Inspired by the season

Summer Haze group art exhibition at Concord studio

Diverse pieces that capture the essence of steamy summer days will be on display during a group art exhibition at Jess Barnett Art Studio in Concord. The art is hanging now through Sept. 3, with an opening reception on Friday, Aug. 13, when the artists will be in the gallery to talk about their work.

The Summer Haze exhibition features pieces from five artists and is the first group exhibition Barnett has hosted since she opened her studio in November 2019.

“Covid kind of put a damper on [the studio opening],” Barnett said, “so this is really exciting to be able to have the group show.”

Earlier this year Barnett put out a call for entries to New England artists, asking for submissions that were based on the Summer Haze theme.

She ended up working with artists from New Hampshire and Massachusetts, plus one from New York, and between the five of them Barnett included there are about 10 to 12 pieces in the exhibition.

“It’s a good size for the gallery,” Barnett said. “It was pretty easy to fit everything in there and make [it] look good next to each other. It takes up one wall of the gallery, and then I have [my work] hanging on the other walls.”

Barnett’s pieces include a couple of new paintings that she hasn’t shown yet, including an abstract painting called “Lilac Season,” plus a couple of older pieces that go well with the theme, she said.

The exhibition is diverse, Barnett said, with paintings, drawings and glass art.

“I can’t really do installation art [because of space], so I wanted to have two-dimensional pieces and glass,” she said.

Karen Mehos, a glass artist from Boscawen, produces mainly stained glass and small glass works. She’s showing a glass bowl called “Small Town Sunset,” featuring a cityscape against a sunset background. It was made by melting glass in a kiln, using colored glass powders on a clear glass base, fusing them together into a flat disk in the 1,450-degree kiln, then softening them with heat again before using a ceramic mold to give it shape.

“It’s pretty innovative and cool how she did that, and she made it just for the show,” Barnett said.

Kathy Bouchard from Nashua has two acrylic paintings of kimonos in the show.

“It’s a cross between realistic and abstract,” Barnett said. “Her art is just really cool.”

The other two artists are Jason Michael Rielly of New York and Lorna Ritz of Massachusetts. Rielly’s art represents both the abstract and expressionism genres of artistic style, Barnett said. She said the work he put in the exhibition highlights these styles and communicates strong emotion, mood and vibrancy.

“They’re almost floral, but more abstract,” she said.

Ritz is a third-generation abstract expressionist-impressionist who paints landscapes.

“I paint the changing seasons as they occur, the light that emanates from seasonal color combinations that occur in landscape,” Ritz wrote about her work.

All of the work in the show is for sale, and for those who can’t make the reception and meet the artists, there will be labels with the artists’ information on the pieces for anyone who wants to learn more about them and their work.

For the reception, Barnett will be giving out a small gift bag with a piece of art to everyone who attends, and she encourages the general public to check it out.

“It’s a very laid back atmosphere. [We] aren’t snobby art people,” she said.

Barnett said she hopes to have more group exhibitions in the future, and she will invite artists of all levels, even those who are just dipping their toes into art, to participate.

“I just really feel that everyone, if they want to, should experiment with art,” she said. “Art can be a really good release for people to express emotion. … You don’t have to go to art school [to be an artist].”

Summer Haze group art exhibition

Where: Opening reception Friday, Aug. 13, from 7 to 8:30 p.m.
When: Jess Barnett Art Studio, 4 Park St., Suite 216, Concord.
The reception is free, and light refreshments will be served. RSVPs are encouraged on the gallery’s Facebook page but are not required. The exhibition will be hanging through Sept. 3.

Featured photo: The Summer Haze exhibition is on display now at Jess Barnett Art Studio. Courtesy photo.

An artisans’ affair

League of New Hampshire Craftsmen celebrates return of its annual fair

After a year without an in-person fair, artisans from the League of New Hampshire Craftsmen overwhelmingly agree about one thing: They can’t wait to see the crowds and their fellow artisans at this year’s annual fair at Mount Sunapee Resort.

“The craftspeople are as excited to be back at the mountain as you can possibly imagine,” said Laury Nichols, a woodcarver from Chichester.

Lisa DeMio of Hampstead, who makes fiber wearables, echoed that sentiment.

“The artists are super excited to be back there,” she said. “It’s one of those places where I feel very at home. … This particular show has so many amazing artists. I’m looking forward to being able to see and touch and feel everything and connect with friends.”

The 88th Annual Craftsmen’s Fair is happening Saturday, Aug. 7, through Sunday, Aug. 15, and is one of the few arts events of its scope and size this year, according to Miriam Carter, executive director of the League of New Hampshire Craftsmen.

