Glorious hydrangeas

Now in full bloom

When I was a boy, I always took note of cemeteries as we drove by them. I’d lost a beloved grandfather, the original Henry Homeyer, and my mother’s mom. I was taken with a shrub or small tree in cemeteries that I called either “the snowball bush” or the “cemetery bush.”

Back in the day what I now call the PeeGee Hydrangea (Hydrangea paniculata ‘Grandiflora’) was present in every cemetery. They bloom for months, require no work other than planting, and will grow anywhere. Now there are dozens of species and varieties of hydrangeas, offering a great choice for small gardens — these never get huge, like a maple or an elm.

In the nursery trade the PeeGee hydrangea has fallen out of favor, mostly. Now Limelight, Pinky Winky and others with jazzy names and bigger flowers are more popular. But I love my PeeGee that I planted some 25 years ago. It is blooming with over 100 large white flowers now. It’s about nine feet wide and eight feet tall. Like most hydrangeas, if I wait until just before frost and cut some flower stems to put in a dry vase, they will look good all winter — and longer.

Most hydrangeas like full sun or part shade, good soil and adequate moisture. Some, like the panicle hydrangeas, bloom on new wood, while others — those that bloom early in the summer — bloom on buds developed the summer before, also called “old wood.”

The blue hydrangeas (H. macrophylla or big-leaf hydrangeas) generally bloom on old wood, and for those of us in the northern part of New England, that is unfortunate. Our tough winters ruin the flower buds, so the plants don’t bloom in June as desired. Nurseries in the South grow them, ship them to us in full bloom, but after Year 1 we are lucky to get three blossoms in September. Period.

Then along came Endless Summer, a big-leaf hydrangea that promised to bloom all summer long. I tried it, and called it Endless Disappointment. It died back in the winter, grew, but rarely flowered. Newer varieties are out there, and may be tougher, but in Zone 3 or 4 I say buy them in bloom and use as annuals. Not only that, blue hydrangeas produce pink or insipid colors if the soil pH is not acidic enough. ‘Nuff said.

I like my Pink Diamond, a panicle hydrangea with strong stems and fewer florets per flower head than the PeeGee. That means it doesn’t get weighed down by rain and drop to the ground like many other hydrangeas. It starts out white, then gradually turns pink. It is an excellent cut flower, too.

What about shade-growing hydrangeas? There are two nice ones. H. arborescens Grandiflora, also known as Hills of Snow, does well in shade. Its pompoms are much smaller than those of Annabelle, another of the same species, so it does not flop much after a rain. I like it better. It gets to be five or six feet tall and wide if left to its own, but many people cut it to the ground in late winter. The vigorous new growth will be shorter, and the pruning invigorates the plant.

My favorite shade hydrangea is the climbing hydrangea (H. anomala ssp. petiolaris). This tough vine will grow on the north side of a wall and can attach itself to brick or stone. It is slow-growing when young but after five years or so becomes quite vigorous. I attached the stems of mine to the side of my barn when young, but later the stems slipped through cracks in the barn and held on. Mine has even bloomed inside the barn! Climbing hydrangea has showy white, sterile petals on the outer rim of each flower panicle, and less showy, fertile flowers in the center. It blooms in June and the white petals stay white all year, so the flowers always look good. The vines have shaggy exfoliating bark, which is interesting in winter, too.

I recently attended a Hydrangea Walk at the home of Chris Wilson of Newbury, Vermont. Chris is a nursery professional, having worked at EC Brown Nursery in Thetford, Vermont, for over 35 years. Chris collects hydrangeas, lilacs and daffodils and opens his gardens three times a year to view them. This time we all wore masks and practiced social distancing. We didn’t want, as Chris said, “to die to see a hydrangea.” Chris has at least a couple of dozen different kinds of hydrangeas — and a good sense of humor.

Chris had two hydrangeas I had not ever seen before that I like. The first, called Great Star (H. paniculata), was first discovered in the gardens of Princess Greta Sturdza in Varengeville Sur Mer, Normandy, France. It appeared as a naturally occurring branch mutation of an unnamed seedling of Hydrangea paniculata. It has very prominent wide, strap-like sterile florets that are star-like. I hope to find a specimen and plant it in my garden.

The other hydrangea I saw there is another that does well in shade, H. paniculata White Moth. Chris had it tucked in near a large tree, and it was blooming nicely.

Don’t have a hydrangea? I highly recommend them. Most have blossoms now, when most flowering trees are done for the year. So go to your local family-run garden center and see what they have. I bet you’ll find something you like.

