News & Notes 26/08/20

Next season

New Hampshire Fisher Cats fans can start planning for the 2027 season. “The Fisher Cats kick off 2027 on the road before opening the home schedule with a six-game series against the Somerset Patriots (NYY) at Delta Dental Stadium from April 6 through April 11,” according to nhfishercats.com. The team is slated to play at home in Manchester for Mother’s Day, Father’s Day and July 4 next year, the website said. Meanwhile, there are still two regular season six-game series left in this season’s lineup of home games. Catch the Fisher Cats at Delta Dental Stadium next Tuesday, Aug. 25, through Sunday, Aug. 30, when the Fisher Cats play the Hartford Yard Goats. On Aug. 25 the team will play as the Manchester Chicken Tenders and on Saturday, Aug. 29, the team will play as the Manchester Coconut Tenders, when the first 500 fans will receive the third of three special Manchester Chicken Tender bobble heads, according to the website, where you can find ticket information. Other special events during this stretch of games include postgame fireworks on Friday, Aug. 28, and Saturday, Aug. 29, the website said.

Walking tour

Arts Builds Community is offering walking tours to Manchester murals, according to a July press release. “Home to New Hampshire’s largest collection of community murals, Manchester has become an ever-growing outdoor gallery and we’ll show you the stories behind it,” according to artsbuildcommunity.com/art-tour, where you can book a walking, biking or private group tour.

ArtCity

ArtCity Nashua will take place Saturday, Aug. 29, from noon to 8 p.m. and is a “one-day public art and culture festival transforming the Heritage Rail Trail and Tree Streets neighborhood into a vibrant destination for creativity, connection, and community,” according to a press release. “[F]rom Nashua City Hall to Chestnut Street, the Heritage Rail Trail will come alive with 15 new permanent murals, more than 20 muralists, street artists, two live music stages, local musicians, neighborhood businesses, creative vendors, food trucks, free art classes, dance cyphers, a community salsa hour, interactive art experiences, and an indoor gallery exhibition at 809 Lounge curated by Fallon Andrews of Pillar Gallery,” the release said. See instagram.com/artcityhq.

Alzheimer’s conference

The Alzheimer’s Foundation of America will host an Alzheimer’s & Caregiving Educational Conference in New Hampshire on Wednesday, Sept. 16, from 10 a.m. to 1 p.m. at the Bedford Event Center, 379 S. River Road in Bedford, according to a press release. The conference is free to attend; advance registration at alzfdn.org/tour is recommended, the release said. Sessions will include “Finding Alzheimer’s Earlier: New Tests, New Treatments, New Hope,” “Preparing for Caregiving: Resources & Support,” and “Alzheimer’s Disease: Communication Strategies,” the release said.

The Franco Fest will take place Saturday, Aug. 22, from 11 a.m. to 4 p.m. at Kimball Jenkins in Concord featuring live music, artisan vendors and more, according to the Franco American Centre’s Facebook page and facnh.com. The musical line-up will include Senie Hunt at 11:15 a.m., Josee Vachon at 1 p.m. and Catfish Howl at 2:30 p.m., according to a Facebook post.

CelebratEd welcomes Manchester students back to school with an event on Thursday, Aug. 20, from 4 to 7 p.m. in Victory Park in Manchester offering backpacks and school supplies, haircuts and clothing support, a family resource fair and school registration assistance, according to manchesterproud.org/celebrated.

The Autofair New Hampshire 10 Miler takes place Sunday, Aug. 23, at 8 a.m. with an out-and-back route described as a “flat & fast course along the banks of the picturesque Piscataquog River” in New Boston, the website said. This event offers 10-mile, relay and 5K options (5K has an 8:15 a.m. start time), according to the website, which lists Girls on the Run New Hampshire as the official charity.

Band on the rise

Mountain Grass Unit brings acoustic brilliance to The Range

On Aug. 26, Mountain Grass Unit will make its Grand Ole Opry debut. The next night, they’ll do a release show at Brooklyn Bowl Nashville for Appalachian Smoke, their first for Dualtone Records. At midnight it arrives everywhere else. Three enormous nights, back to back, in the city that the Alabama-born bluegrass band now calls home.

It’s crazy, considering that not long ago Mountain Grass Unit had to work around its members’ college schedules.

They were spread across the country and played together sporadically. Guitarist Luke Black headed to Boston to study at Berklee, while mandolinist Drury Anderson, who’d eventually join him there, was still finishing high school. Bassist Sam Wilson was at the University of Alabama studying accounting. Fiddler Josiah Nelson wasn’t even in the band yet.

What held it together, Black said in a recent group Zoom chat, wasn’t scheduling — it was history.

“We’ve known each other forever, and we’ve been playing together forever, so we’d get a couple of rehearsals in and just feel out the groove,” he said. Though challenging, “It always ended up working out, but it was a lot of pressure, especially keeping up with emails and stuff.”

Anderson said the uncertainty was real, even if it seems easy to gloss over now.

“We got management and representation around halfway through school,” he said. “It was so relieving to have things set up once we got out. It could not have been timed more perfectly.”

Becoming full-time coincided with relocating to Nashville from Alabama, and the move has been fruitful.

“It’s kind of a second hometown,” Anderson said. Having Music City as home base makes the Opry show truly special. The only thing topping it is the way they learned the show was happening.

Del McCoury, a hero of the band, announced it from the stage at DelFest. The moment came after the bluegrass legend and his son Ronnie sat in with them. Before they began, he’d told them, “When y’all end, don’t go anywhere.” Anderson called it “every bit of an electric moment as you could think.”

