New art for the Gate City

Work begins at the Nashua International Sculpture Symposium

By Zachary Lewis
[email protected]

The Nashua International Sculpture Symposium was started in 2008 and is now on its 17th consecutive year of inviting world-class artists to come to the city to make unique public art to be placed on public property for everyone to enjoy. It is funded by private donations.

It’s a common practice across cities and towns around the globe but Nashua is the only city in the U.S. that does this kind of symposium for sculptors.

“When they come here, we’re the only ones. It’s pretty cool,” said Gail Moriarty, President of the Nashua International Sculpture Symposium.

The sculptors live in the city for the length of the symposium. Donations pay for their food and lodging, and each sculpture costs around $10,000 to $15,000. There are varying levels of donations and residents can even donate their own lodging or in lieu of monetary support can bring in a meal. T-shirts are available to raise funds and a sponsorship is $4,000 and can be split between multiple people. More information can be found on their website.

The Symposium runs from Monday, May 13, to Saturday, June 1, at 3 Pine St. in Nashua. Residents are invited to come see the sculptors work their artistic magic on three huge hunks of white marble this year and transform them into any number of creations. The material can change year to year and is based on the sculptors’ preference.

“These forms emerge and these designs emerge and people get really excited and the kids get really excited and they come to the closing and they can’t believe what we’ve created in the city,” she said. Spectators can come every day if they are so inclined. “We’re so proud of that.”

The sculptors are selected by the Symposium’s Artistic Director, Jim Larson, who has held the role since 2018, along with the approval of their board of directors. The International Sculpture Symposium was created 17 years ago with the help of John Weidman, Director of the Andres Institute of Art in Brookline and was originally inspired by the late Meri Goyette, an art lover and key supporter of those arts and who happened to live in Nashua.

“It’s very much a public engagement event,” Moriarty said. “It’s sponsored by the general public. The general public is the reason why we can do this. … It is a community-driven event, and that’s the best part about it. It brings communities together.”

A closing ceremony will be held on June 1. It will start with a brief talk and then everyone will drive to the spots that have been selected for the new white marble sculptures.

2024’s sculptors

Anna Korver

Anna Korver is a New Zealand / Benenise artist working nationally and internationally and has been a full-time professional sculptor since completing a BFA in sculpture from the University of Canterbury, New Zealand, in 2003, according to the symposium website and her art has been selected for the Wallace awards, Brick Bay sculpture trail, and Tai Tapu sculpture garden and received first prize at the second Tuwaiq International symposium in Saudi Arabia.

Evan Morse

Evan Morse was born in Boston and received an M.F.A. from Boston University and a B.A. from Wheaton College in Massachusetts; he studied traditional sculpture techniques, including stone-carving in Florence and Carrara, Italy, according to the website. He worked on marble monuments at The Carving Studio in West Rutland, Vermont, as part of Rutland’s Sculpture Trail, according to the same website.

KōV, aka Kevin Percevault

KōV, aka Kevin Percevault, was born in France and learned a lot from his grandfather, a stonemason; at 14 he began his apprenticeship with stonecutter masters via Les Compagnons du Devoir, a French organization of craftsmen and artisans dating back to the Middle Ages, according to the symposium website. He traveled throughout France and Switzerland to hone his craft and six years ago left Switzerland for the U.K., where he has been working on elite projects (such as “floating” stone staircases) developing new techniques in stone masonry, according to the website.

Nashua International Sculpture Symposium
Where: The Picker Artists, 3 Pine St., Nashua
When: Monday, May 13, through Saturday, June 1, from 10 a.m. to 5 p.m.
Closing ceremony: See the works on Saturday, June 1, at 1 p.m. starting at the Picker Artists Studios and traveling to the new sites of the sculptures, the website said.
More info: nashuasculpturesymposium.org

Joni’s spark

Tribute show recalls landmark album

There’s a line in Joni Mitchell’s song “For the Roses” about a moment when “the lights go down and it’s just you up there, getting them to feel like that.” That’s the challenge for anyone bold enough to launch a tribute act to her. It’s better to try and convey the singular singer-songwriter’s essence. Replication is a fool’s errand; there’s only one Joni.