“We’re in New Hampshire and we’ve gotten through Covid in a way that a lot of states haven’t,” Carter said. “I’m expecting a great response from the public.”

The fair will look a little different, with booths spaced farther apart and fewer artisans, and visitors are encouraged to buy their tickets online to get through the gate quickly. But beyond that, the fair should be everything it has been in past years — and then some.

“[The artisans have] had a year off to create work, so I’m really excited to see what they’ve done in that time,” Carter said.

She said she’s already seen some of the work that will be in the Art, Craft & Design Exhibition —‌ a gallery that’s set up in the middle of the fair —‌ and it’s some of the best she’s seen.

“I think they took advantage of their time off the road to … be creative and innovative,” Carter said.

There will be demonstrations this year, Carter said, following Covid precautions. Instead of the more intimate clay turning booth, for example, they will have precreated clay tiles, which people can use to create a textured piece that they can bring home and paint. Many of the demonstrations and hands-on activities are free, Carter said.

There’s also the Art, Craft & Design Exhibition and the Sculpture Garden, plus new food offerings, and, for the first time, alcohol will be available for purchase on the fairgrounds. The Adventure Park at Mount Sunapee Resort will be open, and the lift will be running for people who might want to ride up and hike down. But that’s all gravy.

“The best part of the fair is you get to meet the artists and you get to see what they’ve been up to,” Carter said.

Meet five of those artists, who talked about their work, what’s new this year and why they can’t wait for the fair.

Clay

Pottery by Michael Gibbons.

Michael Gibbons of Derry

What he makes: Functional stoneware for everyday use, like coffee mugs, bowls and teapots. “I’ve been making pottery since about 1980 and I love doing it,” Gibbons said. “I love the fact that it starts off as almost nothing and transforms into something nice and functional.” Gibbons’ work focuses on nature, with mountains adorning many pieces and a line of products made with white clay that look like birch bark.

What’s new this year: With a year off from fairs, Gibbons said he focused on producing, and he developed some new glazes. “My color palette is much broader than it was two years ago,” he said. “I have a red raspberry glaze, and I have a green glaze that I introduced. … I came up with a different glaze for my birch [products] too —‌ less shine and more matte.”

Why he can’t wait for the fair: “It’s the highlight of my year just being around so many talented, great people,” he said. “I’m also excited to see how well-received the new colors are.”

Fiber wearables

Lisa DeMio of Hampstead

Bag by Lisa DeMoi.

What she makes: Accessories, predominantly for women, like handbags, totes and cosmetic bags. They feature hand-printed linen, leather, cotton and waxed canvas. DeMio started sewing years ago, and as her four children got older, she became interested in fabrics and textiles. She found a handbag pattern and made one for herself, then was promptly asked by one friend after another to make bags for them. “It’s one of those things that everybody needs,” she said. “Everybody needs to [carry stuff], and you might as well look good doing it.”

What’s new this year: “I have some new hand-printed fabrics that I’m really excited about,” DeMio said. She said one of the artists that she admires has started to make hand-printed fabrics again, so she’s been able to create some of her products using those. “I have a very limited number of those bags,” she said.

Why she can’t wait for the fair: “Just seeing people again —‌ this is the first live event I’ll have done since February of 2020,” she said. “It’s one of those places where I feel very at home —‌ with my products in my booth and [on the fairgrounds].”

Fine jewelry

Kristin Kennedy of Concord

What she makes: One-of-a-kind jewelry pieces made with precious metals and gemstones. Her inspiration is based on nature and her outdoor experiences, like hiking the mountains and swimming in the ocean.

What’s new this year: Kennedy has a few new collections, including the Everlasting collection that features pieces with rose-cut emeralds and London Blue topaz, and a Nuevo Deco collection that features pieces with rose-cut aquamarines, step-cut chocolate diamonds and champagne diamonds.

Why she can’t wait for the fair: “I’m definitely looking forward to seeing lots of familiar faces, being able to celebrate being together, enjoying art together,” she said. “Most of my customers I’ve had for 20 years, so it’s fun to see them.” Kennedy said she typically checks out the fair herself on the last day. “It’s fun to get to know the artists and handpick some of their special designs,” she said. “It’s a great opportunity to support local artists and appreciate some of the finer things.” This is Kennedy’s 20th year at the Craftsmen’s Fair, and she said it’s the only one she participates in. “I think it’s one of the most highly acclaimed art shows in the country.”

Wood carvings

Laury Nichols from Chichester

Badger by Laury Nichols.

What she makes: Whimsical woodland animal characters and custom woodcarving projects. The carvings are mainly characters she designs herself, and she has a few characters from children’s books like The Wind in the Willows and Beatrix Potter’s tales. With the carvings just inches tall, Nichols said she’ll be bringing about 500 of them to the fair.

