Tag: 210624

The Art Roundup 21/06/24

The latest from NH’s theater, arts and literary communities

• Two Pippins: The Palace Teen Company will perform Pippin at the Palace Theatre (80 Hanover St., Manchester) on Friday, June 25, and Saturday, June 26, at 7:30 p.m. The musical, based on the book by Roger O. Hirson, with music and lyrics by Stephen Schwartz, is the story of a young prince searching for meaning in his life, as told by a traveling theater troupe led by the mysterious Leading Player. Tickets cost $12 for children and $15 for adults. Visit palacetheatre.org or call 668-5588. Pippin is also running at the Seacoast Repertory Theatre (125 Bow St., Portsmouth) now through July 17, with showtimes on Thursday at 7:30 p.m., Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 2 and 7:30 p.m. Tickets cost $32 to $50. The show is also available to livestream. Visit seacoastrep.org or call 433-4472.

• Call for summer art: There’s still time to submit artwork for consideration in Concord artist and gallery owner Jess Barnett’s first group art exhibit at her gallery. New England artists are invited to submit one or two pieces that interpret the exhibit’s theme, “Summer Haze.” Eligible media include paintings, drawings, collage, encaustic, fiber art, digital art, book and paper art, textiles, mixed media, photography, printmaking and 3D art. The submission deadline is Wednesday, June 30. The exhibit will be on view at the gallery (in the Patriot Investment building at 4 Park St., Suite 216, Concord) from Aug. 6 through Sept. 3, with an opening reception on Friday, Aug. 13 (TBD whether it will be virtual or in person). Barnett, who does primarily abstract art, opened the gallery in December 2019 to provide a venue for herself and other local and regional abstract artists to show their work. Call 393-1340 or visit jessbarnett.com.

The Majestic Theatre presents Steel Magnolias. Photo by Robert Dionne.

• A beautiful friendship: Steel Magnolias, presented by the Majestic Theatre, continues with shows on Friday, June 25, and Saturday, June 26, at 7 p.m., and Sunday, June 27, at 2 p.m., held at the Majestic Theatre Studios (880 Page St., Manchester). The play revolves around a Louisinia beauty parlor where a group of women and close-knit friends lean on each other through love, loss and uncertainty. Tickets cost $20 for adults and $15 for seniors age 65 and up and youth age 17 and under. Call 669-7469 or visit majestictheatre.net.

• Virtual storytelling: True Tales Live, a Seacoast-based monthly storytelling showcase, has its next show, held virtually over Zoom, on Tuesday, June 29, at 7 p.m. Each month’s showcase is centered around a different theme or featured storyteller; the featured storyteller for this show will be Amy Antonucci, co-founder and host of the series, who will share four of her “Dad Stories,” including “Superpowers,” “Birthday Bashes,” “Subtraction” and “Learning to Lie.” The series is free and open to all who want to watch or participate as a storyteller. Additionally, there are free virtual storytelling workshops on the first Tuesday of the month at 7 p.m. This is the series’ last show before its summer hiatus; it will return on Sept. 28 with an open theme show. Past virtual shows are available to watch online. Visit truetaleslivenh.org to register for a workshop or attend a show, and email info@truetaleslive.org if you’re interested in being a storyteller.

Art

Exhibits

• NEW HAMPSHIRE SOCIETY OF PHOTOGRAPHIC ARTISTS’ 21ST ANNUAL EXHIBIT Kimball Jenkins Estate (266 N. Main St., Concord). On view through June. Gallery hours are Monday through Thursday, from 9 a.m. to 2 p.m. Visit kimballjenkins.com.

• “FRESH PERSPECTIVES” Exhibit features works by New Hampshire artists Peter Milton, ​Varujan Boghosian, Robert Hughes and others. New Hampshire Antique Co-op (323 Elm St., Milford). On view in the Co-op’s Tower Gallery now through Aug. 31. Visit nhantiquecoop.com.

• “FASHION FORWARD: AFRICANA STYLE” Exhibit showcases Black fashion and explores connections between African American and African design aesthetics from past to present. The Seacoast African American Cultural Center (located inside the Portsmouth Historical Society, 10 Middle St., Portsmouth). On view now through Sept. 1. Gallery hours are Monday through Sunday, from 10 a.m. to 4 p.m.; visitors must reserve a 45-minute time slot in advance. Walk-in guests will be accommodated as space permits. Tickets cost $10 for the general public and $5 for Historical Society members and are available through eventbrite.com. Visit saacc-nh.org.

