Natural canvases

Local artist paints spiderwebs, leaves, grains of rice

It started with leaves. After 40 years of building stone walls and fireplaces, Tom Abruzese of Londonderry turned to more delicate endeavors, picking up a paintbrush for the first time in his life and experimenting on traditional canvas. He was good at it, but he got bored quickly. So he started painting on leaves instead.

“I just had a knack where I could paint anything on a leaf, [and] it took off,” he said.

There is, presumably, a leaf with a painting of the White House somewhere in D.C., or possibly in the possession of former President Barack Obama.

“[I figured] no one’s ever going to buy the White House on a leaf, so I mailed it to the president,” he said. “About seven weeks later, I got a letter from the president, thanking me for the unique gift.”

The leaf painting of the Old Man on the Mountain that he sent to Gov. John Lynch when he was in office might still be in the Statehouse, Abruzese said, and he sent one to Sen. Kelly Ayotte’s office in Manchester too.

Abruzese makes prints of the leaves as soon as he’s done painting them, because eventually the colors of the leaf fade. He sells the prints at local craft fairs, and he said he gets a lot of commissioned work as well.

“The leaves are the big sensation,” he said.

Despite their popularity, after a while Abruzese wanted a new challenge.

“You can only paint so many leaves before you get bored or crazy, and I was borderline crazy,” he said.

Seeing a woman on TV painting feathers who said it was nearly impossible, Abruzese had found his next canvas. He uses turkey feathers and typically paints birds and other wildlife on them.

“Most of my [subjects are] from nature, because I use materials from nature,” he said.

Abruzese then turned to small rocks, painting them for use as jewelry.

“Everything I do, people seem to like,” he said. “I’m always looking for something else to create from.”

The latest something else? Spiderwebs, naturally. Abruzese lives in an old house with a carriage house attached, so they’re plentiful, and he thought it might be a bigger challenge than feathers or leaves. He was right ― but he’s figured out how to make it work.

It starts with a bottle cap that he pushes through the web, which clings to the sides of the cap so the web is suspended and not touching the front or back of the cap. Once it’s secure, it’s ready for acrylic paints.

“Because the web is sticky … I wet the brush just a little bit so the paint actually slides across the web; otherwise the paint would tear the webbing,” he said. “Once you get the first coat on, then it becomes a little easier.”

Abruzese puts his spiderweb paintings inside clear plastic containers so the whole thing is sealed.

“It’s so easy to forget that it’s a spiderweb,” he said. “One misplacement of your finger and the spiderweb is gone.”

Plus, he said, the sticky nature of the webs mean they collect dust if they’re not covered.

Abruzese said he paints whatever comes to mind, usually things in nature. But he couldn’t resist one obvious choice.

“Spider-Man ― how corny is that? You gotta put Spider-Man on a spiderweb!” he laughed.

As part of his repertoire, Abruzese also paints caterpillar webs, which are bigger and thicker, plus moose or deer antlers, birch bark, mushrooms, butternuts and grains of rice.

“My wife asks, ‘Why do you paint things people can’t see?’” he said. “To me it’s the challenge. [And] you can see it with a magnifying glass.”

The smallest he’s gotten is a sesame seed. The trick with these tiniest canvases is to use the very tip of the paintbrush and keep the brush in motion so only a finite amount touches the surface. Having a steady hand is key too.

“I don’t drink anything that has caffeine [when I paint],” Abruzese said. “The blood going through your finger makes it like a jackhammer.”

He hasn’t attended any craft fairs recently ― mainly because there haven’t been many to attend ― but Abruzese will be at the Londonderry High School Craft & Vendor Fair on Saturday, Nov. 20. He said none of his items have price tags because he wants his prices to be flexible for kids who are looking to buy gifts.

“The kids don’t have much money, [and] I do it for the pleasure and challenge,” he said. “I’m not there to make money.”

Still, he sold just about everything on his two tables at this fair two years ago.

