily classical music, Roihl is working on developing a more versatile repertoire to include pop song arrangements, familiar hymns and “everyday-use songs” that he believes will appeal to a wider audience and expand the choir’s performance opportunities.

“We always hope to keep one foot firmly planted in our classical wheelhouse, but I think having some easier songs that we can do a cappella or on short notice or if we don’t have the full [choir] there … will give us more flexibility,” he said.

While the choir has no public performances scheduled at the moment, Roihl said they’ve been “kicking around the idea” of doing some community-based drive-in performances in the parking lots of hospitals, nursing homes and such, using the same mechanics as their driveway rehearsals.

“We know it’s not quite the same as a [normal] live performance, but at least [audiences] could see me out there waving my arms and hear us singing in real time,” he said. “It’s more about letting people know that we’re thinking of them and that we’re looking to share the joy of the art we bring.”

Nashua Choral Society
Singers of all abilities are welcome to join. No auditions necessary. Spring season runs now through mid-May, with virtual rehearsals via Zoom every Monday from 7 to 9 p.m., and monthly “driveway rehearsals” in Nashua. Visit nashuachoralsociety.org or facebook.com/nashuachoralsociety or email info@nashuachoralsociety.org.

Featured photo: Artistic director Dan Roihl leads a Nashua Choral Society “driveway rehearsal.” Courtesy photo.