Category: Art & Theater

Follow the sun

Installation at 3S changes hour by hour

The art of Christina Watka relies on space and time, which is why the main gallery at 3S Artspace is ideal for her “Noticing Light” installation running through the end of the month. It’s dominated by a hanging sculpture of multicolored and shaped glass spanning two-thirds of the expansive room. The rest is taken up by “Kinship Compositions,” a display of works from metallurgy artist Margaret Jacobs.

Watka’s piece takes on different characteristics as morning moves into afternoon and early evening, thanks to large doors of latticed glass letting in outside light, along with gallery bulbs hung from the high ceiling. This dynamism is something that drives the Maine-based artist.

“That’s kind of what brought me to installation art,” she said by phone recently. “I had always been fascinated with light; it started seeping into the work I was making. The first real studio I ever committed to was on the Hudson River in Dobbs Ferry, New York. I had these west-facing windows, and I got blasted by light all the time. I could almost get a sunburn it was so bright in that room.”

3S Artspace is the ideal environment to express her current vision, she continued. “I decided to place this large installation exactly where the band of light curves around the room and then shoots through the entire thing,” she said. “It refracts and reflects … ‘kaleidoscopic’ is the best word to use. It sprays the light all around the room and completely changes it.”

Sound is another component at play in “Noticing Light,” via a series of field stones placed on the gallery’s floor. Each has a hole drilled in it. Cupping an ear while hovering over each reveals spare, ethereal music played by Andrew Halchak, who is Watka’s husband.

The stones once held up an 18th-century barn the couple own in Cape Elizabeth.

“I went through the property and hand-picked the ones that felt good,” Watka said. “Andrew is learning how to do dry stone walling — he’s just this jack of all trades. He helped me figure out how to make this idea come to life.”

The musical selections are “modern, minimal, classical compositions” provided by friends of the couple. “I’ve always been interested in … inviting people to embody themselves in a new way,” Watka said. “It’s really fascinating to have people in a gallery setting getting down on the floor to experience something different.”

It also provides a way to use her theater background. “Inviting people into spaces in a new way … to think of art and think of themselves and think of their time here in a different nuanced way,” she said. “And the music feels like an expression of time too. This very minimal thing can put you in your body, in the place in a different way.”

The looping nature of the music is similar to Watka’s other work.

“A lot of my installations are a repeated shape over and over again, and the process I have in making it is really meditative as well … but it’s also a really intimate experience,” she said. “I like inviting people to the payout if you allow yourself to be vulnerable and lay down on a gallery floor, instead of just standing and doing what you do in other galleries — looking at the wall, you know?”

Watka began working on the installation a year and a half ago. Early on, she was aware that it might arrive at a fraught moment, and welcomed that possibility. “A lot of artists are being called to making lighter work, that just brings you to where you are,” she said. “I think of that in my work all the time, making something that’s in direct response to the actual moment … it just makes sense.”

Noticing Light – Works by Christina Watka
When: Through Jan. 28.
Where: 3S Artspace, 319 Vaughan St., Portsmouth
More: 3sarts.org and christinawatka.com

Featured photo: “Noticing Light” by Christina Watka. Photo by Michael Witthaus.

The Art Roundup 25/01/02

The latest from NH’s theater, arts and literary communities

• Baroque Beatles: The Concord Community Music School hosts Bach’s Lunch: “A Baroque Beatles Renaissance,” a lecture, on Thursday, Jan. 2, from 12:10 to 12:50 p.m. “Travel through time” as Cody Switzer and Emily Adams discuss similarities between the music of the English Renaissance (which includes John Dowland, William Byrd and Thomas Morley) and that of The Beatles. They will discuss how lute songs, as well as the music of Lennon and McCartney, translate well to solo voice and guitar, with plenty of musical examples and stories, according to the press release. This event is free and open to the public, “thanks in part to the generosity of the Walker Fund.” Visit ccmusicschool.org.

• History of the American poor house: Stephen Taylor presents “Poor Houses and Town Farms: The Hard Row for Paupers”on Wednesday, Jan. 8, at 6:30 p.m. at Charlie’s Barn Loudon Community Building (29 Village Road, Loudon). Early Northeastern colonies followed the lead of England’s 1601 Poor Law, which led to the establishment of alms houses and poor farms and, later, county institutions. Taylor will examine how paupers were treated in these facilities and how reformers eventually succeeded in closing them down. Call 783-0307 or visit nhhumanities.org.

