Author: Jennifer Graham

Sure, I’ll Join Your Cult, by Maria Bamford (Gallery, 272 pages)

Are comedians prone to mental health problems? Two new books add to this image of the troubled funny man (or woman) — Misfit by Gary Gulman (Flatiron, 283 pages) talks about the comedian’s struggle with anxiety and depression; he also had an HBO special in 2019 called “The Great Depresh” that’s about mental illness.
Then there’s Sure, I’ll Join Your Cult by Maria Bamford, which is subtitled “A memoir of mental illness and the quest to belong anywhere.”
I haven’t gotten deep into Gulman’s memoir, but here’s what I can tell you about Bamford’s: It’s kind of a hot mess, a rambling, often cringey discourse that only occasionally does justice to its underlying and interesting premise: how secular “cults” — from family to 12-step groups — entice us because of our pathological need to belong.

To be fair, the need to belong is a feature, not a bug in our species, one that helped protect our ancestors from predators and starvation — safety in numbers, and all that. Groups provide human beings cover and, often, meaning. And Bamford has joined plenty, including Debtors Anonymous, Overeaters Anonymous and Sex and Love Addicts Anonymous. Her experiences in these groups provide a loose scaffolding for Bamford’s stories and jokes.
She wound up at Debtors Anonymous, for example, after an STD led to an infection which led to $5,000 in medical bills she couldn’t pay because she was working for a bakery, loading trucks. The work, she said, wasn’t enough to cover rent and groceries, let alone medical debt, and collectors started calling, and then she got robbed. Her parents were well off but announced they would support her emotionally but not financially, and apparently the emotional support wasn’t so great either.

So at Debtors Anonymous, Bamford got solid advice on how to deal with creditors and put her financial house in order, and got support from fellow sufferers. “This is the great thing about twelve-step support groups. You can share the grossest elements of your personal failings and all you will hear is peals of joyous recognition to the rafters of whatever Zoom breakout room you’re in,” she writes.

After a year of sundry humiliations, including living in someone’s spare bedroom and taking every temp job she was offered, Bamford was hired full-time at an animation studio in L.A. There she could afford an efficiency apartment with a pool (“Filled with leaves and a dead baby possum, but a POOL!”) It took eight years to fully pay off her medical debt, while she was cobbling together a career in which she was successful on some fronts and still struggling on others. For example, she was fired from a job at Nickelodeon shortly before she got work doing voice-overs for the series CatDog. She was still working reception jobs by day when she was appearing on the Tonight show.

Along the way she was struggling to have sustained relationships, which is one way of saying she was having a lot of one-night stands. “What to do? I joined another twelve-step group! Sex and Love Addicts Anonymous.”
There, she met “buzzy, intense people in tight clothes” who supported each other in coming up with a “dating plan” and she eventually improved so much that she was able to have a relationship for 11 months with someone who was in a group called Marijuana Anonymous.

At this point, Bamford starts running out of 12-step groups to write about, so she ascribes culthood to other random things, such as success. One success she found was as an actor in Target Christmas commercials (you can see them by Googling “Target Christmas Lady”) starting in 2008. But the success of those commercials constrained her in other ways, and she had a personal tragedy involving a dog she loved, and then because Bamford had started feeling ethically compromised by working for Target, she wrote a letter to “The Ethicist” column at the New York Times, setting off a chain of events that got her fired.

I am literally exhausted by this point, just reading about her life.
She foresaw this, writing “Maria, where was your psychiatrist in all this?” and explaining that she’s been on Prozac for an eating disorder since 1990, and now she was thinking she could be bipolar, and then she had a terrible relationship with a bad man, and suddenly she’s checking herself in a psychiatric ward — at which point she is entering a new cult, “the cult of mental health care.”

The book ends with what is officially called “Obligatory suicide disclaimer” and a genuinely heartbreaking sketch that Bamford did in fifth grade. It’s titled “I feel down in the dumps” and shows a child kneeling with their head hung down. It makes evident that Bamford’s difficulties with mental health aren’t simply the result of bad decisions in adulthood, and a difficult mother, but mental demons have stalked her since childhood. She writes, “Like most people, I’ve thought of suicide between eight and ninety times per day since around the age of nine,” even though she says, “Even regarding suicide, I’m not a can-do person.”

Finally Bamford goes into a couple of pages of jovial advice for people who are suicidal. Call a helpline — dial 988, for starters. “BUT IF THAT FAILS: Call AT&T! Call Domino’s. Call an anti-abortion ‘clinic’! See if they’re pro-life for your life.”

