Nashua Chamber Orchestra performs piece director wrote during pandemic
With the 2022-2023 season coming to a close, David Feltner, music director for Nashua Chamber Orchestra, is debuting a piece that he wrote during the Covid-19 pandemic.
“It’s a musical journey of how we heard about this strange disease, and … about isolation, uncertainty and anxiety,” Feltner said.
The piece, titled “From the Depths,” was originally composed as a solo on the viola, Feltner’s primary instrument. As the pandemic went on, Feltner said, he thought more of his friends and colleagues in the Nashua Chamber Orchestra and found himself transcribing sections of the piece into a full orchestration.
Now, Feltner said, he can’t imagine the piece any other way. It begins with a low rumbling on the timpani, to start a feeling of unease. That feeling progresses throughout the music.
“There’s dissonance from the horns, they’re three half-steps apart, and you get this knot in your stomach, this underlying ‘ugh’ feeling that keeps coming back in different ways through the peace,” Feltner said, adding that there is ultimately a resolve into harmony at the end of the piece, to represent coming to terms with the pandemic. “I’m hoping people will identify with that journey.”
The main section of the concert will be Wolfgang Mozart’s 39th Symphony. Before that piece, the concert will feature “Woodland Sketches No. 6-10” by Edward MacDowell, a composer who spent many summers in New Hampshire and whose music often took inspiration from the Granite State’s scenery.
Feltner said the Nashua Chamber Orchestra tries to tie a program together either thematically or through composition, and he feels that his music meets both of those ideas.
Mozart has a distinct style that people often recognize. Feltner said that, from a composition standpoint, he also leaves his own fingerprint on his music, using canons and imitation.
When it comes to MacDowell, Feltner said both of their compositions are describing something.
“He was kind of recreating a scene that he had seen,” Feltner said. “A personal response to a place or situation … his is more programmatic, mine is more abstract.”
Feltner hopes people listen and feel the emotions in the music.
“Music, I feel, should touch the heart, and of course engage the mind,” Feltner said. “Music doesn’t have to be a concrete thing, but it has to express something.”
Mozart and Friends When: Saturday, June 3, at 7:30 p.m. Where: Nashua Community College (505 Amherst St.)Sunday, June 4, at 7:30 p.m. at Milford Town Hall (1 Union Square) Price: $20 for adults, $15 for college students, seniors, and active military/veterans, free for students ages 18 and younger Visit: nco-music.org
Artists inspired by a once-essential part of the feminine wardrobe
Twiggs Gallery is celebrating women through the art show “Head’s Up: The Many Hats Women Wear.” The show, which features all artists from the Women’s Caucus for Art’s New Hampshire Chapter, prompted artists to use hats as inspiration, whether through making the hats, using hat imagery, or recycling hats to be used as part of the media for the artwork.
“There’s really only two hats you could actually wear,” Laura Morrison, the gallery director at Twiggs, said. “The rest are really sculptures.”
There are approximately 30 different hat-inspired pieces on display at the gallery. The goal with the show was to display many of the ways women exist in both modern and older societies. The artwork is on display until May 27, and most of the artwork is for sale.
There weren’t any strict rules to interpreting the theme, Morrison said. Some of the artwork on display takes inspiration from iconic women and their hats, like Carmen Miranda, who famously danced with a pile of fruit on her head.
Morrison said that the majority of the pieces are sculptures, with a handful of hanging pieces that were photography or mixed media. The artwork includes paintings and photos, sculptures using flowers and nature, and one piece that incorporates sound.
“Negative Hat with a Positive Attitude” by Donna Catanzaro. Courtesy photo.
That piece, titled “Negative Hat with a Positive Attitude,” by Donna Catanzaro, turns photo negatives from Catanzaro’s youth into the structure of a bell-shaped hat that is suspended so viewers can stand inside. The audio aspect comes from a short monologue Catanzaro recorded, explaining how she became empowered by the old reels of negatives and the girl she once was.
“We asked the artists to broadly interpret the theme,” Morrison said. “Some of [the art] is nature, like Mother Nature, or about a woman’s work, or self-image, agency and power. We try to offer themes that can be broadly interpreted. It’s giving visual representation of thoughts and ideas that [the artists] have.”
This is the third installment from the partnership Twiggs has with WCA/NH that Morrison has inspired. The first was “Busting Out: Powerful Women” also known as “The Bra Show,” and the second was “Kick-Start” or “The Shoe Show.” Morrison said she isn’t sure what other piece of uniquely feminine clothing could be used to inspire art, but hopes to figure one out.