“Someone looking for a Christmas gift, they can pick up something that is unique,” he said.

For those who can’t make it to the fair, Abruzese accepts requests for personalized art.

“I’ll have people bring in deer antler or moose antler [and ask me to] do something specific on it,” he said. “Once it’s done it’s one of a kind.”

Find Tom Abruzese’s art

Abruzese will be at the Londonderry High School Craft & Vendor Fair on Saturday, Nov. 20, from 9 a.m. to 3 p.m. You can also email him at [email protected] to see more of his collection or to commission a piece.

Featured photo: An array of Tom Abruzese’s work. Courtesy photos.

Love, death and ’80s music

Heathers the Musical brings dark high school drama to the stage

Gritty, shocking, vulgar, an emotional roller coaster — those are some of the words that come up when Director Dan Pelletier and cast members talk about Heathers the Musical, on stage Friday, Oct. 22, through Sunday, Oct. 24, at the Derry Opera House.

Photography by Paula T. Trout.

When Pelletier explains Heathers to younger generations, he describes it as “Mean Girls if Lindsay Lohan murdered Rachel McAdams.”

Heathers is based on the 1988 movie, about a girl in high school named Veronica who is trying to survive her senior year and sells out to the popular clique, all of whom are named Heather. Veronica also starts to pursue the mysterious new kid, JD, which upsets the lead Heather, Heather Chandler. When Veronica and JD accidentally kill Heather Chandler, they cover it up by making it look like a suicide.

“It’s a dark comedy,” Pelletier said. “It doesn’t cut corners. It’s very gritty. … There are moments in the show where … you laugh and then you’re upset with yourself for laughing. [But] you have to laugh at these awful things. It’s a coping mechanism.”

He said it would be the equivalent of an R-rated movie.

“There are explosives and drugs and very creative swearing,” Pelletier said. “We didn’t let anyone under 18 audition [because of] the sexual nature of some scenes, drugs, violence.”

Despite the over-the-top drama, Pelletier calls the show a “very human piece.”

“It’s about [transitioning] from adolescence to reality and learning that the world isn’t black and white and how complicated things can get,” he said. “You think every day of your life is the most important day of your life and you’re really unsure of who you are.”

Brooke Wolz, 21, of Bedford, plays Veronica.

“She has a good head [and] a big heart,” Wolz said. “When she gets thrown into this crazy world of … the popular girls, she just doesn’t know what to do.”

Wolz calls Veronica a “very naive lovesick teenager.”

“When JD comes around, she’s just very taken back by the fact that this guy is showing her attention,” she said. “She falls very quickly for him.”

JD is played by Joel Michael King, 23, of Tamworth.

“He’s definitely a very complex character with a lot of deep-rooted issues,” King said.

Both Wolz and King said these are their dream roles. Wolz said she throws a lot of herself into Veronica, and the experience has been emotionally draining but worth it.

“It’s such an emotional roller coaster that it’s difficult every time we do the run,” Wolz said. “She’s on stage the entire show and it just goes from this cute innocent naive [teen] to a murderer in a toxic relationship.”

The fact that the stage version of Heathers is a musical simplifies some things, Pelletier said — and gives it a very ’80s rock ’n’ roll vibe.

“Our pit is legitimately a rock band that plays musical theater,” he said.

The show has been a long time coming for Cue Zero Theatre Co. It was originally supposed to be the 2020 season-ender. The show had been cast and they were about to start working when the pandemic postponed it for a year. Only six of the 16 cast members were able to stay on — including Wolz and King — so they held auditions again in July.

“It’s been an adventure,” Pelletier said. “This is our first real production since February 2020.”

He said it’s been a bit of a challenge working around safety precautions, but the cast and crew are excited to be back.

“This is our big return to the main stage, to real theater,” he said. “The arts need support to come back, and we’re trying to come back with a vengeance.”

If that means bringing the unexpected to the stage, mission accomplished.