Another big fan is Billy Strings, who’s praised Black’s flat-picking talents on social media after they won an IBMA award for early-career excellence. “Kinda rude of him to be this good honestly; luckily for me, we’re on the same team,” Strings wrote on Saving Country Music’s Instagram account.

Strings and MGU have jammed together, and he and Black are texting buddies.

“I chat with him every once in a while,” he said. “Mostly it’s just jokes and stuff, and then I’ll get a random text from him that’s like, ‘Hey, man, you wanna come jam?’ I’m like, ‘Shoot, I’m in freaking Idaho, and Billy Strings is asking me to jam in Nashville. I gotta get home.’”

The new album is the band’s most ambitious, using a range of instruments for the first time. For the release show, they’ll reproduce everything done in the studio.

“We’ve reached out to a bunch of our buddies to come help us really play it live,” Wilson said. That includes an electric sitar and bongos on “Eagle’s Nest,” perhaps the most rocked up song they’ve done.

That track started as a stray riff Black had been sitting on for years.

“We’ve been trying to find what to do with it forever,” he said. “When we got to the studio, we just kept adding more and more cool elements to it. It’s an art project.” Elsewhere, the songwriting turns more inward.

“Wait for Me” was born during Wilson’s days shuttling between accounting exams and gigs.

“I’d play shows and festivals all weekend, then fly back and go to the library to study for my test the next morning,” he recalled. The song, he said, was a culmination of a lot of things, including the strain of keeping relationships intact while constantly leaving town.

The album itself was tracked almost entirely live, no metronome. They did full takes, three or four per song, then vocals, with no clicking and dragging parts around afterward.

“It was way more organic,” Black said. “I loved it.” That looseness extended to working with producer Vance Powell and having a real label budget for the first time.

This was in sharp contrast to their 2022 debut, which was made entirely on their own dime. Back then, Wilson said, they didn’t even have a bank account. Gratefully, Dualtone mostly stayed out of the way while they worked.

“We just got in there, played our bluegrass licks, and called it a day,” Black remembered.

Through all of it, the band keeps coming back to the same idea: none of this is supposed to feel heavy.

“Our goal at most of our shows is to create an atmosphere of a good time where you don’t have to worry about everything going on in the world,” Wilson said. “Have a beer, party, and play some train songs. We’re goofy, you can be goofy. Come and hang.”

Mountain Grass Unit
When: Friday, Aug. 15, 7 p.m.
Where: The Range, 96 Old Turnpike Road, Mason
Tickets: $42, etix.com

Featured photo: Courtesy photo.

Celebrating the French-speaking world

The new Franco Fest has big plans

One of the first hurdles the Franco-American Centre and organizers of next week’s inaugural Franco Fest will be addressing is the public’s idea of what it means to speak French.

“A lot of us think about France when we think of French,” said John Tousignant, the executive director of the Franco American Centre, “and of course people think about Quebec and more broadly Canada, but there are more than 90 countries of the world that are part of the international organization of La Francophonie — the French-speaking world. Many of these countries that either have French as an official language or a commonly spoken one have immigrants that are coming and becoming new residents of the state of New Hampshire.” Some of these areas are West and North Africa, Haiti, and Vietnam, he said. “French is spoken on five continents of the world. This gives us an opportunity to really focus on that cultural dynamic and the mosaic that French provides to our community.”

This is the idea behind Franco Fest 2026, a first of its kind celebration of the French-speaking world, which will be held Saturday, Aug. 22, in Concord. The event’s website describes the event as “a vibrant, family-friendly festival bringing together music, food, art, culture, and the rich traditions of French-speaking communities around the world.”

The coordinator for Franco Fest is Jessica Livingston, who also coordinates Concord’s annual Multicultural Festival. She said the long-term vision for Franco Fest includes a strong focus on the food of the French-speaking world.

“French is spoken all across the world, in many different cultures and countries,” Livingston said. “So we ultimately want to highlight the different foods from around the world that have French speaking as part of their country.”

A combination of circumstances has forced food to take a back seat to other aspects of francophone culture this year, Livingston said.

“Because this is our first year and also August being the busiest month ever for food trucks, we’ve had a little bit of a challenge,” she said. “So, just like the Multicultural Festival, having vendors from different countries around the world [will be an important focus]. We haven’t been able to do quite that this year, but we found a food vendor — a food truck [Peaks]— which has cuisine from all around the world. They do food, like street food from all around the world, which is a really good start.”

There will be three featured musical acts at Franco Fest — West African singer Senie Hunt, Zydeco Band Catfish Howl, and Quebecois singer Josée Vachon. (For more on Senie Hunt, see Michael Witthaus’s story on page 22 of the Aug. 6 issue of the Hippo, available in the digital library at hippopress.com.)

John Tousignant said that many of the festival’s activities will be directed at families. “We have a lot of activities for children planned,” he said. “Children will be able to decorate and bring home some takeaways. Among other things, we will be having people teaching some traditional crafts such as playing the spoons, which is a traditional part of French Canadian culture. We’ll also have a gigueur, which is one of these dancing dolls that people can learn how to use in conjunction with the traditional music. A jig is a type of a dance, and the dolls are called gigueur because they can do a little dance.”