Morrison wants people to experience the show as a serious celebration of women but also to see it as something amusing.
“Whoever comes in will come out with something to think about, with what women are thinking about, and what challenge they have,” Morrison said. “Also, it’s just fun, too. I’ve heard people laugh a few times while they’re in there because they enjoy the show so much.”
Head’s Up: The Many Hats Women Wear Where: Twiggs Gallery, 254 King St., Boscawen When: During gallery hours, Thursday through Saturday, 11 a.m. to 4 p.m., Sunday noon to 4 p.m. Visit: twiggsgallery.org
Featured photo: “Forest Guardess Headgear” by Kathleen Lovett. Courtesy photo.
New Hampshire’s teams lace up for roller derby season
Game time at JFK Coliseum means something different in the spring and summertime than in the winter months. Spectators still flock to the stadium seats, but they also set up lawn chairs down on the concrete of the melted ice rink.
Officials in referee jerseys with names like “Tugboat,” “Doomsday Llama” and “She-Rantula” press neon pink tape over ropes that make up the flat track. Dozens of women roller skate around in black and pink or white and blue team tank tops. Some have on yoga pants, some have on bright colored skirts, all wear heavy-duty helmets and pads.
Music blasts through loudspeakers as fans, friends and family hold up homemade signs and scream their favorite player’s name.
With the first whistle on April 29, the roller derby season has officially started for New Hampshire Roller Derby’s travel teams.
NHRD was the first flat track roller derby organization in the Granite State. Its first season was 15 years ago. The sport has gained popularity throughout the country and locally. New Hampshire has four leagues, with varying numbers of teams. NHRD has two travel teams, three home teams and one recreational team.
Jena McClary, derby name Pixie Bruiser, has been a part of NHRD since 2008. She skates for the All Stars, the highest-ranked travel team, and for the home team Nightmares on Elm Street.
Kelsea “Terror Nova” Thom checks how far back her competition is after she breaks away and wins lead jammer. Photo by Katelyn Sahagian.
“It’s taken over my whole life,” McClary said. In addition to running the team’s public relations, she met her husband through the sport, and now he coaches the All Stars, and their kids also have played and worked as officiants as well.
McClary said it’s the best way to exercise, in her opinion, and also a great way to relieve stress.
“For me, it’s an outlet,” McClary said. “It’s an outlet I enjoy and the main thing that keeps me going is the challenge of it.”
Between the first whistle and the last introduction by the emcee, the skaters on New Hampshire Roller Derby’s A and B travel teams take a brief second to set up for the first jam of the night.
McClary and three other skaters stand in formation. She and two other blockers make a triangle, with the pivot standing close by. A few feet away, the first jammer of the night, Terror Nova, crouches down behind her line, waiting for the whistle.
When it sounds, it’s a race between Nova and Maine Roller Derby’s jammer to see who will control the match. Despite pushing and bobbing and weaving, the MRD jammer breaks out of the pack first. While Nova lost lead jammer this time, the friendly bout was only just beginning.
Roller derby is a sport that takes time, and someone who plays explaining it, to understand. It can be complex and confusing, especially if you’re learning in the middle of a game, where the seven officiants are keeping track of points and penalties, coaches and teammates are shouting suggestions, fans are cheering and skates are squealing on concrete while bodies are slamming into each other.
That being said, once the rules are laid out, it becomes easy to get wrapped up in the energy.
“It’s a combination of rugby and NASCAR,” said Raven Makenzie “Smackenzie Phillips” Ladao. “Many people refer to it as like the non-sporty sport. If you don’t fit in in other sports, this is your sport.”
Ladao said the easiest way to learn the game is to watch it. She has played all three of the positions on a roller derby team: jammer, pivot and blocker. She’s favoring the blocker position the most these days.
Ladao is a long-time veteran of roller derby. She’s played in several different states, as well as in Japan, which she represented in the 2018 World Championship in Manchester, England. Now she coaches NHRD’s junior league, which her kids either play in or officiate for.
NHRD will have a sign that says, “Ask me about roller derby” with an arrow pointed down to the person holding it. Ladao was the sign-bearer at the bout against Maine.
“Many people ask, ‘Where’s the ball?’ There is no ball in the sport,” Ladao said. She pointed out the two players with helmet covers on. “The person with the star on is essentially the ball, because that’s the only person on the track who can score the points.”
