Puppets on a grittier street

Actorsingers Second Stage presents Avenue Q

Since the mid-1950s, Nashua’s Actorsingers theater company has been a mainstay in the area’s cultural scene, performing classics like The Sound of Music, Cats and Beauty and the Beast. In 2005, a subsection of the organization called Second Stage was launched to present non-traditional works.

Among adventurous Second Stage shows have been Evil Dead: The Musical, Reefer Madness and The Wild Party.

“It’s a little bit more against the beaten track,” Christie Conticchio of Actorsingers said recently. “What they would like to call their fringe productions.”

Conticchio is directing the company’s latest effort, Avenue Q, opening Aug. 22. The Tony-winning musical takes a Sesame Street-ish tale and places it in a gritty Brooklyn where most of the principals can barely afford rent. Most struggle with the search for meaning; this is underscored in an early song, “It Sucks to Be Me,” where cast members compare their woes.

Avenue Q is driven by puppets representing onstage actors. There’s neighbors Princeton and Kate Monster (Will Sulahian, Zoë Vitalich), odd couple roommates Nicky and Rod (James Spinney, Chris Drury) and Trekkie Monster (B.C. Williams), who along with the Bad Idea Bears (Dara Brown, Elsa Gustafson) embodies the musical’s irreverence. (Despite the puppets, this isn’t a kids’ show. According to a disclaimer on the company’s website: “This show contains racism, homophobia, profanity, sexual themes, and other sensitive topics.”)

Apex, North Carolina, custom fabricator DreamLab Studio provided the puppetry, which also includes boss lady Mrs. T (Kayla Williams) and the vixen-ish Lucy (Caitlyn Reilly). DreamLab founder Kerry Falkanger deserves her own credit in the playbill, with characters that are amazing.

“My actors keep talking about how comfortable it is to use their puppets and to look at them … they’re so pleasing to the eye,” Conticchio said, while noting that the production is using “between 20 and 30 puppets of different heads, bodies…. You wouldn’t think that Princeton needed three costume changes, but he does.”

For expertise controlling them, she consulted Ro Gavin, whose eponymous theater company in Portsmouth did Avenue Q in a previous season. “They came for … an entire workshop with the cast,” she recalled. “We went through syllables, how to do hand stretches, upper body strength. They got a crash course in Puppetry 101, even how to make a puppet breathe.”

A team of eight operators handles the puppets, and unlike the original Broadway show, there is no cast doubling. This is a move consistent with Conticchio’s directorial vision.

“Getting them as in-depth of the storyline as possible” was key, she explained. “This ensemble is, from the beginning, on stage I’d say more time than some of the leads.”

Actorsingers’ mission begins with “the promotion and presentation … of good amateur stage entertainment primarily of a musical nature” with “assistance and encouragement of many people, regardless of age, race or creed, in the development of their stage talents and to express such of their talents as will contribute to successful stage productions.”

Auditions for the show attracted an embarrassment of riches. More than 60 community actors showed up, all apparently Avenue Q fans.

“Casting Kate was probably one of the hardest things I’ve ever had to do as a director,” Conticchio said. “Luckily, I have seven other people on the board to help me.”

Asked what the response said to her about the amateur theater community in New Hampshire, and in the southern region of the state specifically, Conticchio was full of praise. “Honestly, it levels up with anything else regional, if not Broadway; I was so impressed with the talent,” she said. “After every group, I was like, honestly, thank you for coming out and sharing your talents with us. This is not going to be an easy decision.”

Back to the garden

Greenery, art and music at Wildflower Fest

Thanks to a decision by her manager, Joni Mitchell didn’t perform at Woodstock, but she did write a song that defined the legendary 1969 festival. Thus, it’s fitting that some of the Woodstock generation’s grandchildren are carrying on the spirit summoned by Mitchell’s words “we’ve got to get ourselves back to the garden” on its anniversary date.

For most of his childhood, Griff Comtois remembers Keyes Memorial Park in Milford as a Superfund site, surrounded by chain link fences. When the EPA declared it clean enough for public use, a stone and wood amphitheater was built there. Early on, Comtois thought it was underutilized. It prompted him and his friends to launch the first Wildflower Festival in August 2023.