Featured Photo: Hydrangea “Great Star”. Photo by Henry Homeyer.

Re-wild your lawn

Start small to build up your garden

Tired of mowing your lawn, but afraid to stop? What would it look like, and what would the neighbors say? I was on a panel discussing “re-wilding” the lawn on New Hampshire Public Radio recently. Here are a few of the points we discussed.

First, a lawn is the easiest, least time-consuming way to maintain your property. If you want a meadow of flowers for birds, bees and pollinators of all kinds, lots of work is involved. You can’t just quit mowing, or rototill the lawn and broadcast some wildflower seeds, and then step back to enjoy. You would get some nice flowers, but your yard would also fill up with weeds and invasive trees.

My advice? Start small. A little corner of the yard, say something four feet wide and 15 feet long, would be a good start. Decide how much time you can commit to it, and how often you want to work in the garden. Can you dedicate half an hour each morning before work? An hour after work? Good gardens are built by people who do something in the garden every day.

Get a soil test done. New Hampshire and Rhode Island have stopped doing tests, Vermont will do them for Vermonters, and Maine, Massachusetts and Connecticut accept samples from out of state. Get a home gardener test with as much info as possible.

Next, you have to remove the grass. That means slicing through the lawn to create one-foot by one-foot squares that you can remove and take away to your (new?) compost pile. Don’t try to do it all at once. Do a little at a time.

Do your homework. Read books and go online to see what will work in your yard. Do you have full sun (six hours or more each day), part sun, or shade? Is your site hot and dry or cool and moist? Select flowers that will work in your climatic zone, and get a variety of bloom times: some for spring, others for early summer, late summer and fall.

Improve your soil. All soil can be improved with compost. Buy it by the truckload, not the bag. Get it delivered if you don’t have a truck. Work the compost into the soil after the grass is removed.

If you want to support butterflies, birds and bees, think native plants. Native plants are those that co-evolved with the wildlife. And let wildflowers be part of the mix. Right now Queen Anne’s lace is in bloom along the roadside. It’s a biennial in the carrot family and is loved by the bees. Learn to recognize the small first-year plants, dig up a few and plant them. Once established, the flowers will drop seeds each year.

But what about the neighbors? One of the panelists had done a study in Springfield, Mass. She asked homeowners to mow their lawn either weekly, every two weeks, or every three weeks. So that the neighbors would be more understanding, they put signs in the yards telling others that they were part of a scientific study.

They counted insects and found a two-week schedule for mowing was best for bees and pollinators: clover and dandelions had time to bloom and to provide food without being hidden in tall grass.

To create a sustainable non-lawn, you need to introduce not only those tall, bright flowers like black-eyed Susans and purple coneflower, but groundcovers that will fill in between plants.

One of the panelists, Thomas Rainer, is the co-author with Claudia West of the book Planting in the Post-Wild World: Designing Plant Communities for Resilient Landscapes. In their book they explain that in nature there are plant communities: plants that need roughly the same soil and light, and that co-exist nicely. If you want a balanced plant community, you need a diverse, supportive collection of plants, including groundcovers.

Groundcovers can act a bit like mulch: They can prevent soil erosion and suppress weeds. It is often tough to find good native groundcovers like groundsel or goldenstar for sale, but they are available if you look hard enough. Winecup is a good groundcover for hot dry, sunny places, and is often available. Oregano and thyme can be used as an understory ground cover that bees love, and they are readily available.

And Creeping Charlie? It’s that “weed” hated by lawn-lovers because it can “spoil” a nice lawn and spread like crazy in part shade. But it is a native plant with nice flowers and is loved by bees. Think about letting it proliferate in your “non-lawn.”

Lastly, if you want a landscape that is beautiful and low-maintenance, think about planting trees and shrubs. Many bloom nicely and all are useful to wildlife. Some native shrubs that I grow and love are fothergilla, blueberries, elderberry, buttonbush and our native rhododendron and azalea.

If you stop mowing the grass and want flowers, put up a sign. I recently saw one that was very simple: it said “Butterfly Crossing.” Hopefully that appeased the neighbors a little.

A sign like this lets neighbors know you are not lazy, but letting the lawn grow for a reason. Photo by Henry Homeyer.

Good riddance

Three plants to avoid

Three plants you don’t want on your property are wild parsnips, purple loosestrife and Norway maples. The first causes severe skin reactions in many people, the second can take over our wetlands and the last can outcompete our native sugar maple and eventually take over our woods.