She explained that they are called jammers, and they have to start behind all the other players. Once the jammers make it past everyone on the track, one will be named the lead jammer and she’ll have the power to end the match early.
Jammers have to make it through the blockers. The blockers have to stay within 10 feet of each other, and try to keep the other team’s jammer from passing. It sounds easy enough, until you learn that they can’t use their forearms to block or hold onto the opposite team, as well as a plethora of other body parts they can’t make contact with.
The only form of punishment is a penalty, basically a time-out where the player has to sit in the penalty box for 30 seconds. The box has three chairs, one for a jammer, two for everyone else. There are plenty of different penalties that derby players can commit. Even coaches can be subject to penalties, and the team’s captain would have to sit it for the coach if that was the case.
“So the most basic penalty is a track cut,” Ladao explained. “That’s where someone hits you out of the track and you have to come in behind them. They can run back … but if you’re not paying attention and you jump back on the track before them that’s going-out-of-bounds penalty. So like going out of bounds, you have to come back in behind the person who bumped you out.”
Penalties are usually sat for 30 seconds; 20 of them the player has to be seated, the last 10 they can stand up and get ready to rejoin the game. Ladao said she’s never seen it happen before, but an entire team could be penalized at the same time, between two standing members and three seated ones.
Penalties are designed to keep players safe. The Women’s Flat Track Derby Association, the governing body for women’s roller derby around the world, is constantly updating its rules to make sure that players are safe.
Having clear rules makes it possible for NHRD to have players of all ages, shapes and sizes, said Emily “Blitzy Borden” Chebook, who was the captain at the bout and skates for All Stars as well as the home team Granite Skate Troopers.
“I think there’s a place for almost anybody, whether it’s on the track or not,” Chebook said. “With skating, you can be tall and wide, you can be short and lanky. It doesn’t really matter.”
“Slick Tracy” (Brittany Duffy) is cheered on by her teammates after winning Most Valuable Blocker for NHRD against Maine. Photo by Todd Grzywacz.
Chebook has a unique history with NHRD. She saw her first derby bout at NHRD when she was in elementary school and immediately fell in love. She had wanted to play but she said there were no youth leagues back then.
She did a training session with NHRD before realizing she couldn’t commit the time to the sport. When she and her husband moved to the Midwest, she found a community because of roller derby.
“Some of the people I’ve met through derby are the sweetest teddy bears,” Chebook said.
Rachel “Jagged Little Kill” Smith, a new member of NHRD, who plays for the B travel team, The Cherry Bombs, and Nightmare on Elm Street, said that a lot of people have misconceptions about the people who play roller derby.
“I think when you roll derby, you kind of have an idea of the kind of person that plays,” Smith said. “You have a stereotype of, ‘Oh, you play derby, you must have piercings and face tattoos or live an “alternative lifestyle.”’ And we do have those people, but we have moms and nurses and accountants and grandparents.”
Smith said that the derby of the 1970s is not the derby of today, that it’s not just a bunch of women trying to hurt each other. Smith actually joined NHRD only five months ago after completing the training camp that started in September. She said that everyone on the team has been like having a second family.
“It is a little nerve-wracking to walk into this big group of people who are very close-knit,” Smith said. “We see each other two or three times a week in practice. A lot of people hang out socially outside of those times, and everybody is going to welcome you with open arms. It has been a completely incredible, welcoming community.”
Despite the players’ off-track personalities, their on-track personas were fiercely fighting to get ahead against MRD. Early in the bout, NHRD’s hard work paid off and they scored ahead in the leaderboard, and kept the pressure on for the rest of the bout. By the time the game had ended, they had won by close to 150 points.
After the game, the teams congratulated each other with high fives and cheers, as each group took a victory lap. It was as if they hadn’t spent the last hour tripping, pushing, shoving and body-checking each other.
Both teams amassed, standing and waiting for an announcer to say who won the most valuable jammer and blocker for each of the teams while the officiants counted up the final scores. Both sides cheered when the players were called forward, not caring about the rivalry they had just shared.
“People in derby are way nicer than we appear when we play,” Smith said. “We like to put on a good show for the audience. You know, be a little bit showboaty. But when it comes down to it … we’re normal people who just like to get together and sweat and push around our friends a little bit and then give each other high fives before we go home.”
Roller derby organizations and upcoming games Granite Skate Roller Derby Everett Arena, 15 Loudon Road, Concord, granitestaterollerderby.org When: June 10, July 15, times to be determined.