What’s new this year: Nichols said she always has new carvings, and this year her booth itself is brand new. She took an online wooden puppet making class during the pandemic, so she’ll have a few puppets and will be taking orders for them. She has also created cards with pictures of her woodcarvings, but since she’s juried as a woodcarver, she’s not allowed to sell anything but woodcarvings. So instead, she’s giving away a free pack of “Celebrate” cards to anyone who asks.

Why she can’t wait for the fair: “I’m so excited to see everyone again, and I know the public is excited to be back to the fair,” Nichols said. “I [especially] love it when children come into my booth. They are so great. … I make free stuff for kids —‌ I was an art kind of kid, and talking to real artists was very inspirational and influential.”

Wood sculptures

Donna Zils Banfield of Derry

What she makes: Sculptural art made out of wood. “Most of my work will appeal to about 10 percent of the people who will be at the fair,” Zils Banfield said. “It’s sculptural art —‌ it’s not utilitarian, it’s not functional.” One example is her Wood Ffolkkes, a community of sculptural wood people that come in various shapes and sizes, with different moods, personalities, wardrobes, loves and hates, but all created from the same core. “At our basic core, we’re all the same,” she said. Zils Banfield started participating in the Craftsmen’s Fair in 2012 as a bowl turner. “I’ve slowly moved into the more nonfunctional artwork,” she said. “I knew early on that I had to be more than a bowl turner.” Zils Banfield said this kind of work is much more intricate, taking days, weeks or months to complete one piece, so she usually has several pieces going at a time. “Nothing is done quickly, which is unusual for the wood turning world,” she said.

What’s new this year: “I have a new sculptural piece that is going to be titled ‘Cityscapes,’” she said. It features 3D images carved into the wood with small particles of 24k gold leaves and silver leaves for the skyscrapers and the stars.

Why she can’t wait for the fair: “Seeing the people that I miss, both my fellow peers and the people who come to the fair to see me and to see my work,” Zils Banfield said. She said she loves showing her new pieces to past customers. “Every year I have at least one new idea that appears in my booth.”

More than a craft fair
Woodcarver Laury Nichols shared her recommendation for how to approach the fair.
“If you go to the fair only to buy stuff … you miss a huge amount. If you look for only acquisition you will miss the staggering artwork and craftwork. If you go with the mindset to just marvel … it is just amazing. … If you buy something and you’ve talked to the person who made it … there’s something about knowing that it’s handmade and knowing the face of the person who made it and having the conversation with that person.”

The 88th Annual League of New Hampshire Craftsmen’s Fair

Where: Mount Sunapee Resort, 1398 Route 103, Newbury
When: Saturday, Aug. 7, through Sunday, Aug. 15, 10 a.m. to 5 p.m. each day, rain or shine
Cost: General admission for one day is $16 for adults, or $24 for two days. Seniors are $14, and children under 12 get in free. Online ticket sales prior to the event are encouraged at nhcrafts.org.

Featured photo: Wood Ffolkkes by Donna Zils Banfield. Courtesy photo.

Art by all

Creative Union bringing Nashua community together

Nashua’s arts scene is expanding in the coming months as the whole community teams up for Creative Union, an art project designed to bring people together and showcase all of the programs the city has to offer.

“We’re amplifying and highlighting Nashua’s diverse community and the history of the city and the spirit of the city,” said Samantha Cataldo, Curator of Contemporary Art at the Currier Museum of Art, which co-organized the project as part of the museum’s Nashua Endowment, created to support Currier-organized arts programming for Nashua. “Everything about the project is in and for the communities of Nashua.”

Creative Union got underway in June, and the free workshops have been a success so far, Cataldo said. There are still five public workshops left, and anyone in the city can come create festive paper sculptures and handmade decorations.

“The theme of the work is this idea of a community garden, so people have been making things like large-scale flowers that are made out of papier-mache,” Cataldo said.

The first workshop took place during the Black Lives Matter Nashua Juneteenth Celebration. Cataldo said that more than 100 people made paper freedom flowers and leaves.

Everything created during these workshops, which are Phase 1 of Creative Union, will be part of a final celebration happening this fall.

“By the end of the summer a downtown space that will have been [vacated] will be filled with all of these sculptures that the community has made, from the freedom flowers to the growing vines that people made at the farmers market,” Cataldo said. “It will be an explosion of color, of these really fun paper sculptures and decorations.”

That final installation is part of Phase 2, which will also feature nine days of community programming that may include performances, dance parties, community dinners, artmaking workshops and more. Cataldo said the exact location of the final art installation can’t be revealed just yet, and the exact dates are still being determined as well, though it will likely be sometime in October.

