Michael Witthaus

Music that matters

Alternate Routes performs at Tupelo Drive-In

Crisis is often a catalyst for great art. That’s been true twice for Alternate Routes — a few years back the band, fronted by the songwriting duo of Tim Warren and Eric Donnelly, addressed the epidemic of gun violence with “Somewhere in America.” Featuring lyrics by Donnelly, it crystallized the issue by melding the personal and political, without judgment.

Now, as the country endures a pandemic, the pair have delivered a song that fit the moment perfectly. “If I Ever” is a meditation about standing at the brink and vowing to come back with purpose — loving more, worrying less, and facing life’s demons. “I’m gonna be better,” Warren sings in a high lonesome voice. “Because I’m gonna be grateful … if I ever get out of this.”

“If I Ever” wasn’t exactly new. Warren said in a recent phone interview that “bits and pieces of it have been around” for a while. He sent an old demo to producer Chris Ruggiero to buff up, then had Donnelly lay down subtle but essential guitar to build on the rough home recording.

“That’s when it definitely was an Alternate Routes song,” Warren said. “After that, we didn’t do much to it. We just were like, ‘OK, this is cool, here we go’ — then we just put it out.”

It’s the video made to accompany “If I Ever” that lifts the song to a higher plane. Shot at dawn in New York City in its early days as Covid-19’s epicenter, it’s both beautiful and harrowing. The frame fills with socially distanced joggers, a delightful 8-year-old girl named Daisy, encountered during filming, dancing fluidly, and shots of vast empty streets. It ends with frontline workers sharing encouraging words hand-lettered on signs: “If I can feel hope so can you” and “I’ve learned the power of communicating with my eyes.”

Creating the video was a very moving experience for Warren.

“It was such a desolate scene there in Brooklyn,” he said. “Moments on the bridge where there was nobody but us, the police officers sitting there, and a few other people jogging by, I’ll never forget it.”

It came together quickly and was released in early May.

“That’s why I wanted to do it,” Warren said. “We finished the song in the pandemic, and we put it out during the pandemic, and that’s really what it sounds and feels like to me.”

An upcoming duo show at Tupelo Drive-In is their first since before lockdown, and may be their final performance of the year.

“I’m glad we’re going to be able to get to do one,” Warren said. “I don’t want to sound pessimistic, but I’m not sure how many of them we’ll be getting to do before we ring out 2020; I just don’t know.”

Other projects will suffice for the well-traveled band. Warren is hungry to make a new album after releasing a series of singles — “It seemed like a good fit for the way people were putting music out over the last couple of years, but for me that pendulum is swinging the other way.”

Both are focused on family. Donnelly and his wife welcomed their first child, a daughter, in March, while Warren and his wife are expecting their third in September.

Such activity makes another project nearing completion even more exciting: their call to community, Nothing More will be published as a children’s book, with drawings by Mae Besom. She’s best known for illustrating Kobi Yamada’s What You Do Matters trilogy.

“This woman is really brilliant, and I can’t wait,” Warren said.

With its anthemic chorus “we are how we treat each other and nothing more,” the song became a phenomenon. It played during the 2014 Olympics closing ceremonies, and the band has performed it at hundreds of schools, while receiving requests to use it at hundreds more.

Warren and Donnelly hope to take it even further.

“We’re going to try to put together a choral music package … together with ‘Somewhere in America’ and a few other songs that can create a dialogue in schools amongst kids learning music, about some of the social stuff that’s spinning around the world right now,” Warren said. “That feels like important work, you know?”

Alternate Routes
When: Thursday, July 23, 6 p.m.
Where: Tupelo Drive-In, 10 A St., Derry
Tickets: $20 per person (restaurant), $75 per vehicle at tupelohall.com

The Music Roundup 20/07/09

• Good times: One of the region’s musical treasures, Charlie Chronopoulos is a triple threat. He writes lyrically complex and compelling songs, renders them in a soothing honey and woodsmoke voice, and plays guitar like a beast. Good to have him back on the circuit, with shows booked throughout July. Check out his original “Chief and a Warrior,” recorded at Manchester’s Studio 2, for a taste of his brilliance. Thursday, July 9, 6 p.m., Village Trestle, 25 Main St., Goffstown. See facebook.com/charlie.chronopoulos.

