Author: John Fladd

I’m finally attacking the intimidatingly large stack of books I’ve bought over the past year and never actually read. One of the most fascinating is Hear Me Talkin’ to Ya: The Story of Jazz as Told By The Men who Made it, by Nat Shapiro and Nat Hentoff (1955, Rinehart and Co.). Leaving its problematic subtitle aside (ahem, Bessie Smith, Ma Rainey and a parade of other unamused female musicians) the most fascinating part of the jazz story so far has been the descriptions of Storyville. Storyville was the celebrated red light district in New Orleans where, legend has it, jazz music was born. In New Orleans tradition, it has become mythologized so much that it has taken on a brassy, tarnished aura of being joyful and exotic. Nowhere more so than in the names of the “sportin’ men” and working girls who lived there: Flamin’ Mamie, Crying Emma, Big Butt Annie, Naked Mouf Mattie, Boxcar Shorty, Titanic, Bull Frog Sonny, Street Rabbit, Three Finger Annie, Charlie Bow Wow, Yard Dog, Knock On The Wall, and Tenderloin Thelma are all intriguing. Each of them deserves a song, an adventure movie, a mystery novel or at least a cocktail dedicated to them.

The two names that jump out at me, though, are Boo Boo and Big Boo Boo.

I don’t know who Boo Boo was. I don’t know how he got his name. I don’t know who Big Boo Boo was, though I like to think of the two of them as partners — Boo Boo being the brains of the operation, and Big Boo Boo lurking in the background, occasionally cracking his knuckles. If we were to make a movie about them, we would learn in one of the last scenes that Big Boo Boo had a beautiful tenor singing voice.

This is all conjecture on my part. For all we know, the Two Boo Boos might have been two women, calling to potential customers from their balconies.

Anyway, here are two drinks to honor them:

Boo Boo Shooter

It makes sense that if we are going to make a pair of drinks dedicated to Boo Boo and Big Boo Boo one of the drinks needs to be little and one needs to be big. This is the little one.

Ingredients:
¼ oz. hibiscus syrup (see below)
1 oz. jalapeño rum (see below)
½ oz. passion fruit juice cocktail (yeah — see below for that, too)
¼ oz. fresh squeezed lime juice
1 (seriously, just one) drop rose water

Add each ingredient to a chilled shot glass or very small juice glass. Drink it.

This is spicy, and sour, and floral. It’s rather delicious, but it hangs around in your mouth and your head for easily 10 minutes after you have drunk it, reminding you of all the exotic places you haven’t visited yet.

Hibiscus syrup: Bring 10 ounces of water and 9 ounces of sugar to a boil and boil it for a few more seconds, until the sugar seems to disappear. Take it off the heat and add ½ ounce of dried hibiscus flowers and 1 ounce of fresh-squeezed lemon juice. Stir, let it sit for half an hour, then strain it into a bottle, and store in your refrigerator. Depending on your hibiscus blossoms, the color will range from an exotic purple to a deep magenta.

Jalapeño rum: Roughly chop 4 or 5 jalapeño peppers, and put them into a large, wide-mouthed jar. Add a bottle of white or silver rum (again, probably not the good stuff; any subtleties of flavor will be completely covered up). Shake twice per day, then strain and bottle after 4 days.

Passion fruit juice cocktail: Find this in the juice aisle at your favorite supermarket.

Big Boo Boo

Yes, this is largely a scaled-up, highball version of the Boo Boo Shooter.

Ingredients:
1 oz. hibiscus syrup
2 oz. jalapeño rum
4 oz. passion fruit cocktai
1 oz. fresh squeezed lime juice
3-4 oz. plain seltzer or soda water (right now I like Topo Chico Mineral Water; it’s aggressively bubbly)
3 drops (again, seriously, only three) rose water

Fill a shaker with ice. Add hibiscus syrup, rum, passion fruit juice, and lime juice.

Shake until very cold

Pour into a large glass filled with ice. Strain it, don’t strain it — this drink does not stand on ceremony.

Add seltzer, and stir gently to combine.

Add rose water.

This drink tastes a lot like its namesake shooter but provides a more protracted experience. After a few sips you may decide that this drink is too spicy, or too sour, or too weird for you. A moment later you will find yourself going back for another taste. Then another.