• “THE BODY IN ART: FROM THE SPIRITUAL TO THE SENSUAL” Exhibit provides a look at how artists through the ages have used the human body as a means of creative expression. On view now through Sept. 1. Currier Museum of Art, 150 Ash St., Manchester. Museum admission tickets cost $15, $13 for seniors age 65 and up, and must be booked online. Call 669-6144 or visit currier.org.

• “DON GORVETT: WORKING WATERFRONTS” Exhibit features more than 60 works by the contemporary Seacoast printmaker. The Portsmouth Historical Society (10 Middle St., Portsmouth). On view now through Sept. 12. Gallery hours are daily, from 10 a.m. to 5 p.m. Admission costs $7.50 for adults and is free for kids under age 18, seniors age 70 and older and active and retired military. Admission is free for all on the first Friday of every month. Visit portsmouthhistory.org.

• “TWILIGHT OF AMERICAN IMPRESSIONISM” Exhibit showcases New England painters and masters of impressionism Alice Ruggles Sohier and Frederick A. Bosley. On view now through Sept. 12. Portsmouth Historical Society (10 Middle St., Portsmouth). Gallery hours are daily, from 10 a.m. to 5 p.m. Admission costs $7.50 for adults and is free for kids under age 18, seniors age 70 and older and active and retired military. Admission is free for all on the first Friday of every month. Visit portsmouthhistory.org.

• “ROBERTO LUGO: TE TRAIGO MI LE LO LAI – I BRING YOU MY JOY” Philadelphia-based potter reimagines traditional forms and techniques with inspiration from urban graffiti and hip-hop culture, paying homage to his Puerto Rican heritage and exploring his cultural identity and its connection to family, place and legacy. The Currier Museum of Art (150 Ash St., Manchester). On view now through Sept. 26. On view now. Currier Museum of Art, 150 Ash St., Manchester. Museum admission tickets cost $15, $13 for seniors age 65 and up, and must be booked online. Call 669-6144 or visit currier.org.

• “CRITICAL CARTOGRAPHY” Exhibit features immersive large-scale drawings by Larissa Fassler that reflect the Berlin-based artist’s observations of downtown Manchester while she was an artist-in-residence at the Currier Museum in 2019. On view now through fall. Currier Museum of Art, 150 Ash St., Manchester. Museum admission tickets cost $15, $13 for seniors age 65 and up, and must be booked online. Call 669-6144 or visit currier.org.

• GALLERY ART A new collection of art by more than 20 area artists on display now in-person and online. Creative Ventures Gallery (411 Nashua St., Milford). Call 672-2500 or visit creativeventuresfineart.com.

• “TOMIE DEPAOLA AT THE CURRIER” Exhibition celebrates the illustrator’s life and legacy through a collection of his original drawings. On view now. Currier Museum of Art, 150 Ash St., Manchester. Museum admission is $15, $13 for ages 65 and up, and must be booked online. Call 669-6144 or visit currier.org.

• ART ON MAIN The City of Concord and the Greater Concord Chamber of Commerce present a year-round outdoor public art exhibit in Concord’s downtown featuring works by professional sculptors. All sculptures will be for sale. Visit concordnhchamber.com/creativeconcord, call 224-2508 or email tsink@concordnhchamber.com.

• “TENSION: PROCESS IN THE MAKING” The Surface Design Association’s (SDA) New Hampshire Group presents an exhibit featuring fiber art and textiles by New Hampshire artists. July 24 through Sept. 4. Twiggs Gallery (254 King St., Boscawen). Visit twiggsgallery.wordpress.com or call 975-0015.

• “SUMMER HAZE” Concord artist and gallery owner Jess Barnet hosts her first group art exhibit. Gallery located in the Patriot Investment building, 4 Park St., Suite 216, Concord. On view Aug. 6 through Sept. 3. Visit jessbarnett.com.

Fairs and markets

• CONCORD ARTS MARKET Outdoor artisan and fine art market. Every third Saturday, 10 a.m. to 3 p.m. June through October. Rollins Park (33 Bow St., Concord). Visit concordartsmarket.net.

• ARTS ON THE GREEN Arts and crafts fair will feature painters, potters, artisan jewelers, stained glass makers, bead workers, photographers and metal crafters. Presented by The Center for the Arts Lake Sunapee Region. Sunapee Harbor. Sat., July 17, 10 a.m. to 4 p.m. Visit centerfortheartsnh.org.

Tours

• NASHUA PUBLIC ART AUDIO TOUR Self-guided audio tours of the sculptures and murals in downtown Nashua, offered via the Distrx app, which uses Bluetooth iBeacon technology to automatically display photos and text and provides audio descriptions at each stop on the tour as tourists approach the works of art. Each tour has 10 to 15 stops. Free and accessible on Android and iOS on demand. Available in English and Spanish. Visit downtownnashua.org/nashua-art-tour.