Further, she’s a moving target. From the spare acoustic era of “Both Sides Now” and “Circle Game” to the ethereal jazz in Hejira and Mingus, Joni Mitchell was and is always moving forward. Yet Big Yellow Taxi, a six-piece group led by singer Teresa Lorenço as Mitchell, accomplishes the not-small miracle of capturing her.

For a show in Dover on May 10, they’ll perform Mitchell’s breakthrough Court and Spark from start to finish. The 1973 album has many moods but contains a common thread, Lorenço said by phone recently: “There’s real, profound honesty and vulnerability to whatever she’s doing …. Hooking into that is what helped me make the whole thing cohesive.”

Lorenço never planned on dedicating herself to performing Mitchell’s music; she arrived by acclimation.

“I’d been singing a little bit of her songs in a duo that I was in, and people kept saying, wow, you can really do her,” she recalled. “I thought, OK, then let’s do it.”

The first iteration of Big Yellow Taxi formed in late 2019 but dissipated as the pandemic took hold. When it got safer to book shows again, she sought out new musicians and hit the jackpot. The current band convincingly channels Tom Scott & the LA Express, who Mitchell worked with on Miles of Aisles, considered by many her best live album, as well as her ethereal late ’70s band featuring Pat Metheny on guitar and bassist Jaco Pastorius.

Guitarist John Cabán has played with many musicians, from Bo Diddley to Gloria Gaynor; Robert Sherwood’s keyboard credits include beloved mid-2000s band Ware River Club. On drums is Joe Fitzpatrick, a veteran of many stage musicals, and backing singer Annie Patterson conveys the multi-tracked vocals on Mitchell’s studio albums. Finally, there’s electric bass player Rich Cahillane, who also accompanies Lorenço on acoustic songs.

Cahillane, who was also at the interview, noted a split between audience members who lean toward early Mitchell albums like Ladies of the Canyon and Blue (a favorite of Lorenço’s) versus later songs.

“Folky fans want to hear Teresa and I play acoustic guitar or dulcimer,” he said. “Then we get those wanting to hear Jaco and the jazz…. It’s hard to satisfy all her fans.”

However, accomplishing that “definitely is our goal,” Lorenço interjected. “We want to have this ability to showcase any of her stuff from any time that she was writing. We don’t really want to focus on one style or the other. It keeps it fresh for us even, because we’re consistently looking at new things.”

One of the most difficult numbers from Court and Spark is “Down To You,” she continued. “We had to make up our own way to do this fully orchestrated part in the middle, and we definitely thought of some new swear words during that time,” she said, adding with a laugh, “If Joni ever calls and needs a backup band, we want to be prepared. Only about a hundred songs more to go.”

Taking on the catalog of an icon, Lorenço understands her primary task.

“Everyone really gets the emotionality of the music, and I think that’s the most important piece, that is what I focus on,” she said. “I’m no trained musician compared to these incredible people that bless me by working with me. They talk about music theory, and I sit there with static in my mind. All I know for sure is the way she’s expressing her emotions in song. That’s what I get; that’s what I feel in me.

Big Yellow Taxi – The Music of Joni Mitchell
When: Friday, May 10, 8 p.m.
Where: The Strand, 20 Third St., Dover
Tickets: $22 and up at eventbrite.com

Featured photo: Big Yellow Taxi. Courtesy photo.

The Music Roundup 24/05/09

Local music news & events

Musical meetup: This week’s Blues Therapy gathering has Willie J. Laws, a Texas guitar slinger who’s been in New Hampshire long enough to win a New England Music Award twice. Hosted by local maven Mickey Maguire, currently bass player for Frankie Boy & The Blues Express, the regular event always has a headliner and is a hub for the regional blues scene. Thursday, May 9, 8 p.m., Stonecutters Pub, Downstairs, 63 Union Square, Milford. See williejlawsband.com.

