Author: Michael Witthaus

Step out for a musical December

From big stages to small, national touring acts and regional heroes will fill the nights with mirth and melodies throughout December.

Here’s a taste of what’s coming.

• Bookend the month, and then some, with Recycled Percussion. The junk rockers close out their latest, Redonkulous, at their personal performance venue, The CAKE, with 2 p.m. and 7 p.m. shows (tickets $35 to $110) on two Saturdays, Nov. 26 and Dec. 3, and Sunday, Dec. 4, at 2 p.m. On Wednesday, Dec. 28, they’ll invade Manchester’s Palace Theatre ($35 and up) for a 13-show run that concludes on Jan. 7.

• Over at the Palace’s sister room The Rex Theatre, get festive and international with a week of holiday-themed events. On Saturday, Dec. 10, at 7:30 p.m. Boston-based jazz singer Rich DiMare serves up A Sinatra Christmas($29 and up), followed Sunday, Dec. 11, at 4 p.m. by the Celtic fiddle mastery of A Joyful Christmas with Eileen Ivers ($39). On Wednesday, Dec. 14, Italy takes a jazzy bow with Anthony Nunziata: My Italian Broadway Christmas; the next day, it’s Eric Mintel’s Charlie Brown Jazz Christmas. The Spain Brothers offer a blend of holiday-themed Irish and American folk on Saturday, Dec. 17 (all shows 7 p.m., $29).

• At the state’s largest venue,the SNHU Arena, the Boston Pops Esplanade Orchestra returns for the 21st time since their Manchester debut in 2001, on Saturday, Dec. 10, at 7:30 p.m., as Keith Lockhart conducts the 2022 Holidays Pops Tour. Tickets are $55 and up at ticketmaster.com.

• At Concord’s Bank of NH Stage on Friday, Dec. 2, at 7 p.m., Portland, Maine-based Spencer and the Walrus recreate The Beatles’ studio recordings with astounding accuracy, joined by a six-piece horn section ($38). The theme continues with well-regarded Talking Heads tribute act Start Making Sense on Saturday, Dec. 3. at 8 p.m. ($15 and $30). Tim Reynolds, who rose to fame through his collaboration with Dave Matthews, plays with his TR3 band on Friday, Dec. 16, at 8 p.m. ($36).

• The Capitol Center for the Arts hosts a trio of seasonal shows starting with The Seamus Egan Project’s Celtic Christmas on Saturday, Dec. 3, at 7 p.m. ($32 and up). The Capital Jazz Orchestra does its Holiday Pops show on Sunday, Dec. 11, at 4 p.m. ($27.50 and up) and the annual Morning Buzz Christmas Ball happens Thursday, Dec. 15, at 7 p. m. ($45, recommended age 18+)

• Tupelo Music Hall is packed from Day 1, as bluesman Popa Chubby stops by, with local favorite Brooks Young as an opener, on Thursday, Dec. 1, at 8 p.m. ($30). Guitar shredder Gary Hoey, whose Ho! Ho! Hoey! holiday show is synonymous with the season, plays Sunday, Dec. 4, at 7 p.m. ($35 and up). Musicians’ musician Martin Sexton hits Tupelo Friday, Dec. 9, at 8 p.m. ($40 and up), and folk chanteuse Judy Collins offers hits and holiday songs Sunday, Dec. 18, at 7 p.m. ($55 and up).

• At Jimmy’s Jazz & Blues Club, guitarist and legendary side man Larry Carlton digs into Steely Dan’s catalog — that’s him wailing on 1976’s “Kid Charlemagne” — and plays other hits Saturday, Dec. 3, at 7 and 9:30 p.m. ($35 to $115). Singer-songwriter Dar Williams serves up erudite folk songs Thursday, Dec. 8, at 7:30 p.m. ($10 to $60), while British Blues Hall of Fame guitarist Matt Schofield plays Saturday, Dec. 17, at 7:30 p.m. ($15 to $55).

• At the nearby newly renovated Music Hall Lounge, the utterly charming Antje Duvekot appears Thursday, Dec. 8, at 7:30 p.m. ($37 and up), and Thanks to Gravity, a band key to the early ’90s Seacoast scene chronicled in the 2012 documentary In Danger of Being Discovered, plays two shows, Saturday, Dec. 10, at 7 p.m. and Sunday, Dec. 11, at 8 p.m. ($28 and up).

• 3S Artspace has a few live music events, including free ones like Mission of Burma’s Roger Clark Miller playing from his boundary-stretching album, Eight Dream Interpretations for Solo Electric Guitar Ensemble, on Friday, Dec. 2, at 6:30 and 7:30 p.m. Small Pond tops a Saturday, Dec. 3, 7 p.m. show with Hello Shark and Sneaky Miles ($15). The headliners began in Portsmouth doing DIY shows, later opening for national acts like The Ballroom Thieves and Haley Heynderickx. Their sound is described as “swingy, laid-back indie rock with big hooks and undeniably catchy lyrics.” Boston emo stalwarts Piebald plays a 3S date on Wednesday, Dec. 28, at 8 p.m. ($25).