Workshops and classes

• GENERAL ART CLASSES In-person art classes for all levels and two-dimensional media. held with small groups of two to five students. Private classes are also available. Diane Crespo Fine Art Gallery (32 Hanover St., Manchester). Students are asked to wear masks in the gallery. Tuition costs $20 per group class and $28 per private class, with payment due at the beginning of the class. Call 493-1677 or visit dianecrespofineart.com for availability.

• DRAWING & PAINTING CLASSES Art House Studios, 66 Hanover St., Suite 202, Manchester. Classes include Drawing Fundamentals, Painting in Acrylic, Drawing: Observation to Abstraction, Exploring Mixed Media, and Figure Drawing. Class sizes are limited to six students. Visit arthousestudios.org.

Theater

Auditions

• HEATHERS THE MUSICAL Presented by Cue Zero Theatre Company. Auditions held Tues., July 27. Granite State Arts Academy, 19 Keewaydin Drive, Salem. Performers must be age 18+. Signups for a time slot in advance are required. Visit cztheatre.com.

Shows

• COMEDY OUT OF THE ’BOX The Hatbox Theatre (Steeplegate Mall, 270 Loudon Road, Concord). Thurs., June 24, 7:30 p.m. Tickets cost $22 for adults, $19 for members, seniors and students, and $16 for senior members. Call 715-2315 or visit hatboxnh.com.

• PIPPIN The Palace Teen Company presents. Palace Theatre, 80 Hanover St., Manchester. Fri., June 25, and Sat., June 26, 7:30 p.m. Tickets cost $12 for children and $15 for adults. Visit palacetheatre.org.

•​ STEEL MAGNOLIAS The Majestic Theatre presents. Majestic Studio Theatre, 880 Page St., Manchester. Now through June 27, with showtimes on Friday and Saturday at 7 p.m., and Sunday at 2 p.m. Visit majestictheatre.net or call 669-7469.

• BETRAYAL The Winnipesaukee Playhouse presents. 33 Footlight Circle, Meredith. Now through July 3, with showtimes Tuesday through Saturday, at 4 p.m. Tickets cost $27 to $37. Visit winnipesaukeeplayhouse.org.

•​ PIPPIN The Seacoast Repertory Theatre PAPA Jr. presents. Virtual and in person at 125 Bow St., Portsmouth. Now through July 18. Visit seacoastrep.org or call 433-4472.

•​ BRING IT ON Kids Coop Theatre presents. Fri., June 25, and Sat., June 26. More information is TBA. Visit kids-coop-theatre.org.

• TRUE TALES LIVE Monthly showcase of storytellers. Held virtually via Zoom. Last Tuesday of the month, 7 p.m., now through June, and September through December. Visit truetaleslivenh.org.

• SLEUTH The Winnipesaukee Playhouse presents. 33 Footlight Circle, Meredith. June 30 through July 17, with showtimes Tuesday through Saturday, at 7:30 p.m., plus matinees on Tuesday, July 6, and Thursday, July 8, at 2 p.m. Tickets cost $20 to $37. Visit winnipesaukeeplayhouse.org.

•​ MAD HAUS The Seacoast Repertory Theatre presents. 125 Bow St., Portsmouth. Wed., June 30, and Sun., Aug. 18, 8 p.m. Tickets cost $15. The show is also available to livestream. Visit seacoastrep.org.

• SNOW WHITE AND THE SEVEN DWARFS The 2021 Bank of New Hampshire Children’s Summer Series presents. Palace Theatre (80 Hanover St., Manchester). Tues., July 6, through Thurs., July 8, 10 a.m. and 6:30 p.m. Tickets cost $10. Visit palacetheatre.org.

• YOU’RE A GOOD MAN, CHARLIE BROWN Prescott Park Arts Festival (105 Marcy St., Portsmouth). July 9 through Aug. 15, with shows daily at 7 p.m. More information is TBA. Visit prescottpark.org.

• PETER PAN The 2021 Bank of New Hampshire Children’s Summer Series presents. Palace Theatre (80 Hanover St., Manchester). Tues., July 13, through Thurs., July 15, 10 a.m. and 6:30 p.m. Tickets cost $10. Visit palacetheatre.org.

• DANI GIRL The Winnipesaukee Playhouse presents. 33 Footlight Circle, Meredith. July 14 through July 31, with showtimes Tuesday through Saturday, at 4 p.m. Tickets cost $29 to $39. Visit winnipesaukeeplayhouse.org.

•​ ‘TIL BETH DO US PART The Majestic Theatre presents. Virtual and in person at Majestic Studio Theatre, 880 Page St., Manchester. July 16 through July 25, with showtimes on Friday and Saturday at 7 p.m., and Sunday at 2 p.m. Visit majestictheatre.net or call 669-7469.