“We’ll also have tables with people from different parts of the French world,” Tousignant said, “such as special guests from Quebec, from the Société des Filles du Roi, which honors a chapter in French-Canadian history. It means ‘The Daughters of the King.’ When New France was founded in North America in the 1600s, it was populated entirely by men, so they needed women to start families. The king gathered girls and women who didn’t have a lot going for them in France, and put them on a boat to send over to start North American French heritage. We’re going to have members of the Société in period costume talking with people and interacting.”

Franco Fest 2026
When: Saturday, Aug. 22, from 11 a.m. to 4 p.m.
Where: Kimball Jenkins Estate, 266 N.Main St, Concord.
More: Thanks to a grant from the City of Concord, this event will be free to the public. For more information, visit the Franco Fest 2026 website at facnh.com/franco-fest; the Franco American Centre at facnh.com, and this year’s food vendor at peaksfoodtruck.com.

Featured photo: Josée Vachon. Courtesy photo.

The Civil War and the Roman Empire

Battles and more reenacted at History Alive 2026 in Hillsborough

“We give people a chance to experience history, first hand,” said Traci Blain, one of the organizers of Hillsborough’s History Alive event happening Saturday, Aug. 15, and Sunday Aug. 16. “It’s like walking through a time-line.” This includes history from the Roman Empire to World War II, she said. “We [stage] different battle scenarios as well as open field cooking — how that worked during the French and Indian Wars. There are demonstrations of apple cider making, and gold panning. We have two authors coming. Marek Bennett is a comic book author who writes books about the Civil War. And we have another Civil War author coming, who writes … novels about the Civil War.”

History Alive is a yearly two-day event put on by the Hillsborough Historical Society. Re-enactors present different periods in American and European history, and guests can walk through and experience some of what life was like in those time periods.

“It’s a sort of total immersion in times that have passed us,” Blain said. “You can see the full sort of setup of a settler, what a settler might look like, who are the folks that sold to the guys on the field. The Vikings will show you how they make chain mail, and they will show you how they engaged in the battle. The company in the back, Black Spear, will show you how to shoot an arrow and what that looks like, with a bow and arrow, from medieval times. In the Civil War, they’ll show you a full battle out on the field, and we have a cannon that goes off, which is very loud across the valley. That’s pretty amazing. And this year we actually have both sides of World War II, and they’ll be doing a battle as well.”

Historical re-enactors have a reputation for meticulous attention to detail, Blain said. “It’s folks from all over the world and they’re very dedicated to each of their ‘realms,’ if you will, and they’re very accurate. They all live for the weekends when they are part of that year they’re portraying. My son and I are actually part of a Civil War unit as one of the organizers. We got involved helping to organize History Alive about three years ago when it was sort of losing steam because it had lost some volunteers. We got involved to help out, organize, and got hooked. My son fell in love with the event when we started helping with it. And it’s been great ever since. We’re part of the Third Maine [Civil War infantry unit]. They don’t generally join us this weekend, but we will be in full dress. My son is 16. He started as a drummer boy and has moved up to the infantry.”

History Alive will take place in two locations, Blain said, in Kemp Park and on Jones Road. “Our Kemp Park event will also be open on Saturday. And that is about Hillsborough history, by the river. And that’s only on Saturday. But Saturday and Sunday is the event. The $10 charge to get in — for adults only; kids are free — lasts all weekend. So you only have to pay once. And you can see all the events.”

Blain said History Alive’s immersive quality makes it different from many other historical festivals.

“It’s really fun to learn all about the different eras and that you can sort of walk through time and see things change, from tent structure to equipment, to fighting with swords to fighting with guns. You can see that progression as you walk through the event itself, which is one of the few places you can do that. The big demonstrations are mostly conflict scenarios — they are what folks like to watch. It’s a crowd-pleaser. But it’s also the smaller demonstrations about cider press and how to cook a whole chicken over a fire. It’s also really interesting to learn because there are all sorts of skills that have gone by that these folks have picked up and learned to do.”

History Alive 2026
Where: In Hillsborough, on Jones Road and in Kemp Park
When: Saturday, Aug. 15, and Sunday, Aug. 16.
More: Admission is $10 for adults, free for children. See historyalivenh.org for a schedule.

Featured photo: Courtesy photo.

Painting poems

Words inspire art at Kimball Jenkins

An upcoming exhibition at the Kimball Jenkins Estate will pair works of art with poetry but flip the traditional ekphrastic approach. Since time immemorial, poets have written about paintings, but “Dwelling Places” instead has painters responding to poems.

The effort, which opened Aug. 7, unites Kimball Jenkins-affiliated artists with a Concord-based poetry group.

The idea traces back to last year, when Kimball Jenkins Executive Director Martha Lemire attended the Percheron Poets’ annual Poetry & Pie event for the first time. “I was so inspired by the poets and their original writing,” she recalled. “I said, wouldn’t it be cool if next summer we did an exhibition around poetry, and have artists respond to your words?”

Art in Bloom, floral arrangements coupled with artwork, is a January tradition at Kimball Jenkins, and Lemire wondered if poets could inspire a mirror image of that. “We did it backwards,” she said. “I thought it would be an interesting concept to see what they could come up with.”

The Percheron Poets enthusiastically endorsed the idea.

The mechanics of the pairing varied. Some poets already had artist collaborators and had been working alongside them for months, while others didn’t. Lemire put roughly five or six unmatched poems out to the wider community of artists who exhibit at or teach for Kimball Jenkins, who then chose the ones that spoke to them.