Monadnock Roller Derby Lee Clement Arena, 38 Grove St., Henniker, monadnockrollerderby.com When: Saturday, Aug. 12, time to be determined. Price: Online pre-orders are $10
New Hampshire Roller Derby JFK Coliseum, 303 Beech St., Manchester, nhrollerderby.com When: Saturdays, May 20, June 24, and Aug. 5, all at 4:30 p.m. Price: $12 adults, free for children 12 and younger, veterans and NHRD veterans How to join: Email the league at [email protected] for adult players. Youth skaters can sign up for the current session at nhjuniorrollerderby.com.
How to play
Rules come from the Women’s Flat Track Derby Association, wftda.com:
The game of Flat Track Roller Derby is played on a flat oval track. Games are divided into two 30-minute periods. Within each period there are play sessions called jams, which last up to two minutes. There are 30 seconds between jams.
During a jam, each team has up to five skaters on the track. Four of these skaters are called blockers (together, the blockers are called the pack) and one is called a jammer. The jammer wears a helmet cover with a star on it. One of the blockers wears a helmet cover with a stripe; they are called the pivot and can be an alternate for the jammer.
The two jammers start each jam behind the pack and score a point for every opposing blocker they lap, each lap. Before they can start scoring, they must get through the first pack and skate around the track before they can score points on opposing blockers.
Roller derby is a full-contact sport but skaters cannot use their heads, elbows, forearms, hands, knees, lower legs or feet to make contact with opponents. It is illegal to attack a player’s head, back, knee, lower leg or feet.
Play that is unsafe or illegal may result in a skater being penalized. Penalties are served by sitting in the penalty box for 30 seconds of jam time.
The team with the most points at the end of the game wins.
Derby lingo
All terms and definitions come from the Women’s Flat Track Derby Association, wftda.com:
Apex jump – when a jammer jumps out of bounds but lands back in bounds to break away from the pack.
Bank track – the traditional roller derby track from the 1970s. The track is sloped inward. Only a few are used in the United States.
Kelsea “Terror Nova” Thom quickly maneuvers around a MRD blocker. Photo by Todd Grzywacz.
Blocker – one of the three positions in a derby game. Their job is to block the other team’s jammer and help their own jammer accelerate through the jam.
Bout – the name for a roller derby game.
Falling small – the ability to keep arms and legs contained when falling to avoid further injuries.
Flat track – the more common style of derby track. This one is made by taping rope down on a hard surface, indoors or outdoors.
Jam – a round of the bout. Can last up to 2 minutes, but can also be called off by the lead jammer.
Jammer – the player who scores points for the team; they wear a star helmet cover.
Lead Jammer – the jammer to break through first; they have the ability to call off the round by tapping their hips four times.
Pack – blockers and pivot must form one by being within 10 feet of each other.
Pass/earned pass – how points are tallied. A jammer can score up to four points each time they lap the other team.
Pivot – a blocker that can receive the star helmet cover and become the new jammer if needed. They wear a striped helmet cover.
Power jam – only one team’s jammer is on the track.
Star pass – where the jammer passes the star helmet cover to the pivot. If the jammer was the lead jammer at the time, they forfeit that position and the full two-minute round is played.
Track – an oval-shaped loop that derby is played on.
Safety gear
This is the gear that NHRD requires each of its players use.
• “Quad” style roller skates (inline skates are not allowed) — There are places that specialize in selling roller derby equipment, like Bruised Boutique (522 Amherst St., Nashua). Wear the skates that fit best, because improperly fitting skates can hold a player back and increase risk of injury.
• Dual certified helmet — Because while there isn’t a helmet that can prevent concussions, good helmets can help minimize injury.
• Mouth guard — The brand SISU is one that is easy to breathe through and allows the wearer to communicate with teammates.
• Hard protective shell/insert elbow pads — They should have a snug, comfortable fit, because elbow pads often last longer than other protective gear.
• Hard protective shell/insert knee pads— Get ones that are cushioned for function over fashion, because skaters land most of their falls on their knees.
• Hard protective shell/insert wrist guards — They should provide good palm and stable wrist protection, because hand and wrist injuries are fairly common due to players’ catching themselves.
Featured photo: Nicole “Punky” Mavrogeorge Wehry makes plans to evade Maine Roller Derby’s blockers as she skates into the fray. Photo by Todd Grzywacz.
New Hampshire Renaissance Faire is back for 19th year of medieval fun
Take a few hours to step back into the 1500s, or into a fantasy novel. From jousting knights to traditional Celtic music, the New Hampshire Renaissance Faire will have it all.