• WIZARD OF OZ The 2021 Bank of New Hampshire Children’s Summer Series presents. Palace Theatre (80 Hanover St., Manchester). Tues., July 20, through Thurs., July 22, 10 a.m. and 6:30 p.m. Tickets cost $10. Visit palacetheatre.org.

•​ CABARET The Seacoast Repertory Theatre presents. 125 Bow St., Portsmouth. July 22 through Sept. 5. Visit seacoastrep.org or call 433-4472.

Creature Feature

New Art Fest celebrates pets and farm animals

Art and animals are brought together at the first-ever Art Fest at Twiggs Gallery in Boscawen, happening Saturday, June 26. The outdoor event will feature booths with local artists and animal organizations, live animals, a make-and-take craft and more.

“Fur & Feathers/Paws & Claws” exhibit. Courtesy photo.

“We’ve always had small things at the gallery, like an artisan who comes and sets up a little booth, or some sort of make-and-take craft for people to do,” gallery director Laura Morrison said, “but this is the first time we’ve really expanded everything into one big full-day event.”

Six New Hampshire artists and craftspeople will show and sell their work at the Art Fest: Melanie Deshaies, who creates watercolor paintings focused on nature; leatherworker Diane Louise, whose work includes belts, dog collars, leashes, bracelets and more; Cheryl Miller, a textile artist who crafts machine-stitched fiber collages with hand-dyed fabrics and paper; jewelry maker Jo Shields, who specializes in organic sculptural jewelry inspired by nature; Keira Chin, a glass artist who makes glass whimsical beach scenes; and Ty Meier, a pen-and-ink artist.

Meier, of Hopkinton, will be selling his greeting cards, which feature unique animal designs like a squirrel playing the violin, two crows in love and a snail with a fairy house on its back, and he’ll be taking orders for custom pet portraits, a service he started offering during the pandemic that has received a lot of demand, he said.

“I’ve developed a style with pen-and-ink and watercolor, doing almost tattoo-y kind of designs, so it’s a little bit different than your typical pet painting,” he said. “I especially love to do ones where the pet is doing something cute or is flopped over or in some weird pose.”

Two local animal nonprofits will have information booths and pets for people to meet: Pope Memorial SPCA will be there from 10 a.m. to noon and will have a donation bin set up on site collecting canned dog food, dry cat food, soft dog treats, cat toys, small animal toys and durable dog toys; and For the Love of Dog Rottweiler & Pitbull Rescue of New Hampshire will be there from 1 to 3 p.m.

Additionally there will be free draft horse cart rides on the field by the gallery from 1 to 3 p.m., as well as a demonstration by the 4-H Steer Club.

Inside the gallery from 1 to 3 p.m. visitors can do a free paper pet make-and-take craft. Using one of the pet portraits provided or a small picture of their own pet’s head (about 1.5 inches wide) that they bring, they can create a paper doll version of their pet.

“We have pictures of different dogs, cats and birds that we cut out … and old paper doll patterns to match them up with, so people can dress up their pet in a fashionable wardrobe,” Morrison said. “It’s a fun little craft.”

Attendees can also take part in “Route 3 Art Trail – Rocks!” a community art project organized by Twiggs and Concord arts organizations Making Matters and Kimball Jenkins. The project invites people to paint “kindness rocks” that will be placed randomly throughout the community. Rocks painted at Twiggs will be put on display in an installation circle outside the gallery until they get distributed this fall.

The Art Fest coincides with the gallery’s new animal-themed art exhibit that’s on view now through July 18.

“We tied it all together,” Morrison said, “and I think that will give a good boost to the exhibit.”

“Fur & Feathers/Paws & Claws” showcases paintings, drawings, prints, photography, jewelry and artist books by nine local artists reflecting on the world of domesticated pets and work and farm animals.

“For about a year now, I’ve been thinking it would be fun to do a pet art show, and to expand it to also [include] other domesticated animals people have at home, like farm animals and work animals,” Morrison said.

Meier has two of his works in the exhibit: one depicting a chicken under a sunrise, and the other a goat against a backdrop of a sun-and-moon symbol.

“I love drawing goats because there’s a lot of crazy mythology … and history behind them,” he said. “I put a lot of that ancient mythology-type symbolism and stuff like that in my art.”

“[The exhibit] is definitely quite an eclectic mix of styles and mediums,” Morrison said.

In addition to the exhibit, the gallery has on display “Our Village Square … a Celebration,” an accordion-style sculptural artist book created collaboratively by members of Artists’ Meeting Point, an artists group that normally meets at Twiggs, over virtual Zoom meetings during the pandemic.