The Wildflower Festival will mark its third year on Saturday, Aug. 16, at the Keyes Field Stage. Three stellar acts top the bill: Nova One, who appeared at this year’s Newport Folk Festival; Lazy Trail, a project led by Boy Scott’s Emma Willer, and Sneaky Miles, a Seacoast band that performed at the first fest.

The initial vision for that event was “a really cool concert for all our friends and everyone in the community,” Comtois recalled recently. Three bands were booked, but it quickly grew, to include an art fair with dozens of vendors. From there, he continued, “we were like, well, we should also raise money to do something.”

They netted $6,500 in contributions. With it, a pollinator garden was planted near the park’s gazebo. Buoyed by success, the festival returned last year, with more bands and art vendors, and raised enough money to install a meadow strip in the park. Both are regularly tended by a core group of volunteers.

“We all are really passionate about our environment and want to find ways that we can make a difference,” Comtois said. “One of my biggest interests is how can we make the spaces that we already live in more sustainable, rather than all this grass and concrete. How can we blend the line between wild nature and where we live?”

A big list of local acts will perform, including singer-songwriter Lily Soleil, Interstate 10, the Manchester-based duo of guitarist Corbin Sage and singer Kevin Lundstrom, Tin Fish, Portsmouth trio Bird Friend, Vale’s End, Burnin’ Shores, Trash Sun and Born Fools.

Darth Brandon rounds out the performers, and one of its members was instrumental in organizing music for the festival.

“Andrew West is really connected in the local music scene,” Comtois said. “He used to run open mic and different music events at Union Coffee in Milford, so he got a lot of the more local bands from there.”

West and Comtois first saw Sneaky Miles while both were at UNH, and Comtois is keen for their return.

“They really get people moving and they’re so fun to dance to,” he said. “They know how to keep the energy flowing … they’ll bring you really high, keep it going, give you a little break, then bring you back up. They throw a great concert.”

Even more artists will be on hand this year. “Everyone’s excited to be part of something, especially when it supports the environment,” Comtois said. “Every year I’m amazed by how much art they have, how well their stands are set up. They sell everything from stickers and prints to original paintings … sculptures and figurines. There’s a lot of pottery, upcycled clothes, woodworking and crocheted items.”

Comtois didn’t plan for his festival to coincide with Woodstock.

“I didn’t know, but August is a good time for festivals,” he said. But the garden motif will be strong, with a plant sale starting at 11 a.m. “Two hundred-plus plants, and I’d say it’s going to sell out probably before 1 [p.m.], because plant people are crazy. If you want some plants, I’d get there early.”

Wildflower Festival
When: Saturday, Aug. 16, 11 a.m.–9 p.m.
Where: Keyes Field Stage, 45 Elm St., Milford
Tickets: $10-$20 (sliding scale, pay what you can) at eventbrite.com

Featured photo: Courtesy photo.

The Music Roundup 25/08/14

Local music news & events

Twofer: As the field crowds, tribute acts are getting more creative. Bostyx performs the music of two late-’70s rockers, a trick that Foreigners Journey has also successfully accomplished. Standing in for Styx’s Dennis DeYoung and Brad Delp of Boston, lead singer Karthik “Raj” Seshan is a fan favorite — one called him “the true ‘Babe’” and another gushed, “the notes he hits, flawless.” Thursday, Aug. 14, 7:30 p.m., Rex Theatre, 23 Amherst St., Manchester, $40 at palacetheatre.org.

Bluesy: Classic cars and vintage music meld as the Michael Vincent Band performs a rootsy outdoor show at an event called Rev, White & Brew, now in its fourth year. Legend has it that ZZ Top’s Billy Gibbons once stopped by when his band was playing the BankNH Stage. Main Street will be shut down for pedestrian-only traffic and a steady parade of sweet rides. Friday, Aug. 15, 4 p.m., NH Vintage Vinyl / Defiant Records, Main & Canal streets, Laconia, defiantnh.com.

