Category: Nightlife

Fools duo play intimate Manchester show

November is a time of year when Mike Girard is usually getting ready to star in the annual Christmas Buzz Ball or doing shows with either his longtime band The Fools or the oversized side project, Mike Girard’s Big Swinging Things. Since the pandemic put the kibosh on most live music last March, however, he’s done exactly one gig: an early August drive-in Fools show at a Manchester by the Sea fitness club parking lot.
Girard’s performance output will double when he and Fools guitarist Rich Bartlett play an intimate show at the Rex Theatre in Manchester on Nov. 28. They’ve done the duo act once before at a house concert, “and we really had a terrific time,” Girard said in a recent phone interview. “The songs were stripped down, with lots of stories in between. We called it the Naked and Afraid Tour; this is a continuation of that.”
The setlist will include favorites like “Life Sucks, Then You Die” and “It’s A Night For Beautiful Girls,” reworked for the spare performance.
“I guess the words are going to be a lot more audible, for good or ill,” Girard said. “If you don’t like it, you’ll know why. There’s [one] song in particular, a slow one called ‘Just Give Up’ — it’s kind of an inspirational song about just quitting.”
A natural raconteur, Girard is more than ready to perform, despite the time off. He’ll share tales of his band’s beginnings in the late 1970s, when hits “She Looks Alright In The Dark” and “Psycho Chicken” were all over Boston radio, and talk about international tours opening for Van Halen and The Knack.
Fans will also gain insight into his songwriting process, Girard promised.
“For instance, ‘Night Out’ occurred to me in a dream — it really did,” he said. “In the dream, we were playing in a small club, doing this song. I woke up and wrote the verse and chorus. I knew where it was going and I went back to bed.”
In the morning, Girard finished the song.
“I called up Richie and said, ‘I had this dream we’re playing this song in a club; I wrote it down and I want to play it for the band.’ He said, ‘How many people were in the club?’ I said, ‘Not too many.’ He said, ‘Call me back when there’s more people in the club.’”
For his part, Bartlett is always ready to hit the stage, Girard said.
“I could show up at his place pretty much any hour of the day and he’ll be sitting on the couch playing guitar into his headphones while watching one TV show or another,” he said. “I tell him, ‘Your life hasn’t really changed at all; we’re all [not used to] staying at home, but that’s just what you do.’”
The upcoming stripped-down show will be The Fools’ second at the Rex; they were there last Feb. 22, a few months after Girard published a new book, A Fool In Time. Like 2010’s Psycho Chicken & Other Foolish Tales, he admits that it’s loosely a memoir, quoting Bartlett’s response to Psycho Chicken in the preface: “The story is pretty much true, even if the details aren’t.”
The Fools have a long history in Manchester, dating back to the raucous mid-’80s days of The Casbah Club, when they and performers such as GG Allin, Jim Carroll and The Ramones would frequently visit.
Girard is looking forward to playing at the city’s newest venue again.
“We’re going to add to the foolish population of that town,” he said with a laugh. “I love the Rex, the place is great. It’s got that feeling of history about it, being an old theater. Nice high ceilings, lots of space.” And it’s ideal for a safe, socially distanced evening.
“We won’t be selling merch, or hanging out with the audience after or whatever, all the things that we would normally do,” Girard said. “We’ll have our own separate entrance, everyone will wear a mask when they’re out of their seat, you know? But once we start, it’s going to be fun — that’s the whole point of every show.”

An Intimate Evening With A Couple of Fools
When: Saturday, Nov. 28, 7:30 p.m.
Where: The Rex Theatre, 23 Amherst St., Manchester
Tickets: $29 in advance at palacetheatre.org, $39 at the door

Featured photo: Mike Girard and Rich Bartlett. Courtesy photo.

Fogelberg tribute is a gem

A careful return to concerts at the Franklin Opera House includes a hybrid live and livestream show on Nov. 14, with Maine singer-songwriter Don Campbell playing the music of Dan Fogelberg. Employing a voice that closely resembles the soothing tenor that propelled hits such as “Leader of the Band,” “Same Old Lang Syne” and “Go Down Easy,” Campbell will perform both solo on piano and guitar, and with an expanded band.
For Campbell, hearing Fogelberg’s Souvenirs album as a teenager in the early 1970s was a transformative experience.
“It made me want to become a songwriter,” he said in a recent phone interview. “It felt like he was singing directly to me. A common thread with fans that I meet is it’s almost like you knew him through his music.”
Campbell has had a lot of success with his chosen craft. He’s a six-time winner of the Maine’s Best Singer-Songwriter poll and took top honors at a Grand Ole Opry competition of original artists that earned him $50,000 and a Gibson Les Paul custom guitar. He’s made 14 CDs of original music, including a pair of Christmas albums. His most recent release is 2014’s The Dust Never Settles.
It’s Campbell’s tribute act that’s getting the most notice in recent years, however.
When prostate cancer claimed Fogelberg in 2007, Campbell began recording his favorites to memorialize him, ultimately releasing a double album in 2012, Kites To Fly – The Music of Dan Fogelberg. Its title is a metaphor, not a lyric reference.
“His songs are like beautiful kites that you take down from the wall and outside to fly a little bit,” Campbell said. “That’s the only way I can describe them for someone who doesn’t know Dan’s music.”
The tribute was noticed by the Fogelberg Association of Peoria, Illinois (the singer’s hometown). The family trust invited Campbell to perform at their annual Celebration Weekend in 2013 and endorsed his act on its website.
“I got to speak to his mother through the foundation president, who put me on the phone with her,” Campbell said. “It was really quite an honor.”
The upcoming Franklin show will be Campbell’s first livestream, and he said he’s relieved to be performing for an in-person crowd at the same time.
“We like to play for people, not at people, where you can talk to the audience,” he said. “So I love opera houses. They always sound great, and they were built for carrying sound. We’re not a loud band; we’re more about playing the parts.”
He’ll bring a seven-piece band that includes fiddle and mandolin players for the evening. It will span Fogelberg’s career, from his gentle, semi-confessional early work to mid- ‘70s jazz rock and the 1985 bluegrass classic High Country Snows, a record Campbell names as one of his most beloved in the catalog.
“It was a special project,” he said.
Over the summer, Campbell and his band did a few outdoor, socially distanced shows. One memorably happened in the parking lot of The Clambake, a favorite seafood restaurant in his hometown of Scarborough, Maine; he and his band played atop a flatbed truck.
“People got lobster rolls and sat in lawn chairs between each car or in the back of a pickup truck,” he said. “We put on a three-hour concert and it was really great. I’ve always said, ‘Evolve or dissolve.’ Everybody’s had to evolve in 2020 to keep things going.”
Asked what he’ll remember most about this challenging year, Campbell answered quickly.
“Playing in close proximity to people,” he said. “Being able to play in venues where there are dancers right in front of you, it’s hard to replace that.”

