Category: Nightlife

Yoga studio hosts music and art

As 2020 dawned, Wyn Doran was feeling the glow of her moving debut EP, Thick of It, and working on new music. Like the rest of the world, by March she was locked down and satiating her creative impulses with intimate livestreams, always thinking of bigger things.

In November she hit upon an idea that would lead to a nomination in the New England Music Awards’ new digital performance category, along with a nod for New Hampshire’s Best in State prize.

Doran released “Starry Eyes” in 2020, a duet with Justin Wiggins augmented by the Pennichuck Middle School Chorus singing via Zoom, each member on a tiny retro television. For self-described “choir nerd” Doran, the collaboration, which also included songwriters from the U.K. and Brooklyn, was a dream come true.

“To put it quite simply, it’s a really huge part of my connection to music, and for the first time, I had a song where I could actually hear a choir behind it,” she said in a recent phone interview, adding that the logistics weren’t easy. “I wasn’t really sure how to pull it off, but the choir director was really excited, because that was also a class. My heart goes out to all the students going through the BS of learning online. … For choir, there was no way to sing in a room.”

For Doran, who had a creative breakthrough working with singer-songwriter Ben Folds a few years back, working with other writers in the pandemic was an unexpected benefit in an otherwise stifling time.

“I have different collaborators from all over the globe,” she said, “which I couldn’t have done without the … pandemic.”

Being alone with her thoughts for months on end sparked a desire to dig into her local surroundings. This led to Doran’s latest endeavor, with Vibe Yoga in Nashua — a curated musical showcase preceded by an art display by the studio’s owner, Melissa Coppola. The two met and bonded over their shared experiences leaving the corporate world, and a desire to do more for their hometown.

“It was always in her vision to not just provide yoga to the Nashua community but also bring art and music into it,” Doran said. “We were talking about what can we do? We thought about our ideal shows outside of the city, and how they foster an environment of true listening and appreciation.”

The first show in a hoped-for series — “We’re going to hold our breath a little bit into September about lining up October,” Doran said — happens Thursday, Sept 9, and includes Doran, Aaron Emmanuel and Elizabeth Wyld.

Wyld and Doran met while both were touring in 2018, and the two will share a bill in Allston, Mass., two days before the Nashua show. The indie singer-songwriter released her debut album, Quiet Year, last May.

“I’m hoping to bring artists that I met and loved when I was on the road to my city,” Doran said. “That’s how Elizabeth came along. Aaron Emmanuel is an awesome voice from Boston that I’ve seen perform in Somerville. He felt like a great person to round out our first bill.”

The connection to Coppola’s yoga studio is rewarding for more than the community activism it’s inspired. Doran has dealt with chronic pain for over a decade, and the fitness regimen Vibe offered her was a tonic.

“Pursuing the artist lifestyle and actually writing the darn songs that have been festering in my soul, plus yoga, have been two things that have really made a difference in my life,” she said. “That’s definitely a huge piece of me being so excited to tap into the Nashua community. Ten years ago I’d never even tried it. Now I’m definitely a believer.”

Live at Vibe w/ Wyn Doran, Elizabeth Wyld & Aaron Emmanuel
When: Thursday, Sept. 9, 6:30 p.m.
Where: Vibe Yoga, 182 Main St., Nashua
Tickets: $12 — proof of vaccine required; more at VibeYoga603.com

Featured photo: Wyn Doran, Elizabeth Wyld and Aaron Emmanuel. Courtesy photo.

Concord band celebrates debut album

For Andrew North, the stage and the studio are two distinct places, with the latter a place for adventure. Phosphorescent Snack, the debut album from North and his band the Rangers, is a multi-tracked gem, with elements of funk, soulful pop and progressive jazz. It’s Steely Dan meets Frank Zappa at a 1969 Chicago Transit Authority listening party.