Classic brand: With drummer Phil Ehart sidelined by a heart attack, Kansas has one remaining original member, lead guitarist Rich Williams. Beginning as a progressive rock band, and one of the first to feature violin as a lead instrument, the group streamlined its sound and had a series of AOR and Top 40 hits starting with 1977’s “Carry On My Wayward Son.” Friday, May 10, 8 p.m., Capitol Center for the Arts, 44 S. Main St., Concord, $67.75 and up at ccanh.com.

Funny women: Celebrate the maternal side of life at Mother of a Comedy Show, with Kerri Louise, Christine Hurley and Kelly MacFarland providing the laughs. For those who prefer their entertainment before dinner, there’s a late afternoon matinee along with an evening set. Saturday, May 11, 5 and 8 pm., Rex Theatre, 23 Amherst St., Manchester, $30 at palacetheatre.org.

Treasured songs: A reunion with producer Russ Titelman helped Rickie Lee Jones earn a Grammy nomination for her 2023 album Pieces of Treasure, her first foray into the Great American Songbook. Titelman helmed Jones’ eponymous debut, with the hit “Chuck E’s In Love,” and her follow-up, Pirates. Jones is a celebrated writer; her memoir Last Chance Texaco won several awards. Sunday, May 12, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $45 and up at tupelohall.com.

Country kid: Up and coming singer-songwriter Taylor Hughes plays an intimate midweek set at a favorite restaurant and bar. Hughes offers up aching originals like “Dear Today” and “Deadman” along with covers of Chris Stapleton and Tyler Childers, and the buzz on him is so strong that his upcoming showcase at Bank of NH Stage in Concord is close to sold out. Wednesday, May 15, 7 p.m., The Forum Pub, 15 Village St., Concord. See facebook.com/tayhughesmusic.

Forever young

Tuck Everlasting latest musical from Powerhouse

An upcoming show at Laconia’s Colonial Theatre explores the idea of eternal life, how desire to live forever can be all-consuming, and what the consequences of achieving immortality might be.

Tuck Everlasting began as a children’s novel by New Hampshire writer Natalie Babbitt that later became a movie in 2002. A Broadway adaptation was nominated for a Tony but only lasted for 39 performances. Fortunately, Bryan Halperin, who runs the Powerhouse Theatre Collaborative with his wife, Johanna, caught one and was enamored.

It was part of “a string of shows we saw for a couple of years where we really enjoyed them and they all flopped,” he said by phone recently. Halperin has learned firsthand how a show can come up short in New York but make it elsewhere. Last year he directed Captains Courageous and won for Best Musical at the New Hampshire Theatre Awards, even though an off-Broadway production of it opened and closed quickly.

“How something does on Broadway is not necessarily reflective of it as a musical property that actually moves people, and people love,” he said.

Tuck Everlasting, he continued, is an uplifting musical, and wonderful songs are just one reason. Particularly moving is a 10-minute dance sequence that traces the arc of the main character’s life. “It’s the climax of the musical, without singing, just music and dance,” he said. “We wanted to do it someday, and this was the day.”

Choreographer Meg King will oversee dancing for Powerhouse’s three-day run.

“That’s the most exciting thing for me in this production,” Halperin said. “Meg is doing some legitimate lyrical ballet dance that we don’t usually get in musicals [and] the last sequence is astounding to watch; people in the cast get tears in their eyes every time they see the dancing.”

In 2004, the Halperin family relocated from Massachusetts to the Lakes Region and opened the Winnipesaukee Playhouse, which they ran for 10 years. After, Halperin said, “we were nomads for a while, doing stuff with Hatbox and Community Players of Concord. Then we got kind of recruited out of our full-time retirement to start up again.”

Powerhouse Theatre Collaborative was formed in 2020 as a way to continue a program of performances at Belknap Mill and got its name from the historic facility. It became an independent nonprofit last year. It has also been the Colonial’s resident theater company since it opened.

“We constantly pinch ourselves that we get to do theater and rehearse in this beautiful space.” Halperin said. “For a 750-seat theater, it has an intimacy to it…. We feel very lucky that it’s our home.”