The Music of Dan Fogelberg – Don Campbell Band
When: Saturday, Nov. 14, 7:30 p.m.
Where: Franklin Opera House, 316 Central St., Franklin
Tickets: $18 & $20 ($17/livestream) at franklinoperahouse.org

Featured photo: Don Campbell. Courtesy photo.

Country rockers play Hudson, host song circle

The initials in EXP Band stand for “experienced players” — front man Rob Randlett, bassist Erik Thomas, lead guitarist John Andrews and drummer Curtis Marzerka are all veteran musicians. Their modern country sound, however, arrived a bit late in their careers.

Randlett spent his early years rocking hard, but in 2014 he got some advice from Hillsboro producer Ted Hutchinson that sent him in a southern direction.

“He told me, ‘I know you like doing the rock thing,’” Randlett said recently by phone, “‘but country’s where you need to be, and that’s where your voice suits you. If you do that, you’ll see things will change.’”

Hutchinson had good ears; Randlett guested with Jodi Cunningham’s band a few times, and soon her fans were asking when his band would be coming to town. So piece by piece he put one together and started playing out.

“Everything was modern country,” he said. “Fresh, because it was right on the radio.”

Since then, the group has gigged all over New England, playing NASCAR and Bike Week, while Randlett himself won New Hampshire Country Music Association and national honors — best male vocalist in 2018 and best modern country male and band the following year.

With Covid-19, their schedule has constricted, but EXP is still doing shows. The next one is Friday, Nov. 6, at The Bar in Hudson, a favorite spot for them, Randlett said.

“It’s just a very homey, feel-good type of a place … a small venue, and it’s very relaxing,” he said.

A Nov. 7 date at Concord’s Area 23 has been moved to December, but they will be at the Manchester VFW the following week, on Friday the 13^th.

Along with playing Jason Aldean, Kenny Chesney and Chase Rice covers, Randlett is an original artist. The Army vet’s latest endeavor is a Bluebird Café styled song circle, fittingly happening Nov. 11 at Tower Hill Tavern in Laconia. He hopes this Songwriters Night event will be the first of many.

“We’re just starting out,” he said. “The music industry is tough right now, along with everything else. Because of Covid, they’re not really allowing full bands inside, but there are solo artists some places, depending on the ownership.”

Tower Hill regularly books Randlett and jumped at the chance to host the event.

“As soon as I posted asking, if I did a songwriters night, would anybody want to do that, he was like, ‘I wanna do it here; we have to do it here,’” Randlett said.

All musicians are welcome.

“It’s kind of like a Nashville thing, but it doesn’t have to be all country,” Randlett said. “It could be blues, rock, whatever you want it to be. If there’s some 16-year-old kid that’s a great songwriter, you know, and his mom and dad want to bring him down to show off his talent, that’s cool. It’s all about bringing musicians together again.”

He looks forward to hosting Songwriters Night on Veterans Day, noting that he hopes to draw attention to a holiday that’s often misunderstood by the general public.

“I thought it was a cool day because military is a big part of my heart and my music. To be able to share this on Veterans Day means a lot to me,” he said.

EXP will appear as a full band on Nov. 6, at The Bar. Randlett is optimistic that it’s a harbinger.

“I think things are moving in a positive direction,” he said. “People are now becoming accustomed to what the outlook is when they go out in public [and] I feel as long as you follow the rules and work with the bar owners, music can continue. When things get out of control and people don’t abide by the rules and do the wrong thing, that’s when problems happen.”

EXP Band
When: Friday, Nov. 6, 8 p.m.
Where: The Bar, 2B Burnham Road, Hudson

Songwriters Night
When: Wednesday, Nov. 11, 6 p.m.
Where: Tower Hill Tavern, 264 Lakeside Ave., Laconia
More: Facebook.com/EXPBandNH

Featured photo: EXP Band. Courtesy photo.

Music and comedy with a Halloween twist

With all the horrors already unleashed by 2020, what’s the point of Halloween? Everyone already has a mask, and fright is a constant condition. What could be added to that?

In a word, laughs. Of all the entertainments that carefully made their way back into public spaces, comedy has provided special relief to the shell-shocked citizenry. On Friday, Oct. 30, in Nashua and on Halloween night in Manchester, Chunky’s Cinema Pub continues a tradition begun last year with a Dueling Pianos costume party. Area favorite Jim Tyrrell appears at both events, with Jeff Gaynor joining him one night and Julian Chisolm the next.

The format is right out of a Billy Joel song, with tips and requests stuffed in a jar — and with this special event, there will be plenty asking for “Monster Mash,” “Thriller” and “Purple People Eater.” Add to that a crowd that’s encouraged to dress up for the occasion.

But there’s an additional twist, said Rob Steen, whose Headliners Comedy Club is presenting the shows, in a recent phone interview. Audience participation drives the evening.