• Wooden music: Like Jethro Tull, no member of The Clavis Brudon Band answers to that name, which is an amalgamation of the first three letters of the quartet’s surnames. They play a tasty brand of folk rock, this time at a new-ish venue; the restaurant’s been around for a while, but the rustic deck in back was just completed (one of the few bright spots of the pandemic is more outdoor performance spaces). Friday, July 10, 5 p.m., Tooky Mills Pub, 9 Depot St., Hillsborough. See facebook.com/The-Clavis-Brudon-Band.

• Happy man: Another among the plethora of entries into the live music scene is Paul Lussier, a singer, guitarist, actor and veteran of the regional scene. Lussier promises songs about peace, love and understanding to remedy current contentiousness, with a set that includes classic rock covers, and he may sprinkle in a few originals from his rock musical in progress, You Are My Song. Saturday, July 11, 4:30 p.m., The Hill Bar & Grille, 50 Chalet Way, Manchester. See paul-lussier.wixsite.com.

• Local hero: The Concord music community got sad news recently that True Brew Barista is closing, as the owners are retiring. Thanks for the many years of memories. The scene continues apace led by dedicated folks like Lucas Gallo, a musician and show promoter, who plays at a brewery that’s also keeping the flame burning. Enjoy an all original set along with stellar craft beer. Thursday, July 16, 7 p.m., Lithermans Limited Brewery, 26B Hall St., Concord. See facebook.com/lucasgallomusic.

Live and local

Soulful Concord band plays in Bow

FieldHouse Sports, a Bow facility better known for year-round indoor soccer, is the latest entry into the live music scene. Fiddler Jordan Tirrell-Wysocki led off the drive-in lot series on July 3, performing with his trio. A week later Trade, a rhythmic, horn-seasoned combo featuring some of New Hampshire’s finest players, will host the parking lot party.

Trade began with singing drummer George Laliotis and guitarist Scott Solsky, and a batch of Solsky’s songs that departed from his then band The Hats.

“I was at the point where I wanted to start a project and write the kind of music that has always spoken to me,” Solsky said in a recent phone interview. “The one thing I always came back to is that soul Motown thing … and no one sings that like George does.”

Early on, Trade played as a trio with keyboard player Matt Hogan, later adding horns.

“Over the years there were people coming in and out,” Solsky said, “But it’s always been George and I.”

In mid-2018, Trade released a CD, Puzzle. The album’s nine tracks were cowrites.

“I’ll come up with the idea, and George writes a lot of the lyrics — being a singer, it’s more in his wheelhouse — but the band does the arrangements,” Solsky said. “We’ve worked really well together as a group; everyone has ideas, and everyone contributes.”

The current lineup is Laliotis, Solsky, bassist Chris Noyes, a horn section of tenor sax player Zack Jones and Jamie Boccia on trumpet, and newest member Chris Sink on keys. The band recently released a new single on their SoundCloud page. “Real Deal” was an outtake from Puzzle.

“We were on the fence about whether or not we were going to do that one, then we were like, nah,’ Solsky said. “We kind of regretted not recording it, so it’s like we’ll just do it now.”

Working in isolation during quarantine was a daunting exercise.

“It was interesting; everyone having their own part, one person recording and sending it to the next and so on down the line,” Solsky said. “There was a learning curve for all of us, and I feel especially me, because I’m not super digitally inclined. To be able to get ourselves set up so that we can each individually record was the biggest challenge.”

Another track, called “Attachments,” is in progress, with hopes to complete it in the coming weeks. Solsky is also at work on a solo record at The Noise Floor in Dover. The backing band for half of the instrumental effort was Trade, and most of its songs are now part of their stage repertoire. Solsky calls his music “Jazztronica,” noting that “it came about because for my solo stuff I do the looping thing … it kind of has a flow to it.”

Both Solsky and bandmate Sink contributed tracks to Pass the Hat, a benefit LP organized by Chris Chase at Noise Floor. Fifty musicians offered songs, raising over $10,000, which was donated to 25 of the record’s contributors. Solsky played several Facebook Live shows during lockdown and was encouraged by fans’ willingness to drop money into his virtual tip jar.