“They did it all together; each artist took one panel in the book,” Morrison said. “When you fold it all out, it looks like a little village.”

Morrison said she’s looking forward to having Twiggs engage with the community on a larger scale.

“We just love connecting and sharing local art and artists with people,” she said. “If all goes well, we hope to continue to do the Art Fest every year.”

Art Fest at Twiggs Gallery

Where: 254 King St., Boscawen
When: Saturday, June 26, from 10 a.m. to 4 p.m. (rain date is Sunday, June 27, from 10 a.m. to 4 p.m.)
Cost: Free
More info: Visit twiggsgallery.wordpress.com or call 975-0015.

“Fur & Feathers/Paws & Claws” exhibit
On view at Twiggs now through July 18. Regular gallery hours are Thursday and Friday from 11 a.m. to 4 p.m., and Saturday from noon to 4 p.m.

Featured photo: Art by Ty Meier, on display in the exhibit. Courtesy Photo.

Well blended

Creamery Station returns to Manchester

The two groups sharing the Jewel Music Venue stage on June 26 go together like Ben & Jerry’s Cherry Garcia and Phish Food — Not Fade Away Band celebrates the Grateful Dead’s music, while Creamery Station brings together all the elements loved by fans of the Dead, Allman Brothers and other heroes of the jam scene.

While plenty of performing units boast about coming together organically, it’s really true of Connecticut-based Creamery Station. Dylan Kader “grew up side stage” — watching his father Jim play in The Bernadettes, a regional R&B group. But Kader was more drawn to sports as a youngster.

In his teens, guided by a “big things start small” philosophy, Kader began honing his guitar skills.

“I wanted to get good enough to play around a campfire and have my friends smile,” he said in a recent phone interview, “but as soon as I started, I fell in love with it.”

One night at a house party, Kader, his dad and a drummer friend started jamming. Soon, the living room was packed with dancing revelers.

“It felt really right,” Kader said. “We got excited and started inviting other musicians.”

The first was his dad’s Bernadettes band mate Don DeStafano, a harmonica player who’d appeared on albums by Johnny Cash and B.B. King. Then Kader’s elementary school pal Harry Cooper joined on drums.

Crucially, keyboard player Jon Truelson, a Berklee grad with music theory skills, came on board. “He’s the Garth in our band — he really pulls our harmonies together, and has an ear like I’ve never heard,” Kader said. The group later welcomed percussionist Mike Ryan, bass player Alex Wu and Bobby Pickett, who plays lap steel and violin.

“It was almost a natural occurrence how everybody started coming together like that,” Kader said.

After hundreds of shows, some EPs and the 2017 demo collection Pastures of Plenty, Creamery Station put out its first proper studio album, Walk With Me, last year. Though the pandemic forced them to cancel a planned tour, Kader was sanguine.

“We had something to release at a time when so many bands were completely out of work with nothing to do,” he said. “So at least it gave us something.”

The new record’s dozen tracks reflect a collaborative nature. Kader wrote most, with Pickett, Cooper, Ryan and Truelson all contributing — Truelson’s harmony-rich “I’d Be Pleased” is a highlight.

“We’re lucky enough we have eight musicians and all of them are phenomenal,” Kader said. “Although not all of us end up starting the songs, we all have a big piece in the writing of them.”

Another standout is Kader’s “Fernwood,” written about a stop in Big Sur while the band was on tour in California. “We go out there a lot and we love it,” he said. “We were all just sitting around the fire and wrote the song about the whole trip — it was a fun little jig.”

Producer Vic Steffens (Rory Block, Lita Ford) did a great job of recreating the band’s live sound on Walk With Me, but the group is anxious to get back in front of fans to see how the new material evolves.

“I love bouncing back and forth between musicians, but there’s still a whole element that’s missing,” Kader said. “Things go to really cool and weird places on stage; that’s what makes it so special. A lot of it is driven by the energy of the audience, where the show and the night’s going down. So it’s really cool to get time on the road … playing the songs, and really see what comes of them.”

Not Fade Away Band w/ Creamery Station
When: Saturday, June 26, 7:30 p.m.
Where: Jewel Music Venue, 61 Canal St., Manchester
Tickets: $20 at jewel.ticketleap.com

Featured photo: Creamery Station. Courtesy photo.

The Music Roundup 21/06/24

Local music news & events

• Southern sound: Country rocking family band Parmalee performs on the deck for a beach crowd. Led by Matt and Scott Thomas, along with their cousin Barry, the group broke through with 2013’s Feels Like Carolina. Last year they received their first CMT nomination, for a video of their duet with Blanco Brown, “Just The Way.” Thursday, June 24, 8 p.m., Bernie’s Beach Bar, 73 Ocean Ave., Hampton, tickets $35 at ticketmaster.com.