Eventually you will probably find yourself back in the kitchen, making another, with a confused frown of concentration on your face. Which I think Boo Boo and Big Boo Boo would appreciate.

Featured photo: Big Boo Boo and the Boo Boo Shooter. Photo by John Fladd.

Early on in the Covid lockdown, I decided to take ice cream to the workers at my dump. I wanted to do something for someone in essential services and I have a lot of respect for people who do hard, thankless work.

Every week during hot weather I would swing by the general store in our town on the way to the dump and grab them some ice cream bars or cold sodas. A small gesture of thanks.0

So I was at the dump transfer station, dropping off our trash and talking with one of the guys there, telling him some sort of stupid joke, something like:

Q: Why did the dolphin flunk out of ballet school?
A: Poor poise.

My friend laughed loudly enough to get the attention of one of the other guys working behind a giant stack of cardboard.

“IS THAT THE JOKE GUY?”

“YEAH!”

“DID HE BRING ICE CREAM?”

I’d kind of like that on my grave: THE JOKE GUY. HE BROUGHT ICE CREAM.

Anyway, one of my friends at the transfer station gave me a gift one week, a 1963 copy of The Barmen’s Bible — a well-worn cocktail manual from the time when bartenders could reasonably be expected to wear bowties.

This week, I was looking through The Barmen’s Bible and ran across a drink recipe that stopped me cold. Under a section devoted to “coolers” was something called a Honolulu Cooler — a solid name. A promising name. Until you get to the Southern Comfort.

Crushed ice — check

Lime juice — check

Pineapple juice — check

Southern Comfort … ?

Really, Oscar Haimo, President of the International Bar Managers Association, circa 1963? Southern Comfort?

As my wife pointed out, though, this drink is obviously called Honolulu because of the pineapple juice. It doesn’t necessarily have anything more to do with Hawaii than that. It could have been invented in an Elks Club in Akron.

So, this is what I figured. I’d make this clearly awful drink, figure out what was wrong with it (the Southern Comfort), then reformulate it to taste better.

As it turns out, there was a flaw in that plan.

The Honolulu Cooler is a solid, tasty drink. It’s shockingly good. You would think that Southern Comfort and pineapple juice would be cough-syrupy sweet, but the fresh lime juice keeps them on a leash. “Shhhh, boys,” it says, “these are our friends; be nice.”

It is refreshing and delicious. You could easily drink an injudicious number of these.

Honolulu Cooler

Juice of half a lime, about 1 oz.

1 jigger (1½ oz.) Southern comfort

Approximately 5 oz. pineapple juice

Fill a tall glass with cracked ice.

Add lime juice and Southern Comfort

Fill to the top with pineapple juice

Stir with a bar spoon.

A little research on this drink hints that it was actually invented and served in a large hotel in Honolulu. The more I thought about it, the more this made sense. It would be incredibly fast and easy to make for wide-eyed tourists and the use of a name-brand alcohol would allow the hotel bar to bump the price by a good 30 percent.

Of course, the fact that this is a perfectly good drink already did not stop me from reconfiguring it anyway.

My version uses lime syrup instead of lime juice, which would make the drink too sweet, but I countered that with the bitterness from Campari and a bracing note from gin.

Existential Luau

1 oz. lime syrup (see below)

1 oz. Campari

2 oz. gin (I like Death’s Door)

4 oz. pineapple juice

cracked ice or tiny ice cubes

Fill a tall glass – a pint glass or a Collins glass – with ice.

Add lime syrup, Campari, and gin.

Top off with pineapple juice.

Stir with a bar spoon.

This drink is pink, but not bubble-gum pink. It’s the color of a sunset. An apricot that someone has whispered a dirty suggestion to. The color of contentment at the end of a hot, trying day. The ingredients have a tendency to separate very slightly, so the Luau starts out a little bitter-sweet, then becomes more limey as you drink it.

As do your thoughts.

Lime Syrup

Juice of 3-4 limes

An equal amount (by weight) of white sugar

Zest of 2 limes.

In a small saucepan, bring the lime juice and sugar to a boil. Stir until the sugar is completely dissolved, about 10-15 seconds, once it’s boiling.

Remove from heat and add lime zest. Let it steep for 30 minutes.

Strain the zest from the syrup, so it doesn’t get bitter.