He and the rest of Trade are anxious to be back in front of an audience, however.

“It’s exciting,” Solsky said. “As much as I’ve appreciated the support while livestreaming, whether it’s by myself or with the band, I always find that there’s a certain energy that you never really can reclaim when you’re just playing in front of the camera. That feeling of having a live crowd in front of you makes the energy of the music very different.”

Trade
When: Friday, July 10, 7 p.m.
Where: FieldHouse Sports, 12 Tallwood Drive, Bow
Tickets: $25 in advance, $30 at the gate per vehicle (up to 2 people), $10 each additional person at fieldhousesports.com

The Music Roundup 20/06/25

• Al fresco: With songs like “This Ol’ Farmhouse” in their catalog, Beechwood is an ideal choice to provide acoustic music at a local farmers market. The local group features some very nimble fingerpicking guitar, instrumental interplay and tight harmonies as they mix fine originals with covers of artists like James Taylor, Anders Osborne and Steve Earle. Thursday, June 25, 4 p.m., Henniker Community Market, 57 Main St., Henniker. Bring a blanket and chair.

• In and out: Now that restrictions on capacity limits are being eased, more venues are returning. Backyard Swagger plays country rock covers led by powerhouse lead singer Diane Ferullo at a downtown nightspot that reopened on June 17. The Massachusetts quintet covers everyone from Carrie Underwood and Miranda Lambert to Zac Brown Band and Luke Bryan. Friday, June 26, 7 p.m., Bonfire Country Bar, 950 Elm St., Manchester. More at bonfire.country/manchester.

• Perfect pair: Enjoy honey wine with equally smooth vocals as Anderson-Gram Duo perform meadery music. The married couple originally hailed from Hampton but have lived and performed in Northern California for many years, where they’ve appeared at prestigious events like the Kate Wolf Memorial Festival in Laytonville and the San Francisco Folk Festival. Saturday, June 27, 6 p.m., Moonlight Meadery, 23 Londonderry Road, Londonderry. More at andersongram.com.

• Hop onboard: Hosted by ManchVegas Brew Bus, Chad Verbeck kicks off the OG Sundays live music series with an acoustic set. Since local music treasure Alli Beaudry runs the beer touring company, and Verbeck is a longtime member of her band, chances are some collaboration could happen — with appropriate social distancing. Sunday, June 28, noon, Candia Road Brewing Co., 840 Candia Road, Manchester. Reservations are required — candiaroadbrewingco.com.

• L.A. Woman: Every summer, MB Padfield returns from her current abode in Southern California to play music for her old hometown. A midweek Manchester set is a residency — she’ll be on the deck there every Wednesday up to Labor Day. In August Padfield, who sings, and plays both a mean guitar and a bedazzled ukulele, will be the featured performer at KC’s Rib Shack’s Tuesday open mic. Wednesday, July 1, 6:30 p.m., Murphy’s Taproom, 494 Elm St., Manchester, 644-3535.

Finding a way

Adam Ezra Group returns to performing

On what turned out to be the worst Friday the 13^th in musical history, Adam Ezra was scheduled to open for Southside Johnny & the Asbury Jukes in Clearwater, Florida. A pandemic had other plans, however, and the show was canceled — along with the rest of Ezra’s 2020 Get Folked solo house concert tour.

It put Ezra in a funk, and not the fun kind. Never one to stay dejected, though, he hopped onto Facebook Live to air his frustration and sing a few songs.

“It made me feel a little bit better,” he recalled by phone recently. “So I said at the end, ‘How about we do this again tomorrow?’”

Thus began The Gathering, a daily livestream that’s attracted over two million viewers, while picking up major sponsors like lifestyle company Timberland. The webcasts ran unfailingly, even when Ezra contracted Covid-19 himself, and as he and his fiancée drove a packed van from Chelsea, Mass., to their desert cabin in Joshua Tree, California.

Singing and playing on the internet was fun, but Ezra is an inveterate road dog, performing close to 200 gigs most years. So he’s stoked to be coming back to New England to play a few drive-in shows, beginning July 1 in New Bedford, Mass., and peaking on Fourth of July weekend at one of his favorite haunts, now transformed.

