Emerging art

Pop-up exhibition at Manchester space

An upcoming pop-up art event at Factory on Willow in Manchester will feature the work of two distinctive artists. At “Art in Motion: A Photo & Sculpture Showcase,” attendees can experience their creations and ask them questions. The exhibit will be held in the Factory’s 5,000-square-foot event space on the south end of the restored mill building.

Adeyemi Adebayo is a photographer who chronicles the lives of people in the city, often bringing them out of the shadows to be seen, for what may be the first time. Ray Chang makes kinetic art, motorized sculptures and animated designs that employ shadow and light that cause observers to see them anew multiple times.

Therein lies the divergence. Adebayo’s photography is a moment of a life captured and cataloged. The image is static, unlike the impression it leaves, which may evolve with reflection. Chang’s creations, though, are ever changing. Each second spent with them can be different. One term he uses in his biography to describe his work is “proto-cinematic.”

Adebayo and Chang are part of their Artists in Residence (AIR) program. Liz Hitchcock, who owns The Factory, along with Bookery Manchester and Manchester Distillery, explained the program’s origins in a recent phone interview. “Three times a year for three months, we have two artists on site that are charged with working on their art form, whatever it is,” she said.

They’ve hosted podcasters, light sculptors, painters, and artists who work with recycled materials. “It’s kind of all across the board. The only real requirement for the program is that you’re an emerging artist. You’re not trying to go into the MacDowell Colony for a couple of weeks and really hone your current craft. You’re actually figuring out what your craft will be in the future,” Hitchcock said.

David Hady, a Factory artist who works with Hitchcock on AIR, sent a press release explaining that the upcoming show “offers a rare opportunity for the community to engage with the traveling artists and explore the full body of work and areas of study they have developed during their residency in Manchester. Adeyemi’s evocative photography and Ray’s dynamic kinetic sculptures come together to create an immersive experience that celebrates both art forms.”

Engagement is vital, Hitchcock stressed. “Ray and Adeyemi will be having some conversations about their artwork, which I think is really important for everybody to hear,” she said. “Adeyemi has a very special perspective on what he’s seen in Manchester because everyone’s been so open to him coming into their community. I hope he speaks a little bit about his experiences.”

The event will be Adebayo’s first public showing of his work. Some insight into how he goes about getting his photos can be gleaned from his online work log at paakanni.com. In what sounds like a credo, a photo of two people on a motorcycle turning from Pine Street onto Hanover includes this question:

What is it that really makes a city?

Is it what or who you find in its corners?

He’s disarming and fearless in engaging his subjects, like a 55-year-old GED instructor who cautions him to “be careful” after he takes her picture. “She tells me this just the way my mother would,” he writes.

Chang has done multiple shows. The work he’ll display at this event will explore an industrial past through renderings of factories that use movement, light and shadow to evoke how they used to work, Hitchcock said. “He is in his own right a magical creator of things.”

Asked if there was anything to ponder before coming to the show, Hitchcock responded that some might feel challenged. “It might rub people the wrong way, some of it. It might say that Manchester can be a little gritty sometimes, but you know what? I love it when people talk about art, even if they don’t like it, even if they disagree with it, because they’re talking about art. I hope that people come and talk about the art.”

Art in Motion: A Photo & Sculpture Showcase
When: Thursday, Sept. 5, 5 p.m.
Where: The Factory, 252 Willow St., Manchester
Tickets: Free; reserve at eventbrite.com

Featured image: Sculpture by artist Ray Chang. Courtesy photo.

The Art Roundup 24/09/05

The latest from NH’s theater, arts and literary communities

Art of autumn: Celebrate the “Harvest of Arts” exhibit with a reception at the Massabesic Center on Saturday, Sept. 7, from noon to 3 p.m. Guests can meet the artists, enjoy the art and explore the center, according to the event website. Presented by the Manchester Artists Association and the Massabesic Audubon Center, this is an exhibit to celebrate art and nature’s beauty with 15 artists who have gathered original paintings and photographs that capture iconic images and colors of autumn in New England, according to the website. The exhibit runs until Friday, Nov. 1, and all artwork at “Harvest of Arts” is available for sale. Visit nhaudubon.org or call 668-2045.