Streetwise: Named for the Aztec god of dance, Latino rockers Ozomatli celebrate 30 years as the soundtrack of their L.A. hometown. “A virtual melting pot of musical style,” wrote critic Brian Baker recently, “an unconventional hybrid of every conceivable subset of Latino music … as well as ska, funk, reggae, jazz, hip-hop and punk, all presented with the panache of a savvy rock band.” Saturday, Aug. 16, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $56 at tupelohall.com.

In the air

Greeley Park Art Show returns

Now in its eighth decade, the Greeley Park Art Show returns to Nashua as park renovations have reduced the amount of space available for the event. About 50 artists will show their work, along with children’s activities like puppet shows, rock painting, artmaking, a story hour, cornhole, and giant Jenga and Connect Four games.

Other attractions include food trucks and music from local guitarist George Packer (weather permitting). Bedford resident Ron Marcoux is a perennial favorite at the event. He will be back to demonstrate his woodworking techniques, and several other artists will also show off their creative process.

Two juried competitions are planned, one for adults and another for young artists.

Award categories include 3D, acrylic, mixed media, oil, pastel, photography, watercolor, digital art, and drawing/illustration. A Best of Show prizewinner will have their work displayed at ArtHub, a downtown gallery co-run by one of the event’s organizers, Sonia Guthrie.

The Adult competition will be held on Saturday, Aug. 16, with cash prizes totaling over $4,000. Artists up to age 18 vie on the following day. “The only difference is you don’t give them money; you can’t do that,” Guthrie said of the kids’ contest in a recent phone interview. “So they get prizes, more artwork supplies, that sort of thing.”

Additionally, as the show closes on Sunday, the Nashua Area Artists Association will present a scholarship check to at least one high school student with plans to pursue a degree in art.

“The overall goal is to promote the arts and artists,” Guthrie said. “Not just established, but brand new ones — kids. Greeley Park is the year-end celebration of that.”

Watching the youngsters interact with exhibitor demonstrations is Guthrie’s favorite part of the show. “Sometimes they sit down and kind of roll their eyes and go, ‘Oh, my Mom told me to sit here,’” she said. “Then they get into it and it becomes more fun for them.”

Guthrie welcomes an infusion of new blood into the Nashau art scene.

“The truth of the matter is many of our artists are getting older,” she said, adding some long-term members are skipping the show this year. “So we want to encourage the younger people to keep going with their art — if they have it and love it, they should do it.”

She has a message for anyone who feels more like a dabbler than artist: “There is no not good enough — you are what you are, you can learn to do better … but you’re still way ahead of people who don’t do it at all. Some of that is just confidence — there are an amazing number of people who are very reluctant to call themselves an artist.”

To claim the name, Guthrie continued, “you just have to be willing. I always think of Van Gogh; he never sold a painting. His sister-in-law is the only one that ever sold anything of his, and most of those were after he passed. Just because you haven’t sold yet doesn’t mean anything. To be a part of the art world is fun and exciting.”

At a time when arts organizations are losing funding and struggling to stay afloat, Guthrie believes NAAAis in a good place.

“If we break even, we figure we’re ahead of the game,” she said. They were helped by a $175,000 grant from newly opened The Nash Casino.

Guthrie hopes people will come out and support the event, especially anyone looking to create who needs encouragement.

“Camaraderie between artists is important,” she said. “They march to a different drum than the average person. Sometimes they really need that feedback from others that says, ‘Come o n, just keep going.’”

Big laughs

Brad Williams ‘Growth Spurt’ tour hits Concord

Brad Williams was groomed for comedy from an early age. Born with dwarfism, he says getting laughs began as self-defense.

His parents, who weren’t little people, knew he’d face challenges at school, so they sent him with some quick comebacks.

“My dad said, ‘When people meet you, there’s going to be one obvious thing that they notice,’” Williams said by phone recently. “‘Make a quick joke, let them know you’re OK. They’ll pay more attention to you and less to your dwarfism.’”

Performing for a crowd was a happy accident that happened when he was in the audience at comic Carlos Mencia’s show.

“He made midget jokes, and the audience wasn’t laughing,” Williams said. “He was very confused by this, like, ‘What, is one of them here?’ And I raised my creepy little hand in the air.”

Mencia called him up on stage and started asking questions. “Not trying to be funny, my answers got laughs,” he recalled. “That was kind of like the spark that made me go, ‘Ah, man, this feels pretty good.’ I started going up on open mic nights, trying it out. Thankfully, it went well, and 21 years later I’m an overnight success.”