“Electrostatic Chills” expresses a solid groove intention, while the instrumental “Epiphone” showcases the four band members’ prowess: North on keys, drummer Dale Grant, bass player Chip Spangler and horn wizard Rob O’Brien. That the song is missing the instrument it’s named after is not lost on North.

“Yeah, there’s no guitar on the album, which has kind of become a point of pride for us,” he said in a recent interview.

Other standouts include “Down the Pipes,” with its echoes of Dixieland jazz, the can-do anthem “Dig Deep” and “Aditi,” the latter sounding like an unmistakable nod to a certain Vermont jam band.

“It’s hard to admit, because when we say we’re Phish-influenced, the reaction can go either way,” North agreed. “But there’s no question I‘ve soaked up so much of that over the decades, and it comes across in what I do. … I’ve stopped trying to downplay it.”

The connection is understandable; North moved from Burlington, Vermont, to Concord five years ago, bringing the energy of his first home along with him. Andrew North & the Rangers is a multigenerational ensemble; Grant has played drums for close to five decades, including sessions with members of Yes, Survivor and Cheap Trick, while the younger Spangler’s resume includes work in far-away places like Alaska.

Like many bands, the quartet planned to complete its debut disc in 2020, but when the pandemic ended live shows, time was used to polish it a bit more. O’Brien, who plays an electronic Roland Aerophone he affectionately calls Dustbuster that can emit a multitude of sounds, opened his laptop and created walls of horns that would please Earth, Wind & Fire.

“Covid-19 gave us a good chance to sit down and work the tracks up with some overdubbing,” North said, “and obviously, if you let Rob loose with a chance to take more than one pass at a song, he’ll take full advantage.”

North and his mates marked the record’s release with an August show at Area 23, a Concord haven for original bands like theirs. They’ll appear at Newmarket’s venerable Stone Church on Sept. 2.

“I was in a jam band in like 2006, and we were dying to get a gig at Stone Church,” North said, “and they never gave us the time of day… so I may be irrationally excited about that one.”

On Sept. 4 they’ll play a late set at the Keene Music Festival, a massive outdoor showcase of regional bands on multiple stages. Along with North’s group, Plague & Pestilence, a side project featuring Dead Harrison’s Jason Skulls and Lucretia X. Machina from Lucretia’s Daggers, will play its first public show.

Jake McKelvie & the Countertops, Jonee Earthquake Band, Kennedy Drive, Tyler Allgood and the Humans Being are among the New Hampshire bands represented at the event, which runs from 11 a.m. to 9 p.m.

“This is our first one and I’m really excited about it,” North said. “We’ve been kind of incubating in Concord for a while, and the music scene here has really started to gel in the last few years, which has been fun. Places like Area 23 really help to nurture it.”

Andrew North & the Rangers will appear again in their Concord hometown later this year, at Penuche’s Ale House on Friday, Oct. 22, and Area 23 on Friday, Nov. 5.

Andrew North & the Rangers
When: Thursday, Sept. 2, 8 p.m.
Where: Stone Church, 5 Granite St., Newmarket
Tickets: $5 – more at facebook.com/andrewnorthandtherangers
Also appearing Saturday, Sept. 4, at Keene Music Festival in Downtown Keene – City Tire Stage, 7:15 p.m.

Featured photo: Andrew North and the Rangers. Courtesy photo.

Cracker headlines Nashua mini-festival

Though he started two bands that found international renown and still tour decades later, David Lowery is an atypical rock star. He’s a trained mathematician who wrote code in Silicon Valley during its command line days, and he’s now a senior lecturer on business at the University of Georgia.

Lowery is also an erudite defender of artists’ rights who successfully spearheaded a class action suit against Spotify, and went before Congress to slam the federal government’s arcane Copyright Royalty Board, which sets streaming payments. In his view, the agency is captive to the industry it’s supposed to regulate.

“They’re saying, ‘we’re able to give music cheaply to consumers,’ but it’s literally starving the music ecosystem,” Lowery said in a recent phone interview. “Either the board that sets the rate needs to be completely overhauled, with new rules set for it, or the whole thing just needs to be abolished, because it’s what people would call crony capitalism at its worst.”