OK, this is comedy, I get it. (I think. Does she really think that “most people” think of suicide all day every day?) And there will no doubt be people struggling with mental health for whom this approach is genuinely helpful. “Please don’t hurt yourself or anyone else. Do something else instead. Even if it’s harmful! Suicide is a one-off. You can do meth at least twice without consequences! … Knock yourself out with a forty-ounce keg of Baileys Irish Cream and a Dairy Queen Blizzard. You do not want to miss any additions to the Dairy Queen product line!

Bamford is genuinely funny, and there are moments of light and love in this book, however fleeting. There’s a lot of family angst between Bamfords that remains unresolved, let’s just say.

But there is still something unsettling about turning mental health struggles into a punch line as Bamford and other comedians are doing, apparently successfully. If this book helps even one person, then it’s an unqualified success. But for someone who doesn’t think about suicide at all, let alone regularly, it was an uneven and heart-rending read. C

— Jennifer Graham

Featured photo: Sure, I’ll Join Your Cult, by Maria Bamford. Courtesy photo.

The Vaster Wilds, by Lauren Groff (Riverhead, 253 pages)

In a world populated with doomsday preppers, people embracing life off the grid, and extreme athletes racing for days through the wilderness, there is surely a market for a book about a girl who escapes servitude and lives alone in the wilds of 17th-century America.

Whether there’s a market for such a book written in the language of, say, Chaucer, is harder to predict.

But many people are gushing about Lauren Groff’s latest book, The Vaster Wilds, which is a brutal and bloody survival story wrapped in lyrical Middle Ages prose.

The unnamed girl, in her late teens, had been born in England and “discovered a new born babe, all alone one bad dawn, still in the juices of birth, and naked in the filth of shiteburne lane, and nearly dead of cold.” She was taken in by a church and adopted at age 4 by a minister and his wife, and charged with taking care of their child.

The girl grew attached to her charge, whom she calls repeatedly “the child Bess,” and traveled with the family by boat to the Jamestown colony, not knowing that people were starving in the “new world.” (The novel is set around 1610, a time in which an estimated 80 percent of Jamestown colonists died of starvation and disease.)

For reasons that are slowly revealed, the girl decides that the wilderness of this strange land is better than the colony, so she steals leather gloves and a cloak from her mistress, and boots from a boy who’d died of smallpox that week, and she flees.

“Into the night the girl ran and ran, and the cold and the dark and the wilderness and her fear and the depth of her losses, all things together, dwindled the self she had once known down to nothing. A nothing is no thing, a nothing is a thing with no past. It was also true that with no past, the girl thought, a nothing could be free.”

The dangers awaiting the girl include not just the elements and men sent to pursue her, but continued starvation, wild animals and the fact that she has no compass or roads and no real place to run to. She just goes, intent only on survival.

As her trajectory itself is not much more interesting than a typical NASCAR race — only she is running in a direction, north, and not in circles — part of the story is her recollections of the past, to include a lost love, and her hopes for the future, which involve making it to Canada, getting married and having children in a house that is safe and has food. She recalls various atrocities she witnessed, in England and in the new land. And there are enough heads on sticks and flayed men here to comprise a new episode of Game of Thrones.

There is also the matter of her sustenance, which requires many unsettling scenes, such as a half fileted frozen fish that suddenly, upon thawing, is shocked back to life, and a nest of baby squirrels that she harvests for meat with the angry mother looking on.

But there is transcendence in the wild, too, as when she awakens one night to see a huge bear sitting at the base of a waterfall, looking at it in something that seems to resemble awe. That leads her to contemplate how “if a bear could know god in his own bear way, then a bear had a soul. …. Then she thought that perhaps in the language of bears there was a kind of gospel, also. And perhaps this gospel said to the bears the same thing about god giving bears dominion over the world. And perhaps bears believed that this gave them license to slaughter the living world, including the men in it.”

For an uneducated girl of 17 or 18, she is deeply spiritual, in part because of the religion pressed upon her in servitude, in part because of the voices that she converses with while she runs. At one point, the voice scornfully interrogates her about why she thinks she can survive in such harsh conditions, alone. “And she wanted to weep but she did not and instead she said, But I am not alone for I carry my god in my heart always. And she did, she felt god, a pinprick of light deep within her.”