The show’s evocative title came from the poets themselves. “This is your show,” Lemire told them. “We were hoping to have the poems shine in this whole collaborative exhibition that we’re doing together. So I gave them the opportunity to come up with their title, and they did.”

In a Zoom call, Percheron Poets member Brenda Wilbert explained the title’s meaning.

“It reflects a positive feeling associated with writing from the seat of one’s own heart and mind — the inner life where the soul dwells,” she said. “Dwelling places are bright enough to encompass the poems and artwork. It’s a fun way of thinking of them dwelling for a while in the old, elegant mansion.”

Wilbert is also an artist, one of the exhibition’s many hyphenates. She works in wearable and digital art, built around her Heart Full of Color unisex clothing collection. One of her pieces was recently featured in a Montreal Clothing Co. marketing campaign. She recently had a solo show of her artwork at Kimball Jenkins.

“I was so blessed and honored,” she said of the five-week exhibition of her paintings alongside a room of mannequins dressed in her clothing line, including one posed at a piano. Wilbert is also a playwright and once ran her own theater company, following in the footsteps of her late husband, also a playwright.

For “Dwelling Places,” Wilbert contributed two poems. She created the artwork for one herself. For the other, “How They Grew,” about her father’s tomatoes, she recruited Susan Huppe, a retired art teacher. “Susan doesn’t really show her work, and now I encouraged her to do it,” she said. Huppe’s painting is being used to promote the exhibition.

The Percheron Poets origin story traces back to a workshop Adele Sanborn ran in Boscawen at the now-shuttered Twiggs Gallery. “Right outside Twiggs, there were Percheron horses,” Wilbert said. “We were looking at the horses when we’re in this meeting, and this is how it all started.” The group has met monthly ever since.

Wilbert spent her earlier career in mental health services. She’s written often about grief but came to poetry late in life.

“I decided I wanted to do it,” she said, pointing out an overlap between that kind of writing and visual art. “Writing poetry or expressing art is often very healing.”

What is Wilbert most looking forward to at the event? “People being present with both the poems and artwork,” she said simply. “Like to really go through them, the mansion, and just sit with us. Really look at the poem, read the poem, look at the artwork, and just be present there.”

She’s also eager for another year of the gathering that inspired “Dwelling Places.” However, she’s quick to clarify one thing: for Poetry & Pie on Aug. 23, Wilbert will only read — she does not bake. “I’m not a cook, forget it,” she said. “I go to the Co-Op; I get a lot of great pies over there.”

Art & Poetry: Dwelling Places
Where: Kimball Jenkins Estate, 266 N. Main St., Concord
When: Through Saturday, Sept. 5, various days and hours. Public opening reception Aug. 13, 5:30-7:30 p.m. in the Kimball Jenkins Mansion.
More: kimballjenkins.com

Featured photo: Courtesy photo.

Smoking Hot Comedy

A talk with comedians Jody Sloane and Jimmy Dunn plus a look at upcoming shows

Last summer, the official story was that Jimmy Dunn skipped his own comedy festival due to a dream-come-true gig headlining at Casino Ballroom. That much was true. What didn’t make press reports was the bigger reason he was missing. Two days after that big show, Dunn checked into Massachusetts General Hospital to have his spine rebuilt.

“I was essentially laid up waiting to do the Casino, and then they wanted to do the surgery like two days before, and I said I can’t do that because I have to be able to stand on stage,” Dunn recalled by phone from his home in Hampton Beach recently.

He made it, walking out under the lights the way he’d visualized since he was a kid who’d sit on the venue’s back stairs to listen to Buddy Hackett and George Carlin. Then after what Dunn calls as a career highlight, surgeons were putting $30,000 worth of titanium into his back.

“That was just the parts,” he said with a wry laugh. “It’s a bad joke, but I was a stand-up comedian who couldn’t stand up, so that’s not good.” A year later, Jimmy Dunn is back, and by his own account, firing on all cylinders in a way that he hasn’t in two decades.

“I feel great, man. I haven’t felt this good in 20 years. I’m open ocean swimming and walking every day,” he said. The Hampton Beach Comedy Festival, the institution he built from scratch 19 years ago, returns with Dunn fully mobile again after a stretch where the injury quietly reshaped what he could do on stage.

“It was really tough to be on stage for about a year because of this back injury, and it limited my movement and just what I could do creatively,” he said. “But now I can fly around on stage again, and I love it.” The Casino Ballroom night itself, he admits, ran largely on adrenaline and painkillers.

“I would have done that show with one leg,” he said. “I’ve been waiting 30 years to do that show, and to be a headliner at the Casino Ballroom was just a dream come true.” Local radio helped fill the room, and while Dunn won’t swear it was a total sellout, “it was packed.”

This year’s festival — the 17th edition, missing two along the way to Covid and an earlier back surgery — comes with a lineup change Dunn is clearly proud of. In past years, he says, the show ran long because organizers kept squeezing in new comics eager for stage time, which meant rushing seasoned headliners off before they got going.

This year, the roster is smaller and the sets are longer for the veteran Boston comics who don’t just tell good jokes. “Any good comic can get a laugh, but the ones that can just hammer laugh after laugh, that’s what Boston has always been known for; that’s what Boston comics do best.”

Dunn is also handing off hosting duties so he can do a 20-minute set each night, which allows him to actually hang out with his friends instead of running the show.

“I just don’t like breaking up my thoughts,” he said of hosting. “I’m going to go in there and have fun with my friends … just tell some jokes and hang with the gang like I used to.”