Musicians at his level, playing for 1,000 fans or less most nights, exemplify the gig economy, Lowery told the Radikaal podcast in June, cobbling together multiple jobs in the industry. His first foray as a performer was anything but ambitious; Lowery joked about Camper van Beethoven’s unexpected breakthrough in “Mom I’m Living the Life, 1981,” from his new album In the Shadow of the Bull.

“I had a band / it was a joke,” he sings, “then it was not / we got some real gigs / in San Francisco.”

Offbeat songs like “Take the Skinheads Bowling” and “ZZ Top Goes To Egypt” earned CVB a cult following that carried them away from their Northern California punk rock beginnings. It dissolved in 1990; he formed Cracker with Johnny Hickman, the name a nod to Lowery’s Georgia roots, and released a slew of country-leaning alt-rock hits led by “Low” and “Get Off This.”

Cracker tops a bill with the percussive Entrain and rootsy Muddy Ruckus at the upcoming Gate City Music Fest on Aug. 27 at Nashua’s Holman Stadium. The current touring band includes Hickman and a pair of players from their 2014 album Berkeley to Bakersfield. Lowery said recent set lists reflect a musical dichotomy.

“We are doing this tour with kind of the band that did the country disc, but they’re actually pretty much rock players,” he said. “So it goes from rock to sort of our pseudo soul or pseudo blues rock and then to the country stuff. It’s all over the place.”

The snarky definition of Cracker’s non-genre reflects “our unique stamp,” Lowery said. “We’re not trying to do exactly soul, or exactly blues rock, or any of these things. We’re borrowing parts, and bringing it into our format.”

Lately, they’ve twanged up a few songs from their nascent Bay Area days.

“Some of them fit really nicely into what we’re doing; adding the pedal steel to it, the songs are a little different,” Lowery said, adding that a reworked version of “Skinheads” will probably be ready for the Nashua show.

“The early straight-ahead simple Camper van Beethoven songs ended up being pretty interesting,” he said. “We try to play a good cross-section of stuff from across our catalog. We don’t leave out the hits.”

He’s keen to hit the road after the pandemic stopped the world for over a year, even more so because his wife is a promoter who books Atlanta’s 40 Watt nightclub and other venues.

“Here’s a lesson I told my kids — never marry someone in the same business you’re in,” Lowery said. “If things go wrong, everybody’s screwed. It was pretty crazy for us, because there were no concerts. She’s only really going back on salary Sept. 1, basically 18 months with no work. … We really had to get clever.”

Gate City Music Fest
When: Friday, Aug. 27, 3 p.m.
Where: Holman Stadium, 67 Amherst St., Nashua
Tickets: $25/reserved seat, $150/six-person pod at gatecitybrewfestnh.com

Featured photo: Cracker. Courtesy photo.

Hampton Beach Comedy Festival returns

Through the years, some things haven’t changed at the Hampton Beach Comedy Festival. Rule No. 1 is that every comic there has to make Jimmy Dunn laugh. Rule No. 2 is that he has to like them — after all, the whole thing began as a hang in 2009, when Dunn, a year-round beach resident, invited a bunch of his friends for a barbecue that ended with a show at Ashworth by the Sea.

It grew to four nights, with many of the same faces, and a few new ones every year working the crowds, then repairing to Playland Arcade for a highly competitive hybrid of cards and skee-ball, followed by after-hours poker — basically a comedy festival that’s an excuse for a rolling party.

“I got my crew of comics, my friends, and it’s sort of how comedy works in New England,” Dunn said in a recent phone interview as he ran down this year’s lineup. “I try and mix it up, bring in some comics that I don’t generally put on shows with me … give some other people opportunities and mix it up for the fans.”

Making their debut are John Reiman, a comedy veteran who spent several years as a writer on The Tonight Show with Jimmy Fallon.