Wild parsnip is in bloom now. It’s a tall plant, 24 to 60 inches, and has yellow blossoms arranged in flat flower panicles at the top of the stems. It looks a lot like Queen Anne’s lace. It is genetically the same plant as garden parsnips but has escaped and become a weed. Some people are horribly allergic to its sap.

Here’s how you and your kids can stay safe. Learn what it looks like, and avoid it. Sap from the stem, if on the skin and exposed to direct sunlight, can cause horrible burns. Not everyone reacts, however. Assume you do. If you get sap on you, go inside immediately and wash the affected area thoroughly.

Wild parsnip has a two-year cycle; the first year it stays low and develops a deep tap root. The second year it bolts and produces a tall flower stalk. If you have a field of wild parsnip, get it mowed before the flowers set seeds, and re-mowed until it gives up. The sooner you mow it, the less likely the flowers are to produce viable seeds after they are cut down.

First-year plants growing now will send up flower stalks next year. And each year, for a while, seeds in the ground will grow new plants. But each year there will be fewer, and eventually they will be gone.

This is the time of year when swampy areas often are ablaze with tall, pink-purple flowers that dominate the wetland. These are the flowers of purple loosestrife (Lythrum salicaria), an invasive plant that you should not encourage but that you probably can’t get rid of once established.

But why worry about it? It’s such an aggressive grower that it out-competes native plants. It moves into shallow wetlands where fish and frogs lay their eggs among native plants, creating dense monocultures. Biodiversity is healthy for the environment, and purple loosestrife inhibits many other kinds of plants from growing.

Mature plants develop massive root systems that can’t be dug out. They also develop long side-roots that will easily break off and start new plants if you try to remove the clumps.

A big clump can produce up to 2.7 million seeds in a year. And like time-release cold capsules, the seeds become active over time, not all in one year. And since they grow in wetlands, you can’t use herbicides.

If you have big, established plants the best thing to do is cut them down every summer, just above the soil line, preferably more than once. Do it now, and this should prevent them from producing seeds this year. It will also reduce the vigor of the plants. It won’t kill them, but it will keep them from spreading. A string trimmer will do the job, if you have one.

First- or second-year plants often show up in my garden near my stream but can be hand-pulled. Look for plants with a square stem that quickly get 18 to 24 inches tall and may have a reddish-brown tinge to their stems. Older plants get to be three to seven feet tall or more. Leaves are long and narrow with a smooth edge, and they attach directly to the stalk without an attachment stem. Leaves generally appear in pairs, across from each other on a stalk. Many flower stems arise from the main stem.

Beetles from Europe have been introduced in some places to eat purple loosestrife, reducing populations by as much as 90 percent. But those beetles are not available for purchase, at least not yet. So if you have it, cut the plants down. Today!

Lastly, there is the Norway maple, a maple that will thrive anywhere wet, dry, shady or sunny. It sends roots long distances, sucking up water and soil nutrients. It produces massive numbers of seeds, seeds that blow or wash away and end up in our woods. It can out-compete our native sugar maples, and will. Fortunately, it is now against the law to propagate, sell or transport these bad boys.

The most popular Norway maple is a cultivar called “Crimson King.” It has leaves that are a deep purple almost black. Many cities and homeowners bought these 50 years ago and installed them. Removing them is difficult and expensive.

Here’s another problem: Crimson King is a hybrid, and its seeds rarely produce trees with that distinctive purple color. So they pass themselves off as sugar maples.

The leaves are a bit bigger and wider than sugar maples, but you can I.D. a Norway maple by picking a leaf. Look at the place where it snapped off: if it oozes a white sap, it is a Norway maple. If you have one, please consider having it removed.

Saving the world starts with small steps. If we each do what we can, we can leave the world a better place.

‘Crimson King’ Norway maple. Photo courtesy of Henry Homeyer.

Find art outdoors

Watch artists at work, hunt clay monsters and browse a bazaar, plus more in-person arts events

It’s been a trying year for the art world. Galleries and theaters have been closed, art shows and festivals have been canceled and artist collaborations have been forced to go remote or stop altogether. But things are looking up. As restrictions on public gatherings are lightened, some arts organizations have found a way to still hold their events, and to do so safely: take it outdoors.

Nashua International Sculpture Symposium

The sculptors for this year’s Nashua International Sculpture Symposium had already been selected by the time a state of emergency was declared. Jina Lee from Australia (originally from South Korea), Jorg Van Daele from Belgium and Taylor Apostol from the Boston area were expected to arrive in Nashua in May, but the travel ban made that impossible, and with the quarantine order in place, the Symposium’s start date of May 7 was out of the question.