Among this year’s hammers: Will Noonan, whom Dunn remembers showing up to the festival’s earliest years at the old Ashworth venue “in a suit … looking like a young Elvis Costello,” and who’s since become, in Dunn’s words, a true Boston headliner.

There’s also Andrew Della Volpe, Karen Morgan — fresh off a viral run on social media and a national touring schedule — Ken Rogerson, Mike Donovan, Brian Glowacki and Paul D’Angelo.

A notable thread running through this year’s bill: two father-son comedy pairs. Tony V, Dunn’s best friend and longtime collaborator — the man who helped him pick material for his Letterman audition — shares the stage with his son Gus, who started doing stand-up at Emerson College before moving to Los Angeles.

“They look alike and they sound alike, but they’re talking about completely different things,” Dunn said. “It’s really fun.” The second pairing features Ethan Printz, son of veteran comic Robbie Printz, a friend of Dunn’s for three decades.

“Robbie called and asked, ‘Hey, can you get my son on the festival?’ With a friend like that, that’s all I need,” Dunn said. New comics get one shot to prove themselves in front of an audience that, in Dunn’s words, isn’t a young comedy-club crowd — it’s real Hampton Beach tourists who “will let you know real quickly if you’re not funny.”

Festival lore runs deep for Dunn: cash Pachinko games at Playland with Tony V, Danny Miller, Gus, Dave Rattigan and Steve Bjork; a homemade ice cream sundae bar on his back deck; a banner plane he hired to fly over the beach reading “Hampton Beach Comedy Festival Tonight.”

Marketing, even now, stays defiantly old-school — hand-to-hand flyers on the sand, because half the audience is tourists who won’t see a Facebook ad. “The only way to market to the beach is to be on the beach,” he said.

Dunn is also branching out this fall in a new direction: teaching. Starting Sept. 23, he’ll lead a four-week stand-up comedy course in the Cantin Room of Concord’s BNH Stage. He’ll walk students through finding their comedic voice, writing jokes that land and performing them with confidence, capped by a mainstage graduation set Oct. 15.

It’s the first time Dunn has put together anything like it, and he says the idea had been around for a while waiting for a good moment.

“People have been asking me forever to teach a class,” he said. “It seemed like the right time and the perfect venue.”

Off stage, Dunn is also finishing a book about his comedy career, aiming for a Thanksgiving release alongside a show at Portsmouth’s Music Hall Lounge, and still looks back fondly on his two seasons on Frasier, including one surreal week trading lines with Kelsey Grammer and Bebe Neuwirth.

The combination of surgery and weather nearly ended the festival for him. Last year, lying in a hospital bed listening to pouring rain and wondering whether to cancel a night of the festival, Dunn wondered if he should carry on. Then his back healed, and his head cleared like a summer thunder buster.

“Of course I want to keep it going,” he said.

Holding the field (and the crowd)

Comedy veteran writes her own advice book

As a standup comic, Jody Sloane is adept at reading a room — it’s a means to survival. Recently she wrote a book that places that and other life skills in the context of mental well-being. It’s called Hold the Field — A Practice for Staying Present Without Disappearing.

The book grew out of her own lifelong habit of feeling responsible for defusing tense situations, even if her help was never requested, a form of social diplomacy that quickly becomes conscription. It’s a reflex, she believes, that most people recognize in themselves if they’re honest.

“Everybody who does it thinks they’re coming from a helpful place, and often they are,” she said in a recent Zoom meeting. The trap, as she describes it, is that they end up fully responsible for the problem, absorbing a job that was never theirs to begin with, often at the cost of their own presence. It’s its own kind of vanishing act.

To deal with it, Sloane created the APART™ framework: Awareness, Permission, Attunement, Restraint, and Trust. In a classic self-help format, she describes the toxic behavior and ways to address it. Real life examples, many that are deeply personal, illustrate corrective work.

It all begins with a bad tattoo.

Sloane stresses that she isn’t writing as a professional or offering a therapy substitute. Rather, she’s someone who’s “read all the books,” but didn’t find one that spoke to her. She’s there for people who “need a way to notice tension without absorbing it,” and avoid vanishing into a fog of good intentions.

She spent years in therapy herself to deal with PTSD, every modality from IFS to cognitive behavioral and EMDR. All valuable, she said, but not definitive.

“What it did was tell me why I am the way I am, and not necessarily how to be in the world with these things I was dealing with,” she said. “I didn’t really find a book like that.”

So Sloane wrote it herself, believing she wasn’t alone in knowing that compulsively trying to lower everyone’s emotional temperature was fruitless. “The most important takeaway is, you do it at the expense of yourself,” she said. “You’re not helping yourself … and that’s the opposite of what you were hoping for.”

What, then, is this … Field?

It’s not the room, but rather what happens inside it, specifically its collective energy and tension. In comedy, it gives Sloane cues for things like dealing with a heckler, owning a joke when it triggers one audience member but makes everyone else laugh — or introducing a slate of comics.

That’s something she’ll do when she returns to the Hampton Beach Comedy Festival to host its final night on Aug. 23. It’s a job she describes, only half-joking, as one she doesn’t even like.

“I hate hosting, too,” she said, echoing fellow comic Jimmy Dunn, who said the same thing in an interview to preview the festival he launched in 2010.

Her job as host is to gauge the temperature of the room and follow its flow, comedian by comedian. If a high-energy act is coming up, she’ll ramp up the crowd’s energy up to meet them. If it shifts down — for example, with a Stephen Wright type following Bobcat Goldthwait — her task then is to ride it, so the next comic lands on their own terms.