The Vaster Wilds is not an easy read, despite the beauty of its language. It wasn’t until I was more than a third through the book that I grew comfortable enough with the style and language that I wasn’t actively observing it. But once you get to that point — and maybe it will be sooner for you than me — it’s like getting a second wind on a run, or getting into “flow” in an activity. Still, it’s a book that, like poetry, requires you to take it in slowly for effect. Unfortunately, it’s also a book that requires readers to suffer with the protagonist, from beginning to merciful end. You’ll love it or hate it, but will not forget it. Which also might be good or bad. B

Elon Musk, by Walter Isaacson (Simon & Schuster, 615 pages)

In April of this year, social media had a field day when, soon after launch, a SpaceX rocket exploded 24 miles in the air and Elon Musk’s team called it a “rapid unscheduled disassembly.”

What most people didn’t know is that this phrase wasn’t a euphemism devised by a beleaguered PR team, but a term that SpaceX had long used to describe a strategy: Move fast, take risks, blow stuff up, learn from it. It explains why, right after the explosion, Musk said to his team: “Nicely done, guys. Success.”

That strategy is not just a business slogan but a way of life for Musk, who is not only the world’s richest man but possibly its most interesting. The tech world used to have a galaxy of superstars, to include Mark Zuckerberg, Jeff Bezos and Jack Dorsey. After his purchase of Twitter, Musk started taking up all the oxygen in the room, making all these movers-and-shakers in the tech world sideshows or opening acts for him.

Whether you admire or loathe him, Musk is one of the most consequential people on the planet, and Walter Isaacson, formerly head of Time and CNN, does a masterful job at explaining why in his exhaustive new biography. Spanning 615 pages before the footnotes, bibliography and acknowledgments, it’s a compilation of interviews with Musk and his family and business associates, and two years of following Musk around. Essentially, the only way you could know more about Elon Musk is to have witnessed the 52 years of his life yourself.

And while most of what we know about Musk started when he became an internet multimillionaire at age 27, it’s the formative stuff — the things that happened in childhood and adolescence — that best explains him. Unlike, say, Zuckerberg, who seems to have had a relatively stable childhood in suburban New York, Musk grew up in challenging circumstances in South Africa, the child of unconventional parents who were themselves the children of unconventional parents.

Take his maternal grandfather, who worked as a rodeo performer, construction hand and chiropractor. One day he drove past a single-engine airplane sitting in a field. He had no cash and didn’t know how to fly, but convinced the owner to trade the airplane for his car. “The family came to be known as the Flying Haldemans, and [Musk’s grandfather] was described by a chiropractic trade journal as ‘perhaps the most remarkable figure in the history of flying chiropractors,’ a rather narrow, albeit accurate, accolade.”

Musk’s mother, Maye, was part of the “Flying Haldemans” and was for a time a model, but it was perhaps his father, Errol Musk, described as “an engineer, rogue, and charismatic fantasist,” who had the biggest impact, because of his abusive behavior. Elon’s brother, Kimbal, who, like Elon, has no contact with his father today, said Errol had “zero compassion,” and Elon Musk still chokes up when talking about how his father treated him as a child, at times making him stand for an hour while his father yelled him calling him an idiot and worthless, Isaacson writes. School was no better — young Elon was constantly getting beaten up, and he was sent to wilderness-type camp during the summer where the boys were literally told to fight each other to survive, and some campers had actually died. Musk described the camp as “a paramilitary Lord of the Flies.”

Isaacson said these early experiences help explain why, even today, Musk’s moods “cycle through light and dark, intense and goofy, detached and emotional, with occasional plunges into what those around him dreaded as ‘demon mode.’” Elon’s first wife, Justine, told Isaacson that in South Africa, Elon “learned to shut down fear,” adding, “If you turn off fear, then maybe you have to turn off other things, like joy or empathy.”

The sins of the father haunted the son even as he left South Africa for Canada just before he turned 17. He went by himself and later was joined by his mother and siblings. Soon after he got to Canada, he lost all his money when he failed to return to a bus before it took off; that experience was what got him thinking about ways the financial industry needed disrupting, which eventually led him to a troubled partnership with PayPal founder Peter Thiel.

But Musk’s first millions came from a venture called Zip2, an internet startup that created city guides for newspapers. Then in 1999 he founded a venture he called X.com, which he saw as a “one-stop everything-store for all financial needs: banking, digital purchases, checking, credit cards, investments and loans. He described the venture to Isaacson as “the place where all the money is at,” which makes X, as in the company formerly known as Twitter, seem like child’s play.

From there Isaacson goes on with astonishing detail into the creation of Tesla and SpaceX and sundry other ventures, as well as the relationships that came after Justine. Musk has 11 children with three women, the youngest (with singer Grimes) named X, Y, and Techno Mechanicus, who is called Tau.