• New on staff: TheBarnstormers Board of Directors announced the appointment of Jordan Ahnquist as the new Artistic Director of The Barnstormers Theatre heading into their 2025 season. In addition to working as a director and actor over the past 13 years, he worked closely with the board and artistic staff, finding new grant opportunities, enhancing patron engagement, and contributing to the theater’s growth in the role of Development Associate, according to the press release. Visit barnstormerstheatre.org or call 323-8500.

• Landscape show: Starting on Friday, Jan. 3, The New Hampshire Audubon at the McLane Center (84 Silk Farm Road, Concord) will be hosting the exhibit “Painting the Natural Landscape Exhibit” from artist Diane Crespo. It will run until Saturday, Feb. 22, according to the NH Audubon calendar. Crespo is a landscape painter living in southeast New Hampshire and she earned her BFA from New Hampshire Institute of Art in 2011, according to the event’s website. Prior to pursuing a fine art degree she painted only with pastels, and now she paints primarily in oils and pastels and commonly paints over acrylic under-paintings or tonal under-paintings with oil paint, according to the website. Her paintings can be viewed at Diane Crespo Fine Art (27 Front St., Exeter; dianecrespofineart.com). Visit nhaudubon.org or call 224-9909 for more information on the exhibit.

• On stage: The Players’ Ring (105 Marcy St., Portsmouth) will start the new year with Whispering to Dostoevsky Friday, Jan. 3, through Sunday, Jan. 19. The play was written and directed by Richard McElvain, who said in a statement, “The Players’ Ring feels like a good place to give my wacky play a first full production. … It’s a ‘big play.’ At the readings audiences gave it standing ovations with tears in their eyes. I’m very curious to see if that will be the case with a full production.” Find out for yourself on Thursdays at 7 p.m.; Fridays and Saturdays at 7:30 p.m.; as well as Saturdays and Sundays at 2:30 p.m. Tickets range from $26 to $29 and the show is included in subscription packages. Visit playersring.org or call 436-8123.

Two views

See Saw Art features a two-artist exhibition

Compiled by Zachary Lewis
zlewis@hippopress.com

From Saturday, Jan. 11, through Sunday, Jan. 26, a two-artist exhibition will be held at See Saw Art in Manchester that will feature selections from Ian Trask’s “Strange Histories” and Ryan Swedenborg’s “Winks” collection. An opening reception will be held Jan. 11 from 5 to 7 p.m.

Amy Regan is the heart and soul, owner and operator, of See Saw Art. She is no stranger to the gallery world.

“I opened See Saw Art in September of 2022, and I have been in volunteer arts curation and my community organizing in a way in Rochester, New Hampshire. I helped found and still operate and run the Rochester Museum of Fine Arts.”

Regan was compelled to do more with art and to bring it a bit closer to home.

“So around 2022 I was thinking, ‘I really love working in Rochester, but I’m here living in Manchester,’ and I wanted to try out a different sort of idea, where it was a little bit more of a commercial gallery and in a different city. When I started looking for studio spaces or places to have a gallery, I stumbled upon the Mosaic Art Collective, which was just absolutely perfect. It’s a great space … on Hanover Street, and it is really approachable for me to have, essentially, a smallish studio space. I discussed it with the owner, Liz Peroni, who instantly understood that I wanted to run a little gallery in that space. I’ve been really lucky to work with them and to have the two exhibition spaces in Mosaic Arts Collective,” Regan said.

See Saw Art holds two types of exhibits. “Mostly I’ll do invitational exhibitions, which is what I have coming up in January. I will pair artists together that I think are interesting and would kind of make a good conversation. I’m doing anywhere from two to 10 artists.”

Regan loves to include artists from different walks of life and backgrounds, and one way of finding them is by holding an exhibit where anyone can submit their artwork.

“Every once in a while, around six months or so, I’ll do an open call exhibition,” she said. “I just finished, it was a really short show in December, but I just did a 40-artist, 62-piece exhibition for our December show, ‘Small Works at Approachable Prices.’ So, kind of between those two styles, an invitational and a group exhibition are the ones that I’m typically running at See Saw.”