“I’m a big fan of Tupelo Music Hall,” Ezra said of the Derry venue, one of the first in the country to convert its parking lot into an outdoor concert facility. “It’s a really special place that obviously understands the power of community.”

Though there were a few virtual Gathering jams, this will mark the first time Ezra, fiddler Corinna Smith, drummer Alex Martin and bass player Poche Ponce have been on stage together since playing last New Year’s Eve at Tupelo, a show that was also released as a live album.

“They are my friends and my partners in crime,” Ezra said. “I missed the hell out of them, and I’m really excited to get to play music with them again. … It’s like breathing, or sharing a milkshake.”

He knows the band will need a little time to find its old form, but Ezra isn’t worried. In fact, it’s one of the things he’s looking forward to most.

“One of the things I love about our following, our fans, is that it doesn’t matter. We’re all going to be figuring it out together,” he said. “I think the mess-ups are going to be better than the parts we nail that night.”

Work on a new studio album was ended by the lockdown, but Adam Ezra Group did release “Find a Way.” The a capella song is just right for the present zeitgeist, with an exhortation to “hold onto each other” and weather crisis. The song isn’t new — Ezra released it on a solo album a while back — but the way it was redone is unprecedented.

“I thought, how can what we’re doing musically help impact the message of the song as powerfully as possible, and four voices depending on each other to create chords and make the music happen felt like the perfect metaphor,” he said, noting that AEG had never worked that way before. “We do not feel comfortable when we don’t have our instruments in front of us, right? That’s just who we are.”

After living in near isolation since early May, Ezra is happy to be returning to music. He’s also amazed at what transpired, including a bout with the virus that wasn’t life-threatening but was very uncomfortable, and time allowed for reflection that he never expected given his lifestyle.

“Can you think of anything that would force us all to analyze life more deeply than having to shut down the engine and stay put for three months no matter where you are? This is part of my life forever … just like touring. The marriage of the two is going to be the sweet spot for me.”

It’s a ’gram jam

Hampton haven for tacos, tunes and selfies

Walking into Instabar, one is greeted by a riot of color, light and kitsch: wild graphics, a wall of speakers offered for art, not sound, a hollowed out Winnebago remade as a conversation pit, and positive vibes like “Make today Magic” drawn in funky fonts on the floor. Every night, live music flows from a corner stage.

The festival of senses is about more than a fun night out, though Tex-Mex tacos, local craft beer and margaritas do provide that. Instabar is a place that exists in equal measure for pleasure and posting, dedicated to the Instagram generation. Each tableau — there are more than 20, and they change regularly — is a potential scene for selfies, a nod to the notion that an experience is more awesome when shared online.

It’s the brainchild of Scott Millette, a former competitive snowboarder and fight promoter turned filmmaker. His work in branding and marketing led Millette to Austin, Texas, last year, where he discovered Rainey Street, an old neighborhood turned nightlife hub brimming with food trailers, bars made of freight containers and other oddities. He found the scene ideal for iPhone snapping and uploading.

Dawn Kingston, a photographer who works extensively with influencers and artists like Shawn Mendes, Machine Gun Kelly and Cameron Dallas, told him about an emerging business model focused on the selfie crowd.

“Pop-up museums like Happy Place and Ice Cream Museum, the one made famous on the Kardashians,” Millette said by phone recently. “They all had individual rooms that were basically built just to take Instagram photos of yourself. I was like, ‘Wow, this is a whole other market.’ These places had tickets that were selling out in minutes.”

Millette hatched a plan to combine it with a focus on his favorite food and bring it home to New Hampshire.

“I thought those two things coming together would be a really cool experience,” he said.

His old friend Shane Pine liked the idea of using the back of his Hampton restaurant, Shane’s Texas Pit, and he liked the food focus, which Millette hoped would draw the surfer crowd and be true to the Lone Star State.

“One thing you can get that’s amazing all the time in Texas is a taco, whether you go to a big restaurant or get it out of a truck at 3 in the morning,” Millette said.

Losing 87 pounds on an all-Mexican food diet a couple of years ago gave Millette the experience to build a menu. He then recruited artists to create the space.

