Author: Michael Witthaus

Back in the field

MILF Life Crisis explores life after divorce

Life keeps handing Anne Marie Scheffler one-woman shows. In her early 30s she did Not Getting It, a sendup of the dating scene. With marriage and kids came Suddenly Mommy! Scheffler’s recent divorce produced MILF Life Crisis, which arrives at Bank of NH Stage in Concord on Feb. 24.

In the new show, Scheffler and several of her alter egos explore re-entering a social fray made even more baffling by dating apps and age. Ultimately, though, it’s a celebration of the new freedom her new life offers. Flipping the acronym to (M)others are (I)ncredible, (L)ovely and (F)antastic, a derogatory fetish term is recast as a way to see female 40-something singlehood through a hopeful lens.

“We’re gonna make it fun and sexy, we’re gonna put on our leopard print,” Scheffler said in a recent phone interview. “You guys, just don’t worry about yourself, because we’ve got it covered.” It’s a powerful response to the idea that ending a marriage at a certain age is a death sentence.

“It could be the end of the world, but what if we decide it’s not?” Scheffler continued. “What if we decide we’re like George Clooney, and we only get better with age? This is the best time to be single because your kids are out … when you’re dating and you don’t have some part of your brain that’s like, ‘must procreate, must procreate’ — that’s really freeing.”

She’s egged on by fictional friend Kendra, whose airy attitude toward relationships aligns with Sam Malone from the ’80s sitcom Cheers; “let’s just go to bed, we don’t need a relationship” is her credo. Other characters in her journey from marriage to divorce to dating are friends offering sympathy and encouragement. Even her ex-husband appears, with his identity shrouded — apparently, he knew what marrying a comedian might portend.

“In our divorce agreement,” Scheffler said, “it’s literally in the legal document that I’m not allowed to use his real name.”

While MILF Life Crisis isn’t a show that Scheffler wanted or expected to make, she has a natural talent for mining laughs from her adversity.

“We can either be oppressed and sad, or laugh at it, shine the light in the dark corners and point out the silliness,” she said. “One of my strengths is I don’t put other people down; my comedy is very self-reflective, making fun of myself. What am I doing in my life that’s ridiculous? There’s a strength to making fun of what you’re supposed to take seriously.”

Scheffler always knew she would be a performer, but originally had her sights on being a serious actress. However, fate intervened.

“I went to theater school thinking I was going to be the next Meryl Streep, thinking, ‘I cry all the time, I’m sure I’ll be dramatic,’” she said. “I ended up being told, or it was very clear to the world, that I was good at comedy.”

She trained and toured with Second City and studied at the now-defunct Theater Resource Center. She also learned the mask-based style of clown technique created by Richard Pochinko, and studied with Phillippe Gaulier, who also taught Sacha Baron Cohen; Gaulier told her she was bound for great things.

“I thought that was probably a good sign,” Scheffler said. “With Second City, improv, the ability to write my own material and the Pochinko clowning, life is the best when I’m laughing.”

It’s led to a steady stream of success, despite the curveballs.

“I thought Suddenly Mommy! was going to be the thing that got me my TV series and put me on the map, but sadly, I got divorced; then my manager was like, everybody wants to know what your next show is,” she said, adding that she has a follow-up in the works called MILF & Cookies. “Who knew that I was going to be the poster child for divorce? I didn’t want that particularly… you wake up in your early 40s and you’re like, ‘I’m supposed to be married forever; now I have to start dating again?’”

MILF Life Crisis
When: Saturday, Feb. 24, 8 p.m.
Where: Bank of NH Stage, 16 S. Main St., Concord
Tickets: $43.75 at ccanh.com

Featured photo: Anne Marie Scheffler. Courtesy photo.