• Shed season: Early shows at New Hampshire’s largest outdoor venue, including two from Brantley Gilbert, are socially distanced events with pod seating, but the amphitheater plans full-capacity events later in the summer, and many are sold out already. Gilbert recently released “Worst Country Song of All Time,” a goofy collaboration with Hardy and Toby Keith. Friday, June 25, and Saturday, June 26, at 7 p.m., Bank of NH Pavilion, 72 Meadowbrook Lane, Gilford, tickets $29 and up at livenation.com.

• Funday sun: It’s al fresco laughs as comedian Marty Caproni holds forth on a cozy restaurant’s outdoor deck. As cohost of the Good Advice For Bad Ideas podcast, Caproni welcomes guests like fellow comic Jessimae Peluso and explores getting better at bank robbing, grifting and other murky skills with purported experts. He’s opened for Russell Brand and Dave Attel. Sunday, June 27, 7 p.m., East Derry Tavern, 50 East Derry Road, Derry, tickets $25 via Venmo @woodiewheatonlandtrust.

• Pond party: One of the region’s most versatile musicians, fiddler Jordan Tirrell-Wysocki is joined by Matt Jensen on guitar for an early evening performance surrounded by history. Weaving traditional Celtic music with tuneful original songs, the pair present a lively repertoire that encourages dancing and singing along. Guests are asked to bring their own lawn chairs to watch the duo perform on the Puddle Dock terrace. Tuesday, June 29, 6 p.m., Strawberry Banke, 14 Hancock St., Portsmouth, $5 in advance at strawberrybanke.org.

Quality of Life 21/06/24

Success in the sand

“empty.” Courtesy photo.

Last week’s Hampton Beach’s Sand Sculpting Classic was a success, held as scheduled (as opposed to being pushed to September, like it was last year) and with beautiful weather. The professional sculptors carved over three days, from June 17 to June 19, and voting took place and awards were given out on Saturday, June 19. According to a press release, the first-place winner was “empty” by Abe Waterman of Prince Edward Island, Canada. His sculpture featured two faces, a double-sided piece that was over 10 feet tall with connecting tears spilling from the eyes, plus a male with his head in his hands on one side and a female laying in a fetal position on the other, representing the feelings of sadness Waterman experienced from a breakup with his wife, the release said. “Nearly every piece was doubled-sided this year, which, although it wasn’t a requirement, points are always given when both sides are completed. So this was a step up,” Lisa Martineau, co-marketing director of the Hampton Beach Village District, said in the release.

Score: +1

Comment: The sculptures will remain on display through Sunday, June 27, and will be lit for night viewing.

Blood shortages at critical levels

Like the rest of New England, New Hampshire is facing a critical blood shortage in its hospitals and health care systems, and the American Red Cross of Northern New England is collaborating with state hospital associations in the region to address the need for all types of blood. According to a joint statement from the hospital associations, donating blood takes only about an hour but is a life-saving gift for someone awaiting a transfusion. “We are experiencing such significant blood shortages that many of our hospitals are down to critical levels,” Steve Ahnen, president of the New Hampshire Hospital Association, said in the statement. “We continue to collaborate with our American Red Cross partners and encourage every Granite Stater who is able to donate blood to do so soon so that we can increase blood supplies across the state.” As part of the effort to get more people to give blood, $5 Amazon gift cards are being offered to those who donate through June 30.

Score: -2

Comment: To make an appointment to donate blood, or to find out how to host a blood drive, visit redcross.org and enter your zip code.

Community healing

Anyone who has experienced the loss of a loved one is invited to a free community event on Sunday, June 27, from 3 to 5 p.m. at Northeast Delta Dental Stadium in Manchester. Organized by Friends of Aine, a nonprofit organization providing bereavement support services to grieving children, teens and families, “Gathering in Remembrance: Sharing Grief. Honoring Love. Inspiring Hope.” is a chance for the community to join together to pay tribute to those they have lost. According to a press release, it will feature a remembrance tribute with inspirational guest speakers, community support, a butterfly release, kids activities and light refreshments, including free hot dog meals for children under 18. The event is free, but registration is encouraged at friendsofaine.com, where all registered participants will have the opportunity to submit the name and photo of their loved one for display on the stadium’s jumbotron and for inclusion in the tribute portion of the event, the release said.

Score: +1

Comment:“Gathering in Remembrance will offer attendees the opportunity to remove the isolation of grief — no matter when or how their loved ones passed away,” Christine Phillips, co-founder of Friends of Aine, said in the release.