Call for art: PILLAR Gallery + Projects is excited to announce two open calls for artist submissions. The first, for “Sound & Color,” is an open call for sculpture with a Sunday, Sept. 15, deadline and the exhibition dates will be from Friday, Oct. 18, until Saturday, Jan. 25. In collaboration with the City of Concord and numerous art organizations in Concord, the Sound and Color Festival is seeking sculptural works, both mid-sized work and larger-scale public art. All media is accepted, but works submitted as public art must be able to withstand weather conditions and interested artists should see further details in submission requirements, according to the release. After the festival the works will be leased for an exhibition period of three months in public indoor and outdoor spaces, and the outdoor exhibition and installation will be juried by panelists including curators from Outer Space Gallery, PILLAR Gallery + Projects, and members of the community, according to the press release. The next open call is for “NANO” with a submission deadline of Tuesday, Oct. 15, and the show running from Sunday, Nov. 10, until Wednesday, Dec. 18. “NANO” is a juried exhibition focused on smaller works. The press release describes the exhibit thusly: “In a fast-paced culture perpetually interested in bigger, NANO showcases the impact of works that are intimately-scaled.” The exhibition will be installed salon-style to highlight the range of processes and thematic exploration and they are accepting 2D and 3D works in all media. 2D works must be no larger than 6 x 6 inches (8 x 8 in. framed) and 3D works no larger than 4 x 4 x 4 inches. Visit pillargalleryprojects.com

Show opening: An opening reception for “Bill Childs at 90: A Retrospective,” a show of more than 40 paintings by Exeter artist Bill Childs, will be held on Friday, Sept. 6, from 5 to 7 p.m at the Town Hall in Exeter to celebrate his 90th birthday and many years of creating and teaching art, according to a press release. Most of the paintings will be for sale and there will be music provided by jazz musicians Cinnamon Blomquist on flute and guitarist Gary Smith. The event is presented by the Seacoast Artist Association with a portion of art sales going to their scholarship fund. The show will run for two weekends: Saturday, Sept. 7; Sunday, Sept. 8; Saturday, Sept. 14, and Sunday, Sept. 15, from noon to 5 p.m. each day. The exhibit will also run on Friday, Sept. 13, from 4 to 6 p.m. The Seacoast Artist Association’s gallery on Water Street will be hosting its regular Second Friday reception on Sept. 13 from 5 to 7 p.m. with refreshments and music by Carol Coronis on cittern and vocals. More of Childs’ work can be seen at the Seacoast Artist Association and at A Picture’s Worth a Thousand Words, both on Water Street in downtown Exeter; the SAA is open Wednesday through Saturday from 10 a.m. to 5 p.m as well as on Sundays from 1 to 4 p.m., according to the press release. Visit seacoastartist.org.

Zachary Lewis

One day, four plays

The New Hampshire State Community Theater Festival shows off NH and Mass. theater companies

By Zachary Lewis
[email protected]

The New Hampshire State Community Theater Festival at the Concord Auditorium opens on Saturday, Sept. 7, at noon. The Festival is put on by the New Hampshire State Community Theater Association in conjunction with The Community Players of Concord.

“Anybody can participate in it,” said Festival Chair Joe Pelonzi. “They have to be a member of good standing with AACT, which is the American Association of Community Theater.”

“This is for people who like to do theater but they’re not professionals,” he said.

And it’s a Festival that has been drawing curtains for many decades. “You can say 50-plus years safely.”

Essentially, if this black box were in a nutshell, it would be a four-show festival cracked into two sessions. “The first session is the New Hampshire shows, and there are two New Hampshire shows. Then there’s a second session, which will be the two Massachusetts shows,” Pelonzi said.

The AACT required that the festival have two separate sessions, one for each state, according to Pelonzi. Tickets are $15 for individual sessions or $25 for the whole day.

The results of the Festival will determine the New Hampshire state winner from among the New Hampshire shows, and each performance has a chance of being chosen to represent the region, Region 1, at the national competition.

What types of plays can participants expect to see? “The acts don’t matter; the show must be performed in 60 minutes or less,” Pelonzi said.

Physical limitations go along with the temporal one.

“We just tape off a 10-by-10 square on the stage,” he said. “They start at a 10-by-10 square. And that includes all your set pieces and everything. You have 10 minutes to set up your set. You have 60 minutes to perform your show, and then you have 10 minutes to put everything back into the square.”

Any genre or style is welcome. “They can do whatever they want as long as it fits within an hour time slot for a performance,” Pelonzi said.

The Festival starts at 12:30 p.m. with a performance from Bedford Off Broadway of Sammy’s Game. “That’s the only show we know exactly what time it will be starting because everything after that is dependent on how long each of the shows are,” Pelonzi said. He is the artistic director at Broadway Off Bedford but is not involved with their performance at the festival.