The X obsession is more than a little strange, and the richer Musk gets, the more the world gives him a pass for his strangeness and the cruelty that he seems to have inherited from his dad.

“Do the audaciousness and hubris that drive him to attempt epic feats excuse his bad behavior, his callousness, his recklessness?” Isaacson writes. “The answer is no, of course not. One can admire a person’s good traits and decry the bad ones. But it’s also important to understand how the strands are woven together, sometimes tightly. It can be hard to remove the dark ones without unraveling the whole cloth.” Isaacson, who has also written biographies of Jennifer Doudna, Leonardo da Vinci and Steve Jobs, among others, was granted astounding access to Musk and his associates; he says Musk even encouraged his adversaries to speak with him. There will yet be other biographies written; Musk is still in the early stages of his goal to transfer human consciousness to Mars, and he seems to think time is running out to save the species. Then again, a risk-taker like Musk may run out of time himself. His grandfather, the leader of “The Flying Haldemans,” had a motto: “Live dangerously — carefully.” He wasn’t careful enough. He died when Elon was 3, in a plane crash.

Isaacson’s prose is sparse; he lets his subject and interviewees do the talking, and they all had plenty to say. This is the rare book that I recommend reading on a tablet or phone. The heft of the book makes it difficult to hold comfortably. It’s hard to pick up, but it’s also hard to put down. A —Jennifer Graham

Happiness Falls, by Angie Kim (Hogarth, 387 pages)

What if a father went missing, and the only person with information about what happened was a disabled teenager who was unable to talk?

That’s the disturbing premise at the heart of Happiness Falls, the second novel by the author of 2019’s Miracle Creek, Angie Kim.

The novel is narrated by Mia, a 20-year-old college student, home for the pandemic and prone to rattling on at length about anything that comes to mind.

She has two brothers, the younger of whom is autistic and has also been diagnosed with something called mosaic Angelman syndrome, a genetic disorder “which means he can’t talk, has motor difficulties, and — this is what fascinates many people who’ve never heard of AS — has an unusually happy demeanor with frequent smiles and laughter.”

Eugene is 14 and is primarily cared for by his father, a stay-at-home dad who daily takes him for long walks in a park near their home in the suburbs of Virginia. One day in June 2020, however, Eugene arrives home alone — running, dirty, disheveled and agitated, with traces of what appear to be blood under his fingertips.

Mia, who like the rest of her family is extremely protective of Eugene, later washes Eugene’s clothes and directs him to shower, one of many reactions that she later comes to question. But the Korean-American family is slow to realize that something bad might have happened to the father — they assume that there’s some rational explanation for why the father is slow to return and don’t even call the police for hours.

Once they do, a series of events unfolds that causes Mia, her other brother and her mother to question everything they believed about their life to that point, in particular what both Eugene and their father might be capable of, what secrets they might be concealing.

When, during an interview with police detectives, Eugene becomes upset and lunges at his mother, the teen comes under suspicion. Could he have violent tendencies the family has covered up, and could he have accidentally or even intentionally harmed his father?

And the discovery of texts the father sent to an unfamiliar woman — who is also now missing — calls into question his fidelity to his wife and family.

Meanwhile, other snippets of evidence keep turning up — perplexing snippets of video shot by passers-by the day of the disappearance, security footage showing the father’s credit card being used, and a backpack found in a river that contained a water-logged notebook in which the father had been recording notes on what he called the “Happiness Quotient.”

A less skilled writer could have taken the bare bones of this story and turned out a Hollywood thriller. But Kim makes it next-level by incorporating research on happiness and how changes in its baseline (literally, happiness levels falling and rebounding) affect our sense of well-being. And the novel is deeply researched on the subject of people who are unable to speak, because of severe autism or other disorders.

Kim explains in her author’s note that she experienced the frustration of being unable to communicate when her family moved to the U.S. when she was 11 and only knew a few “essential English phrases” she’d memorized. “Our society — not just the U.S., but human society in general — equates verbal skills, especially oral fluency, with intelligence. Even though there was a good reason I couldn’t speak English, I felt stupid, judged and ashamed,” she wrote.

Eugene, trapped in a seemingly impenetrable bubble, appears to have this sort of frustration, apparently processing some sort of trauma in the only way he knows how, by incessantly jumping on a trampoline and making anguished animal-like sounds, or zoning out by watching anime on his tablet. What he has going for him is love — a family that is unwilling to give up on him, no matter what has happened. But the novel also questions whether our expressions can go too far, to the point where they become damaging.