“Say you want to hear ‘Brown Eyed Girl’ — you put a dollar in and they play it,” he said. “But your wife might not want to hear that song, so she could put two or three dollars in to stop them. For the players, money is more of a device to dictate where the show goes.”

This makes the crowd a third instrument for the two keyboard warriors.

“So every show is different, you know?” Steen said. “In some venues I booked I’ve heard, ‘The pianos weren’t really funny last time, but they’re really good this time.’ I say, ‘Well, your crowd kind of sucked.’ I mean, I shouldn’t say it like that, but it’s all dictated by what the crowd does.”

Steen has booked the three New Hampshire Chunky’s (the other is in Pelham) for several years, but when the curtain lifted to permit live entertainment in late spring, his shows were especially vital for the venue.

With the pandemic, film studios froze release dates, Steen said.

“Chunky’s called me and said, ‘We can’t play any movies because there’s nothing coming out … we need live entertainment.’ So we did the comedy, the pianos, we got the tribute acts, and we also had kids’ shows, which have been selling out crazy.”

Having the cinema/restaurant available provided a critical lifeline to Steen in return, as his showcase comedy club in downtown Manchester shuttered on March 13 and has been dark since — though it will open again on Nov. 7, with headliner Will Noonan joined by local comic Paul Landwehr and Steen.

Staffing problems and uncertainty about regulations nearly delayed Headliners’ reopening to December, but as of Oct. 22 all systems were go.

“Capacity limits is the biggest concern, as we need a certain amount of seats to be viable,” Steen said. “They have increased a bit, which is good. However, distancing and safety regulations make it nearly impossible to have more capacity, and the cost to have plexiglass around every table would be very expensive. We still would lose lots of seating.”

Chunky’s doesn’t present the same problems, Steen said.

“It’s a very large room, so spacing isn’t an issue. Ceilings are very high. We are 25 feet from the crowd. So guidelines are easier to follow. … Smaller venues have a bigger challenge, mainly due to space restrictions.”

Steen, New England’s busiest comedy promoter, presses on, meeting each challenge with the same pluck that makes his crowd work as a comic look easy. Weekly shows are planned for his showcase club, along with weekend events at both the Manchester and Nashua Chunky’s. One-off shows happen often at Murphy’s Taproom in Bedford, Nashua’s Flight Center, the Pasta Loft in Milford and other places, as well as larger events at the Capitol Center and Palace Theatre.

New Year’s Eve is Steen’s biggest night of the year, and though it won’t be the same as in the past, Steen is determined to ring in 2021 at several venues throughout the state, whatever Covid-19 brings.

“My friends say I’m like a cockroach, [that] I don’t get killed, that I’m lucky,” he said. “When preparation and opportunity meet — that’s what luck is.”

Dueling Pianos Halloween Party – Two Shows
When: Friday, Oct. 30, 8 p.m. at Chunky’s Cinema, 151 Coliseum Ave., Nashua, and Saturday, Oct. 31, 8 p.m. at Chunky’s Cinema, 707 Huse Road, Manchester
Tickets: $20 at headlinerscomedyclub.com
Also: Headliners Comedy Club at Hilton Doubletree Manchester is expected to reopen Nov. 7 with Will Noonan headlining.

Featured photo: Courtesy photo.

Halloween dance party is right for the times

Among the many entertainments challenged by the pandemic, EDM — electronic dance music — faced a unique hurdle. A lively audience is integral to the experience, almost as important as the DJ throwing beats. Manchester DJ Omari Nkosi summed up the problem succinctly.

“It’s not that easy to keep people six feet apart on a dance floor,” he said recently by telephone. “You run into issues.”

Nkosi and his promotion company Pangea have weathered Covid-19’s choppy waters since lockdown was lifted to stage a number of events. They did it by presenting clear screening, masking and distancing rules for shows at hometown spots like Jewel Music Venue and Whiskey’s 20.

The upcoming Covenant Halloween Vampire’s Ball at Whiskey’s 20 will offer one less difficulty, because everyone will gladly wear a mask.

“That’s the beauty of it,” Nkosi said. “Having a costume party just kind of makes it a lot easier.”

DJs appearing at the event include Nkosi, Trippa, Wiggles and Midas.

Midas — real name John Manning — will be spinning in Manchester for the first time since lockdown began. His one post-quarantine show happened in Providence, Rhode Island, an early October event he described as “straight out of a Stanley Kubrick movie” in a recent phone interview.

“Each section had like five people and you were in your own little plastic case,” he said. “It was so surreal.”

Working in front of a crowd that night, however, provided a familiar rush.

“It filled my soul,” Midas said. “I needed that. It’s like I forgot that I needed it, like a plant needs sunlight. I forgot that I need to do gigs and be able to play and see people and actually be able to send energy back and forth. Now that being said, everyone’s dancing in their own section with their five friends and it’s back to the Kubrick movie.”

Midas is a veteran of the city’s dance scene as well as the radio host of Late Night Delight every Saturday on WMNH 95.3. The latter is an alter ego experience, he said.

“I love the station; everybody there is awesome and it’s its own living breathing part of Manchester,” he said. “I love all kinds of music, and my show is an opportunity for me to not play for a dance floor … it’s listening music. If I want to just do some ambient type of stuff or play five different styles or a tribute, I can and often do. I really try to reinvent the wheel every week.”

Though his radio sets often lean to classic artists like The Beatles, Midas’s touch isn’t old-school.

“The digital age is great for a DJ, because I can have all my music at my fingertips,” he said. “I love it, I embrace it, I can’t wait to see what’s next. Things just keep getting crazier and crazier.”

His appearance at Whiskey’s 20 will lock into a club groove.

“I’m going to try all kinds of surprises,” Midas said. “Things that make you go, ‘Hell, yeah, I can’t believe I’m hearing this right now!’ It’s an electronic music event, so I’m going to stay within the realm of that and party with everybody. I also want it to be dirty and scary at times. So I’ll walk the line between a few different feelings that will definitely be fun. Lots of remixes, because it seems like that’s the kind of thing you want to hear — a bunch of awesome remixes.”