The exhibition in January is with an artist Regan discovered at one of her open calls, Ryan Swedenborg, and an artist she has worked with before, Ian Trask.

Trask is based in Brunswick Maine. “His work is vintage slide viewers that he has made custom platforms that they live on. They plug in so the light lights up. So he has made really intricate and unique for each slide viewer a style and a sculpture essentially. And when you look through the slide viewer, he has composed an image out of slides, so it could be three or four sort of stacked on one another of all different scenes. He was gifted a donation of slides from the Trachtenburg Family Slideshow Players, which is a pop-up art family based in New York City,” she said.

A side viewer made out of wood, metal, a lighter, and a collection of other colorful materials.
Ian Trask Love Bug Slide Viewer. Courtesy photo.

Ryan Swedenborg is originally from California and is working toward a master of fine arts degree at the Maine College of Art and Design in Portland. “Ryan submitted to the open call I did in December. I reached out and said, ‘Hey, I love your work. Would you be interested in being paired with Ian in January?’ So it’s fun to be able to book shows based on that. They are working in ceramic, so we have a number of small ceramic sculptures that are going to be coming in, and she calls them the Winx Collection. It’s ceramic work created in appreciation of moments when nature winks back at you. So they’re really sweet, small sculptures.”

Regan finds joy in the curation of the exhibit. “So between the two artists, which are honestly pretty different ideas, that becomes my fun job of making sense and curating and installing an exhibition that is engaging and thought-provoking between the two works.” She also hosts artist talks on See Saw Art’s Instagram page.

But the real joy for Regan is using art and her gallery spaces to bring harmony to the community. “It’s artists from all communities. It’s a really great silo-breaker. You know, everybody can stand in front of a piece of artwork and whether you love it, or you don’t get it, or you hate it, you still have an opinion about it. It’s really interesting to me that people can get together and celebrate each other, discuss artwork, see where those ideas would come from. Part of my fun and part of my joy is making a space that’s really approachable and that is very welcoming…. So as much as it’s an experiment to showcase the artist, I also want to make sure that the patrons feel really supported and want to come in and check out and see what’s going on at See Saw,” Regan said.

‘Layers & Moments’ opening reception
Where: See Saw Art, 66 Hanover St., Suite 201, Manchester
When: Saturday, Jan. 11, 5 to 7 p.m. Exhibit open through Sunday, Jan. 26.
More: seesaw.gallery

Featured photo: Ian Trask Love Bug. Courtesy photo.

The Art Roundup 24/12/26

The latest from NH’s theater, arts and literary communities

• Still time for Carol: Head to the Palace Theatre (80 Hanover St., Manchester, palacetheatre.org) to catch the last few shows of A Christmas Carol, which will still be running there through Sunday, Dec. 29, with showtimes at 7:30 p.m. on Fridays, 2 and 7:30 p.m. on Saturdays and 2 p.m. on Sundays.Tickets cost $39 to $45.

• Cook and Kettner exhibit: “Caterpillar,” featuring works by Emma cc Cook and Em Kettner, will be on display at Outer Space (35 Pleasant St., Concord) through Saturday, Jan. 18. Emma cc Cook graduated with a BFA in painting from University of Minnesota, Minneapolis, and studied at the Angel Academy in Florence, Italy, according to the event page. Cook often combines dark paintings on canvas with abrupt insertions of walnut sticks, textural variations and intriguing thematic ventures that are inspired by rural American West landscapes and the broad discourses surrounding identity, history, environment and erasure, according to the website. Outer Space will donate 5 percent of its profits from any sales of her work to a nonprofit of the artist’s choosing, according to the same website. Visit outerspacearts.xyz. The gallery is open Saturdays from 11 a.m. to 5 p.m., according to its Facebook page.

• Are you choral curious? Join the Granite State Choral Society for their 50th anniversary season as they are recruiting new members throughout January for the spring concert season. No audition is required and all are welcome to join who have an interest in singing and learning, according to a press release. The current members have a range of ages and are based in New Hampshire and Maine, according to the release. On Sundays, Jan. 12, and Jan. 19, prospective members may stop by to meet members, ask questions, and express interest in joining, and new members are welcome to attend rehearsals starting at the beginning of each season on Sundays from 4 to 6:30 p.m. at First Church Congregational (63 S. Main St., Rochester). Visit gschoralsociety.org.