Happiness Falls is both an engrossing mystery and a family drama with multiple layers of complexity. A minor irritant is the series of footnotes that populate the book — not substantiation of facts, as footnotes are in a research paper, but asides derived from Mia’s hyper-analytical stream of consciousness. Addressing the reader, Mia says at the beginning of the narrative that readers can skip over the footnotes to get to the end, and eventually I did just that, as their presence was such an annoyance in the novel. It’s not that I objected to what Mia was saying in the footnotes, but their presentation interrupted the flow.

Also, I questioned whether this needed to be yet another pandemic book. But those are minor quibbles, and Happiness Falls delivers, maybe not happiness, but a novel you can get lost in this fall. A

Mrs. Plansky’s Revenge, by Spencer Quinn (Forge Books, 291 pages)

Spencer Quinn is the pen name for Peter Abrahams, the Cape Cod resident who is the genius behind the “Chet & Bernie” books. They’re a collection of whimsical mysteries narrated by a dog who solves crimes with his human companion. I have zero evidence to support this, but believe that the books were sold solely because of their titles, which include “Tender is the Bite” and “The Sound and the Furry.” If you like this sort of thing, I suppose the books are great. If you don’t, they are painful.

And so I confess I came to the start of Quinn’s latest series with some trepidation, despite Stephen King having declared on the cover that he “absolutely adored the book.” The novel is called Mrs. Plansky’s Revenge, and it’s about a Florida widow who gets cyber-scammed by some unethical Romanians. It’s quirky, but surprisingly poignant and fun.

The titular Mrs. Plansky is 71 and although her first name is Loretta it is an affectation of the book that she is called Mrs. Plansky throughout. She had been married to Norm, with whom she had a long and satisfying marriage, producing two children. The couple had lived in Rhode Island, but the success of their business — the Plansky Toaster Knife, a knife that toasts bread while you slice it — enabled a comfortable retirement in Florida where they did the obligatory retirement thing when you live near a coast: “getting a metal detector and taking it for long beach walks.”

All this to say, Mrs. Plansky missed her husband greatly when he died of cancer, but he left her enough money that she doesn’t have to worry, and she keeps busy with the many needs of her grown children and grandchildren, and also with her tennis foursome.

Unfortunately for Mrs. Plansky, while she is living her best widowed life, a villainous man somewhere in Romania is paying an instructor to teach English to his dead brother’s son. It’s a bit of a struggle. The frustrated teacher tries to explain to the boy why no American ever says the grammatically correct phrase “It is I” — “You must learn the right wrong grammar. That’s the secret of sounding American.”

How does one learn the right wrong grammar? “There are ways. For one you could go to YouTube and type in ‘Country Music.’”

The teen, Dinu, is learning English for a nefarious purpose that is obvious from the start. At his uncle’s direction, he will be connected with hapless senior citizens in America in a scheme to drain their bank accounts. Mrs. Plansky is his first victim when she authorizes a payment to a person she thought was her grandson using a platform hilariously called “Safemo.”

While the banks and law enforcement were suitably solicitous about Mrs. Plansky’s plight, they ultimately said there was nothing they could do because the Romanian authorities tended to look the other way on such crimes, seeing as they brought U.S. dollars into their economy. At first Mrs. Plansky resolves to just figure out how to live out her days on Social Security and any job she can get; she owns her car and condo outright (and has a new hip), meaning she is already in better shape than many other people her age. She sits down to do an accounting of her assets, liabilities and income and have a drink like people on the Titanic “after the collision but before the realization,” and finds the math grim.

In addition to her own living expenses, she has promised loans to her children and is responsible for her 98-year-old father, who needs to move into a more expensive wing of his assisted living facility. Also, she is feeling as though she failed her beloved Norm in being taken in by the scam and losing their savings. She is finally overtaken with “real, hot fury” over her circumstance, sells her deceased mother’s emerald ring and books a plane ticket to Bucharest, determined to solve the case (and get her money back) herself. Hijinks ensue as she moves from “doing, not being done to.”

Since the publisher has already revealed that this is the first book in a new series, it’s obvious that Mrs. Plansky will survive her adventure with her pluck intact. There are enough clues throughout the novel that the astute reader will have a vague idea of how the story will end before Mrs. Plansky even deplanes. If you’re looking for a heart-stopping thriller with a surprise ending, look elsewhere.