Nkosi looks forward to sparking a creative vibe at the upcoming party.

“Halloween tends to bring out the wild side of people,” he said, recalling a performance at the now-closed Red Door in Portsmouth a few years back. “I was playing techno at 100 to 124 BPM. … Now, I’m a 128 to 130 guy. I like to rock straight techno, but people were just eating it up. Halloween definitely makes you do a lot of things that you normally wouldn’t be able to do.”

Covenant Halloween Vampire’s Ball
When: Tuesday, Oct. 27, 8 p.m.
Where: Whiskey’s 20, 20 Old Granite St., Manchester
Tickets: $10 at the door

Featured photo: Midas. Courtesy photo.

Young indie rockers make big stage debut

As live music resumes at Concord’s downtown Bank of New Hampshire Stage, a direction that started with the summer In The Park series continues: the showcasing of regional talent. Social distancing requirements now limit capacity, creating a sweet spot for acts like Grenon, a quartet of indie rockers who are more than excited for their upcoming show on Oct. 17.

The band is led by namesake Kacie Grenon, a 17-year-old singer-songwriter who began performing as a preteen. Grenon, on lead vocals and rhythm guitar, exudes an artistic maturity well beyond her age. “Imaginary Friends,” a song she wrote about social anxiety, has garnered over 53,000 Spotify streams since its spring release, along with a Top 10 Indie Rock Café pick and press notice in SoCal’s venerable L.A. Weekly.

It’s been a challenging time for the music business. As the band prepared to roll out a new video for “Imaginary Friends” in early May and hit the road to support it, Covid-19 shut the world down. Online Grenon Pity Party shows became the norm.

Though working through the pandemic via Facebook Live and other platforms was a breeze, it didn’t substitute for the real thing, Grenon said in a recent interview with bandmates Nick Turgeon and Zach Stone.

“We all grew up in the generation raised with technology, so it wasn’t a hard switch for us,” she said. “Although it’s super fun and we love doing them, playing online doesn’t really capture everything that we love. And we’re just so excited to actually be doing another live show.”

Grenon began writing “Imaginary Friends” as she completed internet-based high school. The feelings it describes — stuck at home while the world goes on outside — were very real.

“I didn’t really hang out with a lot of people,” she said. “So I was pretty lonely.”

With the pandemic, the song’s sentiments found a larger audience among Quarantine Nation, she said.

“Everyone’s pretty lonely. So I think that might be why people are resonating with it right now. But it’s just really cool to see a song that I wrote in my bedroom when I was feeling pretty low be pretty huge for us at this point,” she said.

Recognition from the virtual world for the new single surprised and delighted Grenon and her bandmates.

“We were supposed to go on a radio tour right after it dropped but we obviously could not get outside of the state,” she said. “It is pretty organic that a lot of people are seeing ‘Imaginary Friends.’ I give a lot of credit to our managers for helping us out so much.”

Bassist R.J. Wood, who joined Grenon in July, will play his second show with the band when they appear in Concord. Although enlisting a new member during a pandemic might appear difficult, Grenon said it was ideal.

“This gave us the perfect time to really practice with him without any pressing deadlines, like, ‘Oh we have a tour that we have to go on in like a week, can you learn all these songs?’” she said. “We’re super excited to finally have him show off for everyone.”

As for the band’s future plans, “just like everyone else in the industry right now we’re kind of waiting to be able to travel and tour,” Grenon said, noting that they’ll debut a follow-up to “Imaginary Friends” at Concord, Part 2 of their mental hell[th] EP.

Then, with all members now high school graduates, the entire band plans to share an apartment — hopefully one with thick walls. No word yet on when TikTok videos of at-home antics will begin appearing — “It’s such a weird app,” Grenon said — as they’re relatively new to the social media tool.

“We’re moving in so we can stay together and make a lot of cool behind-the-scenes stuff,” Grenon said. “We’re just trying to find ways to be creative and safe, and keep moving.”

Grenon
When: Saturday, Oct. 17, 8 p.m.
Where: Bank of New Hampshire Stage, 16 S. Main St., Concord
Tickets: $20 at banknhstage.com

Featured photo: Grenon. Courtesy photo.

Live music changes with the season

Much to the relief of live music purveyors reeling from the hardships and challenges of life during a pandemic, weather wasn’t a problem over the last several months. A festive mood, albeit with face masks on patrons spaced six feet apart, prevailed, and songs filled the air at pop-up venues throughout the region. The only real climate danger was heat waves.

Portsmouth Music Hall Executive Director Tina Sawtelle called it a “Covid silver lining” that not one of the downtown Under The Arch outdoor shows presented by her venue was rained out. Scott Hayward, whose Tupelo Drive-In in Derry was one of the first parking lot concert facilities to open in the nation, agreed.

“We didn’t lose any shows, we didn’t cancel any, and we rescheduled one show,” he said in a Sept. 18 phone interview. “We are one of the very few concert promoters that can say we actually had a successful summer; we made money, had all of our employees back, and that was partly due to the fact that the model we chose worked in our sleep.”

Other al fresco efforts included a series of local showcases in Fletcher-Murphy Park, behind Capitol Center for the Arts and adjacent to Concord Community Music School. Swanzey Drive-In, which boasted a huge 750-car capacity, offered top-level acts like country star Chase Rice and classic rock band Blue Oyster Cult. Manchester’s Delta Dental Stadium did a series of Socially Distanced concerts, with clear skies throughout.

There was another benefit from the awful season: Local musicians owned the spotlight for a rare moment. National touring acts mostly bowed out, unwilling or unable to navigate the morass of what Hayward termed “50 dates with 50 different sets of regulations,” allowing bands like Boston’s Neighbor to break out in a big way.