Because the symposium takes place entirely outdoors, organizers and the City of Nashua were hopeful that they could still hold the event later in the year. They set a new tentative start date of Aug. 20 and invited two sculptors from the U.S. — Elijah Ober of Maine and Kelly Cave of Pennsylvania — to join Apostol and take the places of Lee and Van Daele.

“We felt that, if we could figure out a way to continue this annual tradition and do it in a way that is safe, we should do it,” symposium co-chair Kathy Hersh said. “Having it outside is the perfect way to do that, because that’s what we do anyway.”

Started in 2008, the Nashua International Sculpture Symposium was inspired by the Andres Institute of Art International Sculpture Symposium, a similar event held in Brookline every fall. It is the only international sculpture symposium in the U.S. that is held in a city, with the sculptures being placed on public property.

“The idea is that these sculptures belong to the public,” Hersh said. “There are no signs saying, ‘Fragile’ or ‘Don’t touch.’ They are made for people to see, touch, sit and climb on.”

Traditionally, the symposium brings in three experienced sculptors from all over the world. They spend three weeks in Nashua, creating sculptures that are permanently installed at different sites of their choosing throughout the city.

This year’s symposium, however, will look very different. For one thing, it will be the first time that all three sculptors are from the U.S.

“Even though it’s supposed to be the ‘international’ sculpture symposium, I think it’s really exciting to be able to give local and regional artists this opportunity,” symposium artistic director Jim Larson said.

All in their 20s, the sculptors are also the youngest to ever participate in the symposium.

“We really wanted to help out emerging artists, artists who are early in their career,” said Larson, also in his 20s and acting as the sole artistic director for the first time. “This gives them a chance to expand their portfolios with large-scale public work, and to work with new media.”

Rather than creating standalone sculptures to be placed in separate locations, the sculptors will work collaboratively to create their sculptures as a series. All three pieces will be placed together at the west entrance of Mine Falls Park, situated on a secluded wooded hill above the parking lots for a boat ramp and skate park.

“The space itself is definitely off the beaten path and doesn’t get much traffic,” Larson said, “but I think the artists are excited to make work for this forgotten little patch of woods that will surprise viewers as they stumble upon it.”

Some aspects of the traditional symposium, however, will remain the same. Volunteers from the community will still host the sculptors at their homes and provide them with meals and transportation to the worksite. The sculptors will still work six days a week, Monday through Saturday, outside of The Picker Artists collaborative, and, as always, the public will be welcome to observe and interact with the sculptors, as long as they practice social distancing.

“It’s still very much a community project,” Hersh said. “That’s the way it was designed, and that’s the way we want it to be.”

“Being able to see the artists working gives the community a better understanding of where the work comes from and what it took to get it there,” Larson added, “and being able to have that communal experience is meaningful, especially right now.”

The sculptors were all required to quarantine for 14 days before their arrival. They will be kept at least six feet apart from each other at the worksite and “are no strangers to wearing masks,” Larson said, since respirators are needed while sculpting anyway, to protect from inhaling debris.

Visitors will also be required to wear face masks and stay at a safe distance from the sculptors and other visitors.

An opening ceremony will be held on Thursday, Aug. 20, where the mayor, the symposium board, Chamber of Commerce members, funders and others involved with the symposium will welcome the sculptors to Nashua. The ceremony is not open to the public but will be streamed online.

The closing ceremony, at which the finished sculptures will be revealed, will take place on Saturday, Sept. 12, at the installation site. The public can attend, as long as they wear face masks and maintain social distance, or they can watch the ceremony online as it will also be streamed.

13th annual Nashua International Sculpture Symposium
Opening reception:
Thursday, Aug. 20, 5:30 p.m., not open to the public but will be streamed online at accessnashua.org/stream.php at 8:30 p.m.
Visit the sculptors: Sculptors will work Monday through Saturday, from 10 a.m. to 4 p.m., outside The Picker Artists studios (3 Pine St., Nashua) from Aug. 24 through Sept. 4, and at the installation site at the west entrance of Mine Falls Park from Saturday, Sept. 5, through Friday, Sept. 11.
Closing ceremony: Saturday, Sept. 12, 1 p.m., at the west entrance of Mine Falls Park, open to the public and will be streamed online.
More info: nashuasculpturesymposium.org

Meet the sculptors

Elijah Ober, Maine

What do you enjoy most about sculpting?