Label your jar so you won’t have an awkward moment a week from now, when your wife wants to know what’s in that jar in the door of the fridge. Or maybe that’s just me.

Featured photo: Photo by John Fladd.

During the 1920s and 1930s, if you were young and had the means, Paris was the place to be.

The war had ended — at least everyone thought so. In the boom times of the Roaring Twenties the arts flourished like they never had before. The French embraced jazz, experimental art and edgy literature. Unencumbered by Prohibition, Parisians were extremely open-minded about cocktails (and indeed, many other fun things as well). American authors and artists moved there in droves.

They stayed through most of the ’30s. The Great Depression hit France as hard as anywhere, but things seemed just as bad at home, and again, there were cocktails. And if you were young, and beautiful, and American in Paris in the 1920s and ‘30s, the place to be was Harry’s New York Bar, on the Rue Daunou. Hemingway drank there. George Gershwin composed An American in Paris there.

And then there were the drinks. Harry’s claims to have invented the bloody mary. Also the Sidecar and the French 75. And this one.

What’s that? What’s it called? Um — er —

HEY! Look over there! Is that an oscelot?!

Anyway, the thing to keep in mind when you are making this particular drink — Excuse me? What’s it called? Darling, let’s keep this pure and special. Let’s not complicate things with too many questions.

As I was saying, the thing to keep in mind when making this particular drink is that while it is, at its core, a relatively straightforward cocktail, it lends itself to more and more elaborate ingredients and techniques. It is easy to slip down a rabbit hole of obsession. As I did.

The Recipe:

1 1/2 ounces mid-level gin (I’ve been drinking Death’s Door lately)

1 1/2 ounces fresh squeezed tangerine juice (OK, you’re going to use orange juice. You know it. I know it. All I’m saying is that I made this with tangerine juice and it is good that way.)

1/2 teaspoon absinthe (Seriously, no more. Absinthe is a very serious player and she is not here for your nonsense.)

1/3 ounce (2 teaspoons) Oleum Saccharum — see below. (Again, let’s face reality. You’re going to read about OS, nod, then probably not make it. Admittedly, it’s a bit of a project. You can replace this with the same amount of grenadine, which will also give your final drink a lovely color.)

1 ounce lime juice (This was not called for in the original recipe, but this drink benefits from extreme cold and a little extra acidity.)

1) Shake all ingredients over ice until skull-shrinkingly cold.

2) Strain into a chilled coupé glass.

3) If you insist on a garnish, then apply one high-octane cocktail cherry with stem. (I’ve been liking Luxardo lately).

This is a lovely cocktail that looks sophisticated and paces itself well. In spite of having just a few ingredients, its flavor is complex. It takes thought and reflection to sort out the fruitiness of the juice and the licorice notes from the absinthe. It lends itself to thoughtful consumption. Is it too sweet? Is it sweet enough? Seriously — licorice? Is the tangerine juice assertive enough? Should I have gone with the orange juice that Harry suggested? What if I played around with ruby grapefruit juice? These questions are to be expected if you’ve made this well. I like to think of it as an intellectual’s cocktail.

And that, my friend, that is how you make a Monkey Gland. Yeah, I know. Would you like another?

Oleum Saccharum
Oleum Saccharum is at its heart a homemade syrup of citrus oil and sugar. It requires you to use a technique called maceration, which is not as naughty as what you’re thinking, but in this case just as self-indulgent. It is the name for extracting juice or oil from fruit with sugar.
Using a vegetable peeler — the Y kind works better for me than the type that looks like a paring knife with a glandular condition — remove the outermost layer of rind from some well-scrubbed citrus fruit. In my case, I used a combination of tangerine and lime rind. (See above.) If you can, try not to get any of the white pith that is beneath the rind; it will add a bitter note to your syrup. (Unless you’ve gotten sucked down the rabbit hole and want to play around with bitterness. In that case, you’re on your own.)
The recipes I’ve found call for 200 grams of rind to 150 grams of sugar. I never have that much fruit rind available; just use a 4:3 ratio (that’s 1 to .75). Alternately, if you are the type of person who plans and thinks ahead, you could save rind in your freezer until you’re ready to make a batch of this.
Combine the rind with sugar and let it sit for about six hours, stirring or shaking occasionally.
After letting it macerate (stop giggling), use a small funnel to pour your oleum saccharum into a tiny bottle. If you leave the rinds in the funnel to drain for an hour or so, you can get a few more precious drops. Store it in your refrigerator until you’re ready to use it.