The Music Roundup 24/02/22

Local music news & events

• Record party: The fourth Thursday of the month is Bring Your Own Vinyl Night at a downtown craft brewery whose name illustrates the evening’s spirit. Check out To Share’s extensive collection, which includes everything from Tupac to Bob Seger’s Night Moves along with nuggets like Sanford Townsend Band’s Smoke From a Distant Fire. Thursday, Feb. 22, 4 p.m., To Share Brewing, 720 Union St., Manchester, tosharebrewing.com.

• Folked up: Singer, songwriter and superb raconteur Vance Gilbert performs an “evening with” show. His latest album, 2023’s The Mother of Trouble, includes a song called “Simple Things” that Gilbert described as “what happens when a Black kid from Philadelphia who grew up listening to Earth, Wind & Fire, and didn’t know the Average White Band was white, tries to write a song like John Prine.” Friday, Feb. 23, 7:30 p.m., Rex Theatre, 23 Amherst St., Manchester, $25 at palacetheatre.org.

• Country girl: Happy career news continues for April Cushman, who will play a Saturday night apres-ski gig with her trio. There are events like a recent showcase in Cincinnati and a Plymouth, Mass., headlining show coming in May, and in June, Cushman will be on the side stage for Lainey Wilson’s Meadowbrook concert and later entertaining NASCAR fans ahead of Race Weekend. Saturday, Feb. 24, 6 pm., Pats Peak Ski Area, 686 Flanders Road, Henniker. See facebook.com/aprilcushmanmusic.

• Picking power: A fundraiser for an inventive sculpture garden has the New England Bluegrass Band, led by Cecil Abels, a Mississippi-born singer, guitarist and proprietor of Mr. Sippy’s BBQ, who came to the region via a career in the U.S. Navy. Converted from a ski resort in 1996, the beneficiary venue now welcomes a wide array of sculptors to create and place their work in its growing collection. Sunday, Feb. 25, 6 p.m., Andres Institute of Art, 106 Route 13, Brookline, $25 at andresinstitute.org.

• Song circle: This month’s Songwriter RoundUp at a Lakes Region winery has Brooks Young and Tim Winchester with host Katie Dobbins. Young had quite the year in 2023, opening for George Thorogood & the Destroyers on an East Coast tour, buoyed by the success of his Supply Chain Blues album. Wednesday, Feb. 28, 7 p.m., Hermit Woods Winery, 72 Main St., Meredith, $10 and up at eventbrite.com.

Life, death, transcendence

NH Philharmonic performs Mahler’s Resurrection Symphony

Among the most well-regarded of Gustav Mahler’s nine symphonies is his second. Commonly called the Resurrection Symphony, it’s a daunting work. For Mark Latham, conductor and musical director of The Phil — the New Hampshire Philharmonic Orchestra — scale is a big reason he’s drawn to it.

“It’s not very often done because it’s just so large and it’s a challenge to get all the forces in place,” Latham said by phone recently. “But I think it’s actually the dream of probably all conductors — the challenge of this incredible masterpiece.”

Latham promised an “immersive” experience when The Phil performs Mahler’s Second Symphony in C Minor at two afternoon shows, on Feb. 24 and Feb. 25.

“There are gigantic forces involved,” he said. “A huge orchestra, gigantic percussion, an off-stage band, a chorus of about 80 or 90, and two soloists. I think the audience can’t help but get immersed.”

The upcoming performance will feature two guest solo vocalists. Alto Hannah Murray is a Plymouth State University faculty member, and soprano Dr. Evangelia Leontis is from Keene State University. As the combined choirs from both schools are also performing, “it seemed appropriate and sensible to use their own faculty,” Latham said. “I have worked with both of them; they both have fabulous voices.”

The Keene State Concert Choir, directed by Dr. Sandra Howard, is non-auditioned and open to all students regardless of major. Plymouth State’s includes both students and community members in its non-auditioned University Chorale. Conversely, the Chamber Singers are an auditioned ensemble that tours nationally and internationally. Both are directed by Harmony Markey.