“Carmen Fernandez, a friend of mine from Portsmouth, Christian Hardy, a filmmaker, musician and an artist I’ve worked on other projects, Kendall Vocca and Alyssa Pine,” he said. “We all worked together; I just essentially would curate it, but sometimes I would just guide them in a certain area.”

Kingston helmed the crucial Instagram rollout. To her surprise, Millette insisted the location would be a mystery right up to opening night.

“Social media is all about engagement,” he said. “The first question is, where is it? We tell them it’s a secret and they can’t know without an invite. That made our Instagram quite explode, to like 700 views per story.”

Live entertainment is integral to Instabar’s mission.

“What is art without music?” Millette asked. “Nothing without a good soundtrack. It’s so important to me … and this restaurant is based on being authentically Austin, which claims to be the live music capital of the world.”

April Renzella, David Corson, Rob Pagnano, Brad Bosse, Sam Robbins and Amanda McCarthy have all appeared there since Instabar opened in late May. Comedy happens June 24 at 6:30 p.m., when Manchester standup Mike Koutrobis performs ($10/ticket).

Millette has other ideas brewing as well, like help sessions with professional photographers for people looking to take more flattering shots.

“We have this whole environment of great backdrops,” he said. “We could do an Eight Steps to Up Your Bumble Game type of night that includes live music after, where people come out and take awesome selfies, and get to meet other singles.”

Instabar @ Shane’s Authentically Austin
Where: 61 High St., Hampton
Reserve: instabarnh2020.eventbrite.com
Thursday, June 18 – TBA
Friday, June 19 – Dave Corson
Saturday, June 20 – Rob Pagnano
Sunday, June 21 – Alex Potenza
Monday, June 22 – TBA
Tuesday, June 23 – Dave Corson
Wednesday, June 24 – Amanda McCarthy
Thursday, June 25 – Dave Corson
Friday, June 26 – King Kyote
Saturday, June 27 – Dave Corson
Sunday, June 28 – Brad Bosse

The Music Roundup 20/06/18

• Get some ’cue: Enjoy outdoor dining with music from Austin McCarthy in an oasis whose opening marks the semi-official start of summer. As Jimmy Buffet sings, “Thank God the Tiki bar is open, thank God the Tiki torch still shines.” McCarthy is an easygoing singer songwriter with a list of covers ranging from Grateful Dead to City & Color, along with some tasty originals. Thursday, June 18, 4 p.m., KC’s Rib Shack, 837 Second St., Manchester. For reservations, go to facebook.com/kcsribshack.

• Funny man: Veteran standup Robbie Printz was inspired by attending an Eddie Murphy show to break into comedy, deciding to parlay a childhood spent making up his own SNL skits into a career telling jokes. He’s appeared on Comedy Central and A&E’s venerable Evening at The Improv, and won the Boston Comedy Fest. Printz headlines an 18+ show with Carolyn Plummer and Pat Collins. Friday, June 19, 8 p.m., Amherst Country Club, 72 Ponemah Road, Amherst. Tickets $20 at playamherst.com.

• Party down: Offering another sign of revival, The Trichomes play the first show since lockdown at a venue with “live music” right there in its name. Dubbed a Dirty Thirty Birthday Bash for someone named Cheeze, the event requires mask-wearing and Jewel will cap capacity at 30 percent. The Newmarket-based headliners are an eclectic bunch, moving between funk, rock and jazz with ease. Friday, June 19, 7 p.m., Jewel Music Venue, 61 Canal St., Manchester. Tickets $10 at the door.

• Good times: Born in Florida, raised on blues and gospel, Pete Peterson is a fixture on the regional scene, both solo and with Rhythm Method and Family Affair, bands that include his daughter Yamica. The seasoned musician’s set list includes a mixture of soul, classic rock and rhythm & blues. He appears at the Salem location of a restaurant chain that’s lately gone all in on live music. Saturday, June 20, 6 p.m., T-Bones Great American Eatery, 311 South Broadway, Salem. Call 893-3444.

• Country sound: Recently celebrating her first album, April Cushman performs acoustic songs on a Concord bar and restaurant’s patio. The self-described “hillbilly songwriter” released In a Small Town on June 12; it was engineered by Nashville producer Colt Capperrune. The title song pays tribute to Swanzey, where Cushman grew up, and local spots like Jeanne’s Family Diner. Thursday, June 25, 5 p.m., Cheers NH, 17 Depot St., Concord. More at facebook.com/aprilcushmanmusic.

