Film Reviews by Amy Diaz
Take the musical numbers from the Trolls animated movies and divide them by a Spinal Tap’s “Stonehenge” sensibility and add an earnest Will Ferrell plus Dan Stevens’ dodgy Russian accent (but impressive willingness to go all in) and what you have equals Eurovision Song Contest: The Story of Fire Saga, a new comedy on Netflix.
I feel like Ferrell, who stars here and has a writing credit, probably really likes the annual Eurovision Song Contest and wants to find some way of introducing its glorious pop-song ABBA-ness to an American audience. And that actually sounds like a great idea. The competition — which I have never watched but has always sounded to me like the best possible mash-up of American Idol and the Olympics — has been available in America only recently. I hope when it comes back (this year’s contest was canceled), Americans can view it with ease; it feels like exactly the kind of all-ages-friendly bowl of cheese dip that we’re all going to need in our lives. I watched a highlights reel from the 2019 finale and I am sold on this whole deal, don’t change one sparkly bit of it. (It looks like full versions of some years’ final shows are also available on eurovision.tv and now that I know that I suspect my productivity will nosedive.)
So, getting Americans interested in the Eurovision Song Contest? Worthy goal. But are enough people really sufficiently aware of the Eurovision Song Contest that, for example, the many Eurovision-related cameos (which I could identify as cameos because of the way the movie shot and introduced them, not because I knew who anybody was) resonate or that specific jokes about Eurovision register?
Without that layer, what you have is Will Ferrell as Lars Erickssong, a very middle-aged man living in a small town in Iceland who has spent most of his life trying to get a song in the Eurovision competition. He is so focused on this that he has never even pursued a romance with obviously-hot-for-him Sigrit (Rachel McAdams), his friend since childhood and his partner in the band Fire Saga. Sigrit is happy to follow Lars in his dreams, though she writes her own songs and does wish they’d maybe also find time to have a baby.
Due to a series of horrible (but lucky for Lars and Sigrit) events, Fire Saga finds itself as Iceland’s Eurovision competitor. Russia’s competitor Alexander Lemtov (Dan Stevens) and his friend Mita (Melissanthi Mahut), Greece’s competitor, have a better shot at winning the competition than Fire Saga and yet the duo seems to enjoy messing with the team dynamic of Fire Saga, which, with its special effects and iffy wardrobe choices, seems to be doing just fine sabotaging itself.
At two hours and three minutes, Fire Saga is at least 35 minutes too long. At times the movie feels more like a collection of extra material for a Saturday Night Live Eurovision sketch than a tightly plotted narrative. It is at its best when the too-old Lars is trying to sell a Viking power ballad or the enjoyably dippy Sigrit is talking to elves — or when it’s just showing us Eurovision. More Eurovision, would have been my studio note. A song-mash-up featuring real-life Eurovision people is charming and irresistible and joyfully silly in the best sense.
In yet another example of grading on a serious curve, this movie is acceptable entertainment because (if you have Netflix) you don’t have to pay any extra money to watch it and because you can feel when it’s slowing down and time your snack runs and phone-checking accordingly. B-
Rated PG-13 for crude sexual material including full nude sculpture, some comic violent images and language, according to the MPA on filmratings.com. Directed by David Dobkin with a screenplay by Will Ferrell and Andrew Steele, Eurovision Song Contest: The Story of Fire Saga is somehow two hours and three minutes long and is available on Netflix.