“It’s shocking, honestly,” King said. “You go to kind of have your views reexamined.”

Heathers the Musical

Where: Derry Opera House, 29 W. Broadway, Derry
When: Friday, Oct. 22, and Saturday, Oct. 23, at 7:30 p.m. and Sunday, Oct. 24, at 2 p.m.
Cost: Tickets must be purchased online. Every audience member must present either proof of a Covid-19 vaccination or a negative Covid test from the past 72 hours to enter the building. Masks are required. There’s also a virtual livestream option. All tickets, for in-person or livestream, are $15 plus a $1.25 fee. Visit cztheatre.com to buy tickets.

Featured photo: Photography by Paula T. Trout. Courtesy photo.

Art all week

Virtual interaction for Nashua’s annual event

For the second year, ArtWeek Nashua is going to be a mainly virtual event, but organizers are doing everything they can to foster the connection between artists and the public, with professionally filmed TV segments, live Facebook feeds and an in-person mural painting to kick it all off.

“Last year, in 2020, there were so many performers, musicians and actors and actresses, all types of performers who got off their game. A lot of people ended up learning a lot about how to use [virtual media] … and create content that would be engaging for people even if it’s not in person,” event coordinator Asia Scudder of City Arts Nashua said.

ArtWeek begins Saturday, Oct. 16, and runs through Sunday, Oct. 24, coinciding once again with KidsWeek Nashua.

KidsWeek Nashua

The scavenger hunt returns, with 50 mini art kits filled with painting, sewing or sculpture projects will be hidden at various public sculpture locations throughout the city. With a little help from Access Nashua Community Television and Nashua-based photographer Sid Ceaser, Woz Watts and Sid the puppet are going undercover as superheroes, hiding the art kits, five of which will have an exclusive “creativity stone” that will give its finder unlimited creative power. “The art kits are the size of like an Altoid box, but they’re really cute,” Scudder said. Hints will be revealed through City Arts Nashua social media, and maps of sculpture site locations will be available at The Picker Artists Studios, at 3 Pine St, Nashua.

Eric Escobar will help get things started, painting a graffiti-style mural on cellophane at 30 Temple St. beginning at 10 a.m. on Saturday, and the public is encouraged to come down and watch him at work. It’s the only in-person event of the week; the rest will be on TV and online.

The video segments were filmed by Access Nashua Community Television, and Scudder said the ones she’d seen so far looked great. She watched one with Damien Rigden, a multimedia artist who writes children’s books and poetry.

“The interview process was just so interesting, to see him really come alive [as he talked about] the process of his creativity,” Scudder said.

She also saw a video of a mother-daughter duo who are from India and just moved to Nashua. Mom Sumeet does food photography and has photos of food from Nepal and India, as well as from Nashua restaurants, and her 8-year-old daughter, Gracelynn, wrote about the importance of food and culture to accompany the photos. Scudder said that during a normal ArtWeek, those photos would be on display in restaurants, but the video allows viewers to get to know the story behind the art, and the artists.

“My hope is that we really encourage people to support artists who have been isolated, alone, not sure about their careers, just show support for these creative individuals,” Scudder said.

Scudder also hopes that the public will interact with artists using social media, even if it’s simply liking a Facebook post.

“The most exciting thing for me is the interaction and hoping that we can inspire people to give a thumbs up to an artist or a shout out,” Scudder said. “It’s difficult having to do this virtually again … but it’s good in terms of keeping momentum going [for the artists].”

Engage in ArtWeek

Each day on Access Nashua Community Television (Comcast Channel 96), City Arts Nashua’s website (accessnashua.org/stream.php) and social media there will be profiles of artists and their works, and posts about each artist will be displayed on Facebook, Instagram and YouTube, along with Twitter and LinkedIn.

In-person events

Artist Eric Escobar will hold a live artmaking performance to help kick off ArtWeek and create our ArtWeek installation piece at 30 Temple St. on Saturday, Oct. 16, starting at 10 a.m.