I really enjoy how there are so many different stages to it: the conceptual thinking at the start of a sculpture, considering what a material brings to the table, seeing how the material responds. The process is often meditative.

What do you have planned for the symposium?

I’ve been letting the site inspire me. It’s right next to the Mine Falls dam, so I’ve been thinking a lot about the river as a timepiece … and how it creates a sense of time without really telling it. I want to create a work that does that in a similar way.

What do you hope to get out of the experience?

I hope to learn some new skills and get some experience working with new materials that I haven’t worked with much in the past … and [to form] new friendships, connections and a tie to Nashua.

Kelly Cave, Pennsylvania

What do you enjoy most about sculpting?

I love making things come to life, especially as public art. I love the idea of creating work that can talk to a community, introduce people to art and bring people together to admire a space.

What do you have planned for the symposium?

With Covid and so many people losing so much, I’ve been thinking a lot about memorializing loss. … I’ve been doing a lot of research about monuments and memorial markers, and how they’re incorporated into our society. … I definitely want to get there and feel the space first, though, and let the space have its effect on me, so I’m keeping things a little loose.

What do you hope to get out of the experience?

The symposium is very unique in that it’s encouraging us [artists] to talk to each other and have our work talk to each other, so I’m hoping that will lead to a lifelong connection with them, and with people in the community.

Taylor Apostol, Massachusetts

What do you enjoy most about sculpting?

I think it’s the physicality of it, especially with public works. I love making something that draws people in, that people want to touch. I love that sense of interaction.

What do you have planned for the symposium?

My piece will be very connected to the natural setting, but also brightly colored with flocking. … Right now, I’m planning one large piece with a few smaller abstract pieces emerging and scattered around, kind of playing with scale and manipulating form.

What do you hope to get out of the experience?

The experience of shifting to more collaborative work as opposed to installation-based work, and of doing something more spontaneous, taking things as they come, instead of being stuck in that focus, ‘finish-it’ mode like when I’m doing something for commission.

Greeley Park Art Show

Nashua’s 67th annual Greeley Park Art Show is still on for Saturday, Aug. 22, and Sunday, Aug. 23.

“So many art shows have been canceled already,” said Lauren Boss, co-president of the Nashua Area Artists’ Association, which hosts the event. “We didn’t want to take away another show from these artists when we know we can have it safely outside and the park is big enough to spread everyone out.”

Around two dozen juried artists from New Hampshire and Massachusetts will display and sell a variety of artwork, including oils, acrylics, watercolors, pastels, drawings, mixed media, jewelry, photography and digital art. Works will range in price from under $20 to over $1,000.

“Everyone has their own style,” Boss said. “It’s a good representation of all the talented, professional artists in our region.”

The artists’ booths will be situated 10 feet apart, and artists are encouraged to display their art on the outsides of their booths as much as possible. Visitors must wear masks (masks will be provided to those who don’t have one) and observe social distance from others. There will be hand sanitizing stations set up as well as hand sanitizer at the artists’ booths.

Boss said the Greeley Park Art Show is a “Nashua staple” and an event that people look forward to all year.

“Even though it’s going to be a little different than in past years due to the pandemic, I think this is something people need right now,” Boss said. “People need to be able to get out and do something normal, and if we can help them do that safely, we’re going to do it.”

Where: Greeley Park, 100 Concord St., Nashua
When: Saturday, Aug. 22, and Sunday, Aug. 23, from 10 a.m. to 4 p.m.
Cost: Free admission
More info: nashuaarts.org

Capital City Art Bazaar

The Concord Arts Market and Concord Handmade present the first Capital City Art Bazaar on Friday, Aug. 21, outside in Concord’s Bicentennial and Eagle squares. The evening arts market will feature 10 to 13 local and regional vendors in each square, selling a variety of handmade items like jewelry, pottery, textiles, paintings, photography, home decor, fashion accessories, soaps and more.

The bazaar was originally scheduled to take place in May at the Bank of New Hampshire Stage. Instead of canceling, organizers decided to postpone the event and move it outdoors.

“Having it outside is a viable option, and it’s definitely safer,” Concord Arts Market producer Christa Zuber said.

All vendors are required to wear face masks and have hand sanitizer available at their tables. Attendees are requested to wear masks and not touch the items for sale unless they plan to purchase them. Payment will be contactless, via card.

The bazaar gives artists an opportunity to “get back in the habit” of participating in arts events and selling their work, Boss said, and art lovers an opportunity to reconnect with and support local artists.