Venues
Bank of NH Stage 16 S. Main St., Concord; ccanh.com
The CAKE Theatre 12 Veterans Square, Laconia; thecaketheatre.com
Chubb Theatre (Capitol Center for the Arts) 44 S. Main St., Concord; ccanh.com
Jimmy’s Jazz & Blues Club 135 Congress St., Portsmouth; jimmysoncongress.com
Music Hall Lounge 131 Congress St., Portsmouth; themusichall.org
Palace Theatre 80 Hanover St., Manchester; palacetheatre.org
Rex Theatre 23 Amherst St., Manchester; palacetheatre.org
SNHU Arena 555 Elm St., Manchester; snhuarena.com
3S Artspace 319 Vaughan St, Portsmouth; 3sarts.org

Featured photo: Recycled Percussion. Courtesy photo.

Trans-Siberian Orchestra’s big show returns

Few acts usher in the holiday season quite like Trans-Siberian Orchestra, with its Christmas cocktail of classic rock, classical music and theatrical flourish topped with lasers and smoke bombs. Fans set their calendars by them, gathering families to take in a show that gets bigger and better each year.

For their stop in Manchester on the day after Thanksgiving, TSO will reprise the rock opera that put them on the map, The Ghosts of Christmas Eve. Originally a 1999 television special, it offers traditional songs such as “O Come All Ye Faithful” and originals including “Music Box Blues” and “Christmas Eve (Sarajevo 12/24),” the latter the template for the massive band that’s captivated audiences for over 25 years.

Recent times have been challenging. In 2017, visionary founder Paul O’Neill died, but at the behest of his widow Desi and other family members TSO carried on. Three years later, the pandemic sidelined them from playing live; instead they did a virtual pay per view show that was a far cry from their epic arena firepower.

“It was as strange for the band members as it was for the fans,” drummer Jeff Plate said of the lost year in a recent phone interview. Returning to the stage in 2021, he had “a whole new appreciation for wow, we are so lucky to do what we do. But we were also in the bubble; we were anxious, there was this anxiety … I was so relieved when we got done.”

Breathing easier this time around, the group is focused on keeping O’Neill’s vision going, a task that in the days after his death seemed overwhelming.

“When we lost Paul, I’ll be honest with you,” Plate recalled, “there was a moment when I sat down on the couch with my wife and said, ‘maybe that’s it’ … none of us were really sure what was going to happen.”

However, it soon became clear that continuing was “exactly what Paul would want us to do … he had said many times, ‘It’s going to outlive us all, we’re going to pass this on from generation to generation.’ The reality is, TSO has become a tradition. That’s a pretty heavy statement, but it’s true…. Some people can’t even function until they see TSO to get their holidays going.”

Moving forward was also helped by the fact that TSO is a well-oiled touring machine, with separate East and West Coast runs. Each has its own cast, crew and semi-truck fleet.

“We’ve been operating like that since the year 2000,” Plate said. “Losing Paul was huge, but everybody knew the job at hand and just how much more focused we needed to be…. There’s no way to make these tours as good as they are, and as successful as they are, without that kind of commitment.”

Plate first worked with O’Neill in Savatage, the band that spawned TSO, on their 1995 album Dead Winter Dead. “It was a really interesting time, because the band had changed so much and Paul’s gears were turning all the time,” Plate recalled. At first, no one knew what to make of the “Carol of the Bells” meets Emerson, Lake & Palmer track “Sarajevo,” which would reappear on the first TSO album, Christmas Eve and Other Stories.

“We were all questioning, what was Paul thinking, putting this song on this record, but there was no denying how great the final version was,” Plate said. “To see that song take off in a completely different direction and all of a sudden become this huge hit, it was like, you know, Paul could see down the road further than the rest of us.”

Once again, the upcoming show will be divided into two acts, starting with Ghosts of Christmas Eve stitched together with narration, followed by a greatest hits segment. “This is a fan favorite, and it’s a band favorite too,” Plate said, “one of my favorite shows to play. It’s high energy, with a really good vibe to the whole thing.”

As the interview ended, Plate made sure to make a note of another TSO tradition: donating a dollar from every ticket sold to a local charity. It came with another nod to their founder’s family. “Over $16 million we’ve donated across the country all these years,” he said. “It could have easily gone away when we lost Paul, but his wife and daughter really stepped up. … We can’t thank Paul enough for everything that he’s done, but his family has also been very, very critical to all that too.”

Trans-Siberian Orchestra – The Ghosts of Christmas Eve
When: Friday, Nov. 25, 3 and 7:30 p.m.
Where: SNHU Arena, 555 Elm St., Manchester
More: $52.50 to $102.50 at snhuarena.com

Featured photo: Trans-Siberian Orchestra. Courtesy photo.