Powerhouse always looks to spur involvement in its work, for actors and people who love theater.

“To really emphasize the community building nature of community theater,” Halperin said. “It’s about collecting people into the family, finding ways for them to shine on stage no matter what role they’re in, and surrounding them with high-quality production values.”

One example is the annual performance of A Christmas Carol. Over the years, they’ve added a choir that performs prior to the show and later adds vocal color from the boxes. “That allowed more people to get involved than we could fit on the stage in character roles,” Halperin said. “We try to find ways to engage as many people as possible for each production.”

Looking back, Bryan and Johanna are still happy with their decision to move north.

“We do think about how our life changed by making that choice to leave our careers and start a theater company,” he said. “But the rewards of community and artistic expression, being in a job that our children could be involved with and grow to love as well, far exceeded our expectations. It hasn’t always been easy, but it has definitely been emotionally rewarding.”

Halperin encouraged people to come out for Tuck Everlasting.

“Everyone involved gets such joy out of singing the music and telling the story,” he said. “It’s a great Mother’s Day weekend, take the family show, kids of all ages are appropriate. I’m pretty sure you will love it if you come to see it.”

Tuck Everlasting
When: Friday, May 10, and Saturday, May 11, at 7:30 p.m.; Sunday, May 12, at 2 p.m.
Where: Colonial Theatre, 609 Main St., Laconia
Tickets: $18 to $22 at etix.com

Featured Photo: Nikolai Fernandez and Maci Johnson as Jesse Tuck and Winnie Foster in Tuck Everlasting. Courtesy photo.

Hometown heroes

Donaher back with new song, local show

In October, internet ‘zine The Hard Times called Donaher “massively underrated” and the best pop-punk band in New Hampshire, part of a nationwide survey that also included Green Day and the Ataris. It’s well-deserved praise; the Manchester quartet — lead singer and guitarist Nick Lavallee, Tristan Omand on guitar and backing vocals, bassist Adam Wood and drummer Nick Lee — plays buoyant, infectious music.

Since forming in 2017, the group has amassed a solid fan base, via its recorded output — two albums and an EP — and high-energy live shows. They’re a solid draw at local spots, on the Seacoast and down into Boston. With a sensibility harkening back to the days of Weezer and the Replacements, they acquire new adherents every time they walk on stage or leap out of a car speaker.

Their latest single, “Stay Up,” continues the trend, though unlike 2022’s sometimes dour LP Gravity and the Stars Above, this ode to wholesome lust is brimming with good vibes. There’s love in the air when Lavallee sings of wanting only to be “kissing on my couch” with his intended, presumably as a rented copy of Can’t Hardly Wait plays on the VCR. ’90s nostalgia is brimming on the song, right down to its floppy disc packaging.

Apart from time in the studio working on a new album, Donaher took the winter off, but now it’s back with a few local shows. This includes one at The Shaskeen on May 4, where, uncharacteristically, the hometown favorites are the opening band. In a recent phone interview, Lavallee said the move reflected his mood of late, as well as Donaher’s many Gen X fans.

“Let the bands in their 20s stay up late,” he said. “Their friends, and the people that come to see them, are going to be juiced up whether it’s 9 or 11:30. It doesn’t matter.”

Not that Lavallee isn’t busy; far from it. The pop culture polymath runs Wicked Joyful, a company that began by making bespoke action figures, a wildly successful effort. Most recently, comedian Jim Gaffigan commissioned one to mark a run of shows at Boston’s Wilbur Theatre. Later this year the company will open a physical store in Queen City Center, when work on the Canal Street entertainment center is completed.

He also created a campaign to recognize Manchester as the birthplace of the chicken tender. Wicked Joyful now sells Tender Town clothing that includes a T-shirt at this year’s Taco Tour in downtown Manchester on Thursday, May 2, from 4 to 8 p.m. (see tacotourmanchester.com for more information on that event). The company is both hosting a pop-up merch tent and curating a Shaskeen afterparty at the foodie event. A free 21+ show starting at 9 p.m. has the Carissa Johnson Band, indie rockers Cozy Throne and god.damn.chan playing hip-hop, trip-hop and trap.