A few days prior to HBCF, Sloane will be at Beans & Greens Farm in Gilford, this time not as the person running the whole show but as part of Frank Santorelli & Friends. There she’ll perform an extended set, longer than the 20 minutes she’ll lead with at McGuirk’s Ocean View before yielding to six more comics, including closer Dunn.

Sloane’s 29-year-old daughter is woven into the act these days, a way to examine the friction between Gen X and Gen Z sensibilities. It’s a reluctant choice.

“I normally hadn’t brought her in,” she said. “I was worried she’d be sensitive about what I’d say about her, but what I say is fun and sweet. And it’s true.”

Now that Hold The Field is out — it’s on sale at Sloane’s shows, by the way — she’s exhaling, happily.

“The experience of doing it, and fulfilling it, has been huge,” she said. “There are a lot of people who are willing to support me in this endeavor, and that’s been the most heartening thing, I think — that people are like, ‘go, go, go!’ It’s been awesome.”

Night after night

The Hampton Beach Comedy Festival runs six nights at McGuirk’s Ocean View, in their outdoor Post 8 bar and restaurant. Festival creator Jimmy Dunn will do a 20-minute set to close each show, with Dave Rattigan also telling jokes nightly.

A big change from previous years is fewer comics with more stage time. Dunn wants The Hammers — his name for the veteran comics who’ve anchored the festival since it began 19 years ago — to have room to stretch out. In past years, packed lineups precluded that.

“Mike Donovan would get up there and just start murdering the crowd, and I’m like, I don’t want to give him the light, I want him to keep going,” Dunn said. “So some of the bigger names, or the more experienced comics, or my friends that I just find funnier, we’re going to let them go a little bit longer.”

All shows are scheduled to start at 7:30 p.m. (doors 5:30 p.m.) weather permitting, with rainouts announced 2 p.m. day of show. Shows are 21+ and include adult content. “No, your kids can’t come even if they’ve heard it all,” reads the festival website, hampton-beach-comedy-festival.weebly.com, where you can purchase tickets. “Send your child to Playland with a handful of quarters like a good parent.”

Tickets remain $20 per show, something Dunn is quite proud of. “Most of these comics you can’t see on their own for $20,” he said. “I’ve been working hard with my management [to] lower those ticket prices. People are feeling it, and I want them to be able to come out and have a good time.”

Tuesday, Aug. 18

Paul D’Angelo

Once an assistant district attorney and criminal-defense trial lawyer, D’Angelo is a comedy veteran with nearly four decades of standup under his belt. He’s the author of six books and appeared in the Showtime standup concert film The Godfathers of Comedy. He’s performed at venues ranging from New York’s Friars Club to the Waldorf Astoria ballroom, as well as Harrah’s and Caesars Palace.

Paul Nardizzi

A winner of both the HBO U.S. Comedy Arts Festival and the Boston Comedy Festival, Nardizzi has appeared on Late Night with Conan O’Brien, Comedy Central, NESN and Fox Sports’ Best Damn Sports Show Period. He offers observational humor about his family life, sports, and more, and is touring New England through 2026 with a parenting-focused show, including a September date at Cary Hall in Lexington, Mass.

Mike Hanley

He’s opened for Jay Mohr, Tom Arnold, David Koechner and Jessica Kirson. One of his best bits is about being the father of an infant girl and accidentally brushing his teeth with Desitin and calling for emergency medical assistance. He became the funniest thing the help line encountered that evening. He’s been on the Today show and Good Morning America, and his 2014 daddy/daughter dance YouTube clip topped 24 million views.

Wednesday, Aug. 19

Mark Riley

He was once a professional ice hockey referee (with a very short stint in the NHL) who also ran a Gymboree. He headlines in Boston as well as playing in Las Vegas, Los Angeles and Atlantic City, and he’s a former first runner-up at the Boston Comedy Festival. Also a school teacher, he co-authored a movie script, Penalty Box, drawn from his hockey-reffing days, and is finishing his first book, Not Every Kid Should Get a Trophy.

Mike Donovan

A mainstay in the Boston comedy world who’s also written several books, including one on U.S. history that began as a manuscript twice as long as the Bible. “He’s not a normal guy,” comic Steven Wright once said of Donovan. “His head is not a casual head. He’s got like 18 Harvards up there.” His writing has appeared in the Boston Globe, the Boston Herald and Sports Illustrated as he continues to headline New England rooms in 2026.

Mitch Stinson

Ex-Navy jet pilot with more than 200 carrier landings during his career, he’s now a comedian. Stinson’s material frequently touches on the transition from military to civilian life. He appears at comedy clubs all over New England. He’s the winner of Rhode Island’s Funniest Stand-Up and a Boston/Rhode Island Comedy Festival performer. Still a fixture on the New England club circuit in 2026, including dates at Nick’s Comedy Stop.

Ethan Printz

16-year-old comic turning his teen years into laughs, frequently performing with his father, a multi-decade standup veteran. He frequently tours with his comedian father Robbie in their joint A Night with the Printzes shows, while building a following on Instagram, TikTok and YouTube for his insights into coping with his voice and body changing, while entertaining crowds in rooms he won’t be able to drink in until five years from now.

Robbie Printz

When he shares the stage with his son Ethan, it will be a rare gig on land for the seasoned comic, as he’s spending most of August and September telling jokes on cruise ships. He’s been a headliner aboard Princess Cruises since 2004, and in 2016 he earned the line’s Entertainer of the Year. He still splits his year between cruise ship gigs and land dates with son Ethan.