For now, the focus is still on getting the community together to create these paper works of art. Along with the public workshops, Cataldo said the Currier has been working with specific community groups, like kids’ camps, to create the paper flowers and decorations. The kids at Nashua Community Music School’s summer camp, for example, made bigger flowers on which they wrote the things they like about living in Nashua, and then made a smaller flower to write about what they think the community needs more of.

“It’s art-making, but everything has kind of a conversation piece,” Cataldo said. “It’s sort of encouraging … people to think about what’s special about their community and also be more engaged with what’s going on and what’s impacting them.”

For anyone who can’t attend any of the remaining five workshops, there are take-home kits for making triangular bunting, with special markers, blank shapes and instructions. Cataldo said so far about 150 kits have been given out.

The Currier is co-organizing Creative Union with the City of Nashua as well as Elisa Hamilton, a multimedia artist from the Boston area who was brought on to develop the project.

“Whenever I’m working with a new community it’s incredibly important to me to learn about that community before developing a project idea,” Hamilton wrote in an email.

Hamilton has worked closely with the Mayor’s Office throughout the process.

“Early on, I learned so much about vibrant arts initiatives already happening in Nashua, as well as other great public programs such as the Sunday Farmer’s Market … [and] the many fantastic nonprofits for Nashua doing such terrific things,” she wrote. “My work is very much about bringing people together, so the idea of a ‘Creative Union’ — a joyful, creative centerpoint that would bring all of these groups together, along with the broader Nashua community — was really the foundational inspiration for this project.”

Cataldo encourages anyone of any age to come participate in the remaining workshops.

“It’s a really fun way to come together, be part of a whole,” she said. “Everything is provided, and no experience is necessary.”

Upcoming Creative Union workshops

Nashua Farmers Market, Great American Downtown
City Hall Plaza
Sunday, Aug. 8, and Sunday, Aug. 29, 10 a.m. to 2 p.m.

YMCA of Greater Nashua
24 Stadium Drive
Thursday, Aug. 5, 4 to 7 p.m. and Saturday, Aug. 7, 10 a.m. to 1 p.m.

Grow Nashua
Community Garden on Spring Street
Thursday, Aug. 12, 6 to 8 p.m.

You can pick up the take-home artmaking kit at Arlington Street Community Center (36 Arlington St.) or at YMCA Greater Nashua (24 Stadium Drive in Nashua or 6 Henry Clay Drive in Merrimack). Art should be completed and returned by Aug. 6.

Featured photo: Community members make paper art at recent Creative Union workshop held at Nashua’s farmers market. Courtesy photo.

Eclectic artistry

Henniker illustrator, photographer, author keeps on creating

It was the barn that Jerry LoFaro fell in love with when he bought his property in Henniker 25 years ago. Since then, he’s used the space as a studio for painting, digital artwork, photography, writing and live music performances, sometimes sitting alone in his well-worn office chair and sometimes surrounded by friends during the intimate concerts that he and his wife Kathleen host.

“This barn — this is why we’re here,” he said of the building, which was built in ’91 and had been used as a dance school. “It was perfect for me, really kind of idyllic.”

With a resume as eclectic as it is long, LoFaro’s recent projects include working on a follow-up to his first book of photography, Abandoned Vehicles of New Hampshire: Rust in Peace, and taking behind-the-scenes and onstage pictures of musicians as the official photographer for Tupelo Music Hall in Derry.

The latter gig started with an iPhone and front-row seats to numerous shows. The self-proclaimed “music freak” would sit in front of the stage and take pictures with his phone, without giving much thought to their artistic quality. It was a far cry from his usual approach to art — LoFaro has been a successful painter and illustrator for years, with work that has graced the covers of books and magazines, advertising and promotional items for brands like Aflac, Coca-Cola and Disney, and, his proudest achievement, boxes of Celestial Seasonings tea. For that work, he uses techniques like airbrushing and digital art, but taking pictures had never really been a thing.

“Most of my photography [at that point] had been a [starting point] for my illustrations,” he said. “It was part of a process and wasn’t really a goal in and of itself.”

But LoFaro was posting his concert shots online, and people were commenting. Knowing that he had an audience, LoFaro started bringing a better camera to the shows, discreetly taking shots from his lap.

“I had no goal other than to have fun and take better pictures,” he said.

Tupelo’s social media director noticed the photos, though, and started posting them on Tupelo’s social media sites. When the venue moved from Londonderry to Derry in 2017, LoFaro was asked to be the official photographer.