“It’s an eclectic mix of live music to extend your Taco Tour experience,” Lavallee said.

Lavallee is an unabashed booster of his hometown.

“I love Manchester and I’m tired of hearing that Manchester has potential,” he said. “Actually, Manchester’s pretty awesome, it’s just that no one’s figured out how to elevate the awesomeness of Manchester. That’s what I’ve been trying to do the past few years, if not the past decade. It’s not about potential, it’s here.”

Of his initiative to enshrine the crispy treat invented at The Puritan restaurant, Lavallee noted, “One person said to me, ‘Oh, that just seems like low-hanging fruit.’ I was like, ‘low-hanging fruit? No one’s done it! What are you talking about?’ It’s been there for 40 to 50 years, and no one thought, ‘Hey, let’s associate a brand identity for Manchester with a food that nearly everybody loves that was created here.”

Beyond that, while linking the word “tender” to a scrappy recovered mill town seems counterintuitive to some, it makes complete sense to Lavallee. “It is this kind of rugged industrial place,” he said. “But Manchester is like a chicken tender…. It’s salty and sweet. That’s who we’re like, that’s the Manchester I know. We’re resilient, we’re a different shade of New England.”

Donaher opening for Keep Flying, Waiver & everway
When: Saturday, May 4, 8 p.m.
Where: Shaskeen Pub, 909 Elm St., Manchester
Tickets: $10 at the door. See linktr.ee/donaher.

Featured photo: Donaher. Photo By Cat Confrancisco.

The Music Roundup 24/05/02

Local music news & events

Affirming: New England acoustic roots supergroup Barnstar marks its first album in nearly a decade. Furious Kindness is brimming with positivity, “a beacon of joy in a world that could use a bit more kindness” according to a band statement. One listen to de facto title song “Anybody Got a Light?” is enough to stir a cold soul to action, a welcome chord of hope against dissonance. Thursday, May 2, 7 p.m., The Word Barn, 66 Newfields Road, Exeter, $16 to $35 at thewordbarn.com.

Coming back: Texas-born singer-songwriter Chase Bryant laid bare his mental health struggles on 2021’s Upbringing. His latest EP, Ashland City, includes a co-write with Lone Star State legend Ray Wylie Hubbard. Music is in Bryant’s lineage: His grandfather performed with Roy Orbison and Waylon Jennings, and his uncle co-founded the band Ricochet. Friday, May 3, 7 p.m., Sullivan Arena (Saint Anselm College), 100 Saint Anselm Drive, Manchester, $50 and up at anselm.edu.

On the daily: When Jon Stewart isn’t hosting The Daily Show, Jordan Klepper often sits in the anchor chair, one of many satellite stars to emerge from the long-running Comedy Central program. Add to that Klepper’s standup talents, which are on display in an area show, and his Fingers The Pulse man-in-the-street interviews, which have garnered two Emmy nods. Saturday, May 4, 8 pm., Capitol Center for the Arts, 44 S. Main St., Concord, $35 and up at ccanh.com.

Multiplicity: Even when they’re playing acoustic, as they mostly do, Mexican guitar duo Rodrigo y Gabriela offer up electrifying music. The pair, whose latest album is the Advaita Vedanta-inspired In Between Thoughts … A New World, blend Spanish flamenco-nuevo fretwork with rock ’n’ roll panache for a dazzling sound that really should be witnessed live to be appreciated. Sunday, May 5, 7 p.m., Nashua Center for the Arts, 201 Main St., Nashua, $49 and up at etix.com.

All-consuming: While Against Me! is on hiatus, Laura Jane Grace is busy with solo projects like the recently released Hole in My Head, of which Rolling Stone wrote, “There’s a bone-weary feeling to the record that befits a punk in their forties stepping back to take a look at the life they’ve built thus far.” She performs with her band The Devouring Mothers; The Devil’s Twins open. Monday, May 6, 8 p.m., Jewel Music Venue, 61 Canal St., Manchester, $35 at seetickets.us.

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