Take a self-guided public sculpture tour of the works of the Nashua International Sculpture Symposium. Maps are available at Picker Artists Studios at 3 Pine St. or using the free Distrx app, which will also be available at cityartsnashua.org.

View artwork on display in the windows of downtown Nashua business locations, with QR codes accompanying the pieces for viewers to see and learn more about the artists:

• Bar Harbor Bank will display the works of artists Janice Donnelly, Madeleine LaRose, Carol Lake, Nona Angelini and Joseph Bryant at 188 Main St., on the East Pearl Street side of the building

• DesignWares will show work by Brenda McDougald at their 206 Main St. location

• The Nashua Area Chamber of Commerce will be showing art from Gate City Charter School for the Arts students in their windows at their 60 Main St. location

ArtWeek artists and performers

• Eric Escobar, live artmaking performance

• Tim Foley, paintings and drawings

• Positive Street Art

• Damien Rigden, interdisciplinary artist

• Robert Lembree, fine art photographer

• Nancy Goodwin/UpbeatNH Youth Orchestra

• Carol Lake, live special events painter

• Ruth Boland, League of NH Craftsmen basketmaker

• Sumeet and Gracelynn Mehta/myllyynnis, food photography

• Teresa Moler, watercolor artist and puppeteer

• Madeleine LaRose, local landscapes in pastels and acrylics

• Bonnie Guercio, mixed-media collages

• Lisa Culpa, landscape photographer

• Karina Mitchell/Membit, interactive artist

• Nona Angelini, painting, mixed media figure drawing

• Nashua Community Music School

• Leslie Pasternack/Lemon Punch Theatre Lab

• Ricardo Cortez, dark abstract to soft whimsical photography

• Douglas Huntley, abstract mixed media artist

• Janice Donnelly, bright, colorful and happy landscapes

• Olivia Powell, imaginative writing

• Loretta Hubley, etching and painting

• Quint-Essential Winds, musicians performing works by American composers

• Brenda McDougald, landscape photography

• Bitter Pill, rhythm and bluegrass band from New Hampshire

• Joseph Bryant, pyrography

• Nonda’s Gallery

• Picker Artists showcase

Featured photo: Eric Escobar. Courtesy photo.

The real New Hampshire

New photo exhibition, book capture 21st-century life in NH

The “New Hampshire Now” statewide photographic exhibition and accompanying book could just as accurately be called “The Real New Hampshire,” with its honest and heartfelt representation of the good, the bad and the beautiful that makes up the Granite State.

The exhibition and book are the culmination of a two-year project that saw nearly 50 photographers capturing the people, places and events that make the state what it is.

“I felt that we needed to make a photographic document that reflects New Hampshire in the 21st century,” said Gary Samson, who proposed the project to the New Hampshire Society of Photographic Artists. “I was really thrilled that the NHSPA wanted to take [it on].”

The photographers all volunteered their time and covered the state’s seven regions, taking pictures of whatever they personally thought represents the real New Hampshire, in this moment.

“I was not aiming to produce a pretty picture book of New Hampshire,” Samson said. “The story here, really, is the photographers digging in.”

That, of course, meant including the pandemic. Samson said meeting in person became impossible, but it gave them the chance to extend and change the direction of the project, and to safely document the pandemic.

“There were some photographers who really dug into that,” Samson said. “Like life, the project became somewhat unpredictable.”

The project also took an interesting turn when, several months into it, the New Hampshire Historical Society offered to collaborate on it. Originally the photos were going to serve as a sort of historical document that would be archived for future generations. But the Society raised funds to publish a book and arranged for eight cultural centers around the state to host exhibitions.

Each exhibition contains images from the collection that are most relevant to that region. But Samson said there are major themes that are included in most of them, like the pandemic, the presidential election, homelessness and Black Lives Matter.