“Artists, whether they do [art] as a living or as a hobby, do it because they love it,” Boss said. “After having so many events canceled this year, I think they are really excited to be able to get out in a safe way and talk to people about their art again.”

When: Friday, Aug. 21, from 4 to 8 p.m.
Where: Bicentennial and Eagle squares, Concord
Cost: Free admission
More info: concordartsmarket.net/capital-city-art-bazaar

More outdoor art

• The Music Hall (28 Chestnut St., Portsmouth) presents two outdoor author events as part of its Live Under the Arch Series. Meg Mitchel Moore will discuss her book Two Truths and a Lie on Thursday, Aug. 20, at 6 and 8 p.m. Tickets cost $44.75. Then, Acadia Tucker will discuss her book Growing Good Food on Thursday, Aug. 27, at 6 p.m. Tickets cost $38.75. Tickets include a signed copy of the featured book. Events will be held right outside of the theater. Visit themusichall.org.

• Intown Concord’s Market Month continues in downtown Concord with International Arts Week from Thursday, Aug. 20, through Sunday, Aug. 23, with a full schedule of multicultural music and dance performances, arts and activities on Saturday; and a Sidewalk Sale from Thursday, Aug. 27, through Sunday, Aug. 30. Admission is free. Visit facebook.com/intownconcord.

• The Concord Arts Market takes place in Concord’s Bicentennial Square every Saturday from 9 a.m. to 1 p.m., now through Sept. 26. The juried outdoor market features a variety of art and crafts by local artists and craftspeople. Visit concordartsmarket.net.

Monsters are on the loose again in Manchester. On Saturday, Aug. 22, Studio 550 Art Center will hide 100 small red clay monsters — each a unique and handmade piece of art — around downtown in outdoor places that are typically overlooked, such as windowsills, benches and flower planters. The hunt starts at 1 p.m. and goes until all of the monsters are found. If you find a monster, you get to keep it, and receive goodies, giveaways and discounts from downtown businesses like Dancing Lion Chocolate and Bookery. The person who finds the one colored monster will get a free workshop at Studio 550. It’s free to participate in the hunt. Also on that day from 1 to 3 p.m., Studio 550 will host outdoor low-cost monster-themed activities for all ages. Visit 550arts.com.

• Alnoba (24 Cottage Road, Kensington) will give an outdoor guided tour of its international and eclectic collection of art on its property on Friday, Aug. 28, from 10 a.m. to noon. Visitors will be able to see the art up close, touch it and hear stories about it and the artists who created it. Tickets cost $15 and must be purchased in advance. Visit alnoba.org.

• Enjoy some outdoor theater with Seussical Jr., presented by All That Drama and Nottingham Parks & Recreation, outside at the Nottingham town bandstand (139 Stage Road). Performances are on Saturday, Aug. 29, and Sunday, Aug. 30, at 5 p.m. There is a $5 suggested donation to see the show. Visit allthatdramanh.com.

• The 20th annual Hampton Beach Sand Sculpting Classic is still on for Thursday, Sept. 3, through Saturday, Sept. 5. Head to Ocean Boulevard to watch as 10 of the world’s top sand sculptors compete for cash prizes and awards. Stick around on Saturday for the judging and to vote for your favorite sculpture from 1 to 3 p.m., and for the awards ceremony at 7 p.m. The sculpture site will be illuminated for night viewing through Sept. 13. Visit hamptonbeach.org/events/sand-sculpture-event.

• Theater and baseball come together at “Shakespeare in the (Ball) Park” on Sunday, Sept. 20, at 2 p.m., at Northeast Delta Dental Stadium (1 Line Drive, Manchester). Cue Zero Theatre Company will perform a reimagined baseball-themed version of Romeo and Juliet. Tickets will go on sale soon and will cost $10. Visit cztheatre.com.

• Now, you can take a self-guided audio tour of the public art in downtown Nashua. There are two types of tours — sculptures and murals — with 10 to 15 stops on each. They are offered through the Distrx app (available for free on Android and iOS), which uses Bluetooth iBeacon technology to automatically display photos and text and provide audio descriptions as tourists approach the works of art. Visit downtownnashua.org/nashua-art-tour.

Featured Photo: “For the Love of Friendship” sculpture by Tony Jimenez, near Lovewell Pond in Nashua. Photo by Matt Ingersoll.