A year of exhibits and performances

Local arts experts talk about 2024 and what’s getting them excited for 2025

Compiled by Zachary Lewis
zlewis@hippopress.com

I asked members of the local arts community what they were most proud of in 2024 and what they were looking forward to in 2025.

• Fallon Rae, co-founder and owner of Pillar Gallery + Projects,205 N. State St., Concord; pillargalleryprojects.com, 657-8111: “We are so proud of our last juried open call exhibition, “NANO’”… where we included over 60 artists and over 100 works of art in our 200-square-foot space…. We worked on showcasing our maximalist curatorial approach with concurrent themes that reflect, express and relate to the larger conversations in artists’ worlds and how they mirror one another….”

“The next exhibition we are excited about is “Currents” (Feb. 9-April 2, with a reception on Feb. 23). This show focuses on contemporary interpretations of the ocean, waterways, and reflections on the changes we are facing as a collective. … Some of the artists include Mary Mead, Jackie Brown and Hannah Perinne Mode, amongst others, with 5 percent of sales going to Blue Ocean Society…”

• Dan Pelletier, Artistic Director, Cue Zero Theatre Company, cztheatre.com:“Personally, most proud work this year had to be our June production William Shakespeare’s Long Lost First Play (abridged). We were blessed with three incredibly talented performers taking on over 12 characters each, a wonderful costumer, a fanatic stage crew, and we created something truly special. We had a rehearsal environment of everyone wanting to give better than their best, and audiences left dying of laughter.”

“Assuming my upcoming wedding doesn’t count as a production, then I’ll have to say my 2025 production which I am most excited for is People Like To Be Scared: an Exploration of Fear. This piece is scheduled Oct. 3 through Oct. 5 and will be our third main stage devised piece. The actors will come into the beginning of the rehearsal process with no script, only a concept of wanting to explore fear from many different angles …”

• Zackery Betty, Artistic Director, NSquared Dance, nsquareddance.org: “NSquared Dance’s The Lavender Scare, June 27 at The Rex Theatre. This was a pinnacle moment to share the story of The Lavender Scare, a mass firing of federal government workers due to their sexual orientation as a threat to America in the 1950s. …We paired with New Hampshire Dance Collaborative and Manchester True Collaborative for this performance.”

“[For 2025,] NSquared Dance’s return to The Rex Theatre on May 4, 2025!”

• Elizabeth “Betsy” Craumer, Creative Ventures Gallery,411 Nashua St., Milford, creativeventuresfineart.com, 672-2500: “The performance I’m most proud of is our ability to get the students into the right class to start or continue their art journey. This includes networking with others in the art field to help with their next step. I’m also proud to help students progress in their artwork.”

“For 2025, I guess my goal is to get a little more involved with town activities …”

• Jen Sakash, Member of the Granite State Choral Society (20 Allen Street, #1431Rochester; gschoralsociety.org): “We are currently celebrating our 50th anniversary of the choir. This December we had our first concert as part of that year-long celebration: “Winter’s Embrace: Celebrating 50 Years of Peace and Joy.” …

“ In the spring (May 2025) we will complete our anniversary year by performing more popular pieces from over the years, such as Broadway show tunes and patriotic pieces.”

• Matt Cahoon, Artistic Director, theatre KAPOW,66 Hanover St., Suite 101, Manchester, tkapow.com: “While 2024 has been a very productive one for theatre KAPOW, I think the show we are most proud of is our September production of Aaron Posner’s play Life Sucks. …Our cast was full of longtime collaborators and that made every rehearsal feel extra friendly and comfortable.”

“I am really excited for Every Brilliant Thing. I love that play and all of Duncan Macmillan’s plays! It’s a one-person show that we will be presenting in February at the BNH Stage and the Winnipesaukee Playhouse. I think it is exciting for theatre KAPOW fans because it is probably the most audience-interactive piece we have ever produced and we are doing it with two of theatre KAPOW’s most stalwart performers, Carey Cahoon and Peter Josephson. …”

• Meme Exum, owner, Glimpse Gallery,Patriot Building, 4 Park St., Concord, theglimpsegallery.com, 892-8307: “Each exhibit is special in its own way so that’s a super hard question to answer. Tied six ways for favorite, of the six shows we had in 2024.