The Faire is back, for two weekends only, to bring medieval fun for everyone in the Granite State. Danny Scialdone, the manager of the Faire, said this was pretty unusual for Renaissance Faires.
“The original founder had been involved in Renaissance Fairs for many years, up until the point when she was a mother,” Scialdone said. “She didn’t pay attention to the adult-themed things. She was like, ‘Wow, I want to bring something forward where parents can bring their kids.’”
While not every aspect of the New Hampshire Renaissance Faire is family-friendly, Scialdone said that the events that are geared for a more mature audience are clearly marked everywhere.
In addition to keeping a large portion of the activities geared toward age-inclusivity, Scialdone said that any additional kids’ activities, like a segment called Tea with the Queen, come at no additional costs to families.
“We try to make it inclusive and try to enjoy a really fun atmosphere,” Scialdone said.
Part of the atmosphere is having theme days, Scialdone said. On Saturday, May 13, it will be pirates versus ninjas; Sunday, May 14, will be the Celic and Norse day; Saturday, May 20, will be fairy and fae day, and Sunday, May 21, will be the Dungeons and Dragons day. Scialdone said people should dress up in costumes to match the themes, and he encouraged visitors to go all out.
“We even had a guy dressed fully up as a unicorn one year,” Scialdone said, adding that people should “have a good time and be a part of the Faire.”
This year, for the first time, the Faire will be renting costumes out to visitors who either didn’t dress up or didn’t know where to start with building a costume.
In addition to making the Faire as affordable as they can, Scialdone said the price for admission doesn’t just cover the entrance fee for the event, but any extra proceeds will go to New Hampshire Food Bank.
Last year, the Faire reached a lifetime milestone of $250,000 raised for the bank, since 2011. They also provided food to more than 100,000 people. Scialdone said that was his favorite part of the Faire, getting to know that he was helping to give more than just a fun experience.
“You’re absolutely getting more than what you give … getting to feed 100,000 people, that’s the biggest take-away,” said Scialdone
New Hampshire Renaissance Faire Where: 80 Martin Road, Fremont When: Saturday, May 13; Sunday, May 14; Saturday May 20, and Sunday, May 21, 10 a.m. to 5 p.m. Price: Starting from $15 Visit: nhrenfaire.com
Currier hosts first U.S. exhibit for Brazilian artist
The Currier Museum is hosting the first United States exhibit for internationally renowned artist Uýra. The exhibit, “The Living Forest: UÝRA (A Floresta Viva: UÝRA),” is a celebration of the artist’s indigenous identity, the nature of Brazil, and the complexities of gender in society.
Uýra is a nonbinary indigenous Brazilian artist. The work is primarily performance art, developing costumes and personas that reflect the struggles of indigenous people, the environment and transphobia in Brazil. Their work was the subject of the 2022 documentary Uýra: The Rising Forest.
“All these elements are played out in the physical transform by wearing natural elements, like natural dyes, tree bark and leaves, all from the mountains where they are from and live,” said the Currier’s chief curator, Lorenzo Fusi. “By creating this drag persona that is interspecies, inter-gender, it embodies everything from plants to animals and humans to nature as well, everything forming our universe.”
Uýra has never had a solo exhibit in the United States, Fusi said. He said the Currier was honored to be giving Uýra their first American showcase. This is also one of the largest solo exhibitions Uýra has done.
Because of the performative nature of Uýra’s artwork, Fusi said there was a distinct challenge in how to set up the shows. Fusi said that one of the ways they plan to capture Uýra’s performances is through a book the museum is publishing.
“The way they perform, sometimes [the performances] aren’t meant to have a live audience, those are more like rituals and more personal actions,” Fusi said. Because of the sometimes solitary nature of Uýra’s art, there are videos and photographs documenting those performances. “Everything is installed in a way so that the audience enters into the environment. The whole show is very immersive.”
On the opening day, Uýra will give a live performance. Fusi said it won’t be the last time they perform, and the Currier plans to have them back at least for the museum’s summer block party on July 15.
“It’s such an interesting practice … because of the element of magic that comes from Uýra performing, it’s a once-in-a-lifetime opportunity.”
When it comes to the opening of the exhibit, whether visitors are able to see Uýra’s performances or not, Fusi hopes the artwork will spark important conversations. He wants people to not just see the artwork as beautiful, but see the ideologies of the artist and discuss the messages Uýra is trying to convey.