After that show, the Windham Actors Guild from Windham will be presenting The Yellow Boat in the 10-by-10 square.

Then there will be a short intermission immediately followed by a panel-style adjudication of those performances. “We have three adjudicators so there are no ties,” said Pelonzi.

The panel is like a master class in theater.

“The best part, I think, of Festival is the adjudications, because they tell them what they did well and what didn’t work. They always keep it positive and they tell them how they can do better if they do go on. They’re very good at what they do,” Pelonzi said.

Cut to: a short break and then the second session, the Massachusetts session, begins. First the Burlington Players will present Natural Shocks. The Quannapowitt Players from Reading, Mass., will follow with their performance of Time Stands Still. Then there will be another judging.

After a dinner break the awards ceremony will commence, where the New Hampshire winner will be presented as well as who will be going on to the national competition.

Individual awards will be presented as well. “They also give out awards for acting excellence, directing excellence, they might give out awards for lighting, for sound, for ensemble,” Pelonzi said. “The adjudicators have a wide range of awards that they can choose individually or to a group.”

Pelonzi is excited for the contest and what to expect from the performances. “You’re going to see four quality shows. Shows that the groups have been working on all summer long. So you’re going to get the best of the best and get to see four of them in one day.”

The New Hampshire State Community Theater Festival
Saturday, Sept. 7, at 12:30 p.m.
Concord Auditorium, 2 Prince St., Concord, 344-4747
$15 for one session; $25 for both sessions

Featured image: Courtesy photo.

The Art Roundup 24/08/29

The latest from NH’s theater, arts and literary communities

Cue Zero announces 2025 lineup: Cue Zero Theatre Company says it is dedicated to presenting new, challenging, growth-oriented productions that enrich the cultural fabric of our community and they strive to provide opportunities for artists to develop their craft in an environment that encourages creativity, collaboration and excellence, according to their press release, and the company has a lineup of shows for the upcoming 2025 season. All main stage performances will take place at the Arts Academy of New Hampshire (19 Keewaydin Drive, Salem) and tickets are $20 per person plus fees. The first production is Andrew Lippa’s The Wild Partydirected by Jen Stearns with music direction by Amanda Morgan and choreography by Jen Stearns and Frankie Sheffield as well as fight direction by Matt Brides, according to the release. The show will run from Feb. 28 to March 2, 2025. Lovers Queenie and Burrs throw the party to end all parties in their Manhattan apartment but jealousy and desire lead to a violent climax in this electrifying musical based on Joseph Moncure March’s poem, according to the release. The other productions includeTime of Death by Jonah Knight, which will be an East Coast premier of the play May 2 through May 4, 2025, according to the release; Amélie, from June 20 to June 22, 2025, and People Like To Be Scared: An Exploration of Fearfrom Oct. 3 to Oct. 5, 2025. Visit cztheatre.com.

Truepenny offers acting workshops: Local theater company Truepenny Arts is launching a series of workshops for actors seeking further training in high-level acting, voice/speech/text and physical skills for performance and presentation, according to a press release. The workshops will be held on the first Saturday of each month from 10 a.m. to noon at the Diamond Rolfing & Movement Studio (210 N. State St., Concord), starting with “Presence, Power and Posture through Bone Awareness” onSaturday, Sept. 7. Truepenny Arts’ Educational/Artistic Director Michael Cobb said in a statement, “Come explore and revitalize your relationship with your skeletal structure, the earth below it, the sky above, and your physical experience in the space between.” The press release advises attendees to dress comfortably to allow ease of movement. The cost for the workshop is suggested at $20. Visit truepennyarts.com.

CANADIAN FOLK
Canadian folk duo Rachel Davis & Darren McMullen (of Còig) will perform at The Word Barn (66 Newfields Road, Exeter, 244-0202, thewordbarn.com) on Thursday, Aug. 29, at 7 p.m. Còig’s dynamic duo brings their latest music to The Word Barn as part of a dozen-year journey that has included tours across North America, Europe and Australia. Còig has received multiple East Coast Music Awards, Canadian Folk Music Awards and a Juno Award nomination. Tickets start at $15.