“I’m looking forward to the Feb. 9-March 9 show.”

• Irene Cohen, President, New Hampshire Theatre Alliance,nhtheatrealliance.org: “We had our first Awards show after the pandemic with over 800 people in attendance!”

“We are gearing up for our 20th Anniversary award show for Saturday, Feb. 1!”

• Jason Hackler, manager and co-owner, New Hampshire Antique Co-op,323 Elm St., Milford, nhantiquecoop.com, 673-8499:“So my favorite exhibit of 2024 is this one [‘Light & Brush: Luminous and Tonal Paintings from the 19th Century ​to Present’].”

“In 2025 we are going to be working on an exhibit called ‘Selections 25,’ which will be 25 works that will showcase the curated collection of 25 paintings and sculptures spanning the 19th through 21st century. We believe it’s going to probably launch in June.”

• Amy Fortier, Director, Ballet Misha, 84 Myrtle St., Manchester, balletmisha.com, 668-4196: “Ballet Misha really enjoyed our collaboration with theatre KAPOW last July for an outdoor performance of A Midsummer Night’s Dream as part of the Dana Center’s Shakespeare on the Green Series at Saint Anselm College. It is always fun to perform outside, and the performances coincided with a stretch of really lovely summer weather. The experience gave my dancers some unique challenges as some of them had lines, and typically dance is an artform that expresses itself without spoken words. Theatre KAPOW was really great to work with and I loved watching the dancers and actors get increasingly comfortable with each other…”

‘In 2025, Ballet Misha will start its 17th year of bringing professional dance in New Hampshire. We are bringing back our March concert after a one-year hiatus, so I am excited about that. It will be at the Audi in Concord on Saturday, March 29, and I love that theater. “

• Margherita Giacobbi, Executive Director, The Players’ Ring, 105 Marcy St., Portsmouth, playersring.org, 436-8123: “I think the production I will pick as the one that has made us most proud is America America, written and directed by Joan Bigwood. It’s the story of a Colombian house cleaner, Modesta, who enters the life of the wealthy (but dysfunctional) Porter family in Palo Alto and creates an unexpected and all but straightforward friendship with the other female character, Jane Porter…. the playwright realized how critical it was that the play be written in two languages, English and Spanish (as Modesta speaks barely any English and a lot of the misunderstandings, humor and drama indeed come from this linguistic and cultural disconnect), … we embarked in the thrilling experiment of incorporating subtitles in the play, which ended up looking almost like operatic supertitles projected on the walls of the stark and fancy Porters’ house.”

“For 2025 … I am very excited about Gruesome Playground Injuries by Rajiv Joseph, running Feb. 28 through March 16.”

• Elizabeth Pieroni, Volunteer Executive Director, Mosaic Art Collective, 66 Hanover St., Suite 201, Manchester, mosaicartcollective.com, 512-6209: “My favorite show from 2024 is a tie between our ‘Full Circle Speed Of Light’ in September and our Halloween show ‘Spellbound.’ Both of these two shows exceeded my expectations on the quality work that came in and really knocked my socks off from a curatorial perspective. All of the work spoke to each other in such incredible ways.”

“I’m most looking forward to our next show in February, titled ‘Illusions.’ It’s going to be a different show for us in general because it will be art that deals with optical illusions or blacklight reactive glow. But also further out we have a really exciting show planned for the summer called ‘Pallets to Palates’ that I’ve been working on in the wings with John Fladd from the Hippo. It should be a tasty treat for the eyes and the tummy!”

• Amy Regan, owner and operator, See Saw Art, 66 Hanover St., Suite 201, Manchester, seesaw.gallery:“In 2024, See Saw Art produced 13 exhibitions, worked with 140 artists and exhibited 668 pieces of art. I am really proud of ‘Heatwave,’ our February 2024 exhibition, which featured both regional and international artists and was a really beautifully installed and interactive exhibition. ‘Group Effort,’ our annual August community-focused open call, … Lastly, ‘Threads,’ our July exhibition focusing on textile artworks, was very well-received and very fun!”

“In 2025, I am excited to continue to produce monthly exhibitions that highlight local talent and bring incredible fine art to Manchester … January will feature selections from Brunswick, Maine-based artist Ian Trask’s ‘Strange Histories,’ which are vintage slide viewer artworks — simply stunning!”