As temperatures cool, however, the music must move indoors, a transition that raises many questions. Paul Costley, probably the biggest booker of bars and dining establishments in New Hampshire, has a few.

The re-opening of restaurants for outdoor service in May, after two months of quarantine, was a bonanza for his company, NotSoCostley Productions.

“A lot of the smart people in the early days got tents and then they had an outdoor venue,” he said by phone in mid-September. “In normal times, I usually have 60 to 80 events booked a week. … I was up to 135.”

That’s shifting quickly, a situation compounded when a hoped for Oct. 1 state decision to make playing indoors at dining establishments easier didn’t arrive. Currently, performers must stay a minimum of 25 feet away from patrons — easier for venues with a deep stage, but a rule that would eat up far too much space in most restaurants.

“Both Gov. Sununu and the Economic Reopening Task Force appreciate the eagerness of musicians to perform in restaurants again but public safety must remain the predominant priority,” D.J. Bettencourt, chairman of the Governor’s Economic Reopening Task Force, wrote in an email to the Hippo. “The task force has put forward a recommendation for consideration. However, Gov. Sununu, in consultation with state Epidemiologist Dr. Ben Chan, will determine the appropriate time to proceed based on a diversity of data points to ensure public safety comes first.”

Costley is crossing his fingers that the change will be come soon, as it affects so many performers in his roster.

“[If] that happens, it will be a game-changer,” Costley said. “Without it, everything’s going to come to a screeching halt.”

A few of the Lakes Region venues Costley books have suspended outdoor music, like Cactus Jack’s in Laconia. He expects most others in the southern part of the state will follow suit by the end of October.

While it’s tempting to add heaters to keep outdoor music going, it would only be for a few more weeks before winter cold really set in, he said.

“Everyone is waiting to see what they have to do indoors before they do things like heat their tents,” Costley said. “They’re expensive to rent and that’s money they won’t get back. … Anyway, what’s the difference between being inside a tent or inside a restaurant?”

Costley believes there are ways to make music work inside.

“I think they should put Plexiglas at face level for the performers,” he said. “Keep it small, see if the numbers change. Everything is going to be based on that anyway.”

Venues dedicated to live performances received a green light open at 50 percent capacity in late June. Some, like Hayward’s Tupelo Music Hall, are taking it slowly. So far, he’s only booked a Dueling Pianos show on Nov. 21 and two early December Gary Hoey dates. Other than those, he’s adopting a wait-and-see attitude.

“Being open is one thing, and being able to stay open is another thing,” Hayward said. “If we don’t have the capacity to do the shows we normally do, it doesn’t work. A good show for us is 500 people [and] a big show for a small club is 60 people. But I can’t live on 60 people.”

In the spring, Tupelo shows postponed by lockdown were optimistically rescheduled for October and November. Many of them are now pushed out until 2022, as artists “hunker down, taking time with making albums and other things,” Hayward said. “We need enough attendance to be open … national artists to be on tour. We can back fill a little bit with small local acts and stuff, but there’s not enough of it to have a full schedule.”

His popular Tupelo Drive-In shows continue, with Hot Tuna front man Jorma Kaukonen booked for the final musical performance on Oct. 25, closing after a Nov. 1 benefit auction for Derry family resource center The Upper Room.

The Music Hall plans a hybrid of outdoor and indoor shows through the end of the month, when Will Dailey of Barefoot Truth performs the final Chestnut Street show on Oct. 29. At that point, everything moves indoors.

“We must have gone through a hundred permutations of how we could do them, only to get down into the nitty gritty to find out it’s not going to be feasible,” said Monte Bohanan, venue marketing director of the outdoor series, which seated up to 108 guests at 24 tables set six feet apart. “The amount of work for the return on it landed squarely with Live Under the Arch shows, which have been hugely successful.”

The ability to draw from a large regional talent pool for the events proved “incredibly important,” Bohanan said.

“We’ve always had an eye to local originals,” he said. “Over the past decade we have been doing a lot and built some of those relationships. It has been invaluable during this time.”

With a pair of venues available, shows normally held in the intimate Loft are now moved to the larger Historic Theatre.

“The kind of performers that would come to our venue are on hold, hitting the pause button,” Sawtelle said, echoing Hayward’s comments. “So we’re trying to leverage what we have, but the artists that we can bring in for 250 seats is a very different level, much more akin to what we’ve been successful doing in the Loft.”

The Historic Theatre’s upcoming show calendar includes The Mammals on Oct. 9, Sons of Serendip on Oct. 17, Josh Turner the following Saturday, and a slate of Boston comics on Nov. 6.

Capitol Center for the Arts in Concord also runs a second, smaller venue, and the majority of shows will happen there. Similar to Portsmouth, they are leveraging regional talent, like young punk inspired Grenon on Oct. 17, the fun and funky Mica’s Groove Train on Nov. 14 and harmony-rich folk quartet River Sister in early December.

A few shows are set for the 1,300-seat Chubb Theatre. Johnny Cash tribute act Cash Unchained performed Sept. 18 in a shakedown cruise of sorts, according to Capitol Center Executive Director Nicki Clarke.

“We needed an opportunity to experiment,” she said by phone. “How does it work? Can we really have 300 people and do all the protocols that we need so people feel comfortable, so that we can do more of these?”

The days of big names returning look to be a way off.

“There are three things that have to move … before we really can get back to anything that’s truly more normal,” Clarke said. “We do have to have national touring acts that are out on the road. We need to have our capacity limitations lifted and we need an audience that’s ready to come out. Those three things are not really there at the moment. So we are going to continue to do small things down at the Bank of New Hampshire Stage for the next few months.”

Manchester’s Palace Theatre returned to live entertainment with a weekly residency from Juston McKinney, who also brought his Comedy at a Distance show to Portsmouth, Salisbury and Concord. He’s back at The Palace on Oct. 17.