QOL score: 77
Net change: 0
QOL this week: 77

What’s affecting your Quality of Life here in New Hampshire? Let us know at news@hippopress.com.

Luca (PG) | The Hitman’s Wife’s Bodyguard (R)

Luca (PG)

A young sea creature explores land and makes friends in Luca, an animated Pixar movie about a lot of things that I would lump in the “growing up” category.

I think Luca might be part of a good double feature with Inside Out, another Pixar movie about moving from little kid to an older and more aware phase of life. Where that movie was focused on the internal mechanics of that process — what does it feel like to grow and change and accept sadness and bittersweetness as part of life — Luca feels more like the external mechanics of growing up, learning to take chances but also take care of yourself, be a part of your family but still separate from your family, find friends who share your values, stand up for what you know is right and make things right when you make a mistake. How to approach and operate in the world feels like the broad ground covered in Luca.

Luca (voice of Jacob Tremblay) is a young sea creature (picture a water dragon crossed with a sea monkey but in bold tropical colors) who lives with his family in the bright sapphire-blue waters off the Italian coast. He spends his days herding the family’s flock of sheep-like fish — at least that’s what his mother (voice of Maya Rudolph) and father (voice of Jim Gaffigan) think he’s doing. His grandmother (voice of Sandy Martin) sees the gleam of curiosity in his eyes when she tells stories of visiting the human town on land where sea creatures, when dry, transform to look like people.

When Luca finds a few human items that have fallen off a fishing boat, he is intrigued. He meets Alberto (voice of Jack Dylan Grazer), a fellow kid sea creature and collector of all manner of human stuff. Hesitantly, Luca follows Alberto to the surface. After Luca gets the hang of walking with legs, he and Alberto spend time hanging out on a small island where Alberto lives, building rickety but (briefly) ride-able Vespa-like contraptions and dreaming of the day when they can get a cherry-red scooter and ride off together to see the world.

Soon, however, Luca’s parents find out what he’s been doing and they’re terrified and angry — humans have a long history of killing sea creatures, and land is no place for someone like Luca, who turns blue and green anytime water splashes on him. To keep him safe, they say, they’re sending him to the deep with weird, see-through uncle Ugo (voice of Sacha Baron Cohen).

Luca is definitely not interested in a life eating passing bits of whale carcass and listening to Ugo’s stories in the dark, so he takes off. He and Alberto decide to go where they’re certain Luca’s parents will never look — the human town.

The human town, which is called Portorosso (on, as the Disney Wiki explains, the Italian Riviera; circa, based on music and television snippets, maybe 1950s-early 1960s?), is a bright and sunny place with a disturbing amount of fish-spearing imagery. The boys get a glimpse of a real Vespa, a thing of beauty owned by the boasting, bullying teen Ercole (voiced by Saverio Raimondo). Ercole turns his viciousness on Luca and Alberto when a ball Luca kicks accidentally hits Ercole’s scooter. Before Ercole can dunk them in the town fountain (which would make their sea creature secret visible to all), they are rescued by Guilia (voice of Emma Berman), a plucky red-haired girl who is Ercole’s fiercest competitor in an annual triathlon. Guilia has never won, in part because she has always competed alone in the swimming/pasta-eating/biking competition and tends to spend the bike ride puking, but she is determined to end Ercole’s reign of kid-terror.

The race comes with prize money — money, as Alberto and Luca figure out, that can be spent on a not entirely decrepit used Vespa — and the three kids decide to team up and work together to try to beat Ercole.

Luca is a truly beautiful movie with lots of bright sunny colors, both in the rendering of the sea creatures and in the richly illustrated vacation poster settings. It’s fun — with a sense of adventure and a kind of boisterousness that isn’t Peter Rabbit 2-style jokey but does keep the energy up. Luca’s thoughtfulness doesn’t weigh down its funness.

And there is a lot of deeper thinking going on here. As much as the blowhard Ercole is the movie’s main antagonist, the movie’s true villain is probably something like fear — fear of people who are different, fear of the unknown, fear that keeps you from standing up for someone. Learning how to deal with different types of fear and how to respond is the real quest that Luca goes on. He easily faces the parent-instilled fears of going to the surface, but other kinds of fears prove harder to navigate. There is also a bit about learning to be yourself and make decisions for yourself, not just following what parents or friends want but also figuring out how to make your own way while still keeping your parents and friends close. It’s a lot of stuff, some of it rather subtle, to be happening in one cartoon that’s not quite two hours long, but I feel like Luca does a good job of setting the scene for the things it’s putting out there for moviegoers to consider (moviegoers of all ages; as much as Luca and Inside Out are about kids, I always feel like there’s a good bit to consider for parents as well). The movie leaves you with good feelings and plenty to talk about without presenting pat answers to big “how to live life” questions.