Despite its name, the Resurrection Symphony isn’t a Christian work; most biographers say the Jewish born composer was agnostic, though it does explore life, death, and death’s transcendence. Mahler, who was born in the mid-19th century and had siblings who died in infancy, was captivated by the topic of death.

“One of the games that he and his brothers and sisters would play would be to reenact funeral marches — a natural thing as kids, right?” Latham said, adding that Mahler wrote a piece called Polka and Funeral March before he was 10. “Even from a very young age, he was concerned with dying … how we can better live through understanding what death means, and what happens after death.”

Finishing the symphony was difficult for Mahler, who got stuck on choosing a text for the choral section in the final movement (stirringly recreated in the Leonard Bernstein biopic Maestro). Before that, he’d shared the first section with renowned conductor Hans von Bülow, who didn’t like it; he covered his ears. “This sent Mahler into a big funk,” Latham said. “He didn’t compose for quite a while after that.”

When Bülow died, though, a reading of Friedrich Gottlieb Klopstock’s poem “Die Auferstehung (The Resurrection)” at his funeral finally gave Mahler clarity. “That was the a-ha moment for him,” Latham said. “He raced back and began finishing the final movement.”

For Latham, the Resurrection Symphony “is an incredible journey … an exploration of the big themes of our lives.” He offered his thoughts on its five stages.

“The first movement is as long as a Beethoven symphony; its original name is Funeral Rites, and in a way, it’s the funeral of the hero that he presented in his first symphony,” he said. “Then it just goes from there, there’s a lovely, gentle, what’s called a Ländler, a German dance, in the second movement, then Saint Anthony and the Fish in the third movement,” which includes a song from a set of Mahler poems.

“Philosophically, it’s expressing in a way what seems to be the senselessness of human existence,” Latham said. “Saint Anthony goes to preach and the church in Padua is empty; then he goes and preaches to the fishes. They’re swimming about, and don’t pay much attention either. The actual song is hilarious.”

The fourth movement, Primordial Light, “is really pure and angelic,” and includes Murray’s alto solo. An apocalyptic vision commences the first half of the fifth movement, “followed by looking at what resurrection might mean — even if you’re not Christian, in fact. It’s just a gigantic voice, and you get swept up. Before you know it, it’s almost over. It’s fantastic.”

Mahler’s Resurrection Symphony
When: Saturday, Feb. 24, and Sunday, Feb. 25, 2 p.m.
Location: Seifert Performing Arts Center, 44 Geremonty Dr., Salem
Tickets: $5 to $35 at nhpo.booktix.com

Featured photo: Mark Latham. Courtesy photo.

Still standing (up)

Kathy Griffin’s ‘My Life on the PTSD List’ hits Portsmouth

Every comic has their story about a joke that didn’t land, and the heckler or projectile that resulted. For Kathy Griffin, an ill-considered attempt to riff on Donald Trump’s “blood coming out of her whatever” comment about debate moderator Megyn Kelly was more consequential. She lost jobs, lost friends and, worse, unleashed a federal investigation — all because of a photo of her holding a ketchup-soaked mask.

It turned out that was just one of many setbacks for Griffin. Along with repeatedly being detained by Interpol during a world tour documented in the film Hell of a Story, she lost her sister to cancer, her mother and longtime foil died at the start of the Covid pandemic, and Griffin herself battled both a pill addiction and lung cancer.

Beyond all that turmoil, she found a way to laugh, even at being the target of a weaponized government.

“I make fun of all of it,” Griffin said by phone from her home in Malibu. “After this long and storied career, to think that I was under investigation by the DOJ and then diagnosed with PTSD, like I’m a combat veteran or something? You have to laugh at it. There’s too much comedy there.”

For example, her cancer, which resulted in the removal of half a lung. “I’m cancer-free, and I’m a proud member of the one-and-a-half lungs community, which needs a face for the brand,” Griffin said. “I’m doing it for free, gratis and happily, and I don’t appreciate you flaunting your two lungs in my face.”