Queen of the garden

Why tomatoes rule

If I could only bring the seeds of one plant with me when exiled to a distant island, I would bring tomato seeds. Tomatoes are the center of much of my cuisine from soups and stews to sandwiches and salads. They are tasty raw or cooked, are healthy to eat, and are relatively easy to grow and propagate. My tomatoes are ripening up now, and I’m not only eating them two or three times a day, I’m putting them up for winter use.

My mother and grandmother slaved over a hot stove in August and September to can whole tomatoes or to make sauce and store it in jars. I rarely do. Mainly I freeze tomatoes whole. I call them my “red rocks” and store them in zipper bags for use in soups and stews.

To prepare red rocks I simply rinse them off, allow them to dry, and slip them into gallon freezer-grade plastic bags. I use a straw to suck the air out of the bag after I have the zipper closed 99 percent of the way. That minimizes frost on the tomatoes in the freezer.

To use frozen tomatoes, I just run hot water from the faucet over them. The skin thaws quickly, and rubs right off. Or I’ll drop a few in a pan of hot water. That helps to thaw the tomatoes and makes them easier to chop up for use. If I freeze cherry tomatoes, I don’t bother removing the skins before cooking with them.

I have a couple of food dehydrators that I use to dry tomatoes, too. The Cadillac of dehydrators is the Excalibur. Mine is a $300 deluxe model that blows hot air sideways equally over all nine trays. My other is the NESCO American Harvester, a serviceable machine that pushes air up or down through a stack of trays.

The downside to the NESCO model is that you must rotate the trays to get equal drying. And it uses 1,000 watts of energy per hour, while the Excalibur uses only 660 watts. Still, at about $125 for the basic machine, it is more affordable. You can stack up to 30 round 15-inch trays over the fan and heating element, but the more trays you add, the longer it takes to dry all the food. I find about eight trays is as many as I want to stack.

Most summers I grow eight to 12 Sun Gold cherry tomato plants, and each is prolific. Most of the fruit I dry in my dehydrators. I cut them in half and dry, cut side up. I store them in zipper bags in the fridge or freezer, and use them in soups and stews. Dried tomatoes can be stored in the pantry, too.

Sometimes I dry plum or slicing tomatoes. I cut them about 3/8 of an inch thick. They tend to stick to the trays, so be sure to buy the special no-stick screens to put on the trays. That makes cleanup much easier.

A sandwich is not really a sandwich, for me, without slices of tomato. One way to save slices of tomato for winter use is to roast them. I do so in the oven at low heat until they are caramelized and soft, not tough and dry. Then I place them in zipper bags and freeze them — but just one layer of tomatoes per bag. When I crave a tomato in my sandwich, I pull out a few slices and heat in my toaster oven until warm. Not a fresh tomato, but better than most sold in the grocery store in January.

I also make tomato paste. Lots of paste. I store it by freezing it in ice cube trays, and then putting it in zipper bags when frozen. No more half-used cans of purchased paste going fuzzy in the fridge for me. To make paste I use imperfect tomatoes — and I usually have plenty. I cut out the bad spots, then core them. I squeeze the cored tomatoes in the sink, which gets rid of most seeds and lots of juice. Then I quarter them, place them in a food processor, puree, and then add to a large enameled iron pot and cook them slowly for hours. I know they are done when I can literally stand up a spoon in the pot. I let it sit all night, uncovered, to cool and lose some more water. In the morning I spoon the paste in the ice cube trays. When it’s frozen, I empty the trays and put cubes in zipper bags.

Canning tomato sauce the old-fashioned way is hard work and takes hours of work. Part of that work is blending the tomatoes and herbs, salt and pepper to get the flavor and consistency just right. In addition to pureed tomatoes I use onions, garlic, basil, oregano, parsley and thyme. I cook it for 45 minutes or so, as I like it nice and thick.

But then there is the canning itself. First you have to boil the jars and lids to sterilize them. Once they’re filled with cooked sauce, one needs to boil the sauce in sealed jars to kill the bacteria that causes botulism, a potentially fatal disease. Forty minutes at a rolling boil is recommended. All in all, making seven jars of sauce — which is what a canning pot can hold — takes an evening.

The Lazy Guy technique for making sauce is to freeze it, not can it. I have an aversion to using plastic for storing food, but make an exception for tomato sauce. I have quart plastic containers with screw tops, though one can also use zipper bags. Since I have two large freezers, I have plenty of space for garden produce.

People raise their eyebrows when I tell them I grow between 35 and 50 tomato plants each year. But since I eat my own stored tomatoes all year, I can barely grow enough of the Queen of the Garden.