Luca feels like a more subdued kind of Pixar movie than, say, the big extravaganza-like franchises of Toy Story or Cars. But it has that quality of a really good storybook, with lots of elements that will stick with you long after the movie is over. A

Rated PG for rude humor, language, some thematic elements and brief violence, according to the MPA on filmratings.com. Directed by Enrico Casarosa with a screenplay by Jesse Andrews and Mike Jones, Luca is an hour and 36 minutes long and distributed by Walt Disney Studios on Disney+.

The Hitman’s Wife’s Bodyguard (R)

Remember that Ryan Reynolds/Samuel L. Jackson/Salma Hayek movie from 2017? It was an action comedy that used shooting and swear words in a way that felt like they were placeholders for dialogue nobody got around to writing? Vaguely? Well that movie was called The Hitman’s Bodyguard and now it has a clunkily named sequel: The Hitman’s Wife’s Bodyguard.

And now I know I’m really back at the movies. For other films I’ve seen at theaters since March 2020 I was often at least as aware of my surroundings as I was of the movie itself. Or the movie I was watching was loaded with some kind of “the movie that will save cinema” importance. But with this movie, with this gloriously not-quite-good-enough-to-be-mediocre movie, I was just in a theater, frequently bored and regularly checking my watch. What, it’s only been five minutes? Sigh. And, just like that, a bit of normality returns.

That the 2017 first film (in what I really hope isn’t a franchise) was sorta half-baked and leaned too much on general loudness is something I only remember because I recently reread my review. I don’t think this movie expects you to remember all that much about plot or character. Generally: Michael Bryce (Reynolds) is a Type A bodyguard who lost his license and top shelf status due to the assassination of a client by Darius Kincaid (Jackson), a top-flight hitman. For convoluted reasons, Bryce (in the first movie) had to protect Kincaid so he could testify in a war crimes trial. Sonia (Hayek), Darius’s wife, is a con woman and just sort of loud and big in a way the movie clearly finds hilarious.

Here, a despondent Michael, still unable to regain his bodyguard license, is advised to take a violence-free sabbatical and therefore goes to Italy to relax by the ocean and think self-affirming thoughts. It’s there, with his eyes closed and noise-canceling headphones keeping out the sound of bullets flying and people screaming, that Michael is found by Sonia. As she’s chased by, er, I forget who exactly, she grabs Michael and drags him along with her. Darius has been kidnapped and she wants Michael’s help finding him. Micheal doesn’t want to help and is determined not to handle any guns or perpetrate any violence but he eventually goes along.

Meanwhile, discount Bond villain Aristotle Papdopolous (Antonio Banderas) is trying to steal the information that will allow him to plunge all of Europe — except for Greece — into chaos by destroying its power grid. Interpol, in the form of a Boston detective (or something? He mentions Boston a lot, it’s weird) named Bobby O’Neill (Frank Grillo), is trying to chase down the group behind an attack on the power grid in Croatia, which was a sort of demonstration for Aristotle. When Darius gets mixed up with (and then kills) someone O’Neill was using as an informant, O’Neill uses the threat of arrest to force Sonia, Darius and Michael to be part of a sting to capture a MacGuffin that will lead them to Aristotle.

This movie doesn’t take itself all that seriously and occasionally leans in to the absurdity of its characters and story just enough to have a moment of cleverness or genuine (stupid but enjoyable) humor. A lot of other times, though, it just hangs a whole scene on, like, Samuel L. Jackson’s laugh or Salma Hayek spinning off in high-energy anger. This movie’s three leads are very much reduced to their one or two character actions — Hayek is basically a violent tornado or weirdly trying to be motherly, Jackson is being “a Samuel L. Jackson character” and Reynolds is doing a flatter, more anxious turn of his Deadpool patter. You get the sense that somebody wanted to shoot a movie in Italy and then this sequel was sort of reverse engineered from there. This movie has car chases and characters shooting at people in helicopters and yet it frequently feels slow; it’s only an hour and 39 minutes long but it often feels like it is just grinding through those minutes like a weak blender through large chunks of ice and frozen strawberries, never quite making it to smoothie territory. C-

Rated R for strong bloody violence throughout, pervasive language and some sexual content, according to the MPA on filmratings.com. Directed by Patrick Hughes with a screenplay by Tom O’Connor, Brandon Murphy and Phillip Murphy, The Hitman’s Wife’s Bodyguard is an hour and 39 minutes extremely long and distributed by Lionsgate.

Featured photo: Luca

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