Thursday, Aug. 20

Ken Rogerson

A veteran of Rescue Me and When Standup Stood Out, the superb documentary about Boston’s comedy heyday in the 1980s. “I legitimately find him one of the funniest people on the planet,” Dunn said of Rogerson. “I would put his Zookeeper bit up there in the top five or 10 comedy bits of all time.” Other TV credits include “Pat the Cop” on It’s All Relative, plus Conan O’Brien, Letterman and Comics Come Home.

Paul Gilligan

This perennial Boston headliner likes to riff on family life and his pale Irish heritage. “On summer vacations,” goes one joke, “I hide under the deck in a ski mask with 68 sunblock, wrapped in a towel.” Gilligan is a solid draw throughout New England clubs. He’s also a licensed electrician who emcees the Boston Construction Awards, as well as a regular on NESN’s Charlie Moore Outdoors and Dirty Water TV.

Harrison Stebbins

Observational comic who created his persona following a family tragedy when his teen brother was disabled in a car accident. He’s shared the stage with Lewis Black, Mitch Hedberg and Bill Burr, and is a winner of the Sam Adams Best of Boston Comedy Festival. Other credits for the New England funny man include Comedy Central and Comcast Comedy Spotlight.

Friday, Aug. 21

Brian Glowacki

He’s headlined Boston’s Wilbur and the Cape Cod Melody Tent. Glowacki has a secret weapon: a face that telegraphs mischief. When he pauses with a sly smirk during a joke setup, it’s like watching a Mento dropped into a bottle of Coke; audience laughter builds, then explodes. A few years ago, he was the first independent local comic to headline Boston’s Wilbur Theatre.

Andrew Della Volpe

A Boston Comedy Festival finalist and a regular all over New England for the past six years, Volpe has appeared at Boston’s Comedy Attic as well as Manchester’s Shaskeen and Rex Theatre. From 2021 to 2023, he co-hosted a podcast, The Soft Boys, with HBCF favorite Will Noonan. Recently named a Boston Globe “Comedian on the Rise.” Now newly married, with 2026 dates at the Spire Center and Music Hall Lounge.

Kristy Kielbasinski

Boston-based stand-up comedian and author, drawing inspiration from her life as a stay-at-home mom and housewife. Her children’s book, I Don’t Know, combines her comedic sensibilities with a love of reading. Won the 2025 Mohegan Sun Comix Contest (Feature Division) and has opened for Bobcat Goldthwait, Matt Rife and Natasha Leggero. Continues touring New England clubs through 2026.

Jeff Koen

He regularly supports Juston McKinney at his shows, and performs throughout New England. Koen’s self-deprecating humor lands well with audiences, and some may remember him from his role as Uncle Rick in the 2011 cult film Heavy Times. Won $10,000 on America’s Funniest Home Videos in 2015 and co-starred with Juston McKinney in the short film “Suck It Up.” Still a frequent support act for McKinney’s shows.

Saturday, Aug. 22

P.J. Thibodeau

Comedian, basketball coach, sports official and New England comedy circuit veteran known for blue-collar charm, easy stage presence, and observational storytelling frequently drawn from family life, aging and athletics. He’s now among the Northeast’s upper-tier headliners, having grown from the college circuit into opening for major national acts and headlining clubs throughout the region in 2026.

Karen Morgan

Former trial attorney who got her start as a finalist on Nickelodeon’s Search for the Funniest Mom in America. “Fortunately she’s a dear friend who’s right up the street; otherwise I wouldn’t be able to get her at something like this,” Dunn said. In 2024, her third album, Shiny Happy People Laughing, arrived. Her two Dry Bar Comedy specials, Go Dawgs! and Rub Some Dirt On It, have millions of online views, with her third due soon.

Dan Miller

According to his bio, Boston native Miller was “born a comedian but made it official in 1992.” He’s shared stages with local and national headliners including Lenny Clarke, Dane Cook and Dave Attel. Dunn calls catching up with Miller one of his favorite things about the HBCF. He remains a regular headliner at Nick’s Comedy Stop and Giggles Comedy Club at Prince Pizzeria.

​Sunday, Aug. 23

Tony V.

A Boston comedy legend and Dunn’s best friend. “Tony V. and I will probably be walking through the gates of Hell together at some point,” Dunn said. Voted “The Funniest Man in Massachusetts” by Showtime back in 1986, he’s a national headliner who’s been on late night television and shared stages with everyone from Steven Wright to Adam Sandler.

Jody Sloane

Doing a sit-down shtick as a cheeky “conducktor” named Penny Wise on more than 4,000 Boston Duck Tours was the perfect tee-up to becoming a stand-up comic for Sloane, who now tours regularly from New York to Maine. Sloane also authored Hold The Field, a self-help book. “It was something I needed that no one else wrote,” she said. She’s been invited back to host and perform at HBCF multiple times.

Will Noonan

Noonan self-released his Live in Boston special on YouTube rather than waiting on a streaming deal, part of a wave of Boston comics producing their own specials. He made an impression on the festival organizer at his initial HBCF appearance, and now he’s a regular. “The first time Will came up, he was wearing a suit,” Dunn recalled. “I was like, ‘Oh, I like this kid’s style already.’”