“I kind of was grandfathered in,” he said, aware that he got the job over professional photographers with years more experience. “But I’m an artist — what I lack in skill, I make up for in editing and artistry.”

Abandoned Vehicles of New Hampshire, which was published earlier this year, is a new creative venture for LoFaro, one that started when he turned his camera toward rusty old cars he found throughout the state.

“It was just something that captured my interest,” he said.

One of his four Instagram accounts is dedicated to his rusted cars photography, and one of his followers happens to work for a publisher, America Through Time.

“I knew I had a book in me,” LoFaro said.

The star of the book is a Hudson Commodore, a car he found in the middle of a field in Loudon and later bought from the owner of the salvage yard for $200. The Hudson is now a centerpiece in his front yard.

LoFaro said the response to the book has been great.

“I was inundated with people sending messages and locations [of abandoned cars] all over the state,” he said. “I have so much material [for a follow-up book].”

In the meantime, LoFaro is working on a book of photography about Henniker — something never imagined doing when he left New York City in 1995, when he was still working with his agent and big clients in New York.

His favorite client was Celestial Seasonings; he did artwork for them for close to 20 years.

“The way they feature artists on the box, it really just spoke to me,” he said.

It started with redoing the image on the box of Morning Thunder, the company’s first caffeinated tea. LoFaro also, among other things, created several variations of the Sleepytime bear — and that’s when he started transitioning from painting by hand to digital art.

“I had no interest in digital art,” LoFaro said. “I’m in love with the process of painting: mixing the paint, preparing the boards, the tactile element.”

A good friend of his, though, owned what Lafaro says was a “pioneer” computer art school in Weare. After Sept. 11, 2001, LoFaro’s lifeline to work in New York City all but vanished, and he got no jobs for several months after. With extra time on his hands, he agreed to take computer art classes.

“I was the worst student in the class because I had no computer experience,” he said. “It was excruciating.”

But after he got past the initial learning curve, LoFaro realized how much he could do with digital art — and how good it could be.

“I reinvented myself. I was still painting, but I can do this a lot better,” he said.

LoFaro maxed out his credit cards to buy a used computer system, and the day he got it, he took a job making clouds for a video game — that had to be done the next day.

“That was my trial by fire,” he said.

Lafaro said the more he learned about the intricacies of digital art, the more he could relate it to his airbrush work.

“It really was an incredible natural evolution,” he said.

And then there’s the music. A band’s photo shoot in the barn morphed into a bigger idea; in 2016, the LoFaros started hosting concerts, with the musicians playing on a small stage that LoFaro built. They were well-attended, so he built a bigger stage, and they’ve had more than 100 people in attendance for some of the shows. Those stopped during Covid, but LoFaro is hoping to get them going again by fall.

He’s back at Tupelo, too, and looking forward to shooting a few good shows this season. Right now he and owner Scott Hayward are in the process of creating posters of the 52×60-inch mural on canvas of LoFaro’s photos that hangs on the venue’s front wall. That will be sold at the venue and online later this summer.

If that seems like a lot of balls in the air, LoFaro isn’t quite ready to stop juggling.

“I’m on this journey, and I’m open for anything,” he said.

Featured photo: Jerry LoFaro poses in front of the Tupelo tapestry of his photos. Courtesy photo.

Adventures in the Air

Get a new view of the world while ziplining above the trees, soaring in a hot air balloon or parasailing over the water

You’ve seen New Hampshire’s forests, mountains and seacoast, but have you seen them from above? Get a new view with a relaxing flight in a hot air balloon, an adrenaline-filled zipline tour or a gentle but exhilarating parasail ride along the coast.

Hot air ballooning

Heading toward the sky in a hot air balloon is a much smoother and quieter ride than most people expect, says Tony Sica of High 5 Ballooning in Derry.

“When we launch, [passengers] don’t even know we’re leaving the ground,” Sica said. “There’s no g-force; we’re just gently drifting off the ground.”

For every launch, riders meet half an hour before sunrise at 15 Ermer Road in Salem, then Sica and his crew pick one of five launch locations, depending on which way the wind is blowing.

“We’re trying to launch from a location that’s going to take us into a decent landing,” Sica said. “You land wherever the wind takes you.”

Once they arrive at the launch site, anyone who wants to help prepare the balloon for inflation is welcome to. Then the gentle ascent begins.

“There’s absolutely zero motion — unless I’m dancing, which I do sometimes,” Sica joked.

The balloon stays right above the trees and maintains a profile up and down the treeline, which Sica referred to as contour flighting. A three- to five-mile ride is typical, though Sica said he’s gone as far as eight miles when the wind is moving quickly. But he prefers to stick to that three to five miles that he says he knows like the back of his hand, because that takes his passengers over the most scenic areas.