There is, however, one topic she’s trying to steer clear of. “I will say — shocker — as of this moment, I don’t mention Trump at this new show. It’s not like I’m afraid of him or anything because he can’t really do anything worse than he already has.” She polls the audience at most shows to gauge whether they’re interested in the political or personal and goes from there.

On Feb. 2, she opened in Des Moines, Iowa, to a decent-sized crowd, but not every market is as welcoming. With conservative celebrities like Laura Loomer working to re-ignite the outrage that derailed Griffin’s career in 2017, ticket sales are lagging for shows in red states like Texas, Kentucky and Indiana. However, less than 100 or so seats remain for her “My Life on the PTSD List” tour stop in New Hampshire.

Many likened the backlash she received to The Dixie Chicks in the aughts — even that band’s singer Natalie Maines reached out to Griffin to offer support. “That was so cool,” she said. “We were going to get together, then something happened, and we couldn’t. But I want to find her number again and say, remember me? Let’s do it.”

Still, the band now called The Chicks was able to go on tour and make an album with Rick Rubin. Griffin lost much more, for a longer time. Comparisons to Lenny Bruce’s obscenity battles in the 1960s also miss the point, she continued. “He had cops arrest him, not the feds. I even called Kelly Carlin, George’s daughter, and she said the same thing … ‘My dad never had the feds.’ This was a full investigation, testifying under oath, and the no-fly list.”

The comedian famous for never meeting a line she wouldn’t cross eventually learned to lean into the firestorm she’d created.

“I don’t care if you’re a stay-at-home mom or you have an office job, but to then not be doing that which you do for six long years, and to have it come at the behest of the f-ing president, that was the awful part,” she said. “The phone not ringing, the people turning on me, the networks telling me, ‘We love you; we think you’re funny, but you’re too toxic for Middle America’ is of course something I took as a challenge.”

Ironically, Griffin’s number is on a special kind of speed dial list.

“I’m the patron saint of celebrities who’ve gotten canceled for screwed up reasons, and so I will get called,” she said. “Bette Midler called me one time during the Trump’s administration … he was mad at her about a tweet, and she got a call from the Secret Service. She wanted to know what to do and I’m like, do this, this and this, and you say this, and don’t say this.”

On the other hand, “Don’t talk to me about the people who deserve to get canceled,” she continued. “The ones who pissed off the previous administration, I know how to handle those calls. Like, Rudy Giuliani’s daughter … she contacted me and she’s like, ‘I’m so embarrassed about my dad, what do I do?’ I said, ‘You’re stuck with him, honey, just smile and stay gay.’ She’s like, ‘I love you!’ So, I never know about what kind of calls I’m going to get.”

Did any positives come out of her ordeal? “Honestly, I don’t have a lot of good news to report except that it gave me clarity,” she said. “Most of the people that turned on me are still turned against me … it’s particularly people in my industry. I’m just going to call it out, and of course I’ll get in trouble for this as usual, but it was old white guys who identify with Trump far more than they identify with me.”

Griffin is excited to be back in front of audiences. Much of her new cadre of material sticks to the celebrity-dragging and barbs that helped feed her success.

“I’ve always been a magnet for crazy, that’s a gift that I’ve accepted and no longer fight, so, I go into certain situations sometimes, and I just know they’re going to be comedy gold,” she said. “I have a whole new half hour about going to Paris Hilton’s Christmas party that I cannot wait to talk about in Portsmouth. Because it was like a time capsule. First of all, she looks exactly the same, she still wears the pink sparkly dresses and such. It was like going back to 2003. Nothing has changed. I went with Rosie O’Donnell, so it was like the Rosie O’Donnell show was still on daytime, My Life on the D List was still on TV, it was hilarious…. I also like that Paris didn’t let us in the house, which is my favorite thing about when rich people have parties, they have police caution tape, like don’t even think about it. I don’t blame her; she’s been through hell herself.”