That said, Mrs. Plansky’s Revenge is light-hearted fun packed with sly asides (like a “presidential suite” in a Romanian hotel that had a picture of Richard Nixon above it) that elevate it above a beach read — or a story of a dog detective. It’s a deceptively smart little novel, inspired by a similar scam call to the author’s father.

And Chet and Bernie fans can rejoice; that series is not over. Up on the Woof Top, a “holiday adventure,” comes out next month. B+

The Breakaway, by Jennifer Weiner (Atria, 387 pages)

Not many novels get reviewed by Bicycling magazine, especially not ones by Jennifer Weiner. But the author of books such as Good in Bed and The Guy Not Taken has written what she calls “a love letter to cycling, and to traveling,” and the magazine took note.

The Breakaway, Weiner’s 20th book, is about a 33-year-old woman who is asked by a friend to lead a group of cyclists on a two-week trip from New York City to Philadelphia. Abby Stern, who pieces together a living walking dogs and picking up other unfulfilling gig work, has nothing better to do and needs the money — and also the chance to get away, because her boyfriend has just asked her to move in with him.

Although everything seems perfect on paper, Abby is hesitant and can’t figure out why. Mark is a podiatrist who adores her. He’s a fitness buff who runs 6 miles each day, so good-looking that when they’re out together others look at them quizzically, as if they can’t figure out why these two are together.
Ironically, they met as teenagers at a weight-loss camp, but later lost touch. Mark went on to have weight-loss surgery and develop a lifestyle so rigid that he never eats dessert; when he wants something sweet, he brushes his teeth or uses cinnamon-flavored dental floss. Abby, meanwhile, has come to be comfortable in her plus-sized skin, and she enjoys eating, despite having a mother who has tried to make her thin since childhood.Abby’s relationship with her mother is fraught, mostly because Eileen is, in Abby’s terms, “a professional dieter,” so scared of gaining weight that she picks the croutons off her salads as if they were slugs. Although Eileen insists she shipped Abby off to weight-loss camps each summer because she wanted “what was best” for her daughter, Abby just wanted unconditional love, which she didn’t get from her mother.

So when Eileen shows up unexpectedly for the bike trip, insisting that she just wants to spend some quality time with her adult daughter, Abby is suspicious and more than a little stressed.
But a bigger problem is a man who joined the group — someone Abby had a one-night stand with two years earlier.

This is not a surprise to the reader since, when Abby went to the man’s house, she had observed a high-end bicycle hanging on the wall. Some might call this foreshadowing. I call it an announcement that readers aren’t going to have to think too hard in the pages that follow.

It was pretty much a given that the one-night stand, Sebastian, would later show up to complicate Abby’s perfectly arranged life, given his juxtaposition with Mr. Boring But Nice.

But Weiner is a pro and her characters are surprisingly nuanced — not only the leads but also the supporting cast. The others who have signed up to ride the Empire State Trail — which is real and is the longest multi-use trail in the U.S. — include an evangelical Christian mom and her moody teen, two older couples who do a bike trip together every year and call themselves “The Spoke’n Four,” and a couple with two teenage boys.

There is a side plot involving Sebastian, who, during the trip, has gone viral on TikTok because of a video made by a vengeful former hook-up. This complicates the (utterly predictable) feelings that Abby and Sebastian have for each other even more than the presence of her Spandex-wearing mother does. And there is also a side plot involving a teenager in the group and a pregnancy that disappointingly devolves at times into a thinly veiled screed against the overturning of Roe v. Wade.

It’s not unusual for Weiner to delve into the political in her novels, which are staunchly feminist and often feature characters who have been shamed for their weight. She writes authentically about this because she’s been there. As she told one interviewer, “I wanted to write about the women I was seeing in the world who were fat and strong and beautiful and powerful and had great jobs and loving relationships because those were the books I needed when I was 14 and 15 and 16 years old.”

She also writes authentically about cycling, a love of hers that she rekindled during the pandemic. The book is dedicated to “all the riders and leaders of the Bicycle Club of Philadelphia,” where she lives.

Weiner is the sort of writer people call “relatable,” as are her characters. Her novels are not highbrow, but then neither are most of us, and she is undeniably a master of her genre. Unfortunately, the subtle political asides (such as a character deriding a “dead-white-men” tour of historical sites) sometimes seem like a way to add gravitas to what is, in essence, a beach read. The story would be fine without what can come across as preaching.
The takeaway from The Breakaway, however, is pretty simple: bicycling is good, people are complex, and we can make our own happy endings. Also, life is short: eat dessert. B