Though none happened outdoors, many events were held at The Rex Theatre, renovated and reopened in 2019. A healthy slate is set for the near future at the city’s newest venue, including comic Kelly McFarland Oct. 9. Elvis and Billy Joel tribute nights are set for Oct. 10 and Oct. 17 respectively, and local Americana stalwarts Town Meeting perform Oct. 24. Matt Nakoa plays Oct. 29, and a Halloween acoustic Grateful Dead night from John Zevos is also scheduled.

Though the State of New Hampshire allows venues to operate at half capacity, most don’t plan to seat more than 25 to 30 percent. Thus, the short term is a money-losing proposition. But offering live entertainment is about more than moving to the music. The ripple effect is crucial.

“For every dollar that somebody spends at our venue, they’re spending $20 to $30 in town, whether that’s parking or restaurants or hotels or whatever. … Having an arts and cultural center in the heart of downtown that is thriving drives everybody’s business,” Bohanan said. “If we were forced to shut for even six months, it’s going to slow down everybody else’s ability to recover.”

On Monday, Oct. 5, Gov. Sununu announced the Live Venue Relief Program: $12 million provided by the state’s CARES Act Coronavirus Relief fund to benefit venues “hosting live theatrical presentations, musical entertainment, or sporting or racing events that are seated, ticketed, and open to the public,” according to a press release.

It’s a welcome gesture, Hayward said.

“We’re getting into winter now, so there’s no way we could possibly produce enough income to pay the bills,” he said, noting that this will provide a lifeline to venues that, unlike Tupelo, have been closed since March. “If they’re paying their mortgages right now, they’re generally taking loans to do so if they’re not paying rent. This really helps people catch up to their baseline.”

Outdoor events
Tupelo Drive-In
Saturday, Oct. 10 – Foreigners Journey ( 1 and 4 p.m.)
Sunday, Oct. 11 – Will Evans of Barefoot Truth
Saturday, Oct. 17–  Comedy Fundraiser with Kenny Rogerson and Francis Birch
Sunday, Oct. 25– Jorma Kaukonen (noon and 3 p.m.)
Sunday, Nov. 1 – The Upper Room’s 19th Annual Auction
Music Hall Live Under The Arch
Thursday, Oct. 8 – Great Bay Sailor
Saturday, Oct. 10 – Clements Brothers
Friday, Oct. 16 – Dwayne Haggins
Thursday, Oct. 22 – Kelly McFarland (comedy)
Thursday, Oct. 29 – Will Dailey
Swanzey Drive-In
Friday, Oct. 9 – Badfish
Thursday, Oct. 15 – Smith & Myers
Thursday, Oct. 22 – moe.
Friday, Oct. 23 – Dirty Heads
Indoor events
Capitol Center for the Arts
Friday, Oct. 9, and Saturday, Oct. 10 – Bob Marley (comedy), five shows total
Bank of New Hampshire Stage
Saturday, Oct. 17 – Grenon
Saturday, Oct. 24 – Rob Steen, Robbie Printz, Paul Landwehr
Saturday, Nov. 14 – Mica’s Groove Train
Saturday, Dec. 5 – River Sister
Rex Theatre
Friday, Oct. 9 – Kelly McFarland (Comedy)
Saturday, Oct. 10 – A Night of Elvis (Tribute)
Saturday, Oct. 17 – David Clark Songs in the Attic (Billy Joel Tribute)
Saturday, Oct. 24 – Town Meeting w/ George Barber
Thursday, Oct. 29 – Matt Nakoa
Saturday, Oct. 31 – Acoustic Grateful Dead w/ John Zevos & Friends
Palace Theatre
Saturday, Oct. 17 – Juston McKinney Comedy at a Distance (6 and 8:30 p.m.)
Friday, Oct. 23 – British Rock Experience (runs through Oct. 31)
The Music Hall
Friday, Oct. 9 – The Mammals
Saturday, Oct. 17 – Sons of Serendip
Saturday, Oct. 24 – Josh Turner
Friday, Nov. 6 – Boston Comedy
Saturday, Nov. 7 – Nellie McKay
Friday, Nov. 13 – Combo Sabroso Quartet
Saturday, Nov. 14 – Patty Larkin
Sunday, Nov. 15 – Dan Brown’s Wild Symphony Benefit Concert
Sunday, Dec. 27 – Juston McKinney
Tupelo Music Hall
Saturday, Nov. 21 – Dueling Pianos 
Friday, Dec. 4, and Saturday, Dec. 5 – Gary Hoey Christmas 25^th Anniversary Show

Featured photo: Dwayne Haggins. Courtesy photo.

Tom Petty tribute show at Rex Theatre stars locals

Just a week after closing out a tour marking the 40th anniversary of his band The Heartbreakers by playing “American Girl” to a sold-out Hollywood Bowl crowd, Tom Petty was dead, of an accidental prescription drug overdose. Time hasn’t healed the wound to rock ’n’ roll, particularly for musicians who found him an inspiration.

Tributes aplenty popped up in the wake of Petty’s death, including a jam organized by Granite State of Mind radio host and music maven Rob Azevedo. At the time, he looked back on a long string of losses in the world of music with a feeling that this one hurt the most.

“When Lemmy passed, it was like I couldn’t believe he wasn’t dead yet; with Bowie there were rumors of cancer,” he said. “But nothing prepared me for Petty.”

Three years later, he plans another tribute, on the anniversary of Petty’s death: Friday, Oct. 2. The upcoming show at Manchester’s newest venue, the Rex Theatre, will shine a spotlight on the city’s music scene.

“I hand-picked artists from the Queen City,” Azevedo said in a recent phone interview. “I chose them because when they’re out gigging, they always include a couple of Petty tunes, and they do Petty better than I’ve ever heard anybody do Petty.”