Looking for art: The Londonderry Arts Council is accepting submissions for its new digital community publication “Wild Apples: Londonderry’s Literary and Art Journal” with a tentative first release in the spring of 2025, according to a press release. This initiative aims to celebrate and amplify artistic voices throughout New Hampshire, fostering a vibrant regional arts community, according to the same release. The Council invites creative-minded individuals of all ages to share their art, whether it’s poetry, fiction, nonfiction, photography, visual art or interdisciplinary work. Contributions are welcome until Sept. 30, according to the release. No prior publication experience is needed and the Council encourages both seasoned and emerging writers and artists to take part, but all work must adhere to Londonderry’s Community Standards for Public Art. Before submitting work the submitter should ensure they have all the necessary rights to publish the pieces. Email submissions to [email protected] or visit londonderryartscouncil.org/wild-apples.

Looking for young actors: Palace Youth Theatre has announced auditions for its upcoming production of Legally Blonde Jr. on Friday, Sept. 13. at 6, 7 and 8 p.m., for school-aged performers in grades 2 through 12. Those auditioning should arrive 15 to 20 minutes early to fill out paperwork. Rehearsals for the show will be on Tuesdays, Thursdays and Sundays and performances will be at the Palace Theatre on Tuesday, Oct. 29, and Wednesday, Oct. 30, according to the press release. Participants should expect to stay for the entire one-hour audition slot and they will learn a dance and be asked to sing after, so they should come prepared to sing a short section of any song (a selection from musical theater or Disney is preferred). Those auditioning will be singing without music. To schedule a time to audition, email [email protected] with the performer’s name, age and preferred audition time. If cast, there is a production fee of $150; the release mentions to contact [email protected] with questions about financial aid. The auditions will be held at Forever Emma Studios ( 516 Pine St., Manchester). Visit palacetheatre.org.

Zachary Lewis

Taking the reins

Q&A with new Currier CEO Jordana Pomeroy

The Currier Museum of Art in Manchester welcomes new Director and CEO Dr. Jordana Pomeroy on Sept. 1. For the past nine and a half years Pomeroy has been the Director of the Patricia & Phillip Frost Museum at Florida International University in Miami. She has a Ph.D. in Art History from Columbia University and more than three decades of experience in the art world. She moved to Manchester in early July, and in a recent phone interview she spoke of her plans for leading the Currier. Here’s an edited version of the conversation.

How will your experience at Florida International University inform your role at the Currier?

The mission of the Frost is to teach and to expose students … and get the faculty using art in their curricula. Then, secondarily, the public. So here … I am excited that we are connecting with New England College to bring students in; that’s very important to me. I call it ‘educate the next generation.’ I’ve been very impressed with the Currier’s education programs and I’ll do everything to keep encouraging and growing those programs, because I think that the next generation of museumgoers, that investment, is really important for us to make as an institution.

Have you thought about some of the ways to bring in people who may not have experienced the Currier before?

It’s just talking to people. There’s a woman, for example … who is a seamstress from Africa. We had this long conversation about how she ended up in Manchester. She makes these beautiful outfits from Africa, from fabric that she imports…. She’s exactly the kind of person that I would love to bring in as a community voice if we did a show around fashion or design. Sometimes, especially in a city the size of Manchester and a state the size of New Hampshire, you get to know people and communities pretty quickly. That’s what excites me, just talking to people and finding out if they know the Currier or have never heard of it before, and trying to figure out what it is that would get them through the door.

You’ve talked about expanding inclusion and focusing on women artists. What’s your vision in that area for the Currier?

I think we’re doing a good job. Actually, we have a wonderful contemporary art curator, Lorenzo Fusi, who’s been pretty well focused on that since he was hired. I think you’re kind of living in the dark if that isn’t your concern as a curator or museum director, to be honest. Museums move glacially, especially the larger ones, and there’s really been a significant change in programming. That being said, I worked for many years at the National Museum of Women in the Arts. There was always this conversation that as soon as there’s equity in the arts, we’ll close, which I don’t see that happening anytime soon in any way. This is not going to be overnight, but the thinking is there, and the conversations are happening. It’s not just the programming, but also the exhibitions.

What do you see as your biggest challenge as you step into the role of director and CEO at Currier?