Featured image: Ryan Swedenborg Winks Series from See Saw Art. Courtesy photo.

The Art Roundup 24/12/19

The latest from NH’s theater, arts and literary communities

• Still some Nutcracker: The Nutcracker season is not over yet. Ballet Misha will present The Nutcracker on Saturday, Dec. 21, at 1 and 6 p.m. and Sunday, Dec. 22, at 11 a.m. and 3 p.m. at the Dana Center (Saint Anselm College, 100 Saint Anselm Drive, Manchester). Ballet Misha’s production is performed by professional dancers in the company, as well as apprentice company members and students at its affiliate school, Dimensions in Dance, according to a press release. The cast consists of more than 130 dancers who have rehearsed for months for this production involving hundreds of vibrant costumes, five beautiful sets and the music of Tchaikovsky, according to the press release. Tickets cost $30 to $35. Visit tickets.anselm.edu to purchase tickets online or call 641-7700.

The New Hampshire School of Ballet presents a full-length version of The Nutcracker on Sunday, Dec. 22, at 2 p.m. at the Concord City Auditorium (14 Canterbury Road, Concord). Tickets can be purchased at the door and are $25. There will be an additional performance on Sunday, Dec. 30, at 7 p.m. at the Palace Theatre (80 Hanover St.,Manchester). Tickets cost $30 and can be purchased at the box office or online at palacetheatre.org or by calling 668-5588.

• Choir and strings: The First Church (1 Concord St. in Nashua; first-music.org) will present the 4th Advent worship services “Christmas at First” with Cantata 61 with the Chancel Choir and First Music Chamber Strings on Sunday, Dec. 22, at 9 and 11 a.m.

• Seasonal music: The Word Barn (66 Newfields Road, Exeter, 244-0202, thewordbarn.com) wraps up its 12 Nights of Christmas series of shows at the Orchard Chapel (143 Exeter Road in Hampton Falls). The last installments include A Celtic Christmas with Lunasa on Thursday, Dec. 19, at 5 and 8 p.m.; The Orchard Chapel Candlelight Carol Sing on Friday, Dec. 20, at 5:30 p.m. and Sunday, Dec. 22, at 5:30 p.m., plus a family matinee version on Saturday, Dec. 21, at 3 p.m.; A Winter Solstice Celebration with Low Lily on Saturday, Dec. 21, at 7 p.m., and A Holiday Family Story Hour on Monday, Dec. 23, from 6 to 7 p.m.

• New exhibit: The exhibit Searching for Natural Moments: Scenes from African Safaris and Costa Rican Rainforests will be at the New Hampshire Audubon McLane Center (84 Silk Farm Road, Concord) on Dec. 21 from 11 a.m. to 5 p.m. and will showcase photographs by Howard Muscott, according to their website. Muscott will be sharing images from two of Kenya’s most prolific wildlife locations and various habitats in Costa Rica and will take those who attend “on Safari … in the Masai Mara National Reserve and Amboseli National Park looking for iconic mammals like lions and cubs, leopards, cheetahs, elephants and zebras and other wildlife and on trails in the rain forests of Costa Rica in search of monkeys and birds,” according to the website. The exhibition will be on display until Saturday, Dec. 28. Visit nhaudubon.org or call 224-9909.

• Calling artists: The Seacoast Artist Association in downtown Exeter has announced its 2025 Theme Show calendar and all Seacoast artists are invited to enter, in person at the gallery or online at seacoastartist.org., according to a press release.The first show of the year is “Winter Wonderment” and artists can submit up to two pieces of framed work with wire hanger up to the 16” by 20”; pieces over 16” by 20” count as two pieces. It costs $10 per piece up to two pieces but participants may enter one large under 22” by 26” and one small. Artists are instructed to email their submissions by Friday, Jan. 3, with name and phone number as well as the label information of title, medium and price, along with a good jpeg for publicity, to themeshowsubmissions@seacoastartist.org. The dropoff is scheduled for Saturday, Jan 4, from 10 a.m. to 2 p.m. A committee chooses Best in Show and the winner will receive free entry in a future Theme Show. Visit seacoastartist.org for more information and the drop-off form.

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