“I think the shows are pretty fair in what they represent,” he said.

Still, what you see at the show at the Millyard Museum in Manchester is not the same show as the one you’ll get up north, to the west or on the Seacoast.

“I love the bucolic countryside photos that may have come to us from Lancaster or Colebrook or even the Seacoast, but that’s not the reality of Manchester,” Manchester Historic Association Executive Director John Clayton said. “Our particular slice of the state is far more populous, beset with the problems that come with urban areas.”

Samson said there’s a whole section of the book about homelessness in Manchester, which he saw firsthand when he spent part of a day photographing the city.

“I was stunned when I saw so many tents around the courthouse and the park,” he said. “This is also an important story to tell about New Hampshire; there are a lot of people who are in desperate straits.”

Clayton said he hopes that people who come to the Millyard exhibition will look at it and be able to think about the state in greater depth.

“I think this will be an eye-opener,” he said.

Fletcher Manley, one of the project’s most prolific photographers, captured a very different piece of New Hampshire.

“I live up here in the North Country and I wanted to represent the North Country,” he said. “This is not a terribly gentrified part of the state. It’s still “fringey” … and that’s part of the appeal to a good many.”

Manley said he focused on the area’s “tremendous natural resources,” like the White Mountain range. But he also took shots of people that symbolize what it means to live in northern New Hampshire. One was of a young woman working in her garden with a young child on her back; when he saw her, he thought of an earth goddess working the soil. In the image, the little girl’s smile is as big as her mother’s.

“You can’t plan for these shots,” he said.

There’s also an image of a man who has lived up north his whole life and used to work in the paper mills. He built his own home, tills his own soil and played a big part in the grassroots effort to stop Northern Pass.

“He’s typical of the resourcefulness of the people up here,” Manley said.

Manley used his own resourcefulness to take photos that he thinks outsiders wouldn’t have been able to get.

“You really need to be of an area so you know the nooks and crannies … and whose backyards you can cross through,” Manley said.

The “New Hampshire Now” flagship exhibition is at the New Hampshire Historical Society in Concord, with images that represent the state as a whole, so it includes Manley’s North Country along with the six other regions.

The Millyard Museum will host a discussion panel on the exhibit on Saturday, Oct. 9, at 11 a.m. with photographers Samson, Claudia Rippee and Mark Bolton, with Clayton moderating.

“There are many different New Hampshires, and I think people who come [here] will see there’s much more of an urban flavor to the Manchester and Merrimack Valley exhibit.”

“New Hampshire Now”

For more information about the exhibition and where to purchase the New Hampshire Now book, visit newhampshirenow.org.

Region-specific exhibitions
Belknap Mill Society, Laconia
Davidow Center for Art + Design, New London
Historical Society of Cheshire County, Keene
Millyard Museum, Manchester
Museum of the White Mountains, Plymouth
New Hampshire Historical Society, Concord
Portsmouth Historical Society, Portsmouth
Tillotson Center, Colebrook

Events
A Discussion with New Hampshire Now Photographers
Project Director Gary Samson and photographers Claudia Rippee and Mark Bolton for a panel discussion about their work on the project.
Where: Manchester Historic Association’s Millyard Museum
When: Saturday, Oct. 9, 11 a.m. to 1 p.m.
Cost: Free and open to the public. For advanced registration, call 622-7531 or email [email protected].

New Hampshire Historical Society: New Hampshire Through the Lens of a Camera
Join a panel of photographers who participated in “New Hampshire Now” and learn more about their experiences capturing the Granite State and Granite Staters.
Where: Virtual
When: Wednesday, Oct. 13, 7 to 8:30 p.m.
Cost: Free. Register through Eventbrite.com.

New Hampshire Historical Society: “More than Just a Pretty Picture”
Gary Samson and art historian Inez McDermott explore how “New Hampshire Now” fits in with other documentary photography projects in American history and discuss recurring themes that emerged during the project.
Where: New Hampshire Historical Society, Concord
When: Saturday, Oct. 16, 2 to 4 p.m.
Cost: Free with the price of admission ($7)

Featured photo: New Hampshire Now. Courtesy photo.