The lineup includes downtown fixture Jonny Friday, who’ll open the show with “Runnin’ Down A Dream,” and singer songwriter Becca Myari, who caught Azevedo’s attention with a majestic version of “Free Fallin’” one night at the Wild Rover a while back. She’ll reprise that one, along with the double-entendre-laden “Cabin Down Below” and “Angel Dream (No. 4),” a nugget from the She’s The One soundtrack.

Scotty Cloutier, who divides his time between playing out and running sound at Shaskeen Pub, is “a guy that sometimes does Petty better than Petty,” Azevedo said, adding, “I know that sounds crazy … he must play 25 of his songs, and I know he just loves him more than anybody that I’ve ever met.”

The Graniteers feature singer guitarist Nick Ferrero, who is, according to Azevedo, “a bulletproof rocker from Manchester with a little punk in him,” with Monica Grasso on bass and vocals. The two are a couple; fittingly, one of the songs they’ll tackle is “Stop Draggin’ My Heart Around,” done originally by Stevie Nicks and Petty.

Who Knows What is well known as the house band at Manchester’s Ukrainian Club but is pretty much obscure everywhere else. That’s by choice.

“The thing about them is they don’t leave the damn place,” Azevedo said. “They are one of the best bands around, but they don’t play anyplace else unless I book them for a show.”

Concord will represent in the form of Lucas Gallo, a musician, promoter and civic booster from the Capitol City, who recently premiered his new solo album at an outdoor show there. Gallo plans a mashup of “Breakdown” and “Mary Jane’s Last Dance,” a move that Azevedo calls “very Jamantics” — referencing Gallo’s longtime band.

Having the show at the newly modernized Amherst Street venue will be a real treat for the performers.

“A lot of these artists are bangers, you know what I mean?” Azevedo said. “They don’t normally get to play a state-of-the-art place like The Rex Theatre.”

He praised Rex Executive Director Chuck Stergiou for booking hometown shows.

“I’ve had to do a bit of selling on the local music scene … to grow it takes time. Chuck has been behind us every step of the way, and we need people like him on our side,” he said.

This probably won’t be the last time Azevedo rounds up local talent to honor Petty, for him a legend and a hero, whose music is timeless and always welcome. “Every time you hear ‘American Girl’ on the radio,” he said, “it’s a song that you never not turn up, whether it’s the dead of winter or the blazing sun of summer. … You crank it up the minute you hit it.”

Three Years Gone – A Tom Petty Tribute
When: Friday, Oct. 2, 7:30 p.m.
Where: Rex Theatre, 23 Amherst St., Manchester
Tickets: $19 at the door, reserve by calling 668-5588

Featured photo: Tom Petty. Courtesy photo.

Boston supergroup plays free Concord show

With not quite two years behind them as a band, Neighbor has become a force on the New England music scene. They played two doubleheaders at Tupelo Drive-In this summer; both sold out in hours. Everywhere they go, fans follow for a sound that blends jam band joie de vivre with technical brilliance and lyrical savvy.

What began as an informal Tuesday night meetup that gave keyboard player, singer and songwriter Richard James (Pink Talking Fish) and guitarist Lyle Brewer (Ryan Montbleau Band) a chance to play together grew into a word-of-mouth sensation — particularly when they moved the party from a local craft brewery to Thunder Road in Somerville, Mass., in early 2019. Dan Kelly joined on bass along with drummer Dean Johnston, and crowd sizes from their early gigs grew exponentially.

One reason for this fervid response is that Neighbor is prolific — astonishingly so, with over 50 original songs, including a James/Brewer rock opera called Silver. Also, every show is different; James opined in a recent interview that the band’s devotees, who self-identify as “Neighbors,” deserve nothing less.

This was especially true when Neighbor ruled Tuesdays at Thunder Road. Then Covid-19 shut everything down on St. Patrick’s Day. Sadly, the pandemic forced the club to close permanently in late August.

“It was something more than just a residency, or a band doing their thing,” James said. “We had these people every week who were depending on us to not let them down musically … we would push the limits so they could have a new experience every week.”

The idea for a residency came to James after he went to New Orleans to study with pianist Jon Cleary, one of his idols.

“He’s trying out his new original music and playing classic New Orleans tunes, doing his own spin on it, and he’s staying relevant doing these residencies,” James said.

He went to see Cleary at Tipitina’s and a couple of his other regular gigs.

“When I got home I said, ‘I gotta get a residency,’” he said.

Neighbor hasn’t made a studio album — surprising for a band sitting on a box set or two of material. Instead they found a path like Phish or the Grateful Dead, both clear influences.

“When more and more people started paying attention, tapers got more serious about videoing each show,” James said.

There are now hours and hours of live clips on YouTube, some shot with multiple cameras, and 25 live albums currently available.

James, a vintage equipment buff who plays a Hohner Clavinet at shows, likes to package up the disks.

“Digital is cool, but when you actually hold something it’s just that much more important,” he said, adding with a wry laugh, “even if it’s, you know, something dead — people just love getting it, popping it in, and knowing where it came from.”

Granite State success was only a bit unexpected.

“The Neighbors say they want to keep it small, just for themselves, because they’re enjoying it so much; but they really do care about the growth of the band,” James said. “There happened to be a whole bunch of people in New Hampshire who got in on it … but I was a little surprised that the shows sold out so quick.”

Fortunately an upcoming Concord appearance at the Capital Arts Fest is free. Originally booked for Bank of NH Stage, the show was moved outdoors, in front of the Capitol Center for the Arts, just down the street.

James had to engage in last-minute negotiations with the promoters when he learned the expected length of Neighbor’s festival set — one hour.

“I said, ‘That’s not OK; we need more time,’” he said, noting that the demand stunned the venue. “They said, ‘Honestly, you’re the first band that’s ever wanted to work longer.’ But people are going to be coming from Maine, Cape Cod and the South Shore … to come all that way for an hour? Seventy-five minutes is still a little short, but it just means we’re going to have to do something that much more special.”