“He’s been around forever, we just never were able to get him,” Dunn said. “He’s very funny, and he grew up in North Hampton, so he’s also a hometown guy.”

Another newcomer is Peter Martin, a Boston comic whom Dunn calls “explosively funny … I did a show with him; I was watching him just destroy a room, and I went, ‘Oh, man. I don’t know if I could follow this kid tonight.’ That’s how he got my attention. Since then, I’ve seen him a bunch of times.”

Will Noonan was a newcomer in the festival’s early days who’s grown into a regional headliner. Dunn remembers Noonan as an eager-to-please youngster when he first arrived.

“He had this Elvis Costello suit on, and he went up and absolutely killed it,” he said in 2019. “I was like, ‘Who is this kid? This is awesome!’ We’ve become really good buddies.”

Among those also returning are longtime favorite Lamont Price, Kelly MacFarland, Mark Riley, Dan Boulger and Chris D, who first performed in 2019. There are seven or eight comics on each show, making for a rapid-fire night of laughs, and special guests are always a strong possibility.

As in past years, Dunn will close each night, and Dave Rattigan will host.

That the festival is happening at all is a minor miracle. A last-minute offer from Tom McGuirk, who owns the eponymous Ocean View Hotel & Restaurant, saved the long weekend.

“He said, ‘Hey, we’d love to have it down here,’ and we looked at it and said, ‘This would be really cool,’” Dunn said. “I guess he’d been to a few of the festivals in the past at the Ashworth and is a comedy fan.”

The Ashworth was “in over their heads with staffing issues and trying to get all the weddings through that they could, and they just couldn’t accommodate us,” Dunn said. “We lucked out, because I thought we were done.”

Dunn’s best friend Tony V. will perform. The two have a podcast called Two Boston Guys Whack Up A Pie.

“The premise was we’d get together and get some kind of pie, apple, blueberry, sit there and have a slice. That’s just such a Boston expression — ‘You want to whack up a large pizza pie?’ But we found out pretty quickly that people didn’t like hearing us eat at the same time we’re talking.”

The show is usually Dunn and Tony V. commiserating about current events and comedy, but recently they hosted Bobcat Goldthwait, who’s been a friend of both since their open mic days in Cambridge at the Ding Ho and other clubs.

“He eats like everybody else,” Dunn said. “He’s getting back out on the road doing stand-up and wanted to plug some dates up here in New England. We get along great with Bob, so we had him on. Technically, it was not our best episode, but he’s a really funny man.”

Hampton Beach Comedy Festival
When: Thursday, Aug. 19, to Sunday, Aug. 22, at 8 p.m.
Where: McGuirk’s Ocean View, 98 Ocean Blvd., Hampton
Tickets: $20/show at happsnow.com

Thursday
Jimmy Dunn
Chris D
Dan Boulger
Mike Whitman
Dan Crohn
Liam McGurk
Graig Murphy
Dave Rattigan

Friday
Jimmy Dunn
Will Noonan
Jeff Koen
Steve Scarfo
Tony V
Janet McNamara
Dave Rattigan

Saturday
Jimmy Dunn
Steve Bjork
Lamont Price
Dan Miller
Carolyn Plummer
Andrew Della Volpe
Don Zollo
Dave Rattigan

Sunday
Jimmy Dunn
Kelly MacFarland
Mark Riley
Jason Merrill
Peter Martin
Jon Rineman
Dave Rattigan

Featured photo: Jimmy Dunn. Courtesy photo.

Honeysuckle brings live music back at beloved Nashua venue

Released in early spring, the latest album from Honeysuckle is called Great Divide. It’s a title with multiple meanings: a reference to today’s fractious national mood, evidenced by cover art of a house cracking to pieces, as well as a nod to the line between normal life and the masked, distanced one people came to live in the past year and a half.