Back on stage

Country singer Nicole Knox Murphy playing out again

After 10 weeks of playing weekly sets from her home in Candia for Facebook fans, on May 29 Nicole Murphy was elated to finally be back at Auburn Pitts Bar & Grill, the place where she returned to being a country singer after raising a family for 15 years. Guitar in hand and a backing track machine at her side, strumming and singing beneath an outdoor tent, Murphy gave her first performance in front of a live audience since Covid-19 shut down the local music scene in mid-March.

The multiple New Hampshire Country Music Awards winner called the experience “awesome” in a recent phone interview.

“All my regulars came out that weren’t too nervous,” Murphy said, noting that fans gleaned from her Friday night livestreams added a few new faces to the crowd. “It was just a fantastic night; the weather was perfect, and everybody did what they were supposed to do.”

With that return done, Murphy’s calendar is filling up again, even at a few places that are trying live music for the first time. She’s booked a Thursday residency for the rest of June at an events center in Windham that isn’t booking weddings and private parties.

“They’ve decided because of the coronavirus to do a bar and restaurant,” she said. “They have everything set out on their back patio.”

She’s also set to play at a country club in her hometown.

The pandemic hit Murphy’s bottom line hard — to the tune of $6,500 in lost gigs — but the virtual tip jar she set up for online shows helped more than a bit.

“That’s my grocery money,” she said.

When WMUR interviewed her and fellow performer Chad Lamarsh for a story on the state of live music, there was an immediate bump in Facebook Live love.

“The night after, I got like double and triple the money for my tips,” she said. “That was really nice.”

Murphy has at least one more online show on her calendar. Taste of New Hampshire is an annual event that will be virtual for this, its 15th year. A fundraiser for Boys & Girls Clubs of Greater Concord and Central New Hampshire, it features a silent auction and live music over five days.

“I’ll record myself for 30 minutes [and] send it to them,” she said. “Then they’ll play it between June 15 and June 19.”

Everything else will be happening at places where she was busy before Covid-19, including Granite Tapas in Hooksett, Main Street Grill in Pittsfield and The Bar in Hudson. Both excitement and trepidation mark her return to live performing.

“I’m looking to be cautious,” she said, concerned that the virus will resurge. “I’m nervous; I’m thinking I’ll book up my calendar again, and then all of a sudden they’ll say, ‘Oh no, we’re back in lockdown and nobody can go out.’”

She spent a lot of her time in quarantine working on new songs, and polishing up a couple. “I’m So Done” was released at the end of May. “The 802,” an ode to her Vermont roots (she was a working musician and a beauty show contestant in her teenage years), will hopefully hit streaming sites in a few weeks.

Developing new material was more relaxing for Murphy than in the past.

“The last couple of projects. … I haven’t had the quietness that I needed to focus on music writing,” she said. “This whole lockdown shut my weekends down, so I just started going up to my music room with a pad of paper and working.”

The extra time at home with her husband was both encouraging and productive.

“Just me and him, doing things that we’ve been wanting to do that we’ve put off because we’ve all been so busy,” she said. “Now that I had all these weekends free, we could work on projects.”

She’s happy it was temporary, however.

“It’s been good that way, but … I really miss singing.”

Nicole Knox Murphy. Photo by Tyke Frost.

Nicole Knox Murphy
Where: Castleton Banquet & Conference Center, 58 Enterprise Dr., Windham
When: Thursday, June 11, June 18 and June 25, 5:30 p.m.
More: facebook.com/nicole.knoxmurphy
Also:
Saturday, June 13, 7 p.m., The Bar, 2B Burnham Road, Hudson
Sunday, June 14, 4 p.m., Cheers, 17 Depot St., Concord
Saturday, June 20, 5:30 p.m., Candia Woods Golf Links, 313 South Road, Candia

Laughing again

Stand-up comedy comes out of quarantine

As live entertainment gradually returns, the challenges for comedians are twofold. First, there’s the practical aspect of how to present a show. This is, after all, a discipline that relies on an audience. While on lockdown, Juston McKinney played to his wife, two sons and dog on the couch of his Newmarket home, with his mother-in-law and dad watching on iPads, and posted it to his Facebook page. That’s the kind of performance withdrawal he experienced.