She’ll also riff on a certain pop singer but may go a bit gentler on her.

“We can’t not talk about Britney!” she said. “I feel very maternal toward her, I certainly went in hard on her in the ’90s and 2000s, because at that time I was making fun of a young lady that was a multi-multi-multi-millionaire as a teenager and was behaving in ways that sometimes were unique, but no, I’m not making fun of her mental illness. But am I gonna talk about her Instagram? Yes, I am. Can I look away from it? No, I can’t.”

The gloves are off for her former Hamptons neighbor Kanye West, now remarried and causing international incidents with his new wife. “Getting kicked out of Italy, I’ve never heard of that,” Griffin wondered. “I can see getting kicked out of an Italian restaurant but getting kicked out of the entire country because you’re walking around with a pillow and plastic heels? I’ve got to get to the bottom of it.”

Griffin also thinks Kanye is missing his former wife, Kim Kardashian. “A couple of days ago, his pants fell down, and you could see his butt crack. Doesn’t he have a team of people to tell him, pull your pants up, get it together? That’s what I feel Kim did. She would do a little bit of Cher in Moonstruck — ‘snap out of it!’ Because he was a little bit functional then; now he’s just off the rails. I know he has a mental illness, but I don’t care. I’m going right for the misogyny.”

Whatever awaits her as she embarks on her first big domestic tour since her world came crashing down, Kathy Griffin remains defiant. “I have cemented my place in history,” she said. “Actually, as I’m getting older, I’m getting a little proud of it. The fact that I’m still out there, going to work within the same 10-day period of E. Jean Carroll getting her $83 million judgment, I’m starting to have a bit of optimism about this little divided country of ours.”

An Evening with Kathy Griffin
When: Saturday, Feb. 17, 8 p.m.
Where: The Music Hall, 28 Chestnut St., Portsmouth
Tickets: $57.50 and up at themusichall.org

Featured photo: Kathy Griffin. Courtesy photo.

The Music Roundup 24/02/15

Local music news & events

• Dad tribute: The first song A.J. Croce recorded from his father’s catalog after doing Croce by Croce concerts for many years was “I Got A Name.” When Jim Croce died in a 1973 plane crash, his son was 2 years old. Later, one way he got to know him was by studying reels of tape for clues to his artistic process; this led him to realize that they both loved the same American Songbook artists. Thursday, Feb. 15, 7 p.m., Capitol Center for the Arts, 44 S. Main St., Concord, $53.75 and up at ccanh.com.

• Rock’s voice: When Deep Purple made the Rock & Roll Hall of Fame, Glenn Hughes, their co-vocalist and bassist in the mid-’70s, was among those accepting the honor. Hughes plays Deep Purple classics at a local show, with Enuff Z’Nuff opening. Friday, Feb. 16, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $50 and up tupelohall.com.

• Laugh time: Monthly comedy shows continue at a grand buffet Italian restaurant with Paul Nardizzi topping a lineup that also includes Dave Rattigan and Chris Cameron; arrive early for the food and stay for the hilarity. Former Boston Comedy Festival winner Nardizzi has appeared on Late Night with Conan O’Brien, Comedy Central, NESN and Fox Sports’ Best Damn Sports Show Period. Saturday, Feb. 17, 8 pm., Cello’s Farmhouse Italian, 143 Raymond Road, Candia, $30 at eventbrite.com.

• Duo show: A release show celebrates Call and Response, a new EP from Matt Pond PA & Alexa Rose, who decided to connect and make music together after Rose name-checked the band in her song “Wild Peppermint.” The disc includes a lovely take on the Verve’s “Bittersweet Symphony” and the original “Side Eye Rolls,” a Tom Petty-esque rocker that nods to The Big Lebowski’s rug. Sunday, Feb. 18, 7 p.m., The Word Barn, 66 Newfields Road, Exeter, $16 and up at portsmouthtickets.com.