The pandemic shaped the band’s art, Holly McGarry said in a recent phone interview. A planned EP stretched to 10 songs when she and bandmate/boyfriend Chris Boniarz got stranded at his parents’ house when lockdown began and ended their tour.

“That kind of forced indoor reflective time,” she said. “Then it changed a little bit of the tone.”

The title is also a reference to personal — and personnel — changes, McGarry said. In late 2019 Ben Burns left after seven years, changing Honeysuckle from a trio to a duo.

“We’ve had divides in every part of our lives. I mean, I lost jobs, and we lost gigs. We lost a bandmate. … There’s just been a big separation from what was and what is, for better or worse.”

Honeysuckle began at Berklee College of Music, when McGarry and Burns began writing together for school projects, and she started dating Bloniarz; the two men were in a band together. One day Burns played a harmonized line in a song and Bloniarz jumped in with his instrument, and an ‘aha’ moment happened.

“As sad as we are to not be able to play his songs, have him with us live and on records, everybody has to do what’s right for themselves, “ McGarry said of Burns’ departure. “Music is a passion and it’s a multi-layered thing, but it’s also a job. Everyone’s entitled to move on to whatever that next phase of life is that they want. So it was amicable.”

Great Divide is Honeysuckle’s fifth record, following the debut EP Arrows in 2015, an eponymous 2016 disc, Catacombs in 2017 and 2019’s Fire Starter. On the most recent LP, Boniarz and McGarry were co-writing more together, and shifting the band’s sound in the process.

“It’s been really interesting because Chris comes from a little different musical background, a little more rocking, I guess,” she said soon after it was released. “He loves Metallica. … It’s brought a slightly different flavor to things.”

Producer Benny Grotto, who worked with them on previous projects, proved invaluable on the new record, in a difficult time to work.

“If we had to involve more people than just Benny, it probably wouldn’t have been possible to do it over the pandemic,” McGarry said. “Because he was able to engineer, produce, mix and play drums and percussion, we were able to just have that little pod of the three of us.”

Now that they’re a duo, Boniarz is stretching out, McGarry said.

“It’s empowered him to … bring new parts of his multi-instrumental abilities to the group. We have a synthesizer that we’ve been using to fill in those lower frequencies. We’re having fun being a little bit more experimental with what we can do in the studio, and what we can do live,” she said.

This new direction is apparent on Great Divide’s dreamy title track, which McGarry names as one of her favorites on the new release, along with “Cycles,” a rollicking song with Boniarz on lead vocals.

“Chris is doing more looping now, and with the synthesizer we can add percussive beats to certain songs,” she said. “That’s what we’re trying to transition into … seeing if we can adapt and layer more things with the mandolin.”

They’re repurposing their studio tricks for live shows like the upcoming one at Nashua’s Riverwalk Café. Sponsored by Symphony New Hampshire, it’s the first in-person show at the venue since it stopped doing regular live music events in 2019. Honeysuckle was a frequent guest in those days.

“We’ve always really loved playing Riverwalk, and we were very sad when they stopped doing music there,” McGarry said. “So it’s going to be nostalgic and special to be back.”

Honeysuckle
When: Thursday, Aug. 26, 7:30 p.m.
Where: Riverwalk Café and Music Bar, 35 Railroad Square, Nashua
Tickets: $20 at eventbrite.com

Featured photo: Honeysuckle. Photo credit: Crhis Cruz.

Sarah Lee Guthrie finds her own voice

Two New Year’s Days ago Sarah Lee Guthrie wrote on Instagram, “Good morning 2020, I love you already.” With a few West Coast shows booked ahead of playing in the band on her dad Arlo’s national tour, the future gleamed. But in early March, right after she got to Solvang, California, the world shut down.

Guthrie holed up there, releasing videos made in a culvert near the Santa Ynez River. Songs came from her life as “a link in a chain of folk singers,” starting with grandpa Woody Guthrie, with selections from Pete Seeger and Phil Ochs.