Walk on

“Kick-Start!” art exhibition shows resilience through shoes

Stilettos, slippers, blue suede shoes — footwear can tell a story, and the “Kick-Start!” art exhibition currently on display at Twiggs Gallery is showing it through paintings, sculptures, installations and other expressive media.

“All the work is really different,” Twiggs Gallery Director Laura Morrison said. “No one piece is like the other. We have things that are very serious, things that are just plain silly, things that are really powerful.”

The exhibition, presented by the Women’s Caucus for Art’s NH Chapter, symbolizes resiliency, particularly in light of the pandemic.

“The call for art [was] … how are we kick-starting our lives after Covid?” Morrison said. “There are a few about that, but [also some that are] about more personal things, like personal power.”

“Filling Our Shoes with Talent and Leadership,” by Margaret Femia. Courtesy photo.

Morrison said that the idea came from Adele Sanborn, owner of Twiggs Gallery and a member of the board for the Women’s Caucus for Art’s NH Chapter.

“A few years ago we had a bra show, and that was a big hit, so she came up with the idea [that] maybe we can use some other piece of clothing,” Morrison said.

Shoes turned out to be a good choice; the artists took the theme in all kinds of directions.

“It just really runs the gamut in terms of media and content,” Morrison said.

One of the most unique pieces is a popup book called “Rude Shoes” by Donna Catanzaro, which tells stories of the shoes she’s hated — like the squeaky shoes she once wore to a quiet museum, and the very uncomfortable hiking boots that hurt her feet and ruined her hike. Creating the piece was, in itself, a nod to the “kick-start” theme.

“She had a lot of free time during the pandemic, so she taught herself how to make a popup book [through] online classes,” Morrison said.

Artist Paulette Brace created a small installation featuring all of her children’s baby shoes, which she had collected and stored in the attic for years.

“It’s actually quite a powerful piece,” Morrison said.

There’s a feminist piece created by Margaret Femia, a salmon stiletto with flags that feature the names of female leaders. Linda Greenwood also went with stilettos, but hers are red with rhinestones and glitter, and they’re ready to fight a tiger.

“It’s called ‘Kick Butt and Go for the Gold,’ and it symbolizes getting rid of Covid and moving forward in a positive and energetic manner,” Morrison said.

Morrison, who is also president of the national Women’s Caucus for Art, created a very personal piece for the exhibition. During Covid, she was undergoing treatment for breast cancer. Sanborn organized a get-well card writing campaign while she was undergoing chemotherapy and radiation, and Morrison was sometimes getting three, four or five cards a week. She ended up with well over 100 cards and small pieces of art, which she used, along with cut-up suede stilettos and petals from roses that her husband had given her, to create her piece.

“It was really fun and also very emotional to go through [the cards] again,” she said.

Twiggs Gallery hosts shows for the Women’s Caucus for Art’s NH Chapter every couple of years, and Morrison said it’s a strong chapter with more than 100 artists. Anyone can join the caucus; it’s open to all artists and art lovers. Morrison said that Twiggs always enjoys working with the caucus, because their exhibitions are solid in terms of the number of artists who participate and the types of media. Plus, they fit with the gallery’s natural propensity to promote women’s creative ventures.

“We show a lot of women’s art here at Twiggs,” Morrison said. “We get a lot of support from women. … It’s a real community of women artists. [But] we welcome men [too]!”

“Kick-Start”

Where: Twiggs Gallery, 254 King St., Boscawen
When: On display through Oct. 31
Hours: Thursday through Saturday, 11 a.m. to 4 p.m., and Sunday noon to 4 p.m.
More information: 975-0015

Featured photo: “Lifespan Development” by Marcia Santore. Courtesy photo.