Carolyn Plummer

She appeared at Denis Leary’s annual Comics Come Home benefit in 2022, along with the far-flung Burbank Comedy Festival on the West Coast. A New Hampshire native — she grew in Wolfeboro, a minister’s daughter — Plummer got into comedy after responding to an ad. Now 25 years into her comedy career, Plummer’s also a Woody Herman Jazz Award-winning trumpet player.

Gus V.

Comedian, writer, playwright and a graduate of Emerson College in Boston, he’s now based in Los Angeles. Gus has worked on Jimmy Kimmel Live, Cobra Kai, and When Stand Up Stood Up. In addition to his writing credits, he runs a monthly show in L.A. called Bughouse with Ben Zieper at the Yard Theater. His appearance with dad Tony V. is one of two father-son HBCF combos.

Upcoming comedy shows

Averill House Vineyard 21 Averill Road, Brookline, mikedupcomedy.com
Saturday, Aug. 15 – Carolyn Plummer

Beans & Greens Farm (Notch Biergarten) 245 Intervale Road, Gilford, strideevents.com
Thursday, Aug. 13 – Lenny Clarke
Saturday, Aug. 15 – Frank Santorelli & Friends w/ Jody Sloane

BNH Stage 16 S. Main St., Concord, ccanh.com
Friday, Aug. 28 – NightOUT with Bunny Butchers Broadway
Saturday, Aug. 29 – Dulcé Sloan
Wednesday, Sept. 23 – Jimmy Dunn Comedy 101

Capitol Center for the Arts – Chubb Theatre 44 S. Main St., Concord, ccanh.com
Saturday, Aug. 22 – GenX Takeover Comedy Tour
Thursday, Sept. 3 – Jerry Seinfeld
Friday, Sept. 11 – Maria Bamford
Saturday, Sept. 26 – Jessica Kirson

Chunky’s 707 Huse Road, Manchester, chunkys.com
Friday, Sept. 11 – Tom Cotter

Colonial Theatre 609 Main St., Laconia, etix.com
Saturday, Aug. 15 – Juston McKinney

Earth Eagle Tavern 350 Route 108, Somersworth, eventbrite.com
Saturday, Aug. 22 – Anders J Nielsen, Katy Coughlin, Zach Valencia
Friday, Sept. 11 – Emily Ruskowski

The Flying Monkey 39 Main St., Plymouth, etix.com
Friday, Aug. 14 – Peter Antoniou
Saturday, Sept. 19 – Bob Marley

Hampton Beach Casino Ballroom 169 Ocean Blvd., Hampton Beach, ticketmaster.com
Sunday, Sept. 27 – Terry Fator
Friday, Oct. 16 – Kathleen Madigan

Headliners Comedy Club 700 Elm St., Manchester, ovationtix.com
Saturday, Sept. 19 – Tim McKeever
Saturday, Sept. 26 – Rob Steen
Saturday, Oct. 3 – Jody Sloane
Saturday, Oct. 10 – Steve Bjork
Saturday, Oct. 17 – James Dorsey

McCue’s Comedy Club 580 Portsmouth Traffic Circle, Portsmouth, eventbrite.com
Saturday, Aug. 15 – Rodney Norman

Moka Pot 8 Hanover St., Manchester, eventbrite.com
Friday, Aug. 21 – Robby Slowik
Saturday, Sept. 19 – Sarah Tollemache, hosted by Ethan Cannon and featuring Dan Doherty
Saturday, Sept. 26 – Josh Day & Friends

The Music Hall Lounge 131 Congress St., Portsmouth, themusichall.org
Sunday, Aug. 30 – Dulcé Sloan
Saturday, Oct. 3 – Heather Shaw

Nashua Center for the Arts 201 Main St., Nashua, nashuacenterforthearts.com
Thursday, Sept. 24 – Natalie Cuomo
Monday, Oct. 5 – Nurse Blake

Newmarket Millspace 55 Main St., Newmarket, portsmouthnhtickets.com
Friday, Aug. 21 – Lamprey River Comedy Competition

Palace Theatre 80 Hanover St., Manchester, palacetheatre.org
Thursday, Oct. 1 – Colin Mochrie & Brad Sherwood
Friday, Oct. 9 – Juston McKinney

Players’ Ring 15 Marcy St., Portsmouth, portsmouthnhtickets.com
Friday, Aug. 14 – Stranger Than Fiction Improv

Queen City Center 215 Canal St., Manchester, wickedjoyful.com
Saturday, Sept. 19 – Jay Chanoine, Matt Barry, Brienna Woodward (comic-con event)

Rex Theatre 23 Amherst St., Manchester, palacetheatre.org
Friday, Sept. 18 – David Nihill
Saturday, Oct. 3 – Frank Santos, Jr.

Rockingham Ballroom 22 Ash Swamp Road, Newmarket, portsmouthnhtickets.com
Saturday, Sept. 5 – Jim Colliton

Sunstone Brewing Co. 298 Rockingham Road, Londonderry, eventbrite.com
Saturday, Aug. 22 – Amy Tee, Matt Barry, Alex Giampapa

Tupelo Music Hall 10 A St., Derry, tickets.tupelohall.com
Friday, Aug. 14 – Orlando Baxter, Kristy Kielbasinski and Ethan Printz
Saturday, Sept. 12 – Pete Correale

Zorvino Vineyards 226 Main St., Sandown, eventbrite.com
Thursday, Aug. 13 – Steve Bjork & Friends, Tim McKeever and Pat Napoli

Featured photo: Jody Sloan. Courtesy photo.

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