Email henry.homeyer@comcast.net.

Beyond perennials

Making your garden a very special place

By Henry Homeyer

listings@hippopress.com

My garden is the place I go in times of sadness, worry or stress. It makes me feel better. I took a few moments one morning recently to really look at what was in my garden to see what made it so special. I saw that in addition to the plants (and who cannot be happy snacking on red raspberries or Sun Gold cherry tomatoes?), I have many things that remind me of friends and of good times. Let’s take a look at my garden, and perhaps you’ll get some inspiration for yours.

I’ve been working on my gardens for about 40 years and have created some nice stone projects. As a young man I built a low 80-foot stone retaining wall to create a terrace that would allow me to plant some fruit trees — most of my full-sun space was near a small stream with a high water table, which is not good for fruit trees.

I worked with my stepson, Josh Yunger, who was a young teenager at the time. It was fun working with him, finding stones on the property and from a tumbledown wall a neighbor, George Edson, had allowed me to pick through. I knew little about walls but had the basics. One stone over two. We mostly found stones with rounded shapes, not flat stones.

And I didn’t know to use crushed stone, not round pebbles, to act as drainage and support for the wall. So those round stones sitting on round pebbles, over time, moved and the wall has slipped and fallen in places. But now it is mostly hidden by plants, and its ramshackle appearance doesn’t bother me. And I feel good when thinking about the work Josh and I did.

If building a stone wall is too much for you, how about placing a long, thin stone standing vertically as an accent in the garden? I have a few of those, and they look great all year round. Just stand up a 36- to 60-inch-long pillar of a stone in a hole 18 to 24 inches deep. Add some loaf-of-bread sized stones in the bottom, and dump in a bag of dry concrete mix. Fill in the rest with soil and pack it well.

I have three nice Japanese red maples that bring fond memories. Two came from my parents’ home in Connecticut, another from a friend. I dug two of them as foot-tall saplings, one bigger. One of these I planted in the early 1970s and it is now 10 feet tall and wide with a 6-inch-diameter trunk at the base. I see it and often think of the 60-foot-tall “mother plant” I climbed as a boy.

Other things are easier than stone projects. I have two nice blue ceramic bird baths. They contrast nicely with the flowers around them, even though no birds ever bathe there. But I love the water in them, and that my wife Cindy Heath floats cut flowers in them. (Yes, my longtime partner and I finally got married July 1 in a Zoom wedding attended by loved ones all over.)

I have a lovely high-temperature fire urn in the garden, a birthday present from Cindy this year. It makes me happy every time I see it. It has a drainage hole and the potter, Stephen Proctor of Brattleboro, Vermont, tells us that it can stay outside all year. Always a bit of a worrier, I will bring it inside before Christmas. It’s too nice to risk having it crack.

A new garden this year is just an oval 7 by 10 feet. I put in a Y-shaped path so it looks like a peace sign from the 1960s. One section is dedicated to milkweed plants for the monarch butterflies. The milkweed will, I suspect, eventually take over the entire garden. But for now? I love seeing the peace symbol —‌ it reminds me of my activist youth.

Then there is my 16- by 20-foot barn. I had a barn raising event in the late 1990s and had more than 30 friends show up. My late friend Bernice Johnson, then in her eighties, showed up with a little hammer in her hand. It makes me happy when I think of that day, and that we got the walls up and rafters on in one day. And now Cindy keeps it tidy inside —‌ something I never managed to do.

Speaking of Cindy, this year she built a gravel walkway down that 80-foot terrace I built for fruit trees in the ’90s. She did an amazing job, lining the path with old bricks I had salvaged from chimneys I removed. The path has a crushed stone base, landscape fabric and then a pea stone layer on top. And of course, Cindy has removed the weeds along the sides, and mulched the beds nicely. It makes me happy to walk along it.

I love the perennials I have gotten from friends and from gardeners I have interviewed. I remember every plant given to me, who gave it to me, and often when I got it. It’s part of what makes my garden so special to me. Now I tend to add little white plastic tags labeled with that information so it will be available even if I am not always around to provide that information.

I recently saw two Doric-style white wood columns free by the side of the road. I stopped. Garden art? Sure. I was in my old green truck, so I loaded them in, and now I have a new project. Not sure how I’ll use them, or where. But they’ll make me happy and remind me of traveling through Europe back when I was a young man. Gardens are good that way. Mine provide plenty of happy memories.

Featured Photo: Peastone walkway. Photo by Henry Homeyer.

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