“We try to keep it as natural as possible,” Sica said. “When we go over water or wetlands, I’ll get right down in there … so people can take those great reflection [photos].”

There’s also a crew following the passenger balloon that takes photos along the way. Sica said he likes to go for “the money shot,” flying over Melville Lake or Alexander Pond. If they’re in the smiley face balloon — his most popular option — he’ll spin it around and bring the basket down to the water so the crew behind him can capture both the balloon and its reflection on the water.

Once they land, passengers can help squeeze the air out of the balloon if they want, and then they head with the ground crew back to the meeting site for a Champagne celebration. The flight is an hour, but the whole experience is about two and a half hours, Sica said.

For people who think they have a fear of heights, Sica said most actually have a fear of falling, and since you’re surrounded by the basket’s four solid walls, that fear usually isn’t triggered.

He said the most scared passenger he’s ever flown, Paul, got in the basket and the whole thing was shaking because he was so nervous. Two months later, Sica got a letter from Paul’s wife thanking him for helping him overcome his fears — they’d just been on their honeymoon, where they went parasailing, and Paul had gone skydiving too.

“Another success story,” Sica said.

Plus, ballooning is the safest form of aviation in the world, he said. Any accident has been pilot-related, “people doing stupid things,” he said. “You have to be willing to walk away [if conditions aren’t safe]. Don’t ever put your wallet in front of your safety.”

Sica has owned High 5 Ballooning since 1999; when he opened, there were 27 ballooning companies in New Hampshire, and now there are three.

“I can’t even tell you how busy we are,” he said. “It’s insane.”

High 5 is currently booking into September and October. Sica can take as many as eight passengers; if you want a private flight, you can pay the $1,600 to be alone (you’re paying for all eight spaces), but Sica said most people realize it’s more fun with a group of people, even if they’re all strangers at the beginning.

“It’s an adventure sport and part of that adventure is sharing the experience with other people,” he said.

High 5 Ballooning

Where: 4 Joseph St., Derry (office); meeting place is 15 Ermer Road in Salem

When: Half an hour before sunrise, seven days a week

Cost: $200 per person. Prices are subject to increase for private flights, for passengers weighing more than 200 pounds, and for couples who weigh more than a combined 400 pounds.

To book a flight, call 893-9643 or visit high5ballooning.com.

A&A Balloon rides

Where: 7 E. Derry Road, Chester (office); meeting place is 15 Ermer Road in Salem

When: Half an hour before sunrise

Cost: Sunrise flights are $250 for adults and $125 for children who are 12 or older or who weigh more than 100 pounds. The cost includes Champagne, crackers and cheese for after the flight. Private flights and events are also available. Costs are subject to increase for passengers weighing more than 200 pounds.

To book a flight, call 432-6911 or visit balloonridesnh.com.

Ziplining

For a more intense adrenaline rush above the treetops, ziplining will get you from Point A to Point B much faster than a hot air balloon floating through the sky.

“The zipline is great for people who have the need for speed,” said Jen Karnan, who started working at Gunstock Mountain Resort as a zipline instructor back in 2012 and is now the communications coordinator. “You can get up to 65 mph. … It gives you that wind in the hair sensation.”

But there’s still an element of control, she said — there’s a brake, so you’re in charge of your own speed.

“We actually get a lot of people who come up here to conquer their fear of heights,” Karnan said. “They go from ‘I can’t do this’ to ‘I can’t wait to do this again!’”

Gunstock’s guides get you started on the ground level of the main lodge, going through safety instructions while you put on your helmet and harness and pick up your trolley. The trolley weighs about 18 pounds and is the main piece of equipment you’ll be suspended from (or carrying in a backpack) during the tour. Athleticism is not required, but you do need to be able to walk up to 3/4 of a mile and ascend two 50-foot staircases while carrying the trolley, according to the Gunstock website.

Gunstock’s zipline tour has five lines, starting with a 45-foot demo line, then a 450-foot training line, which allows you to get the sensation of ziplining and practice using the brake, Karnan said. Next up is the Summit Zip; you take a chairlift to the top, then zip down 273 feet. It’s kind of a last call, Karnan said, to make sure you want to move on to the final two lines. Recoil Zip is 140 feet off the ground and one of the longest in the country at 3,981 feet long, with a 688-foot vertical drop. The Pistol Zip is 3,804 feet and is 50 feet off ground.

On the longer zips, it’ll take a couple minutes to get down depending on how fast you’re going. Karnan said a lot of people like to race, since they’re going down next to someone, and there are a few tricks with positioning and steering that can speed up the descent.