James’ thought was a continuation of something he’d said earlier, while attempting to state the band’s mission.

“It’s to really get stars in people’s eyes, make them say, ‘Oh my God, this is interesting — this isn’t just a show, this is something more,’” he said. “Getting the people involved is just so important for us.

Capital Arts Fest
Spend the first weekend of fall outdoors, browsing fine arts and crafts in downtown Concord while listening to live music from bands like Neighbor. The League of New Hampshire Craftsmen’s third annual Capital Arts Fest will take place Saturday, Sept. 26, from 10 a.m. to 8 p.m., and Sunday, Sept. 27, from 10 a.m. to 4 p.m.
Compared to last year’s event, which featured more than 70 craftsmen, this year’s festival will be smaller in scale, but Miriam Carter, executive director of the League, said the two dozen juried artists who are participating are eager to get out and interact with the public and showcase their work.
“People get to experience crafts on the street in a really wonderful way — maybe a different way, but still a wonderful way,” Carter said.
The difference this year, of course, is that the League will follow all of the city’s Covid-19 safety protocols, including its mask ordinance and social distancing guidelines, Carter said, with the tents set up 10 feet apart.
But there will still be all kinds of art and fine crafts to shop for, including jewelry, porcelain pottery, prints, mosaics, wood furniture, decorative and wearable fiber crafts, glass sculptures and more.
Carter said League member Stephen Procter, a potter who makes oversized clay pots that are several feet high, will be doing demonstrations throughout both days.
“He builds them in sections, and it’s really a fascinating process to see a large pot come together,” Carter said.
The artists will be set up outside the League of New Hampshire Craftsmen headquarters at 49 S. Main St., across from the Capitol Center for the Arts, which is sponsoring the live music that’s scheduled throughout both days of the festival.
“We’re just trying to adapt and find the silver lining in anything we do,” Carter said.

Capital Arts Fest Live Music Lineup
All shows will take place in front of the Capitol Center for the Arts, 44 S. Main St., Concord.

Saturday, Sept. 26
11 a.m. – Jordan Tirrell-Wysocki & Matt Jensen
1 p.m. – Don Campbell Band
3 p.m. – The Rebel Collective
7 p.m. – Neighbor

Sunday, Sept. 27
11 a.m. – Wellfleet
2 p.m. – Young Frontier

Featured photo: Neighbor. Courtesy photo.

Conniption Fits deliver solid new album

Quarantine produced a variety of reactions from the music community. Some performers polished and completed projects long in progress. Others played nonstop on Facebook Live, while dreaming of an open bar. Some were too busy homeschooling their kids to write songs. And a few made creation a mission — like Stevens Blanchard, who decided to build a new record from scratch. The result, This Useless Thread, is one of the best things done by his band, The Conniption Fits. It’s full of the present moment, from the modern struggle to find harmony in “Harder Than It Is,” which leads things off, to “Forms in the Gaslight” and its complaints about lying leaders.

It offers layered harmonies and majestic guitar swathed in sonic sheen evoking ’90s power rockers like Foo Fighters, Green Day and Muse. Blanchard echoes The Edge on “Slipping Jimmy” and crushes the crunch funk of “Money Goes” without being derivative. Ditto the double entendre pop of “White Lies” and the pulsing title song; the sound is all their own.

This Useless Thread is their first album of all new material since 2012’s Friends With Benefits, though the “greatest hits” CD Misinformed Informant, released three years ago, contained a smattering of new songs. The band’s current lineup is Blanchard on guitar and vocals, bass player Jamie Hosley and drummer Jeff Samataro.

In a recent interview, Blanchard talked about the process of creation and how it kept him going in a difficult, challenging time.

“I made it a point that every morning I would get up and go into the studio and lay down some tracks,” he said. “It’s crazy; you do the work and you actually … are productive.”

Blanchard returned from a trip to Switzerland at the end of February “just in time for everything to shut down for three months,” he said.

He had a lot of ideas kicking around.

“All Conniption Fits albums start with me,” he said. “I come up with chords, melody, lyrics, then put it together in some sort of form.”

Once he finished a rough track, it was sent off to Samataro.

“Jeff put his drum input on it, his rhythm things, and that sometimes made us go back a little bit and retool,” Blanchard said. “Then we have the benefit of doing Jamie on bass last. … He can really lock in with whatever Jeff did. I always like to say he replaces my crappy tracks with real ones.”

There’s a cohesive, well, thread throughout the new album.

“That’s the really cool thing about doing things so fast; you’re very consistent in thoughts, and I was in a very specific head space,” Blanchard said. “I listened to a lot of stuff. … Sometimes I want to do a song that leans more electronic or one that’s sort of rootsy and organic, then run it through the Conniption Fits mill. It sort of comes out being us, you know?”

The band is usually one of the busiest in the state, a solid draw at places like Murphy’s Taproom in Manchester, Goffstown’s Village Trestle and Stumble Inn in Londonderry. Since June, though, it’s been an average of just one gig a week.

“That’s like a quarter of what we normally do through the summer, and we’re lucky to get one,” Blanchard said. “It’s usually decent money, but that’s all it is.”

On Sept. 27 — Blanchard’s birthday — they’ll close out Rochester’s Porch Festival with an “afterparty” show at The Garage, adjacent to the Governor’s Inn, a venue the Fits have played for years.

“They have been gracious enough to have us,” Blanchard said, adding that he energetically pitched his band for the event.

“I was just thinking of all the venues possible that could do public shows,” he said. “Because we’ve been doing all these private shows, and while they’re great we still want to perform for fans, where people can attend and also feel safe and comfortable. I think that’s one of the best outdoor venues to try something like this.”

The Conniption Fits
When: Sunday, Sept. 27, 7 p.m.
Where: The Garage at Governor’s Inn, 78 Wakefield St., Rochester
Tickets: $10 at the door