Arts city

Concord arts scene on display at Capital Arts Fest

Concord’s arts scene will be bustling this weekend, both downtown and at locations throughout the city, as Capital Arts Fest kicks off Friday, Sept. 24, with a salsa lesson, dance performance, art exhibit and outdoor movie at Kimball Jenkins School of Art.

The three-day event also features the League of New Hampshire Craftsmen’s juried Fine Art and Craft Fair on Saturday and Sunday, theater performances, author and poet readings, live music and more throughout the event — which, this year, is also a celebration of the capital city’s ability to thrive during tough times.

“We wanted to showcase our region as a cultural center for the state and also celebrate things getting more or less back to normal after a hellacious period of time with Covid,” said Tim Sink, president of the Greater Concord Chamber of Commerce, which co-sponsors the event along with the League of NH Craftsmen and the Capitol Center for the Arts. Despite the recent spike in cases, “We’re still looking forward to a fantastic event,” he said, with much of it being outdoors and safety precautions in place.

Capital Arts Fest started five years ago, when the city had completed its Main Street renovation, as a partnership between the Chamber of Commerce and the Cap Center.

“It was meant to be a one-time celebration of the reopening of downtown Concord,” Sink said. “We had lots of cultural organizations … and huge bicycles with fire-breathing dragons, [which] was a sight worth seeing. … It was a day-long event, and it was meant to be a one-shot deal.”

The next year, he said, the League wanted to host a fair on South Main Street and asked if they could use the Capital Arts Fest brand.

“They ran a mini version of the Sunapee fair,” Sink said. “Then last year [we] said, ‘It would be cool to supersize this event. … [Now] the craft fair is the anchor on South Main Street. … That’s what we’ve built around, but we’ve built a lot around it. … We’ve got lots of events focused on downtown, and then we’ve got a lot of satellite [locations] participating.”

The satellite location kicking everything off Friday is Kimball Jenkins, with a faculty art exhibit, a salsa lesson, a performance from Ballet Misha and an outdoor showing of Moonrise Kingdom presented by Red River Theatres. Those events are free; also happening that night are a couple of ticketed events: Eaglemania at the Capitol Center for the Arts and Blaggards at the Bank of NH Stage.

On Saturday and Sunday, the juried Fine Art and Craft Fair will be held from 10 a.m. to 5 p.m. (4 p.m. Sunday), with tents lining South Main Street. Also in the downtown area will be outdoor music starting at 11 a.m. and a beer garden. Gibson’s Bookstore will host poetry readings, there will be historical tours at the Statehouse, and the Bank of NH stage will feature performances from NHSCOT and Fruit Flies Like a Banana, plus Strike Anywhere Soundpainting Ensemble’s interactive musical improvisation.

Over at the McAuliffe-Shepard Discovery Center there will be two art projects available: nebula spin art and straw rockets.

“They’re sort of intertwining arts culture with science,” Sink said. “This is hands-on stuff for people to do. … A lot of the things that are going on are going to be participatory.”

Also on the schedule is an improv workshop at Hatbox Theatre, a chance to do some community art at NHTI and activities hosted by the Concord Community Music School, like Music & Movement and a folk jam. Ticketed events include David Sedaris at the Cap Center Saturday night; White Rabbit Red Rabbit at Hatbox Theatre, and Canterbury Shaker Village’s Artisan Market, featuring live music, food and handmade crafts.

Sink said schedules of all activities and shows taking place during the event will be available at the visitors center downtown, with QR codes for more information.

Capital Arts Fest

Where: Downtown Concord and various satellite locations throughout the city
When: Friday, Sept. 24, through Sunday, Sept. 26, with events starting at 6 p.m. Friday and 10 a.m. Saturday and Sunday
Cost: Most activities and performances are free, with some ticketed events. See the full schedule at visitconcord-nh.com/capital-arts-fest.

Featured photo: Diana Beaulieu and customers. Courtesy photo.

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