“Our zipline guys have some good hacks for that kind of stuff,” she said.

But it’s not all about speed.

“The zipline really forces you to be in the moment … take in the surroundings, kind of enjoy the nature,” Karnan said. “We have unmatched views of Lake Winnipesaukee. You might see Mount Washington on a clear day — if it’s clear enough, you can see up to the observatory.”

She said a lot of people just want to try it once, for the experience, but many come back.

“It’s really a bucket list item, and once you’ve done it, it’s hard not to want to do it again,” Karnan said. “It’s such an adrenaline rush.”

At Candia Springs Adventure Park in Candia, the guided zip tour has six lines that stretch out over about 3,000 feet of cable, according to Clarissa Coppin. Guests zip from platform to platform, she said, and trained guides are in charge of the guests’ trolley and braking.

“We have varying heights of up to 40 feet,” Coppin said in an email. “The best part is at the end; [it] finishes at the 1,000-foot zipline that stretches over the entire park and over the pond.”

Candia Springs also has an Aerial Adventure course with bridges, climbing ladders, scales, obstacles and crossing ziplines.

“We have had many guests cross off their bucket list items here, face their fears, and even get engaged,” Coppin said in the email.

Gunstock Zipline Tour

Where: Gunstock Mountain Resort, Gilford

When: The Adventure Park is open through the end of October, and zipline tours are available Friday through Monday from 10 a.m. to 5 p.m.

Cost: $75 for ages 10 and up

You have to be between 4 feet and 6 feet, 8 inches, and between 50 and 260 pounds to ride the ziplines. Children 10 through 15 must be accompanied by a participating adult. Closed-toe and closed-heel shoes are required.

Candia Springs Adventure Park

Where: 446 Raymond Road, Candia

When: Open daily 10 a.m. to 5 p.m. Sunday through Thursday and 10 a.m. to 6 p.m. Friday and Saturday until Sept. 6. The Zipline Tour and Aerial Forest stays open until Oct. 31 on weekends only, from 10 a.m. to 4 p.m.

Cost: $41 for the Zipline Tour, and $41 for the Aerial Forest. Advance reservations are recommended. Visit candiasprings.com or call 587-2093.

For both adventures, the minimum age is 7, minimum weight is 50 pounds and minimum height is 48 inches. The maximum weight is 250 pounds.

Parasailing

If you’d rather soar above water, parasailing offers scenic views along with an up-in-the-air experience that feels like sitting on a swing with a friend, says Captain Craig Schreck, owner of Hampton Beach Parasail.

“You can see the whole coast of New Hampshire, Maine, Massachusetts, the Isles of Shoals. On a clear day you can see the White Mountains,” Schreck said. “It’s a very visual, scenic, relaxing ride up there.”

Hampton Beach Parasail offers rides with either 500 or 1,000 feet of line — the more line, the better the views, Schreck said. Passengers get harnessed to the parasail, usually two or three at a time, then take off from the back of the boat, ascending slowly as the boat takes off. They’re up in the air for about 10 minutes.

“It’s basically like I’m flying a big kite with people in it,” Schreck said.

One of the best things about parasailing, he said, is that pretty much anyone can do it. He recently took a woman who was celebrating her 80th birthday with a friend who was in her 70s, and he took his own kids when they were 7 and 9. He said parasailing isn’t so much like an amusement ride as it is a relaxing experience — even for people who are initially nervous.

“We get a lot of people who are afraid of heights [but] it’s a gradual increase [and] because you’re over the water you don’t necessarily feel how high you are,” he said.

He said 99 percent of people who are afraid of heights end up loving it.

“We take pictures too, and sometimes you see that first picture and you can see the nervousness in their eyes and then the next two pictures, all of a sudden [you can see] the relief and excitement,” he said.

There’s no need to be afraid of the boat ride either, Schreck said.

“If it’s really windy, we don’t go very fast at all,” he said. “If it’s not windy, we get up to about 15 miles per hour. … The [faster] part of the boat ride is going in and out of the harbor.”

Passengers start out at Hampton Beach Parasail’s office in Hampton Harbor, then walk to the boat and take off from the state pier. The boat holds up to 12 people, so it’s typically Schreck, his “mate,” who helps harness the passengers into the parasail, and about eight to 10 passengers. The whole ride is about an hour.

Rides start at 8 a.m. and run every hour until the last trip at 6:30 p.m. Schreck said he prefers the last couple of rides of the day.

“The evenings are nice,” he said. “It’s usually really calm and the sun’s starting to go down.”