I think my biggest challenge is spending time to really understand the history of this state and this region. I can’t pretend to know it. I’m not from here, and I don’t want to come across as knowing what the Currier needs to be for this area of the country. I know certain things, because I’m a museum professional, and I have colleagues who run museums [but] we’re all from elsewhere [and] can’t pretend to know that. But I do think it’s important for me to kind of put down roots and listen a lot. I don’t know if that’s a challenge, but it’s a good challenge to have. There are other challenges in raising money. That’s always the challenge. With time, donors will come forth. They’ll see the difference that the museum makes to the region. There have been some very good, loyal members and donors, and I would like to, of course, increase that pool of interest in the institution. I think that has to do with impact and seeing good things come out of it, whether those are the different kinds of exhibitions or sorts of programs. There’s a lot going on there. I’m really impressed for a museum its size. There’s an Art for Vets program. For contemporary [art], we’ve got just a remarkable collection that I want to draw on more. So I think you will see more of the permanent collection than you’ve seen in recent years.

Featured image: Monsters. Photos by Zachary Lewis.

The Art Roundup 24/08/22

The latest from NH’s theater, arts and literary communities

Raise your voice: The New Hampshire Gay Men’s Chorus will be holding audition Winter 2024 concert series on Tuesday, Sept. 3, as well as Tuesday, Sept. 10. Auditions are to be held from 6:30 to 7 p.m at the First Congregational Church (508 Union St., Manchester) and new singers are asked to stay for rehearsal from 7 to 9:30 p.m., according to their website. “Membership is open to all men, 18 years of age or older, who are gay or straight (gay-friendly) or who are male-identifying and who enjoy the satisfaction of singing harmony in a men’s vocal group,” according to the same website. Auditioners do not need to have any material nor music prepared; the audition will be more of an exercise in pitch matching to place your voice in the proper section, and the ability to read music is helpful but it is not a requirement for joining, according to the website. Rehearsals repeat every Tuesday through the concert series and the NHGMC asks every member for $75 seasonal membership dues; members are also asked to purchase a tuxedo to wear at most concert performances. Their Winter 2024 Concert Dates are scheduled for Dec. 7 in Nashua, Dec. 8 in Concord, Dec. 14 in Newington and Dec. 15 in Manchester.

Art & music: Twiggs Gallery (254 King St., Boscawen) has organized an evening of free chamber music with the Terra String Quartet on Wednesday, Aug. 28, from 6:30 to 7:30 p.m., according to a press release. The Terra String Quartet was the prizewinner at the 2023 Melbourne International Chamber Music Competition and the 2023 Osaka International Chamber Music Competition, and is a vibrant, young international ensemble based in New York City, according to the release. The quartet is attending an arts residency at the Avaloch Farm Music Institute in Boscawen, which offers a unique opportunity for chamber music and jazz ensembles, at any stage of development, to have the time and space to work intensively on repertoire, prepare for recordings, concerts or competitions, work with composers on commissions, and forge or reconnect to a group musical identity, according to the same release. Visit twiggsgallery.org.

JAZZ 10
The Uptown Jazz Tentet, which includes 10 of New York City’s finest jazz musicians, will be performing on Thursday, Aug. 22, as part of the Summer Music Associates at the Sawyer Theater at Colby-Sawyer College from 7 to 9:30 p.m., according to the event site. This is the 51st season for Summer Music Associates. Tickets are $25 for adults and $5 for students with varying ticket packages available while the series goes on, according to the event website. Visit uptownjazztentet.com and summermusicassociates.org, or call 526-8234.

Jazz on the coast: The 41st Annual Seacoast Jazz Festival will take place on Saturday, Aug. 24, from noon to 6:15 p.m. The Arts Festival is excited to bring back the Seacoast Jazz Festival, in partnership with Seacoast Jazz Society, for its 41st year and will be featuring the renowned saxophonist Alexa Tarantino, according to the event site. Tarantino is known for her soulful saxophone performances and innovative compositions, and she is set to deliver a mesmerizing experience, according to the same release. The Seacoast Jazz Festival has long been a staple of the Prescott Park Arts Festival and celebrates the rich tradition of jazz with top-tier musicians from around the globe, according to the same release. The performance will go as follows:

At noon Soggy Po’ Boys with Celia Woodsmith; then at 1:15 p.m. Boston Blow Up featuring Donna McElroy will perform; and at 2:30 p.m. it will be the Seacoast Jazz Band; then at 3:45 p.m. the Consuelo Candelaria, Ron Savage, Ron Mahti trio will perform with special guest Drika Overton; and at 5 p.m. the Alexa Tarantino Quartet will perform, according to the same site. The rain date will be Sunday, Aug. 25, and the organizers ask attendees to note that the line-up is subject to change in the event of moving to the rain date. Visit prescottpark.org.

Zachary Lewis

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