A pair of originals from the so-called Culvert Sessions — an aching ode to her late mother and the longing “Seven Sisters,” a performance inspired by a full moon — hinted at the core of her hejira.

“I hadn’t really stepped into what could be known as a Sarah Lee Guthrie solo career after breaking up with Johnny [Irion, her husband and musical partner since 2000],” she said in a recent phone interview. “I’ve been kind of dipping my toes in all kinds of different directions to determine how to capture me, my essence. How do I put it down there?”

Beyond that, isolation was a totally new feeling that sparked waves of energy.

“I hadn’t actually lived alone ever in my entire adult life, and it’s the first time I was actually in one place for two whole months,” she said. “Then I found this amazing little portal of creativity. … I loved it.”

After lockdown was lifted, Guthrie found her way to Austin, Texas, where her sister Cathy now lives. The move sparked her latest creative flowering. The Guthrie Girls & the Stage Door Johnnies is a honky tonk band that holds down a weekly residency at Sam’s Town Point, a no-nonsense, music-forward bar located at the city’s southern tip.

The new effort took shape when Guthrie reluctantly agreed to play a folk jam.

“I’ve played listening rooms, theaters and schools, libraries and coffee houses all over the world, but bars … I’m just not good at them,” she said. But her sister wasn’t buying it, telling her, “just get over yourself and play.”

Her first night, “all these guys started to join me on stage, kind of uninvited, but really funny,” she said. “It was like, ‘Hey, I’m going to go grab my guitar, I’m going to grab my bass, let’s jam. I’m going to go find a drummer,’ [and] all of a sudden I have a band. … This place sucked me in and I have not left because it is so fun. My entire view of how to make music, why we make music, my relationship to music, just totally shifted.”

The nature of her employment also changed. The two sisters work behind the bar at Sam’s when they’re not performing, a situation necessitated by her father’s retirement from touring and live shows.

“I’m laid off and she’s laid off in a sense. She was working for my dad, and also making music with Amy Nelson in Folk Uke,” she said.

Cathy’s ex, Ramsey Millwood — the two share a child — is a singer-songwriter who owns and runs the bar.

Guthrie rapidly assimilated into Austin life.

“It’s really its own country,” she said, “and the coolest thing is that there’s so many great musicians, living a very unpretentious lifestyle going around from club to club. Our favorite people are always there, Charlie Sexton or Charley Crockett or Paul Cousin….”

Her uncle, folk legend Ramblin’ Jack Elliott, stopped by recently.

“This is a haven for people like Jack. There’s old cars in the back. We have one of my dad’s buses there that we’ve been fixing up and the guys all love to sit around and talk about what needs to be done to it. And a bunch of singing cowboys; I was like, ‘Jack, you gotta come hang out with us.’”

Leading a band is exhilarating, liberating, she said.

“Playing with Arlo and my brother, I’m just a little sister, a daughter,” she said. “Coming into a territory where I’m actually driving is feeling really good; I’m empowered. These guys have great taste, there’s great music. I’m inspired, and I love singing with Cathy. Having a band that loves coming to play your songs! It’s just like, oh man, feeling that for my own self. … It’s been life-changing.”

Looking back at her long-ago ’gram post now fills Guthrie with regret’s opposite.

“I did love it,” she said. “I know that it’s been a hard year, but … we spend so much time trying to decide whether it’s good or bad; I’m just over it. I just want to experience. I’m an optimist, so I saw the good in 2020 like you wouldn’t believe. … I’m so much happier.”

Sarah Lee Guthrie w/ Tristan Omand
When: Saturday, Aug. 14, 2 p.m.
Where: Stone Church, 5 Granite St., Newmarket
Tickets: $25 at stonechurchrocks.com ($30 at the door)

Also Friday, Aug. 13, 7:30 p.m. at Brewbakers, 48 Emerald St., Keene ($25 at novarts.org) with Charlie Chronopoulos.

Featured photo: Sarah Lee Guthrie. Courtesy photo.