Schreck has been parasailing off and on for years; he used to drive a parasail boat in Hampton when he was younger, and then later in Miami, Cape Cod and Newport, Rhode Island. The best part of driving the boat, he said, is seeing how excited people are when they land. And when he goes up himself, which he still does a handful of times each summer, he thinks it’s cool to look down and see all the people on the beach. But no matter how many times he goes up, he has the same thought: “I forgot how high this is!”

Hampton Beach Parasail

Where: 1 Ocean Boulevard, Hampton

When: Open seven days a week until the Hampton Beach Seafood Festival (Sept. 10 through Sept. 12 this year), and then weekends and reservations until October.

Cost: $99 per person for a 500-foot line, $139 per person for the 1,000-foot line

Reservations are recommended but not required. Visit hamptonbeachparasail.com or call 929-4386.

Featured photo: Ziplining at Gunstock. Courtesy photo.

Turtle power

New children’s book helps kids cope with pandemic life

Most people who are stuck at the mechanic’s for three and a half hours wouldn’t use the time to write an entire children’s book. But Kathy Brodsky of Manchester is not most people; when the words “Talula Turtle” popped into her head as she was waiting for her car last November, she took out her iPhone and started writing. The result is How Talula Turned Her Day Around, a newly published children’s book about coping with some of the challenges of Covid-19.

“She’s the cutest little thing who doesn’t like to wear a mask,” Brodsky said of Talula.

Though the waiting room location was unusual, writing stories in a short amount of time based on ideas that just come to her is Brodsky’s style.

“Even though I have no idea where any one of my poems will go, once I get the first four lines, I’m up and running,” she said.

Like all of Brodsky’s books — this is her 16th — How Talula Turned Her Day Around offers life lessons meant to comfort or inspire young kids.

“I’ve been a therapist for 51 years,” said Brodsky, who still sees clients three days a week. “I think being a therapist shows up in my books. … [Or] the books show up because I’m a therapist.”

Talula was born from the emotional impact that Covid has had on the world — a heavy topic made relatable to kids by showing how hard it’s been for Talula to adjust to wearing a mask and being away from her friends.

Discussion questions at the end of her books give kids the chance to talk more about their feelings; in Talula, one of the questions is “How has Covid-19 changed your life?”

“What’s happened with Covid is a huge loss for everybody,” Brodsky said. “It’s a loss of life as we knew it before. … Whenever there’s a loss we go through a grieving process. We’re shocked, then we deny it, we get angry. … Everybody’s just been trying to deal with this loss.”

Knowing she had to get Talula published quickly because of the immediacy of the topic, Brodsky couldn’t use her usual illustrator, Cameron Bennett, who was working on another project. Instead, she turned to her niece, Sarah Zeogas. While Bennett has hand-painted Brodsky’s previous books, Zeogas digitally illustrated Talula.

She and Zeogas worked together to get both the book and a corresponding coloring and activity book published by March. Since then, it’s been used in schools and read aloud during public library story times.

“[My books] have very simple words … but they can be much more than that,” Brodsky said.

The words for the first picture book that Brodsky wrote, My Bent Tree, came to her during a walk, when she noticed that a tree she’d walked past many times before was bent. She started repeating rhyming words to herself on her way home, and the book became a story of a tree that got struck by lightning and is now different from all the other trees.

“It’s for anyone dealing with any kind of difference,” Brodsky said, who didn’t fully realize her own connection to the book until it was done. “My Bent Tree was my story — when I was born I had polio.”

Brodsky never planned to become an author — “I had no idea I could write,” she said — but positive feedback from a poem she wrote in an invitation to her mom’s birthday party prompted her to enroll in an adult education writing class.

Brodsky self-published her first book, Moments in Our Lives, in 2004. It’s her only adult book, a collection of poems, and she’s planning to add on to it and re-release it in the near future. She also has another kids’ book in the works called Stover Learns to Swim, her third book featuring Stover the pig, who learned all about fitness and healthy eating in Stover, and then overcame his fear of staying away from home in Stover Goes to Camp. This time, Stover is afraid of swimming. The story stems from Brodsky’s time as a swimming instructor.

“When I first came to Manchester in 1970, I was the only swim instructor at the YMCA,” she said. “I had a 14-year-old boy [who was afraid to swim], but all of his friends were swimming.”

Though Brodsky has finished writing Stover Learns to Swim, she’s waiting on Bennett to return from abroad so he can hand-paint the illustrations. She hopes to publish it this year.

How Talula Turned Her Day Around
How Talula Turned Her Day Around and all Kathy Brodsky’s books are available for purchase on Amazon or at kathybrodsky.com.

Featured photo: How Talula Turned Her Day Around

Stay in the loop!

Get FREE weekly briefs on local food, music,

arts, and more across southern New Hampshire!