Williams worked on Mind of Mencia while the show was on Comedy Central in the mid-2000s. At the outset, dwarfism helped his standup career.

“Every show doesn’t want just five straight white guys … they want different perspectives,” he said. “I may have gotten some shows I didn’t quote-unquote deserve.”

This grew frustrating as he improved.

“People were like, ‘He’s only funny because he’s a little person,” Williams recalled. “It took a while for people to see past that, and I would argue there are some people that still don’t. You know, I’ve never done a late-night set. So there are still certain entities out there that don’t believe that I’m actually funny.”

While those folks are entitled to their opinion, he’s glad to have success on his own terms, through clips and specials like 2024’s Starfish that fans passed around.

“It was a very organic way of growing the brand, and I’m really thankful for that,” he said. “Because now, people aren’t coming to my show expecting this character that they saw on TV or waiting for me to get to talking about my sex life because I’m with some celebrity. They’re genuinely interested in my perspective.”

That said, Williams always addresses the obvious when he starts a show.

“I’m never going to know what it’s like to be a six-foot-two guy,” he said. “My jokes will always have the perspective of a little person, but it’s great to get those out of the way…. When I walk on stage, there’s a lot of people who are immediately curious. I have that opportunity to be [their] introduction to dwarfism.”

His act includes bits about being a father to a daughter who’s also a dwarf, having a pit bull, and battling with his awful neighbor Carol; he uses her real name onstage. “Probably not the smartest idea for my family dynamics,” he concedes. “I’m a horrible liar, so I can’t go up on stage and say, ‘Her name is Andrea’ if I don’t feel it.”

During the interview, Williams revealed that he’ll shoot his next special later this year in Lexington, Kentucky. His comedy is definitely winning over audiences. When his “Growth Spurt” tour was booked in Concord, tickets for a 7 p.m. Aug. 8 show at the Capitol Center’s Chubb Theatre sold so quickly that a late one was added.

“Thank you to the good people of New Hampshire,” he said, while adding this about his act. “My comedy is like my general personality … very ADD. If you don’t like a joke, wait 30 seconds. It’s going to be high-energy … a lot of fun. I don’t want people leaving and not talking on the way to the car. You’re going to be talking with whoever you came with about the show and things you heard. But the bottom line is it’s going to be fun.”

Brad Williams
When: Friday, Aug. 8, at 7 and 10:15 p.m.
Where: Capitol Center for the Arts, 44 S. Main St., Concord
Tickets: $42.25 and up at ccanh.com

Featured photo: Courtesy photo.

The Music Roundup 25/08/07

Local music news & events

Roots night: An Americana double bill includes folk duo Kirstie Lynn and Galen Clark, who shine on the twangy love song “I Want a Cowboy” and trace their beginnings to Virginia’s prestigious Shenandoah Conservatory, where she was studying opera before pivoting to singer-songwriter and teaming up with multi-instrumentalist Clark. New Hampshire native Colin Nevins opens. Thursday, Aug. 7, 7 p.m., Pembroke City Limits, 134 Main St., Suncook, kirstielynn.com.

Rough hewn: Burly protest band Tigerman Woah performs atop a three-act show that includes Highwater Haulers and Time & Place. The band formed over a decade ago around a shared love of acoustic folk music circa Woody Guthrie and Alan Lomax, evolving into a rowdier plugged-in sound that, according to the band’s website, “moves people into mosh pits and onto picket lines.” Friday, Aug. 8, 9 p.m., Shaskeen Pub, 909 Elm St., Manchester, tigermanwoah.com, 21+, $15.

Block party: A free all-day event with donations encouraged, the Manchester Jazz & Music Festival supports the city’s school district music programs. Appearing are the New Orleans-flavored Krimson Krewe with Chris Noyes, Rich Di Mare and The Ron Poster Trio, a showcase from student and high school musicians, the Yellowhouse Blues Band, Soggy Po’ Boys and The Love Dogs. Saturday, Aug. 9, noon, Palace Theatre, 80 Hanover St., Manchester, palacetheatre.org.

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