• Celtic connection: With less than a month until St. Patrick’s Day, it’s a good time to enjoy the weekly Irish Sessions at a venerable Concord pub, recently revived after a long hiatus. Settle into a six-dollar pint of Guinness or Smithwick’s, or a Black & Tan combo of the two, paired with fish and chips, beef stew or a Dublin burger, alongside a lively and frequently surprising evening of traditional music. Tuesday, Feb. 20, 6 p.m., The Barley House, 132 N. Main St., Concord, thebarleyhouse.com.

Brotherhood, family and one big hammer

Thor & Loki tale turns theatrical

The Marvel Comic Universe meets High School Musical, sans big song and dance numbers, in Hammered: A Thor & Loki Play, to be performed by the Peacock Players youth theater group at the Janice B. Streeter Theatre in Nashua from Friday, Feb. 16, through Sunday, Feb. 18. The original work comes via Marvel Spotlight, a brand extension that aims to put a different spin on the comic book and blockbuster film franchise.

Hammered was written by two-time Tony-winning actor Christian Borle. In a 2019 video to promote Marvel Spotlight, Borle talked about liking the idea of using characters and comic tropes to get deeper into the superhero dynamic — while also shaking up the story a bit.

“In my universe, Loki is not the bad guy,” he said. “They drive each other crazy, but there’s a real fraternal bond between them. It’s brotherhood, family, and one big hammer.”

Directing the Peacock Players production is Samantha Searles, who grew up in southern New Hampshire and returned last November at the behest of Peacock Executive Director Elle Millar. Searle attended UNH’s Manchester campus and earned her undergraduate degree at Suffolk University in Boston.

“I’ve been a big fan of the Marvel Universe since I was in middle school, so to be able to work on it, with middle and high school kids, is really cool,” first-time director Searles said in a recent phone interview. “It’s fun, and we get to play around with accents, costumes and all that to bring it from big movies and TV to the stage.”

The hour-long play is set in a modern high school and revolves around a story, told by an aged Thor to his granddaughters, of life when he was a teenager.

“You travel between Earth through the eyes of some kids in the school, back through the cosmic void … to Asgard,” Searles said. “This would take place after Avengers: Endgame, but before the Loki show.”

The earthbound protagonists are a jock and a comic book nerd, patterned after Thor and Loki, but “they’re written to kind of subvert the traditional roles a little bit,” Searles observed. “The jock is actually interested in reading about Thor, which makes a lot of sense because Thor is the jock character, but he’s got a heart of gold … hopefully, audiences will get a kick out of a different take on these classic characters.”

The teenage cast “is super talented and having a lot of fun together,” Searle continued. “So much fun that last week during rehearsal my asthma got triggered because I was laughing so hard. The show is quirky, really weird, and I’ve told them to lean into that. [For example], Asgardians live for thousands of years, so even though it seems like you’re teenagers you really have thousands of years of backstory and things; play around with that.”

The current show offered a unique opportunity for newcomers reluctant to try out for musicals, like Once Upon a Mattress Youth Edition, which opens March 17, and Xanadu, which runs May 12 to May 21. “It’s just a play, and that widens the number of kids we can have,” Searles said. “Not everyone’s a singer or a dancer.”

Auditions for a teen-centric production of the Broadway hit Six will begin in June. Peacock Players welcomes new talent; the cast of Hammered also includes a first-timer.

“We can always use more kids,” Searles said. “Our tech and stage crew are largely kids too, and they get to learn about all the technology and stuff behind the scenes. There’s definitely lots of room for people to join.”

When: Friday, Feb. 16, 7 p.m.; Saturday, Feb. 17, 2 and 7 p.m., and Sunday, Feb. 18, 2 p.m.
Location: Janice B. Streeter Theatre, 14 Court St., Nashua
Tickets: $12 to $18 at peacockplayers.org

Featured photo: Rehearsal for Hammered: A Thor & Loki play. Courtesy photo.

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