McKinney is accustomed to packed opera house shows, but said in a recent phone interview that he’ll be glad to hit open mic nights when they return. Such events have smaller audiences that are easier to socially distance. They’re also key to working up new material.

“I’m kind of jonesing because I was doing an open mic every week … a new seven to eight minutes,” he said. “I’ll tell you this: I never thought I would look forward to having four people in an audience so much in my life. I would kill for four people right now.”

As for the prospect of doing his still-scheduled fall shows at Blue Ocean Music Hall in Salisbury and Manchester’s Palace Theatre under the current safety rules, McKinney is concerned. He expects, though, that even working with a spaced out crowd will improve over webcasts in quarantine.

“Comedy is an art form that should be done in a controlled environment — sound, lights, crowd — and we’ve lost all control of that now,” he said. “My biggest fear is someone’s never seen me ever before and the only time they see me is on one of these Zoom things and they’re like, ‘I don’t know.’ You’ve gotta see me live, not in my home office.”

Fortunately, the clouds are slowly parting for stage-hungry standups like McKinney.

Live efforts have launched, beginning May 22 with a parking lot show at Tupelo Music Hall Drive-In in Derry. Tupelo owner Scott Hayward hopes to do them every Thursday in June and beyond. Kathleen’s Irish Pub in Bristol will hold Cottage Comedy Al Fresco with JJ Jones and four other comics on June 6 in its patio area. Curlie’s Comedy Club in Rochester offers a hybrid, with pay-per-view livestreams and tickets to watch through the window from their outside deck.

The second part is equally tricky: what’s funny in a post-pandemic world?

At Tupelo, host Mike Smith joked about home schooling and masks (“everyone looks like they’re going to rob a 7-Eleven”). He then handed off to opener Paul Landwehr, who complained about having to watch decades-old Celtics games on ESPN, then closed by proposing marriage to his longtime girlfriend from the stage (she said yes). That was a novel way to avoid the elephant in the parking lot.

Mike Koutrobis followed with a set not much different from what he’d been doing in February. “I’m a little rusty,” he texted just prior to the show. Boston comic Graig Murphy offered a mixture of pre- and post-pandemic humor, quipping about drive-by birthday parties and trying his best to do crowd work, while telling jokes that would be funny crisis or not.

The latter is a path urged by Nick Lavallee, who along with Dave Carter has booked weekly comedy at Shaskeen Pub in Manchester since 2013.

“The last thing people want to hear right now is untested content about the thing that they’re bombarded with day in and day out,” he said in a recent phone interview. “If a comic who hasn’t worked in three months goes up in front of a paying audience and tries riffing on material that hasn’t been done yet … they’re going to struggle.”

On the other hand, Lavallee continued, the hunger for live standup means comics could get some leeway as they return to form.

“You’re going to have to just throw some spaghetti on the wall, see what sticks, and it’s a good time to do it because you can also do things you might be embarrassed about, like, ‘I tried something during the pandemic and it didn’t work.’ You can own it. You can blame your bombs on this. We all have thick skin, we’ve been doing this for so freaking long.”

More than a few are poised to make comedy hay from the coronavirus. Curlie’s owner Joshua Guptel, who does comedy as Jay Grove, talked about it on stage recently: “This is not funny,” he said. “But there’s a lot of funny in it.”

Upcoming comedy shows
Where: Kathleen’s Irish Pub, 99 Lake St., Bristol
When: Saturday, June 6, 6 p.m.
Reservations: call 744-6336
Performing: JJ Jones, Al Christakis, Paul Landwehr, Randy Williams and Mona Forgione

Where: Curlie’s Comedy Club, 12 Union St., Rochester
When: Saturday, June 6, and Saturday, June 13
Tickets: $20 per table at Eventbrite.com
Performing: Steve Scarfo (June 6) and Amy Tee (June 13)

Where: Tupelo Music Hall, 10 A St., Derry
When: Thursdays, 6 p.m. (tentative)
Tickets: $75 per car at tupelohall.com; $20 per person for restaurant seating (starts June 12)

Author: Michael Witthaus