“There are different levels to [the art]; the beauty and seduction of the images, but they speak across barriers of race and cultural backgrounds, which is so immediate and strong and powerful,” Fusi said. “If you want to scratch the surface of visual engagement, pick and choose one of the many themes. Protection of environment, gender and indigenous rights are the three key points I’d like people to take away.”
The Living Forest: UÝRA (A Floresta Viva: UÝRA) Where: Currier Museum of Art (150 Ash St. in Manchester; currier.org, 669-6144) When: Opens Thursday, May 11, with a performance at 7 p.m. The exhibition will be on display through Sept. 24. Hours: The museum is open Wednesdays from 10 a.m. to 5 p.m.; Thursdays from 10 a.m. to 8 p.m.; Fridays through Sundays from 10 a.m. to 5 p.m. Admission: $15 for adults, $13 for 65+, $10 for students, $5 for 13 through 17 and free for children under 13. Admission is also free for all from 5 to 8 p.m. on Thursdays and free for New Hampshire residents on the second Saturdays of the month (including this Saturday, May 13).
Featured photo: A Mata Te Se Come, 2018. Photo by Lisa Hermes.
NH Gay Men’s Chorus celebrates its 25th anniversary
The New Hampshire Gay Men’s Chorus. will celebrate its 25th anniversary by kicking off its spring concert series this weekend.
“I’m very excited about what we’re doing,” chorus executive director John McGeehan said. “I feel like it was yesterday that it was Jan. 10 and we were just first getting together for the year to start getting the concert together.”
Luc Andre Roberge has been the artistic director for 23 years at the chorus and a member since it was created. He said that he, along with other founding members, had seen the Boston Gay Men’s Chorus perform and thought that the representation and the message of the organization was one they could bring to the Granite State.
“We decided that we could do this in New Hampshire, and in the beginning of ’98, we put a call out, had about 50, 60 people at the first rehearsal, and only a dozen came back,” Roberge said. “Also, this was a time where you didn’t want to be open to the public, you didn’t want to be out of the closet in any way.”
Roberge said that it was hard for members to openly claim their identity as gay men at that time. When the organization was first formed, he said, Jim Bretz, a huge figure in New Hampshire’s LGBTQ community, told them there was a good chance the organization wouldn’t last longer than three years and that making it to five years would be incredible.
“None of us at the time thought it would make it to 25 years,” Roberge said. “Those that are not with us who started us up, I’m sure they’re smiling down and saying, ‘We’re so happy.’ We persist and we have persevered.”
Roberge designed the music for the concert to celebrate the last quarter of a century of music. There will be songs from musicals, including Rent, as well as more traditional choral pieces and covers of popular music.
McGeehan, who has been a part of the chorus since he first moved to New Hampshire in 2017, said that it’s important for people to realize they aren’t a group of professional musicians, just people who spread love and positivity through music. He added that just because they aren’t professionals doesn’t mean they don’t strive to make wonderful music — it’s just not the chorus’s only goal.
“One of the missions is not just to put on the best concert that we can, and I think we succeed every season, but be a community and social organization,” McGeehan said. “We give concerts every year at various town pride events, but also free concerts at local assisted facilities, singing the national anthem at New Hampshire Special Olympics, as well as at the Boston Red Sox in June for Pride Night.”
While the chorus sings at pride events throughout New Hampshire, McGeehan said the ones that were most important to him were when the chorus sang at several towns’ first pride parades. He said it allowed for the chorus to show other people in the LGBTQ community that they aren’t alone, that they have a space for people like them.
“To see how well this has come together, it’s actually incredible,” McGeehan said. “Here’s to 25 years, it’s been a lot of fun. I think with the kind of support we are having, I see someone welcoming us to the 50th anniversary someday.”
Silver Seasons of Love: New Hampshire Gay Men’s Chorus 25th Anniversary Concert • Saturday, May 6, at 7:30 p.m., at Plymouth Congregational Church UCC, 4 Post Office Square in Plymouth. • Sunday, May 7, 4 p.m., at First Baptist Church of Nashua, 121 Manchester St., Nashua. • Saturday, May 20, at 7:30 p.m., at Holy Trinity Evangelical Lutheran Church, 22 Fox Run Road in Newington. • Sunday, May 21, at 4 p.m., Derryfield School, 2108 River Road in Manchester. Tickets: $20 for adults (ages 12 and under admitted free, email [email protected] for children’s tickets). See the website for links to purchase tickets at each location. Visit: nhgmc.com