Featured photo: What’s in a name? Photo by John Fladd.

One fairly common New Year’s resolution is to read more classics of literature. I didn’t actually make that resolution this year, because I really don’t need any more sources of failure and self-recrimination. But that said, I’m probably ahead of the game and have read more classic literature during the first few weeks of this year than many people who did make that resolution.

To wit, 1951’s The Holiday Drink Book.

I did rather well for myself over the holidays and was given several antique cocktail books, this being easily the most festive.

Is it dated? Yes. Does it include dated references to ingredients — claret or sauterne, for example — that we don’t use anymore? Undoubtedly. Does it include unfortunate illustrations of leprechauns, cannibals and serving wenches? Um, yes. That, too.

That said, given the first few weeks of this new year, I think we could all use a stiff drink. And if you are looking for a stiff drink, I say, go to the source — the 1950s, the era of the Three-Martini Lunch. And, if you are looking for a stiff drink from the 1950s, you could do worse than go with the grandfather of all stiff drinks, a Zombie. The Holiday Drink Book puts it rather well: “In appearance and effectiveness the Zombie is the king of all table drinks.”

I’m a big believer in sticking strictly to a recipe the first time I make something. It drives me crazy when someone omits all the butter from a recipe and replaces half the flour with oat bran, then complains that their muffins taste cardboardy. It’s a good idea to cook what the recipe’s author had in mind before messing with it too much.

But you do need to draw the line somewhere.

Did I use four types of rum in my test Zombie, as specified? I did. Did I garnish it with fresh mint leaves and a dusting of powdered sugar? Yes.

But here’s where The Holiday Drink Book and I parted ways: Their recipe calls for papaya juice.

Now, I don’t want to hurt your feelings if you happen to be a papaya, but certain harsh truths need to be recognized. Papaya is a trash fruit. If fruit cocktail and oatmeal had a torrid half-hour in the alley behind a bar, the result would be something very much like papaya. So I had to play with the recipe a bit. Ultimately, this is what I came up with:

The Purple Zombie

The juice of one lime – approx. 2 oz.
1 oz. pineapple juice
1 oz. frozen grape juice concentrate – the deeply purple kind
1 oz. golden rum
2 oz. dark rum – I used Meyers’s
1 oz. white rum – I went with Mr. Boston
½ oz. apricot brandy

Enough over-proof rum to float on the surface of the cocktail – in my case, Gosling’s Black Seal 151-proof dark rum

4 up-market cocktail cherries – right now, I really like Luxardo.

Fresh mint leaves to garnish

1) Combine the first seven ingredients in a cocktail shaker with ice. Shake until very cold. I like to include one of the spent lime halves, as well. I don’t know for a fact that it improves the flavor, but I like to give limes the vote of confidence. They are the hardest-working members of the citrus family, and I like to make them feel needed.

2) Remove the lime half, then pour the contents of the shaker — ice and all — into the most garish tiki glass you own.

3) Float ½ an ounce or so of the 151 over the top of the drink. Pour it over the back of a spoon, much like you would the whiskey in an Irish Coffee, so it stays on the surface.

4) Garnish with snobby cocktail cherries and fresh mint. If your mint leaves are large, chiffonade them (cut them into ribbons).

Three important points about The Purple Zombie:

a) The mint leaves totally make this drink. Somehow the herbiness of the mint plays very well off the dominant taste of the cocktail, which is the rum. Don’t skip the mint.

b) Do skip the powdered sugar. I’m not entirely sure what they were thinking with that one.

c) “Wait a second. You got all snobby about papaya, then replaced it with frozen grape juice concentrate? What kind of beatnik hypocrite are you?” What can I say? It works. The drink needs some sweetness to balance the alcohol and the grape juice concentrate does that very well while adding to the fruitiness. Why not just grape juice? It isn’t quite sweet enough. You need to go with the hard stuff.

Plus, it turns your Zombie purple.

Am I saying that drinking a Zombie will remove any of the heavy weight that the past year has put on your shoulders? No. But I am saying that if you approach it right, a good Zombie might give you the emotional shoulder pads to allow you to claw your way through to February.

Featured photo: Photo by John Fladd.